Collections : [University of Michigan William L. Clements Library]

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

This volume is an extensively hand-annotated copy of the Poetical Works of Alexander Pope that belonged to Isaac Bullock of Danvers, Massachusetts. Bullock was a mariner, bibliophile, and amateur classicist.

He revealed his knowledge of Homer, Plato, Josephus, Cicero, Virgil, Edward Gibbon, Lord Byron, and William Cullen Bryant in his annotations. Numerous tipped-in handwritten slips provide commentary by Bullock, and other scholars and historians.

The introduction to the volume (Dr. Johnson's "Life of Alexander Pope") as well as Pope's poems "Essay on Man" and "The Dunciad," are heavily annotated. Bullock inserted his own original pen and ink drawings in the margins, including ancient rings and pins, daggers, hatchets and battleaxes, Neptune rising from the sea, and "Ruins of the Temple of the 'Athenian Dame'-Minerva Polis-as they remain today." He also inserted printed illustrations from other sources.

On the flyleaf, Bullock tipped in a three-page writing called "Reminiscence of my Youth," in which he wrote about his literary education and the influences of Socrates, Gibbon, Pope, Shakespeare, Defoe, Lord Byron, and Jeremy Belknap.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

The volume has a green printed cover with an image of a man and woman standing beside each other in an interior space, labelled "The Squire and his Servant." Various "Arithmetical Tables" are printed on the back cover, including a multiplication table and various conversion tables.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

In 1858 James Thompson filled this blank book with notes about the plumbing and water system in the Flass House in Cumbria County, England, which was being constructed circa 1848-1861 by Lancelot and Wilkinson Dent. Thompson wrote about pipes, taps, cisterns and reservoirs, boilers, drains, hard and soft water, hot and cold water, and more. It indicates the use of plumbing, the location of pipes and how they connected to other plumbing equipment, and types of water access in interior spaces including sculleries, bathrooms, water closets, washstands, and butler's pantries. Thompson also noted pipes feeding exterior water supplies like for the cattle's trough, the conservatory, and fountain. Thompson included several pen-and-ink sketches of floorplans and maps of the property to illustrate the location of pipes, as well as a pencil sketch of the house's façade.

The volume has a green printed cover with an image of a man and woman standing beside each other in an interior space, labelled "The Squire and his Servant." Various "Arithmetical Tables" are printed on the back cover, including a multiplication table and various conversion tables.

Joe Sanford of Stockton, California, summarized his weekend activities for the year 1949 in this typed diary. He traveled to various places in northern California, took camping trips with friends, participated in outdoor activities, and attended dances and plays. Some entries reflect racial tensions in Stockton.

Joe Sanford of Stockton, California, summarized his weekend activities for the year 1949 in this typed diary (134 pages). The diary's frontispiece is a poem by Nick Kenny entitled "Youth."

Though he occasionally mentioned his schoolwork and grades, Sanford wrote most frequently about his social life and leisure activities, almost all of which involved his friend Glenn. They and other friends went camping, attended theatrical performances (often at the College of the Pacific) and dances, and participated in outdoor activities throughout the year. Sanford traveled around northern California, writing about trips with friends and family to Mount Diablo (April 1949), Yosemite National Park (June 1949), Santa Cruz (July 1949), and the "Old Hearst Ranch" (August 1949). He played saxophone in the school marching band and briefly participated in the Sea Scouts during the summer. Some entries refer directly or indirectly to Mexican and African-American residents of Stockton, including Sanford's attempts to communicate with persons who "spoke Mexican" and the presence of African Americans at a December school dance. Some clipped images of locations that Sanford visited and unidentified individuals participating in fishing and similar outdoor activities are pasted into the volume. Sanford's diary also contains pencil sketches of a man painting on a ladder, a birthday cake, and other subjects. A program from a school talent show is also pasted in.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in England, France, Germany, and the Netherlands. Both journals have pencil drawings of people encountered and each doubles as a scrapbook with photographs, tickets, programs, and other ephemera.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in several European countries, and both used their journals as scrapbooks.

Louis G. Monté wrote daily diary entries between July 5, 1899, and August 26, 1899 (Volume 1, pages 5-73). He described his journey from Charlestown, Massachusetts, to England on the steamer New England and arrived on July 14. He saw the sights in London, England; Paris, France; Aix-la-Chapelle (Aachen), Cologne (Köln) and Düsseldorf, Germany; and Amsterdam and Haarlem, Netherlands. He often visited museums and commented on local architecture and customs. Monté's brief final entries pertain to his return journey from Antwerp, Belgium, to New York on the steamer Southwark. Monté also used his book as a scrapbook for photographs and ephemera (pages 1-4 and 1a-36a; not all pages are used), and he wrote notes about French, English, and German currency on pages 2-4. The book's endpapers and cover also have items pasted in, such as tickets, programs, advertisements, and other ephemera. Photographs primarily depict scenes and people in the Netherlands, and numerous drawings illustrate people he encountered during his European travels. Pages 21a-22a (Volume 1) contain an essay on English architecture.

The second diary (unattributed) covers the author's travels from August 3, 1899-August 16, 1899 (pages 1-33), with photographs, stamps, tickets, train schedules, and other ephemera interleaved with the journal entries (pages 34-55 and 1a-55a; not all pages are used). The author drew pictures of people and wrote notes. He visited the same locations as Monté and sketched a nearly identical image of a woman in Aix-La-Chappelle, Germany (Vol. 1, p. 19a; Vol. 2, p. 2). Most of the pasted-in ephemera items pertain to travels in the Netherlands.

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

This album, belonging to Martha Louise "Mattie" Day, contains 26 self-portraits drawn by Mattie's "C. H. S." classmates, and includes profile drawings, names, and brief comments relating to a shared experience.

Mattie wrote, "You are requested to draw your picture, with appropriate remarks" on the front paste-down. The bulk of the drawings were done by her female classmates, and their writing often referenced memories involving Mattie. Some made self-deprecating remarks about their appearances. "A. H." wrote, "When this you see/don't forget the eve we played and I beat you all at dominoes." Adilia H. wrote, "The rose is red/the violet blue/sugar is sweet/and so are you Mattie. Ever your friend." Many include the note, "Class '78 C.H.S." One pink ribbon is laid into the volume.

The collection consists of hand-made sketchbooks and loose sheets of paper featuring drawings likely made by children Edith, Jennie, and Theodore Pond while residing in Syria (present-day Lebanon) with their missionary parents, Theodore S. Pond and Julia Pond. Prominent imagery depicted includes domestic scenes, women and children at work and play, and women tending to the sick. The Ponds rarely specified locations in their drawings, and while they may have been generic or imagined scenes some may have been made to reflect the Pond family's residence or experience while in Syria (present-day Lebanon).

The collection consists of hand-made sketchbooks and loose sheets of paper featuring drawings likely made by children Edith, Jennie, and Theodore Pond while residing in Syria (present-day Lebanon) with their missionary parents, Theodore S. Pond and Julia Pond. Prominent imagery depicted includes domestic scenes, women and children at work and play, and women tending to the sick. The Ponds rarely specified locations in their drawings, and while they may have been generic or imagined scenes some may have been made to reflect the Pond family's residence or experience while in Syria (present-day Lebanon).

The bulk of the drawings were done in pencil, but several were made using pen and ink, pen and wash, and pastels. A large portion of the images depict interior domestic scenes of women and young girls reading, sewing, dining, visiting, sleeping, and at play with toys in parlors, living rooms, and bedrooms. These drawings include details like clothing, accessories, furniture, and decorations. Several show women wearing the Christian cross as jewelry, head coverings or veils, and chopines (a platformed shoe), possibly representing adherents of the Eastern Orthodox Church. Several of the drawings feature women at work doing tasks like cooking, sewing, washing dishes or floors, sweeping, gardening, tending to the ill, or bathing children. Older women are represented alongside middle-aged women, young girls, and infants. Adult men and young boys appear occasionally in the scenes.

Several illustrations appear to show women laboring as domestic servants, and at least four of these images represent dark-skinned women. One additional drawing shows a family scene with three dark-skinned women knitting or resting in a hammock.

Outdoor scenes are also represented, showing women and children walking and travelling in the streets, playing games, visiting the beach, riding horses, shopping, sleighing, or picking fruit. One drawing depicts a family standing beside a sphinx with pyramids in the background. Other locales outside of the home are also featured, including a store, a church, a theater, a photographer's studio, and possibly a school.

Miscellaneous other topics were drawn, such as angels, Grecian women, a dream, a centaur statue, a shield with an American crest, and two singing girls who appear to be impoverished.

Only two of the drawings were signed, both landscapes by Theodore H. Pond, one dated 1882 shows a building in the countryside and the other depicts a village street scene leading towards a church. Two other unsigned landscapes are also present, one labelled "St. Augustines Canterbury." Two other illustrations -- one a portrait of a young woman and the other an interior scene with four children blowing bubbles-- have the name "Edith" inscribed with ink on the verso. Several of the drawings were labelled by a child in block letters. One of the drawings was made on a sheet of paper that had previously been used to write notes on the Letters of Paul.

The drawings were enclosed in an Upsala College envelope labeled: "'Drawings of Edith & Elsie Pond when they were little girls in Syria.' (Be Sure To Save These)"

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide social commentary especially on race, ethnicity, gender, and class.

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide especially social commentary on race, ethnicity, gender, and class.

At least seven of the illustrations relate to women, including drawings referring to women's rights and various women's roles as mothers, performers, physicians, and cooks. One, labelled "What is home without a mother," may be a reference to a song by the same name published in 1854, and it features a woman with a monstrous face. Another titled "HANNAH LONG" depicts a woman peddling "Quaker Bitters" (probably the Providence, Rhode Island, patent medicine by that name) and may be referring to Hannah Longshore (1819-1901), who graduated from the first class of the Women's Medical College of Pennsylvania in 1851.

Many of the caricatures focus on impoverished or working class people, showing individuals in tattered clothing or in lower-paying professions such as a farmer, a shoeshine, and a seeming gravedigger. A number of illustrations depict men in various stages of intoxication or alcoholism. Forms of social disorder are highlighted in caricatures of a convict and of a knife-wielding murderer labelled "THE MAN THAT KILLED JOHN GILPIN." Commentary on physical and mental disability are also represented, in drawings of a mentally ill man labelled "Luny" and a man with unaligned eyes and feet labelled "On exhibition."

Other caricatures reflect racial, ethnic, and religious stereotypes. Two racist caricatures depict African Americans, including one of a Black Congressman and one of an Uncle Remus character. Another caricature depicts a recent immigrant, while two are anti-Semitic (those labeled "The Torturer" and "NAME IT"). Two figures depict high religious figures, from Catholic or Orthodox Christian churches; one wears a robe, a fur-brimmed mitre, and snowshoes. The word "KAMSCHASA" is written near the bottom of the robe, likely referring to the Kamchatka peninsula in Russia.

Other caricatures highlight people based on their height, weight, profession (such as a king, a knight, an editor, a lecturer), or social posturing. For example, attitudes like dignity, contentment, nosiness, and bashfulness are spotlighted. Others appear more innocuous, such as illustrations of someone reading the morning newspaper and another of someone taking "Rush's Pills," but underlying subtexts for many of the images likely have additional meaning.

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south." The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician.

Rd. Kraker created this 20-page handwritten booklet titled "Little Girl's Own Book," with an introduction dated April 1, 1864. The manuscript was "Brilliantly Illustrated by Darling" and identified as a first edition in the "1st Series of Confederate Primers," "printed" by the "Southern Emesis Book and job Printing Office." The booklet contains a story, with added notes on proper behavior. According to Kraker's introduction, the content was gleaned from conversations in the "Lager Bier Saloon of Hanns Kroftler" and its earnestness and sentiment was adapted to the "comprehension and bias of mind of the female children of the south."

The author told the story of a Northern and a Southern girl, in which the girl in the north became tired of living on a farm and eating onions, so decided to travel to the warmer climate of the south and visit her friend. Upon arriving by train, she witnessed a battle and fell in love with a Confederate soldier. After he returned to the battlefield, she gained solace from her southern friend, through listening to music, by singing and writing, and by seeking treatment for sadness from a physician. One of the songs referenced is Charles Carroll Sawyer and Henry Tucker's "When Will This Cruel War Be Over?"

• A moving train, "ye adventurus maid going to the Sunny South."
• A battle scene, with firing cannon, and a freestanding chimney beside two men (one laying on the ground, the other standing), "Findeth ye home desolate."
• Boxes and barrels of goods, "Tobacco &c Tar & Turpentine" and "Pine Trees" beside a jug marked "apple jack."
• Barrels, with a pitcher and glass atop one of them marked "Buorbon" [i.e. Bourbon], "ye Stapels continued."
• A woman in a rocking chair weeping into a handkerchief while a man in a soldier's uniform walks away.
• A piano.
• Four people walking; the two in front are a man and a woman.
• A woman standing, holding what appears to be a fan.
• A farmhouse beside a fence, animals, a birdhouse, and a tree with gourds hanging from its branches (as homes for Martins).
• A woman seated, knitting.
• A woman playing the piano; another woman stands beside her with a hand on her shoulder. They are singing, "When this Cruel war is over-!"
• Vision of injured soldiers, one leg amputee standing with crutches.
• A woman seated and writing a letter.
• A physician seated at a tent opening, reading a letter.

The text includes a parody of physician's explanation and prescription to the disconsolate young woman. The instructions read:

"The exostotic exudation overcoming the endosmotic implication in the peri and endocardium, pluviates the sanguinious, and decalorificates the systemic platitudes. The circumambient exoteric disintegrates the envelope and allows the exoteric functions to retrospect the perihelion of animal deficiancies. The pia mater interconvoluted with the [?] covering and becomes simultaneously congested by contact with the [?] substance. Hence retrovision becomes duplicated and prevision imparalelized. The remedy is equally perspicuous and followed earnestly will inevitably effect a cure..."

The volume includes several lines and paragraphs written in German Kurrantschrift. The most robust is the final page, headed by the text "The Soldier's Lament" and "Der Betrübte-lammantiert Soldadt," followed by a poetic description of snow-capped mountains and remarks on girls' behavior, i.e. "Wie schön wäre es [wenn?] die kleine Mädchen immer die Wahrheit sprächen" (How nice would it be [if?] little girls always spoke the truth), etc.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High School in Rochester, Pennsylvania.

This collection consists of two variations of a 1912 yearbook for members of the 1915 co-ed class of Rochester High school in Rochester, Pennsylvania. These yearbooks include pencil and pen-and-ink portraits of students, faculty, and sports teams, as well as caricatures, cartoons, and humorous drawings. Several poems are also included. Their content touches on humor, social affairs, class members' personalities, curriculum, athletics, and gender. The content is very similar between the two volumes, with some variations of student descriptions and introductory matter.

The first volume, titled "The Nightmare," includes an introduction stating that "the only excuse for publishing this book is because the rest of the bunch have one apiece . . . [and] merely aids one in passing some idle hours in school . . . this book is strictly 'Entre Nous,' so don't tell anybody outside of America." One page, headed "Familiar Quotations" quotes Bunny Amos Rex as having said, "Aw fellows let's git together and do some devilment." On the opposite page of the "Quotations" section is a drawing of the Rochester High School with the label "Agony Building." Accompanying the student portraits are humorous descriptions of said students: Armin Barner is described as an elegant musician, politician, electrician and magician of the lowest rank.

The second volume, titled "Freshmen Class Book 1911," includes a preface claiming the book "touches on such topics as Elementary Science, Natural Science, Natural Phylosophy, Orthography, Uranography, Geodasy and Wireless Telegraphy" to emulate "when all writters chiseled out dedications for a book thereby showing their originality." It further states that the class has attempted the same "because of our first class solid ivory domes." Many pages feature illustrations or descriptions of the school's sports teams. It also contains croquet scores for the women's team, who apparently gave the class "the thing we need to brag over," as they "mopped the valley clean" in their season.