Collections : [University of Michigan William L. Clements Library]

The Abigail Clark Farley collection is made up of essays, poetry, letters, and fiction that Farley wrote around the 1860s and 1870s. Topics include slavery, the Civil War, Seventh-day Adventists, and the state of Wisconsin.

The Abigail Clark Farley collection is made up of approximately 150 pages of essays, poetry, letters, and fiction that Farley wrote around the 1860s and 1870s. Some individual items contain more than one work, and she occasionally practiced decorated penmanship. The lengthiest item is a story entitled "Slander," a 52-page work (pages 5-8 are not present), and other essays or letters are as long as 4 pages. Though most items are attributed to Abigail Clark (later Abigail Farley), some are excerpts from other sources, such as "The Narative of Lewis Clark" [sic].

Around the time of the Civil War, Farley wrote essays expressing her opposition to slavery and her feelings about the war's high death toll. In many letters, poems, and essays, she commented on Seventh-day Adventism, various religious and moral topics, and friendship. Other essays and copied poems concern nature and the geography of Wisconsin. A group of elegiac poems are accompanied by genealogical notes. The collection includes a brief biographical note about Queen Victoria.

Abigail Farley's letters include an item written under a male pseudonym chastising a female acquaintance for unbecoming behavior (October 7, 1865) and a letter to Ellen G. White about her new husband's abusive behavior (March 28, 1871). One manuscript concerns a prophecy that came to Quaker minister Joseph Hoag. Small ink drawings of birds appear on one page of poems. One item documents partial terms for Abigail Clark's employment as a penmanship instructor. The collection includes recipes for lemon pies, rheumatic drops, several kinds of cake, and nerve ointment.

This collection is made up of manuscript essays and writings, original artwork, and printed proof sheets by Edwin Whitefield, an artist who specialized in bird's-eye views and landscapes in North America. The manuscripts largely concern Whitefield's travels in Minnesota, Wisconsin, and the Dakota Territory, as well as Whitefield's interest in the Bible.

This collection (approximately 200 items) contains 24 manuscript essays and writings, original artwork (approximately 40 items), and around 140 printed proof sheets by artist Edwin Whitefield between the 1840s and 1880s. The collection also includes 2 autograph albums that Mabel Whitefield kept between 1876 and 1883.

The Manuscripts series (24 items) contains essays, charts, notes, and fragments; a draft of Edwin Whitefield's The Bible Its Own Interpreter; and 2 autograph albums kept by Mabel Whitefield. The essays mainly relate to Whitefield's travels in Wisconsin, Minnesota, and the Dakota Territory in the 1840s and 1850s; Whitefield described landscapes, and some of his writings refer to specific drawings. A series of essays concerns immigration to Minnesota, including several short pieces about opportunities for settlers. Whitefield's other writings include an argument for increasing workers' wages; a letter about his son's conduct; notes about the Bible; 2 manuscript tables of the populations of major U.S. cities at each national census between 1790 and 1890; and a copied extract from the Encyclopedia Britannica about Moses.

Edwin Whitefield's The Bible Its Own Interpreter manuscript (approximately 220 pages) is made up of notes and clippings about passages from scripture and Biblical subjects. The volume contains a preface, index, and printed title page. Mabel Whitefield kept her 2 autograph albums, which contain inscriptions and poetry from family and friends, between 1876 and 1883.

The Original Artwork series is made up of Edwin Whitefield works, including 2 oil paintings; approximately 35 graphite, ink, and watercolor sketches; and 2 sketchbooks. One oil painting (1885, 20"x16") is a country landscape with a man herding cows over a bridge. The other painting (undated, 30"x20") is a mountain landscape, with a man and cows resting beside a river or lake. Approximately 35 individual graphite, ink, and watercolor sketches depict houses, bridges, landscapes, and buildings. Whitefield identified many of the views as locations in Massachusetts and New Hampshire. Edwin Whitefield's 2 sketchbooks contain illustrations of buildings, persons, and bird's eye views of cities and landscapes.

The Printed Items series includes proof sheets from the 1880, 1882, and 1889 editions of The Homes of Our Forefathers (approximately 75 colored or tinted lithographs), approximately 65 colored lithographs of botanical specimens by Whitefield, and one printed view of Newburyport, Massachusetts.