Search

Leon Makielski (1885-1974) was an American portrait and landscape painter who, in addition to maintaining a private commercial portrait studio, taught art at the University of Michigan (1915-1927) and the Meinsinger School of Art in Detroit. His portraits are listed in the Smithsonian Institution's Catalog of American Portraits. and many of the portraits depicting University of Michigan faculty and administrators are displayed in University buildings. This collection contains approximately 180 of Makielski's charcoal portraits, about a quarter of which depict University faculty and staff, and the rest of which depict a variety of subjects including doctors, prominent politicians and others.

This collection consists of approximately 180 charcoal portraits made by Leon Makielski between 1923 and 1961, with most dated between 1924 and 1931. About a third of the subjects of the portraits are former faculty and staff of the University of Michigan, where Makielski taught from 1915 to 1927. Other subjects include physicians, politicians, architects and golfers, among others. Notable subjects in the collection include Speaker of the House of Representatives Nicholas Longworth, Secretary of the Interior Ray Lyman Wilbur, Michigan governor Frank Murphy, Michigan State Supreme Court Justice Henry M. Butzel, Polish Ambassador to the United States Titus Filipowicz, and pro golfers Al Watrous and Walter Hagen. Many, though not all, of the portraits are signed. The collection also includes a spreadsheet identifying the subjects of the portraits and any known details about each of them (profession, association with the University, etc.).

The collection consists of letters and essays submitted to the editor of the United Service Journal for publication, principally regarding British naval and military matters.

The collection consists of letters and essays submitted to the editor of the United Service Journal for publication, principally regarding British naval and military matters. Topics range from naval architecture, technology, and weaponry, to histories of naval and specific military engagements and defenses of individual persons. The letters also regard such matters as the recovery of the HMS Thetis off the Brazilian coast, the attack on Pigeon Island, Martinique, in 1809, charities and education efforts, discipline (such as a court martial of Lieutenant Henry List Maw), piracy, smuggling, officer promotions, and military mortality in Canada. Several letters reference disagreements over articles published in the United Service Journal.

Lila Moran kept this notebook while a student in Norwich, Connecticut, in 1889. The bulk of the volume consists of compositions relating to British history and vocabulary terms and their definitions. Other content includes two drawings of women, a partial tracing of a hand, and directions for two supernatural rituals or games relating to predicting the future.

Lila Moran kept this notebook while a student in Norwich, Connecticut, in 1889. The bulk of the volume consists of compositions relating to British history and vocabulary terms and their definitions. Other content includes two drawings of women, a partial tracing of a hand, and directions for two supernatural rituals or games relating to predicting the future. They read:

"Start from bed and walk to the door reading 3rd. verse 3rd. chapter amor when you reach the door walk backwards to the bed still reading get in to bed backwards put the book under your pillow wish blow out the lamp without getting out of bed and go to sleep, you must sleep alone you will dream of your future husband"

"Put three saucers in a row put dirt in one a ring in another and watter in the other blindfold any body who wants to try it change the saucers round then lead the person up turn her round three times and stand her before the saucers which must be in a row then let her put her finger in one if she puts it in the one with watter in it she will take a voyag on the watter before a year if she puts it in the one with a ring in it she will be married before a year if she puts it in one with the dirt in it she will die before a year."

Two receipts and one bank notice for Samuel Moran of Norwich, Connecticut, dated between 1883 and 1905, are laid into the volume.

This collection contains materials relating to the Loomis family of Columbia, Connecticut, between the 1820s and 1890s, primarily concerning the education of the children Ormond P., Mary, Emily, Aurelia, and Dwight. Educational content includes penmanship exercises, cypher books, drawings, maps, and various mathematical and astronomical calculations.The collection also includes documentation of Ormond P. Loomis's teaching, classroom, and students for Fall-Winter 1829-1830. An estate inventory produced upon the death of their father, Elam Loomis, in 1855 is also present, as well as a partially completed family record. Several pieces of poetry, speech notes, and other writings by members of the Loomis family are also included.

This collection contains materials relating to the Loomis family of Columbia, Connecticut, between the 1820s and 1890s, primarily concerning the education of the children Ormond P., Mary, Emily, Aurelia, and Dwight. Educational content includes penmanship exercises, cypher books, drawings, maps, and various mathematical and astronomical calculations. Some of the illustrations and pen work are based on Eleazer Huntington's The American Penman and on "Aaron Yeomans Instructor." Two are datelined "Pine Swamp." The collection also includes documentation of Ormond P. Loomis's teaching, classroom, and students for Fall-Winter 1829-1830. An estate inventory produced upon the death of their father, Elam Loomis, in 1855 is also present, as well as a partially completed family record. Several pieces of poetry, speech notes, and other writings by members of the Loomis family are also included.

• Penmanship and Forms, beginning January 23, 1828 (11 pages) kept by Ormond P. Loomis, featuring elegant, different scripts and illustrations.
• Penmanship exercise by Ormond P. Loomis: "Duties of Men," February 21, 1828; with an illustration of an American eagle and shield, with an ornate oval border.
• "Miscellaneous Matters &c." cypher book with astronomical content by Ormond P. Loomis, March 20, 1828.
• Two loose sheets with illustrated projections and calculations for solar eclipses in 1831 and 1836, dated April 1 and 3, 1829, produced by Ormond P. Loomis.
• Penmanship exercise, with different versions of Ormond P. Loomis' name, phonetically spelled with Hebrew and Greek characters, May 31, 1828.
• Illustration of an American eagle with a shield and banner, made by Ormond P. Loomis 1828.
• Illustrations of modern winged cherubim, with a quotation beginning "O! Righteous! thou lovely thing!", made by Ormond P. Loomis on January 18, 1829.
• Sheet of penmanship practice by Ormond P. Loomis with quotations on verso respecting eloquence, and a statement "Andrew Jackson of Tennessee President!", June 1829.
• Illustrated projection drawn by Ormond P. Loomis of the moon's eclipse of September 2, 1830, dated March 20, 1829.
• Illustration of an eagle with a banner by Ormond P. Loomis in 1828.
• "Journal kept at the 3rd school District in the school society in Hebron", maintained by Ormond P. Loomis in 1829. Including a foldout of tabular information about daily school attendance by 10 students, and daily weather. Concludes with a statement about why Loomis decided to leave the profession of teacher. A separate list identifies male and female students in the School Society in Hebron by class status.
• Two sheets with miscellaneous astronomical calculations, canal lengths, and numerical Christian Bible information produced by Ormond P. Loomis in 1830 and 1831.
• Handmade, stab-sewn volume with poetry, literature, and biblical extracts kept by Aurelia Loomis between 1838-1841.
• "Appendix to Report on Free Schools," compiled in 1847, possibly by Dwight Loomis before his graduation from Yale Law School.
• Circa 1855 volume inventorying the estate of Elam Loomis.
• Letter from Dwight Loomis to Mary Loomis dated March 26, 1863, and a copy of correspondence between Dwight Loomis and Cyrus White including a riddle about white lies dated February 21, 1889.
• Circa 1890s bound volume of notes for a speech to the Burpee Post of the Grand Army of the Republic about the Civil War, possibly by Dwight Loomis, concerning memorialization of the Civil War dead, naturalization, suffrage, citizenship, patriotism and education.
• Undated manuscript map of England, Ireland, and Scotland drawn by Ormond P. Loomis.
• Newspaper clipping showing demographic information for the states and territories in the United States, [1822?].
• Two undated pencil sketches drawn by Emily Loomis of the exterior of buildings, including the "Mill at Hartford."
• Undated poem about Abraham Lincoln, "Hitch Your Wagon to a Star," possibly written by Dwight Loomis.
• Undated "Family Record" for the Loomis family with entries for family members and their birth dates. Includes record of Loomis P. Ormond's death.
• Undated cypher book kept by Mary Loomis with several patriotic and religious calligraphic exercises.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in England, France, Germany, and the Netherlands. Both journals have pencil drawings of people encountered and each doubles as a scrapbook with photographs, tickets, programs, and other ephemera.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in several European countries, and both used their journals as scrapbooks.

Louis G. Monté wrote daily diary entries between July 5, 1899, and August 26, 1899 (Volume 1, pages 5-73). He described his journey from Charlestown, Massachusetts, to England on the steamer New England and arrived on July 14. He saw the sights in London, England; Paris, France; Aix-la-Chapelle (Aachen), Cologne (Köln) and Düsseldorf, Germany; and Amsterdam and Haarlem, Netherlands. He often visited museums and commented on local architecture and customs. Monté's brief final entries pertain to his return journey from Antwerp, Belgium, to New York on the steamer Southwark. Monté also used his book as a scrapbook for photographs and ephemera (pages 1-4 and 1a-36a; not all pages are used), and he wrote notes about French, English, and German currency on pages 2-4. The book's endpapers and cover also have items pasted in, such as tickets, programs, advertisements, and other ephemera. Photographs primarily depict scenes and people in the Netherlands, and numerous drawings illustrate people he encountered during his European travels. Pages 21a-22a (Volume 1) contain an essay on English architecture.

The second diary (unattributed) covers the author's travels from August 3, 1899-August 16, 1899 (pages 1-33), with photographs, stamps, tickets, train schedules, and other ephemera interleaved with the journal entries (pages 34-55 and 1a-55a; not all pages are used). The author drew pictures of people and wrote notes. He visited the same locations as Monté and sketched a nearly identical image of a woman in Aix-La-Chappelle, Germany (Vol. 1, p. 19a; Vol. 2, p. 2). Most of the pasted-in ephemera items pertain to travels in the Netherlands.

Between 1879 and 1895, M. A. Markham of Lakeville, New York, composed 21 volumes of illustrated problems and solutions for games of checkers.

Between 1879 and 1895, M. A. Markham of Lakeville, New York, composed at least 21 volumes of illustrated problems and solutions for games of checkers. Checkers originally had 25 volumes, of which 21 are present: volumes 1-6, 9-14, 16-19, and 21-25. Volume 1 is divided between two books, and volumes 3-4 are written in the same book. Most individual volumes contain between 100 and 200 pages of illustrated problems and solutions, which Markham collected from a variety of sources, including newspaper columns. Pictures of game boards with pieces in various positions are grouped together, and solutions frequently appear several pages later, written in the game's notation. Each volume has an index. Many volumes are subdivided into several parts, and headings are decorated with colored ink drawings of landscapes and buildings. Clippings with engraved portraits and biographical information about famous checkers players are pasted opposite most volumes' title pages.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

The first page is inscribed "Marion Shipley's Picture Book. Naval Academy, November 1898," and is followed by a section of drawings and collaged scenes. The collages include colored pencil drawings of the exterior of residences and gardens; a river scene with boats, bridges, and monuments; a church; a tent (an exhibition tent?); a circus; a kitchen; and living rooms. These have printed clippings of animals, furniture, boats, women and children, crowds, circus entertainers, cars and wagons, and vegetation pasted in. One loose page tipped into the volume is titled "THE FAMILY NEXT DOOR!!!" and features clippings of young children crying, swearing, and being spanked, with added pencil annotations. Other pages are filled with colored pencil drawings of birds and animals, a fishing boat, a horse-drawn vehicle, buildings, a decorated tree, and faces.

Shipley also documented the social life of adolescent boys and girls in her circle, in particular their play at school and their emerging romantic interests. Page 35 is dated June 1, 1907, and is labelled "PRIVET. NO TRESPASSING. ALL RIGHTS RESERED [sic]. For Spelling & Writing." It is followed by a diary entry dated June 7, 1907, describing Shipley's day at school, where she commented on having a substitute teacher, getting in trouble, disliking spelling, and drawing pictures of each other's backs and passing it in the class. The passed note is laid into the volume, featuring six pencil drawings of the back of girls' heads to show their hairstyles, each identified by the girl's names and age. One is of Shipley. She used rebus drawings and numerical substitutes to replace foul language (e.g. "7734" for "Hell"). On page 39, Shipley recorded her favorite expression of 1907, "23 SKIDOO & STUNG," and noted students in her school passing slips pairing boys and girls who apparently liked each other. She claimed to not "like any of the boys in the whole school" of about 400 students. This is followed by two columns of names, one for boys and the other for girls.

Shipley included a number of love letters sent to her. On pages 37 and 38 she affixed five letters (by pasting in the envelopes) from Ralph Dana, sent during his stay at the Hawthorne Inn of Gloucester, Massachusetts, from July to September, 1906. He wrote of local entertainments, engagements with friends, his romantic interest in her, guarded concerns about her activities and who she was spending time with, and his suspicion that she did not reciprocate his feelings. Shipley wrote beneath the letters: "These are some letters I got from who was my best fellow. He is not now. My letter were just as bad to his as his were to me. Now I just love H. S. C. (His picture is in the back of my watch) & have every since June of 1907 & this is Jan. 1908." Shipley also laid in nine pieces of correspondence from a suitor named John, mostly dated from early February 1908. They profess his love for her, ask if she loves him, and request kisses. One is on a piece of paper cut in the shape of a heart, and three others include hearts and arrows painted in gold metallic paint. One letter signed "Fred" is addressed to "K," expressing excitement about her upcoming visit and requesting a photo of a beautiful girl. A doily and a page from a calendar with a quote from the Merchant of Venice is also tipped into the volume.

The final diary entry is written on page 41, where Shipley notes attending Hamlet, which she mentioned liking almost as much as Peter Pan. Elsewhere in the volume, Shipley tipped in newspaper clippings of the actor E. H. Sothern and Dom Manuel II, King of Portugal.

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

Mattie wrote, "You are requested to draw your picture, with appropriate remarks" on the front paste-down. The bulk of the drawings were done by her female classmates, and their writing often referenced memories involving Mattie. Some made self-deprecating remarks about their appearances. "A. H." wrote, "When this you see/don't forget the eve we played and I beat you all at dominoes." Adilia H. wrote, "The rose is red/the violet blue/sugar is sweet/and so are you Mattie. Ever your friend." Many include the note, "Class '78 C.H.S." One pink ribbon is laid into the volume.

This volume contains the meeting minutes for the Middlebrook Council No. 61 Friends of Temperance in Middlebrook, Virginia. The records cover its founding in 1869 with their constitution and minutes through 1871 (largely consisting of the names of members who attended the meetings). At one meeting, a member was punished for drinking cider on New Years' Day. The remainder of the volume contains scribbles, penmanship practice, maths problems, and additional content.

This volume contains the meeting minutes for the Middlebrook Council No. 61 Friends of Temperance in Middlebrook, Virginia. The records cover its founding in 1869 with their constitution and minutes through 1871 (largely consisting of the names of members who attended the meetings). The remainder of the volume contains scribbles, penmanship practice, maths problems, and additional content.

• A partial dictionary
• A partial account book
• Several letter copies or fragments
• Math problems (fractions, word problems)
• Geography notes
• Dimensions for a blind bridle

This composition book was kept by 8–10-year-old Mildred Wood and Mary Wood while living in Illinois and Missouri. The volumes include copied song lyrics and poems, and pencil and crayon drawings. A number of pressed flowers and leaves are laid into the volume.

This composition book was kept by 8–10-year-old Mildred Wood and Mary Wood while living in Illinois and Missouri. The volumes include copied song lyrics and poems, and pencil and crayon drawings. A number of pressed flowers and leaves are laid into the volume.

The song lyrics and poems focus on themes relating to nature, love, and friendship, and include titles such as "Missouri School Song," "The Yellow Rose of Texas," and "Illinois." The drawings feature flowers, houses, and a portrait of Henry Wadsworth Longfellow. One outdoor scene shows two girls playing in front of a house, labelled "Living on the farm." Two pencil and crayon drawings done on tracing paper are laid into the volume: one of a ladies' boot with the name "Hamilton Brown shoe Co." on it, and another of a valentine with Cupid holding a bow and arrow.

Several entries are suggestive of schoolwork, such as sentence diagrams, a list of courts, a passage about U.S. history, a list of teachers in the Venice Public School and the average grades in their classes, and a list of the "Names of the Teachers I have had at Differ[e]nt Schools." Another passage is titled "The Japanese Fan."

Later entries were written in a different hand and consist mostly of quotations and proverbs. The word "Graduate" is printed on the cover of the volume.