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The Isaac Oliver Best manuscripts are post-war reminiscences that combine personal experience, anecdotes, and secondary source information in relating the critical campaigns of the Union Army in the spring and summer of 1864.

The Isaac Best manuscripts were prepared in the 1880s or 1890s for the veterans organizations of the 16th and 121st New York Infantry Regiments. These include three extended essays, "Sheridan in the Shenandoah" (F6:1a), "The Siege and Capture of Petersburg" (F6.1b), and "Through the Wilderness with Grant" (F6.1c).

These essays are clearly-written post-war reminiscences in the grand old style of the Grand Army of the Republic, and contain both personal, anecdotal information about the incidents gathered first-hand, and information undoubtedly gathered from secondary sources. They focus on the critical campaigns of the spring and summer of 1864, after the arrival of Ulysses S. Grant both bathed the soldiers in blood and revitalized the hopes of the Army of the Potomac.

"Sheridan in the Shenandoah" includes a rapid, second-hand narrative of the struggle for the Valley in 1862 and 1863, and Best's personal recollections of the fall campaign of 1864. Particularly noteworthy are his accounts of the 3rd Battle of Winchester and Fisher's Hill, and a very detailed account of Cedar Creek. As an aside, Best comments that the importance of "Sheridan's Ride" has been much overplayed, and argues that much of VI Corps was not in flight and had never been broken at all. While he reserves praise for Sheridan, he argues that the emphasis on the importance of the ride robbed Gen. Horatio Wright of his due. Best also offers his analysis on the role of morale in shoring up the efforts of the armies.

"The Siege and Capture of Petersburg" is an attempt at a comprehensive retelling of the major events of the siege of Petersburg from the end of the Battle of Cold Harbor through the end of the war. Best witnessed the long, drawn-out battles in front of Petersburg during the summer of 1864, including the disaster at the Crater, and the several attempts to circumvent the Confederate defenses during the following winter. In 1865, it appears that Best was assigned to Sheridan's command during his final raid into Northern Virginia.

The essay "Through the Wilderness with Grant" includes detailed accounts of the Battle of the Wilderness, Spotsylvania, North Anna River, and Cold Harbor, nearly all written from Best's recollections, including seeing several close friends killed. The end of the essay includes a generally positive appraisal of Grant's strategy.

From about 1860 through at least the end of the Civil War, Samuel C. Taylor worked as a salesman for the Philadelphia clothing firm of Charles Stokes & Co. The 1863 portion of his journal contains almost daily entries between February and May, vividly describing his travels from Philadelphia to Memphis and social life in Memphis during the Civil War. The 1890 portion of the journal consists of seven humorous essays, which are highly stereotypical, possibly semi-fictional, depictions of life in the south.

The Taylor journal is a single, 3/4 leather-bound volume in two sequential parts, the first dated 1863, the second, 1890. The journal is probably a transcript made in 1890 or 1891 from the original, based on the style of binding and paper, and the continuity in handwriting and pen between the two dated parts. The 1863 portion, 260 pages long, takes the form of almost daily journal entries from the time of Taylor's departure from Philadelphia on February 16th, through his stay in Memphis, until his return to Philadelphia on May 16th, and is uniformly well written and interesting. It is a far more polished piece of writing than many journals, and may have been corrected or embellished at the time of its transcription. At its best, Taylor's prose has the feeling of Mark Twain's exuberant descriptions of life on the Mississippi, leavened with the cynical undercurrents of Melville's Confidence Man., and though it is brief, covering only a four months' residence, the journal is a valuable social record of life in wartime Memphis as seen by a person come to take advantage of the quick money to be made. Taylor has a preference for the "colorful" aspects of life in Memphis, and includes vivid descriptions of the shoddy accommodations, the venality and corruption, rampant violence and crime, and of soldiers, prostitutes, rebels, drunks and rowdies. Throughout, he displays an eye for the telling detail, a good sense of humor, and an unerring flair for making a good story out of difficult circumstances.

Among the several highlights in the journal is an excellent description of the steamboat trip to Memphis, during which a "Jewish" swindler/gambler managed to con his way out of several tight spots by his using his wits and his finesse with cards. Once in Memphis, Taylor provides memorable descriptions of the city in all its war-time depravity, and vivid accounts of long lines of ragged, worn-out soldiers marching in to town, of murder, robbery and charlatanism, of prostitutes and drunks shouting and shooting in the streets, and of the characters, like himself, who have descended on the city to turn a quick profit, legally or illegally. Taylor was somewhat less accomplished in his poetry, though his poem about life in Memphis during the war is an amusing, sarcastic look at the closet secessionists of the city, Memphis' cheerless, malattired women, crime, and the amusement he occasionally found, including listening to the "darkies" singing. One quatrain summarizes his attitudes well: "What an awfull place to live in / Now I'll stop or freighten you (sic) / Yet upon my word of honor / What I've written you is true" (p. 106).

Taylor's attitude toward Jews, synonymous with swindling merchants in his mind, and African-Americans is highly stereotyped. He is, however, somewhat sympathetic toward slaves and freedmen even as he is willing to have a laugh at their expense. In Memphis, he attended a religious service for freedmen delivered by a mulatto preacher named Revels. Taylor was genuinely moved by the sermon, and seems to have agreed with its message. He is also somewhat sympathetic with the "contrabands" he sees being trampled by Union soldiers, or boating up river, half-dressed and hungry to a mission in Missouri. In general, though, Taylor is inclined toward a cynical view of strangers, and is always on his guard for the cons and crooks that were abundant in Memphis.

The 1890 portion of the Taylor journal consists of seven humorous essays, which are highly stereotypical, possibly semi-fictional, depictions of life in the south. They include:

1. "Sketches from the South," (Chattanooga, April 3, 1890: p. 263-268)
2. "A Kentucky Wheelman," (Louisville, Ky., April 20, 1890: p. 269-271)
3. "A Hodoo Doctor" (Birmingham, Ala., April 30, 1890: p. 272-275)
4. "The Negro Drill Workers" (Memphis, Tenn., May 2, 1890: p. 276-279)
5. "The Georgia Cracker, The Alabama Razor Back" (Atlanta, Ga., May 10, 1890: p. 280-284)
6. "New Orleans, La." (May 20, 1890, New Orleans: p. 285-293)
7. "Pensacola, Florida" (September 20, 1890, Pensacola: p. 293-295)

These essays are the interesting products of a talented writer, who, though sympathetic observer of southern society, is nevertheless mired in the ingrained attitudes and prejudices of his day. In the first essay, Taylor discusses the phenotype of African-Americans and the several "clases or sets" that comprise the African-American community in the South, from the rich, to the merchants, mechanics, drill men, tramps and the "poor old uncle." "The hoodoo doctor" and "The Negro drill workers" are somewhat longer essays along the same lines, and are written as first hand experiences. In "A Kentucky wheelman" and "The Georgia cracker, the Alabama razorback," Taylor turns his eye to the poor white community in the deep South, and paints a dismal view of the state of their culture. Essays 3, 4, and 5 also include crude, pen and ink illustrations of the subjects of the essay.