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The records of the Washtenaw Intermediate School District predate the formal establishment of the District in 1962. Most probably, these materials were transferred from individuals concerned with the history of education and schools in Washtenaw County or from other previous county units responsible for the schools. The records have been arranged into four series: Nineteenth Century records; Manuscript school histories; Annual Statistical Reports; and Maps. The Annual Statistical Reports were for the Washtenaw County Township Clerk. These volumes, dating from school year 1902/03 to 1924/25, provide detailed information about the schools in the townships of the county. Included is the name of child, name of parent or guardian, number of children by sex, attendance records, names of teachers, and budget and salary information.

The Weld-Grimké family album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. The photographs are almost all studio portraiture. While some of the individuals in the album have been identified (including Theodore D. Weld) the vast majority are unidentified.

The Weld-Grimké Family Album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. There are 52 photographs in the album, 46 of which are cartes de visite. There are also 6 tintypes, 2 of which are gem tintypes. The photographs are almost all studio portraiture of individuals ranging from infanthood to old age. One exception to this is a photograph of a satirical drawing of an unidentified individual playing some sort of instrument (loose photograph on page 49). Some of the individuals in the album have been tentatively identified with the majority unidentified. One photograph (on page 24) has been speculated to be a portrait of Charlotte Brown, an African-American servant of the Weld-Grimké family, but this has not been confirmed.

• Theodore Dwight Weld (page 1, page 20)
• William Hamilton (page 4)
• Sarah Weld Hamilton (page 5)
• Angelina G. Hamilton (page 6)
• William Hamilton Jr. (page 7)
• Llewellyn Haskell (page 9)
• Llewellyn Thomas Haskell (page 12)
• Louis Olcott Haskell (page 13)
• Elizabeth "Lizzie" Cram (page 21)
• William James Rolfe (page 22)
• Theodore Weld Parmele (page 27, page 34)
• Elizabeth Smith Miller (page 28)
• Ann Carroll Fitzhugh (page 29)
• George Walker Weld (page 30)
• Gerrit Smith Miller (page 35)
• Ruth C. Bodwell (page 36)
• Rena Louise Twiss (page 45)

• A photograph of a painting of the Empress Eugenie. (page 33)
• A portrait of Rebecca an escaped slave from New Orleans. (page 38)
• A photograph of a painting of Beatrice Cenci. (loose item on page 41)
• A portrait of actor Edwin Booth (page 40) brother of John Wilkes Booth.
• A photograph of a painting of "Little Samuel" based on the etching done by Samuel Cousins. (page 43)

In addition to this finding aid, the Clement Library has created a Photographer Index for the album, containing the names of all the photographers in the order that they appear in the album. This index also records any handwritten inscriptions that were found on the photographs.

Professor of pedagogy at the University of Michigan; chancellor of University of Nashville and president of Peabody Normal College. Correspondence and other papers concerning his activities in education and family matters.

The collection has been arranged into two series: Correspondence and Other papers. The correspondence dates from 1853 to 1933 and includes many letters addressed to his second wife Elizabeth Clark prior to their marriage. The Other Papers series concerns his activities as an educator and college president. Materials in this series include addresses, lectures, autobiographical and biographical volumes, personal account books, visual material, and other miscellaneous notebooks.

Livingstone was a Detroit, Michigan businessman, banker, and newspaper publisher. He was an advocate of improving shipping on the Great Lakes, helping to found the Lake Carriers' Association. Livingstone successfully lobbied Congress for funds to construct a channel in the lower Detroit River (the Livingstone Channel). The collection consists of manuscript and visual materials, some of which were collected by later family members. Included are diaries and account books, 1871-1882 (scattered) and 1925; correspondence and newspaper clippings; subject files pertaining to the Dime Savings Bank and the Lake Carriers' Association; and a speech book containing draft of speech written for James G. Blaine, presidential candidate in 1884. Visual materials include photographs and drawings.

The papers of William Livingstone consist of manuscript and visual materials, some of which were collected by later family members. The papers include diaries and account books, 1871-1882 (scattered) and 1925; correspondence and newspaper clippings; subject files pertaining to the Dime Savings Bank and the Lake Carriers' Association; and a speech book containing draft of speech written for James G. Blaine, presidential candidate in 1884. Many of the letters in the collection were personal communications sent to Marion Scherer from family and friends while she was away at school. Visual materials include family photographs and drawings. The collection is organized into three series, William Livingston Jr. Topical Files, Correspondence, and Visual Materials.