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Collection

Albert D. Noble, Jr., Glass Negatives Collection, 1885-1910

92 glass plate negatives, 33 photographic prints, 1 CD-R, 2 clippings

The Albert D. Noble, Jr., glass negatives collection consist of 92 glass plate negatives made by photographer Albert D. Noble, Jr. as well as 33 photographic prints, 2 newspaper clippings, and a computer disk with 180 digital images (including additional photographs by Noble, Jr. and copies of older family portraits).

The glass plate negatives are contained in two boxes and include images of Noble, Jr.'s childhood home in Grand Rapids and other private residences and public buildings in the area as well as views taken in Detroit of Noble, Jr.'s family's Christmas decorations, community ice skating, bicycling in the countryside, rural buildings, and regional parks including Belle Isle Park. The majority of images depict people, activities, and scenes from summer vacations to places like Orchard Lake and Upper Straights Lake; a group visit to the French Lick Springs Hotel in Indiana in 1902; views from the Pan-American Exposition in Buffalo, New York in 1901 (misidentified in Bayard C. Schoettle's publication Glass Negatives: Albert Dewitt Noble, Jr. as an event based in Grand Rapids); and numerous studio portraits of family members, acquaintances, and the noted elocution teacher Edna Chaffee Noble (no relation to Noble, Jr.). The glass plates are in a variety of sizes (16.5 x 21.5, 12.5 x 20.5, 11.5 x 16.5, and 10 x 12.5 cm) and each is stored in individual paper slipcases. Some but not all of the splipcases provide information regarding an image's subject matter. Most of the plates are in good condition, with only a few displaying cracks and none being broken. 33 photographic prints (31 unmounted and 2 mounted) are also present and include an image of several cows near a body of water, two mounted albumen prints of "Orchard Lake Cottage," two silver platinum prints showing an unidentified house and a sailboat, 16 unmounted gelatin silver prints showing various domestic, industrial, social and architectural scenes (most of which are represented in the glass negatives), and a series of 11 unmounted snapshots and 1 negative transparency showing scenes from Roseland Park Cemetery and the gravesite of Edna Chaffee Noble. Two newspaper clippings from the July 16 1899 Detroit Free Press Art Supplement related to Noble, Jr.'s second place finish in a photo competition are also included.

The CD-R accompanying the collection contains about 180 scanned images including all 92 of the glass plates present in the collection, approximately 75 additional photographs produced by Noble, Jr., and several photographs of trophies awarded to Noble, Jr., by the Grand Rapids camera club. The CD-R also includes images of early Noble family portraits that were scanned and retouched by Schoettle during his preparation for Glass Negatives: Albert Dewitt Noble, Jr.

Collection

Andrew W. Tanner Photographs, 1894-1909

15 linear feet (including 280 glass plate negatives and 2 videotapes)

Andrew Tanner was photographer, born in Missouri, who traveled about the United States. He lived for a time in Ann Arbor, Michigan and on Coryell Island (part of the Les Cheneaux Islands) in Michigan's Upper Peninsula. The collection consists of glass plate negatives of images taken while in different parts of the United States and Mexico.

The Andrew Tanner Photograph Collection includes glass plate negatives from his travels across the United State and in Mexico in the late 19th and early 20th centuries. Images in the collection demonstrate in a vivid way life in the United States, the natural environment, and the photographic processes of the time. The plates are in excellent condition and images are of very good quality. Tanner's original plate numbers are indicated on the slides, and where known, are indicated on the sleeves containing the plates; some plates were also assigned numbers by their intermediate owner, Jack Kausch, and, where known, these are also indicated on the envelopes. The images in the collection (14 boxes) date from 1894 to 1909, and are organized into three series: 5x7 Plates, 1894-1909 (13 boxes), 8x10 Plates, ca. 1900 (1 linear foot), and Miscellaneous (1 linear foot).

Collection

William A. Lewis photograph collection, ca. 1850s-1980s

approximately 1,530 items in 12 boxes

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

Series I: General Subjects
  • Airships (11)
  • Bridges (69)
  • Civil War I--stereographs (91)
  • Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
  • Disasters (49)
  • Expositions (24)
  • Industry & Labor (89)
  • Miscellaneous (23)
  • Portraits (109)
  • Railroads (62)
  • Ships (80)
  • War (30)
Series II: Views, U.S.
  • Alaska (47)
  • Arizona (3)
  • California (20)
  • Colorado (2)
  • Dakota (4)
  • District of Columbia (50)
  • Florida (2)
  • Hawaii (1)
  • Illinois (17)
  • Iowa (2)
  • Maine (8)
  • Maryland (27)
  • Massachusetts (20)
  • Michigan (31)
  • Missouri (3)
  • New Hampshire (10)
  • New York (116)
  • Ohio (2)
  • Oregon (2)
  • Pennsylvania (16)
  • Tennessee (1)
  • Texas (1)
  • Vermont (3)
  • Utah (3)
  • Virginia (6)
  • Washington (1)
  • West Virginia (1)
  • Wisconsin (2)
  • Wyoming (2)
  • Unidentified locations (35)
Series III: Views, Foreign
  • Austria (5)
  • Belgium (6)
  • Brazil (1)
  • Canada (3)
  • Cuba (5)
  • Czechoslovakia (1)
  • Egypt (5)
  • England (21)
  • France (43)
  • Germany (14)
  • Greece (1)
  • India (2)
  • Ireland (4)
  • Italy (22)
  • Japan (3)
  • Mexico (1)
  • Miscellaneous (31)
  • Monaco (4)
  • Netherlands (1)
  • Norway (3)
  • Palestine (5)
  • Panama (41)
  • Puerto Rico (3)
  • Scotland (10)
  • Spain (2)
  • Sweden (2)
  • Switzerland (9)
  • Turkey (1)
Series IV: Objects
  • Keystone Alaska and Panama views, set box (1)
  • Stereoscope (1)
Items of particular interest include:
  • Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
  • Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
  • Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
  • Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
  • Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
  • Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
  • Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
  • Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
  • Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
  • Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
  • A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
  • A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
  • Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)