Search

Sketch book of scenes along the St. Lawrence River and the University of Michigan campus.

Sketchbook, 1855-1856 The original of the sketchbook is located in the library vault; the use copy (photocopies) is located in Aa/1 Cropsey. A master negative microfilm of the sketchbook is available for staff use only.

The Cropsey paintings include The University of Michigan campus, 1855 and The Detroit Observatory of the University of Michigan, 1855. Originals of both are on display in the library director's office. Digital files scanned from copy negatives are available online.

The Cropsey drawing is a pencil sketch of The University of Michigan campus, 1855.

This collection contains letters written and received by members of the Jewett and Mack families of Pennsylvania and New York in the early to mid-19th century. Alfred Wolcott Mack and his wife, Betsey Jewett, wrote and received a majority of the correspondence, which relates to topics such as farming in western New York, family health, and other family news.

This collection contains 24 letters written and received by members of the Jewett and Mack families of Pennsylvania and New York in the early to mid-19th century. Alfred Wolcott Mack and his wife, Betsey Jewett, wrote and received a majority of the correspondence, which relates to topics such as farming in western New York, family health, and other family news.

The first item is a letter that Nathan Jewett wrote to his wife Electa while working in Boston, Massachusetts, in 1809; other early material includes personal letters between members of the Mack family. Most items dated after 1840 relate to Alfred Mack and his wife, Betsey Jewett. In a letter to his wife, Mack described and drew a piece of property located near Phelps, New York, where the couple considered moving in September 1842. After moving to Barre, New York, in 1843, Betsey Jewett Mack corresponded with her parents in Brooklyn, Pennsylvania. Betsey and Alfred Mack discussed their lives in Barre and commented on local farming methods and economic conditions; in the mid-1840s, they also wrote about their efforts to locate and purchase a different farm. Electa Jewett occasionally provided family and social news. Betsey and Alfred Mack's daughter Ellen also wrote 2 letters to her grandmother; in one undated letter, she enclosed a drawing of a piano.

Other correspondence includes a letter Nathan Jewett received from his brother-in-law, Dana Fox, who described an incident in which he believed he had been possessed by Satan (May 15, 1845), and a letter to Betsey Mack from a cousin, L. M. Mack, who enclosed a cut-out woman' silhouette (June 9, [1852]).

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album-like entries in German (Kurrentschrift), French, and English.

This combination sketchbook and scrapbook belonged to J. F. Beyer, an immigrant from Germany who moved to Worcester, Massachusetts, sometime in the 19th century. The volume contains pencil sketches, pasted-in newspaper and other types of clippings, autographs and friendship-album like entries in German (Kurrentschrift), French, and English.

The newspaper clippings appear to be mostly from Worcester, Massachusetts, and contain a variety of topics ranging from social events to poetry, local news, and more. A clipping dated December 18, 1882, celebrates the Turn Verein Society's new hall, and another undated clipping describes a hot air balloon basket being woven by J. F. Byer for an upcoming marriage.

Much of the artwork within the volume is signed, and many signatures also feature the word "Basel." Of the two Stevengraph woven pieces, one is of the Pope (dated 1846) and one features a woman with the name "Halle.Hoffmann.Basel" at the bottom. Many of the sketches are of houses with trees or flowers nearby, and some are more pastoral in nature.

John Morison of Windham, New Hampshire, compiled this mathematical cypher book, containing extensive notes and practice problems on sailing, surveying, trigonometry, accounting, weights and measures, arithmetic, algebra, fractions, decimals, geometry, geodesia, and navigation. Many of the signatures are of different-size paper and stitched together using different thread. The final signature is upside down from the rest of the volume and contains penmanship practice, poetry, a song, scattered family names, miscellaneous figures, and drawings (including a windmill).

John Morison of Windham, New Hampshire, compiled this mathematical cypher book, containing extensive notes and practice problems on sailing, surveying, trigonometry, accounting, weights and measures, arithmetic, algebra, fractions, decimals, geometry, geodesia, and navigation. Many of the signatures are of different-size paper and stitched together using different thread. The final signature is upside down from the rest of the volume and contains penmanship practice, poetry, a song, scattered family names, miscellaneous figures, and drawings (including a windmill).

• Cases [these pages are severely damaged along the foredge with loss to significant text]
• Division of Coin, Weights &c [these pages are severely damaged along the foredge with significant loss of text]
• Reduction descending & ascending [application of multiplication and division]
• Tare & Trett &c [weights and measures between vendor and customer]
• The Single Rule of Three Direct
• Rule of Three Reverse
• The Double Rule of Three Direct
• The Double Rule of Three Reverse
• Compound Proportion
• Simple Interest
• Compound Company
• Factor's Allowance
• Interest for Months ; For Weeks ; Interest for Days
• Rebate or Discount
• Equation of Payment
• Barter
• Profit & Loss
• Simple Company
• Exchange [currency exchange]
• Comparison Weights & Measures
• Alligation Alternate
• Double Position, or Negative Arithmetic
• Progression Arithmetical
• Geometrical Progression
• Permutation, or Changing the order of Things
• Vulgar Fractions & first of Reduction
• Addition of Vulgar
• Subtraction of Vulgar
• Multiplication of Vulgar Fractions
• Division of Vulgar Fractions
• Addition of Decimals ; Subtraction of Decimals
• Multiplication of Decimals ; Division of Decimals
• Reduction of Decimals
• Simple Rule of Three Direct in Decimals
• Practical Geometry
• Plain Trigonometry Rectangular
• Extraction of the Square Root &c &c
• Extraction of the Cube Root
• Surveying &c. &c. &c.
• Mensuration Surveying &c.
• [Draft of a legal document related land/labor]
• Algebra
• Numerical Algebra
• Evolution of Whole Quantities
• Fractions
• Evolution of Fractional Quantities
• Addition & Subtraction of Surd Quantities ; Multiplication of Surds ; Involution of Surds
• Reduction by Involution
• Of Analyses, or the Method of Resolving Problems
• Practical Geometry
• Plain Trigonometry Rectangular
• Plain Trigonometry Obliquangular
• Plain Sailing the First Part
• Plain Sailing the Second Part
• Traverse Sailing
• Oblique Sailing
• Mercator's Sailing
• Middle Latitude Sailing
• Geodesia or Surveying [with a landscape cross section, a sketch of a field, and a sketch of a tower]
• Alimetry & Longimetry [with one sketch of a tower in a field, a sketch of a windmill, large building, and tree]
• Variation of the Compass
• Dialing [with one sketch of a horizontal dial]

• Penmanship practice, repeated copies of: "Know all men by these Presents that I John morison of the Perish of Windam", "ten things A Penman should have Near at Hand" [sadly, the ten things are not listed], and "from thy Desk to keep thy breast from harm upright thy head", and others.
• Multiplication table and many miscellaneous scribbled mathematical notations and problems.
• Some poetry and many partial words, family names, and letter practice.
• "[New?] Song with its own tune Prented 1764" on a relationship separation in which the man was scorned by the woman, but then on her remorse they reunited.

This collection consists one bound volume including both financial receipts and sketches. The first part the volume contains 38 pages of receipts of payments from John Sunnocks to various people he had transacted business with in the late 18th century. The rest of the volume contains sketches circa 1880, attributed to Newbold Hough Trotter, an American artist known for his work illustrating natural landscapes and animals.

This single bound volume includes both financial receipts and sketches. The first part the volume contains 38 pages of receipts of payments from John Sunnocks to various people he transacted business with in late 18th century Philadelphia. The next approximately 150 pages contain sketches attributed to Newbold Hough Trotter, an American artist known for his work illustrating natural landscapes and animals. The second half of the volume is unused.

It is likely Newbold came into possession of the book through his wife, Ann Trotter. Ann's great-grandfather, William Dawson, was named executor of John Sunnock's estate at the time of his death in 1793. This is noted in some of the last receipts in the volume.

The receipts date from June 20, 1792 to January 31, 1801 and are written by the individual receiving the payment or by John Sunnocks, or someone on behalf of John Sunnocks, and signed by the individual receiving payment. The currency shifts between pounds and dollars, and some receipts are exchanges of said currencies. The receipts vary in specificity. Many relate to his business as a trunk maker, for goods and services such as animal skins, lumber, and freight. Other expenses shown are taxes, rent, and military fines. Some of the more recurring businesses and individuals found in these receipts are as follows: Moses Levy (attorney), John Field & Son (merchants), Andrew Tybout (merchant), Roberts & Twamley (ironmongers), Abbot & Barnes (curriers), David Moffat (sea captain), Daniel Drinker (merchant), and William Watson (sea captain).

The sketches are in pencil and undated. They mostly depict animals, including many images of lions. Other drawings/scenes include profile portraits of men and women, a man hunting, a ship at sea, and a man presenting artwork. A few drawings appear to have been done by a child.

Urban planning specialist. Reports, sketches, and other material relating to the development of the Willow Run Bomber Plant area in Wayne County, Michigan, during World War II; studies of the proposed Detroit Civic Center, 1952; also papers concerning his later work as planning director in Santa Clara County, California; letter from Frank Lloyd Wright; and sketchbooks with drawings and watercolors of buildings and scenes in Europe, the United States, and Taiwan; also photographs of Belser.

The King's Own Borderers photograph album is a 54 page, 23.4 x 15.5 cm embossed leather bound album containing portrait photographs of individuals and groups associated with the Stoney family and the British army's 25th Regiment of Foot known as The King's Own Borderers. The images are cartes de visite, with some larger albumen prints and tintypes interspersed. The album contains a wide variety of other visual materials including photographic prints of artwork, pen and ink drawings, calligraphy, newspaper clippings, printed cartoons, and greeting cards. The cover of the album is inscribed "G. Ormond Stoney/King's Own Borderers/5th July 1864." The album appears to have evolved over time in several different stages.

The King's Own Borderers photograph album is a 54 page, 23.4 x 15.5 cm embossed leather bound album containing portrait photographs of individuals and groups associated with the Stoney family and the British Army's 25th Regiment of Foot known as The King's Own Borderers. The images are largely cartes de visite, with albumen prints and tintypes interspersed. The cover of the album is inscribed "G. Ormond Stoney/King's Own Borderers/5th July 1864." The album contains a wide variety of other visual materials including photographic prints of artwork, pen and ink drawings, calligraphy, newspaper clippings, printed cartoons, and greeting cards. The album appears to have had at least three different stages of construction. The first as a traditional 1860s carte de visite photograph album kept by its namesake G. Ormond Stoney (hereafter referred to as Ormond) comprised of photographs of family members interspersed with related newspaper clippings.

The album appears to have been revised with significant additions in the 1870s-1880s, including more photographs of family members as well as commercial photographic prints. The majority of those represented were army officers, with Anglican priests and politicians; many being contemporaries and associates of Ormond's father, George Butler Stoney (1819-1899). Clipped autographs of many are included beneath the photos and appear to be from correspondence to George Butler Stoney.

Various clues to point to Ormond Stoney's sister Jane (Janie) Stoney Smith as a contributor to the album. Not only is she frequently represented in the album, but the album has several pictures of her husband Arthur Smith and his family--many more so than any other family that married into the Stoney family. Arthur and Janie married on September 19, 1867--the same date on the autograph posted under Arthur's picture. Arthur died in 1870 leaving Janie a pregnant widow with a young son, Herbert (see p.24 for his portrait), and an even younger daughter, Ethel Maud. Newspaper clippings around the portrait of Arthur on p.13 mention his death as well as the birth of Herbert and Ethel, though not of Florence, the youngest daughter. Although Jane's two daughters are not represented in the album, on page 44 it appears that at one point a photograph of both of her daughters was extant.

While Jane's younger sister Wilhelmina married Colin McKenzie Smith, another son of William Smith, she did not do so until 1889. The focus on Janie's husband Arthur and their children, suggests Jane rather than Wilhelmina as a significant contributor to the album.

George Ormond's wife Meylia has not been identified in the album and may not be present, however, her father, Sinclair Laing is represented. Laing appears to have been a correspondent with George Butler Stoney.

At some later date, likely in the late 19th century, decorative gold painted borders were added, along with chromolithograph stickers, known as "scraps." These include a series illustrating Robinson Crusoe. Unlike the earlier additions which point to Janie Smith, these later additions might have been the work of a child playing with what would have been a 30 year old album. The gold paint overlapping earlier items (see p. 28 for example) suggests a later date, as do the "scraps" made popular after 1880. The seemingly random nature of the placement of the "scraps" is quite the opposite of the carefully placed and planned addition probably done by Janie Smith.

Of the children represented in the album, three of them would be killed in World War One: Thomas Ramsay Stoney (1882-1918), George Butler Stoney (1877-1915), and Herbert Stoney Smith (1868-1915).

• Two group portraits of young men in military uniform, presumably with George Ormond present in both photographs (p.2, and back inside cover).
• A portrait of a dog that if viewed from another angle appears to be an individual with a disfigured face (p.7).
• A commercial carte de visite of a Zulu warrior identified as King Cetewayo (likely incorrect, the chief of the Matabele) (p.41).
• A portrait of Napoleon, Prince Imperial, in his military uniform ca. 1879 before he died in the service of the British Army during the Anglo-Zulu War (p.40).
• A print of Rosturk Castle in County Mayo, Ireland (p.47).
• A retouched portrait of a dog posed with a military hat, cane and pipe. (p.23).
• An 1873 program for an "evening reading" of two different farces, "Little Toddlekins," and "The Dead Shot," done to raise money for Mrs. Palmer, the retiring battalion nurse (p.53). On the outside of the program is a print of Portland House, a manor owned by members of the Stoney family.

Danish-American Modernist architect, designer, author, educator, and photographer. Lönberg-Holm also taught at the University of Michigan (1924-1925, 1948-1951) and often closely collaborated with University of Michigan professor C. Theodore Larsen. Includes correspondence; various kinds of drawings, publications, and photographic material; and topical files.

The Knud Lönberg-Holm papers primarily document the professional life and career of Knud Lönberg-Holm, a Danish-American Modernist architect, designer, author, educator, and photographer known for his information design work and unique photography of vernacular architecture and various American cities. The collection also includes a small amount of material related to Lönberg-Holm's personal life, family, and death.

Material is dated from approximately 1908-1977 and includes publications, drawings, correspondence and correspondence files, a wide range photographic material, and topical files.

The Laidley family papers consist of letters written by members of the Laidley family regarding family news, politics, and life in the military. The collection also contains fiction written by William Sydney Laidley, a travel journal, legal documents, photographs, and genealogical materials.

The Laidley family papers are comprised of letters, a travel diary, miscellaneous documents, creative writing, genealogical materials, business cards, newspaper clippings, and photographs.

Correspondence: The bulk of the letters are from Theodore T.S. Laidley to his father, John Osborne Laidley, between 1838 and 1861. The collection also contains letters from Theodore to his brother William Sydney Laidley, and letters from various friends and family members, including Amacetta Laidley and George W. Summers, to John Osborne Laidley.

Theodore's early letters describe his life at the United States Military Academy at West Point. After graduating from West Point, Theodore spent time at the Watervliet Arsenal near Troy, New York. He wrote to his father monthly about military life, his enjoyment of New York State, and his health. Theodore took an interest in politics, and was very much concerned about bills, policies, and appointments that he felt were detrimental to the future of the army.

Letters from Theodore contain news about his family, his wife's family, and their health. He also wrote to his father with advice about his siblings. Fewer letters exist from the other Laidley children, and Theodore refers to them being infrequent correspondents. Amacetta did write her father from Washington, recounting politicians and writers she had met. Amacetta's husband, George W. Summers, wrote to John Osborne Laidley about legal matters and his future in politics. Laidley's friends and children wrote frequently about faith and church matters. Following John Osborne Laidley's death in 1863, the bulk of the letters are from Theodore Laidley to his brother, William Sydney Laidley.

Diary: The travel diary is the record of an unidentified family member's journey from Charleston, West Virginia, to Cincinnati, Ohio, in 1879. It contains several pencil drawings including sketches of bridges, a ship, the Chesapeake Bay, and a chandelier.

Documents: The miscellaneous documents consist of receipts, a bill of sale, and a deed.

Creative Writing: The creative writing series contains two poems and a short novel of the Civil War written by William Sydney Laidley.

Personal and Genealogical Materials: The personal and genealogical materials consist of Thomas Laidley's report cards, including some from West Point, a large family tree, information about individual family members, and records of births, deaths, and marriages.

Business Cards: The business card series is made up of the business cards of Theodore Laidley and William Sydney Laidley. William Sydney Laidley's business card features a pencil drawing of an infant on the reverse.

Newspaper Clippings: The collection includes two newspaper clippings. The first is a report of the sinking of the steamer Sultan and the death of Sarah Laidley Poage. The second is a report of a trip to Europe by a member of the Laidley family.

Photographs: The photographs series is composed of three photographs, including two of William Sydney Laidley and one of an unidentified member of the Laidley family.

Records of the Law School document the evolution of legal education at the University of Michigan as well as tenures of various deans and faculty. Documentation includes historical and class files; student organizations and activities; planning and construction of Law School buildings; information on William W. Cook and his bequest; topical files; deans' correspondence; reports and minutes. Also included are materials related to the Thomas M Cooley and William W. Cook lecture series and portraits of faculty and students, photographs of activities of the Judge Advocate General's School held at the Law School during World War II, the construction of the Law Quadrangle and Law Library addition, and student activities.

The Law School Records begin in 1852 and span the years through the end of the twentieth century. The records document the history of legal education at the University of Michigan, the administration of the Law School, and the lives of some of the scholars who have studied and taught there.

The physical arrangement of the records reflects the various accessions of material that have been received from the Law School over the years. This finding aid is structured to reflect the intellectual organization of the records - continuing series and like materials have been brought together regardless of when the records were transferred to the library. The Summary Contents List provides and overview of the organization of the records.

There are eight major series in the record group: Historical and Class Files (1865-1974); Deans of the Law School (1852-1999); Faculty Files (1859-1994); Student Files (1894-1996); Law Quadrangle and William W. Cook, (1919-1938); Law School Lecture Series; Committee of Visitors and Audio/Visual Materials.