Collections

Jay Cassidy was a student photographer for The Michigan Daily from 1967 to 1970. The collection contains an inventory, background notes, negatives, a printed catalogue containing an image thumbnail and metadata for each image in the collection, and 4,882 digitized images of Cassidy's photography while at the University of Michigan. Subjects include student protests and anti-war demonstrations in Ann Arbor, Poor Peoples March/Resurrection City in Washington, D.C., Democratic primary campaigns of Robert Kennedy, Eugene McCarthy and George Wallace, 1968 Democratic Party National Convention, 1969 Ann Arbor Blues Festival and a wide variety of campus activities. Cassidy digitized the images and created the printed catalogue in 2010.

The Jay Cassidy photograph collection covers Cassidy's student days at the University of Michigan (1967-1970). The collection consists of approximately 5000 original 35mm negatives and 4,882 digitized copies of the negatives. The images in the collection were taken while Cassidy was a photographer for the student publications The Michigan Daily and Michiganensian.

Cassidy took the original images on Kodak 35mm black and white film. The scanned images are black and white 5904 by 4000 resolution uncompressed tiff files. Cassidy catalogued each roll of film by subject and gave each frame a unique identifier, which is a combination of the category, date, roll number, and the scan number. The category abbreviations are as follows:

MD -- Assignments for the The Michigan Daily, 1968-1970

RFK -- Robert Kennedy Campaign, 1968

DNC --Democratic National Convention in Chicago, 1968

DC -- Inauguration and March on Washington, 1969

MNCN -- Photographs taken for Michiganensian, 1967-1968

Initially, the Bentley Historical Library asked Cassidy to consider donating a selection of the images he took from 1967 to 1970. Instead of selecting only a portion of images, however, Cassidy donated all of his negatives from 1967 to 1970. He digitally scanned the majority of the negatives. The bulk of these images have never been printed, and, according to Cassidy, were "barely examined by myself or another photo editor as we raced to get the daily paper out."[1] Only one or two of each sequence of photographs was used in The Michigan Daily. This collection, therefore, contains a series of images previously unavailable to researchers.

Cassidy's photographs for the campus yearbook, the Michiganensian, cover 1967 and 1968 and include images of homecoming parades, football, rugby, intramural sports, and campus groups such as Wyvern and Scabbard and Blade. He also photographed Engineering Council meetings discussing Vietnam War research and protests at a Dow Chemical Company stock holders meeting. Note: Most of the Michiganensian photos were not scanned and exist only as negatives.

His work for The Michigan Daily included diverse subjects. Among the most prominent were photographs of musical performances and visiting celebrities, politics, and campus unrest. Musical acts include concerts by Joan Baez, the Doors, MC5, Ramsey Lewis, Buffy Sainte Marie, and the 1969 Ann Arbor Blues Festival. A 1967 Johnny Carson Show at Hill Auditorium (negatives only) is covered as is an appearance by author Kurt Vonnegut at Canterbury House and film director Sam Fuller.

Off campus events photographed by Cassidy for The Michigan Daily include the 1968 Democratic National Convention in Chicago (including police intervention in street protests), Richard Nixon's inauguration, March on Washington, Resurrection City and the Poor People's Campaign in Washington, D. C., and 1968 political campaign stops in Indianapolis and Detroit by Robert F. Kennedy, George Wallace campaigning in Lansing, Eugene McCarthy in South Bend, Indiana, and a protest at Eastern Michigan University.

Other campus subjects include SDS meetings, the White Panther Party, Ann Arbor's police chief, a campus murder at University Towers, Welfare Mothers demonstration, the South University riot, the Ann Arbor Moratorium (Vietnam War protest), Army ROTC protests and a bombing of the campus ROTC building, a student rent strike, and Black Action Movement demonstrations.

The collection is organized as it was received. It consists of five series: Background Information, Digital Images, Original 35mm Camera Negatives, 1967-1970, Printed Catalogue of Digital Scans, 1967-1970, and Original 35mm Contact Sheets, 1967-1970. The strength of the collection lies in its documentation of student life and American politics in the late 1960s, an era of unrest on college campuses.

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Notes:

1. Jay Cassidy, Letter to Nancy Bartlett and Brian Williams, July 31, 2010, Jay Cassidy Photograph Collection, Box 1, Bentley Historical Library, University of Michigan.

Professor of linguistics at the University of Michigan from 1964 to 1986; includes eight lectures given by Catford on the occasion of his retirement, handouts from the lectures, a letter supporting Catford's nomination for the Distinguished Faculty Achievement Award, an article about Catford in Michigan Today.

The J. C. Catford papers are significant for insight into the life and career of their creator and also for their information on linguistics, phonetics, and the instruction and acquisition of second languages. In addition to research articles co-authored by Catford, there are video-recordings from a series of lectures he delivered before his retirement from the University of Michigan. The collection consists of two series: Lectures and Written Materials.

University of Michigan professor of political science, research scientist at the Mental Health Research Institute, and pioneer in the interdisciplinary and quantitative approach to conflict resolution. Administrative papers of Center for Research on Conflict Resolution, Correlates of War Project, and the Journal of Conflict Resolution, topical files on numerous organizations and subjects, and research papers from disarmament negotiations study.

The J. David Singer papers document the career of a leading political science researcher, teacher, and peace activist. The bulk of the materials span the 1950s to the year 2000 and are arranged into nine distinct series:

1. Biographical Materials
2. Topical Files
3. Correspondence
4. Lectures and Conferences
5. Publications
6. Grant Proposals
7. Teaching
8. Programs
9. Later materials
10. Audio-Visual Materials

Hugh "Jeep" Holland was the founder of the A-Square Record label in Ann Arbor in 1967, and consequently became an integral part of the southeast Michigan music scene in the late 1960s and early 1970s. The collection documents, in papers, photographs and sound recordings, Jeep's personal life, interests, and career.

The Jeep Holland papers date from his youth in the late 1940s up to his death in 1998, and document his personal life, his education, and his career, particularly the record label and production company he founded, A-Square Records. The collection is comprised of the following series: Administrative, Artist Files, Personal Files, Realia, Sound Recordings, and Visual.

Granholm was the Democratic governor of Michigan from 2003 to 2010. Records are primarily arranged by office of origin and staff member and document Granholm's service as governor. The series in the collection are: Transition 2002, Legal Division, Policy Division, Executive Office, Communications Division, Economic Recovery Office, Northern Michigan Office, Other Executive Divisions, Office of the Lieutenant Governor, Office of the First Gentleman, Archived Websites, and Memorabilia. The collection includes paper, digital materials, and audio-visual materials. Extensively documented topics include economic diversification, renewable energy, environmental issues, education, Michigan's response to the 2008 financial crisis, the Governor's Hearing on the Removal of Kwame Kilpatrick from the office of Mayor of Detroit, and Michigan soldiers killed in Iraq and Afghanistan.

The Jennifer Granholm papers document the activities, policies, and accomplishments of the executive branch of Michigan's state government from 2003 to 2010. The collection consists of twelve series and is primarily arranged according to office of origin. The series are: Transition 2002, Legal Division, Policy Division, Executive Office, Communications Division, Economic Recovery Office, Northern Michigan Office, Other Executive Divisions, Office of the Lieutenant Governor, Office of the First Gentleman, Archived Websites, and Memorabilia. While the collection documents the full range of Governor Granholm's activities, it is especially strong in documenting the governor's efforts in the areas of economic diversification, renewable energy, education, and Michigan's response to the 2008 financial crisis. Also of note are the documents pertaining to the Governor's Hearing on the Removal of Kwame Kilpatrick from the office of Mayor of Detroit, the Legal Division files on the state's interactions with Michigan's Native American tribes, the administration's work on behalf of the University of Michigan in the Gratz and Grutter affirmative action lawsuits, the administration's response to Proposal 2, and dossiers kept on each Michigan soldier killed in action in Iraq and Afghanistan.

Surgeon specializing in transplant surgery, professor, and Chairman of the Department of Surgery at the University of Michigan. Collection includes publications and presentations, administrative correspondence, biographical records, and documents the history of the Department of Surgery.

The Jeremiah G. Turcotte papers document the career of Turcotte, a transplant surgeon at the University of Michigan, and the history of the Department of Surgery. The collection consists of 11 linear feet and dates from 1933 to 2012, with majority of records dating from 1961 to 2001. The collection has eight series: Personal Files, Publications, Presentations, History, Chairman Records, Patient Records, Audio-Visual Materials, and Slides.

Jim Dunne is known for his work as a pioneer in automotive spy photography. He is also an established journalist and author, and conducted automotive performance tests and reviews of new vehicles for many years. The collection, spanning 1969-2011, includes his book Car Spy: Secret Cars Exposed by the Industry's Most Notorious Photographer, magazines containing his photographic work, articles written by him, and awards and recognitions. A large portion of the collection is made up of visual materials, which consists of photographs, slides, negatives, digital materials containing images of automobiles he included in his book, and a digital slideshow presentation featuring his work.

The Jim Dunne collection mostly consists of publications and visual materials from across his career, including articles written by and about him, photographs, negatives, and some digital materials. The series in this collection are: Publications, Visual Materials, Recognitions, and Miscellaneous.

Jimmie Howard Reynolds (1925-2013) was a band director from Louisiana who taught and directed music programs at the high school and collegiate level. During the 1970/1971 academic year, Reynolds took a sabbatical leave from his position as Director of Bands at Louisiana Polytechnic University to serve as a graduate assistant under Dr. William D. Revelli during his final year as Director of Bands at the University of Michigan. Reynolds kept a journal of rehearsals and performances from that time and wrote extensively about the pedagogical practices Revelli employed as Director. This diary is a digital transcription of the entire diary as written, prepared by Reynolds' son, Dr. Patrick Allen Reynolds, in 2021.

The Jimmie Howard Reynolds diary, titled "Rehearsals with WRD", was maintained by Reynolds during the 1970-1971 academic year at the University of Michigan. Reynolds was a graduate student assistant for William D. Revelli during his last year as Director of Bands. The diary held by the Bentley Historical Library is a transcription, prepared and edited by Reynold's son, Dr. Patrick Reynolds, in 2021. Dr. Reynolds transcribed the diary as written, with minor changes to punctuation and grammar to aid in clarity. Dr. Reynolds also added some additional information to the text, usually to clarify names, dates, or events as written about by his father; these additions are added in brackets.

While Reynolds and Revelli maintained a close professional relationship for forty years, the diary documents criticisms Reynolds had of Revelli's conducting and pedagogy. In some entries, names have been removed by Dr. Reynolds to avoid embarrassment on behalf of the performers. A full note regarding Dr. Reynolds' transcription work is included in the digital file.

Republican Congressman representing the 9th district of Michigan from 1993-2008. Collection includes correspondence, memoranda, topical files, press releases, audiovisual materials, as well as digital files.

The Joe Knollenberg papers date from the beginning of Knollenberg's congressional career in 1993, to his final year in office in 2008, and document the work he did as a congressman, including serving on committees, and participating in the legislative process.

John and Leni Sinclair were leaders of the counterculture movement in Michigan, organizers of radical social, political, and cultural endeavors primarily in the areas of music, poetry, graphic design, and community welfare projects. Papers and photographs (1957-1979) relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, and prison reform. Also material, 1979-2000, relating to John Sinclair's work as a writer, performer, radio show host and music promoter.

The John Sinclair papers came to the library in 1979. Jointly donated by John and Leni Sinclair, this initial accession, covering the period 1957-1979, included textual material, sound recordings, and photographs relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, prison reform, and rock and jazz music.

The Sinclair papers provide a rich and unique source for the study of America's radical movement in the nineteen sixties and seventies. Beginning with a remarkable series of correspondence that includes letters from Abbie Hoffman, Allen Ginsberg, Timothy Leary, and Jerry Rubin, and continuing on through extensive subject files, the collection details the cultural, political and business activities of a man whose energy and charisma made him a local and national leader of the counterculture. In addition, the collection documents the support and creativity of his wife and partner, who as writer, photographer and publicist helped to showcase the lifestyle which he symbolized.

Throughout the 1980s and 1990s, John Sinclair added to his papers with materials relating to his career as a writer and performer. In the winter of 2000, he donated a second large accession relating mainly to the period since leaving Detroit for New Orleans.

The Sinclair collection has been divided into four subgroups: Textual Files, Printed Material, Sound Recordings, and Visual Material.