Collections : [University of Michigan Bentley Historical Library]

Dwight J. Brewer served in the Michigan Twentieth Infantry during the Civil War. Collection includes family correspondence and Brewer's military papers and diary.

Letters written to the family by Dwight Brewer during the Civil War. Some letters were written together with Edwin Stearns, who served with Brewer. Photocopies and originals of Brewer's military papers and a modern color photograph of an original 1898 family photo.

Sam Breck was an Ann Arbor, Mich., photographer. The collection consists of color slides of railroad depots and other railroad scenes, chiefly in Michigan but including scenes in other states; slides, photographs and negatives of Ann Arbor and University of Michigan buildings, views, and events; photographs and negatives of Michigan Youth Symphony.

The Sam Breck photograph collection consists of color slides of railroad depots and other railroad scenes, chiefly in Michigan but including scenes in other states; slides, photographs and negatives of Ann Arbor and University of Michigan buildings, views, and events; photographs and negatives of Michigan Youth Symphony. The collection is divided into four series, based on format: Slides, Prints, Negatives, and Contact sheets, along with a small Other series.

German-born psychologist famous for applying Gestalt perceptual theories to the visual arts, architecture and film. University of Michigan visitng professor in the Department of the History of Art from 1974-1984 and the 2001 recipient of a Collegiate Professorship in his name from the College of Literature, Arts and Sciences. Digital files containing two videos of his memorial celebration in the University of Michigan Botanical Gardens in September 2007.

The Arnheim: Remembering Rudi collection contains two digital files from a DVD of the memorial service celebrating University of Michigan professor Rudolf Arnheim. The service was held on September 30, 2007 in the University of Michigan Botanical Gardens.

The first video displays an edited version of the memorial celebration and a slideshow of photographs that were included in the service. The second video features an unedited version of the ceremony.

The videos were created and produced by R. Thomas Bray of the University of Michigan Libraries. Speakers include Arnheim's daughter Margaret Nettinga and her husband Cor Nettinga, as well as Arnheim's formers students, colleagues and friends Bartlett, Peg Boyers, Stusan Grace Galassi, Roberta Price, Jonathan Tyman, and others.

Marjorie Bradfield was the first African American librarian in Detroit, working for the Detroit Public Library and as head librarian for Detroit Public Schools. Horace Bradfield was an African American Physician at Providence and Hutzel hospitals, and out of offices on East Grand Boulevard in Detroit. The collection contains Marjorie Bradfield's autobiography, audio recordings of interviews with Horace Bradfield, and photographs of the Bradfields.

The Marjorie and Horace Bradfield papers consists of autobiographical material and photographs.

In her autobiography, Marjorie Bradfield describes her first library jobs, and the events that led her to the Detroit Public Library. It highlights Bradfield's professional accomplishments, as well as challenges she faced as an African American woman in the library field. The autobiography includes an appendix with citations of essays and articles written by Bradfield.

Also contained within the collection are recordings of a 1978 interview with Horace Bradfield, facilitated by his daughter, Trudy Bradfield Taliaferro. The first part of the interview, Bradfield discusses his time as a student at the University of Michigan between 1931 and 1935. Throughout the interview, Bradfield describes his experience as an African American student at the University of Michigan during the 1930s. The second part of the interview covers his struggles finding a job as an African American physician in Detroit following his graduation in 1935.

The collection includes a small number of photographs in the collection, primarily portraits of the Bradfields, and a photograph from their wedding day in 1938. One of these photographs is available online as a digital file.

C. Loring Brace, professor of Anthropology at the University of Michigan and Curator of Biological Anthropology at the University's Museum of Anthropology. Known for extensive field research on cranial and dental material of hominid remains all over the world, particularly in Asia, to study human evolution. He has done considerable research on how structural reduction can result from Probable Mutation Effect, as well as on the development and application of the 'race' concept.

The papers of anthropologist and professor C. Loring Brace document his research, publications and teaching. Material includes extensive correspondence, research material including visual material illustrating crania, bones, teeth, and mandibles, also topical files and material Kennewick Man case. The papers are arranged in ten series: Biographical and Personal, Correspondence, 1966-2002, Correspondence, 1986-2009, Professional Service and Activities, Publications, Research, Teaching Materials, Topical Files, Kennewick, and Visual Materials.

William Bolcom (born 1938) is a composer and pianist. Joan Morris (born 1943) is a mezzo-soprano. They were both members of the University of Michigan School of Music faculty. Bolcom and Morris have given numerous performances since 1973. They have also recorded albums of classical and popular songs. Performance files include programs, itineraries, newspaper articles and reviews of each performance, and contracts. There are also files relating to the University of Michigan student production of Mina & Colossus as well as Barnum's Nightingale; original scores to Bolcom's compositions, including McTeague, Casino Paradise, and A View from the Bridge; topical files relating to awards, competitions, and other activities and interests; and physical and digital audiovisual materials.

The papers of William Bolcom and Joan Morris document Bolcom's work as a composer and performer as well as Bolcom's and Morris's collaboration in performing and recording American popular songs and classical music. There is also some material relating to their academic work at the University of Michigan, notably a 1988 production of a student opera, Mina & Colossus. The papers include programs, itineraries, and correspondence relating to performances, manuscript and published scores, topical files, audio and visual material (including sound recordings), and photographs.

The Coming Out Whole conference was held in April of 1986 with a goal of addressing challenges faced by lesbians with addictions. The conference was held in Ann Arbor, MI and was sponsored by the University of Michigan's Lesbian and Gay Male Programs Office. The collection includes planning materials, conference materials, and evaluations of the conference including video recordings of select sessions.

The Coming Out Whole Conference records document the challenges faced by lesbians who have addictions or loved ones struggling with addictions as well as strategies and challenges to overcoming these issues. The collection will be used by those seeking information on the relationship between sexuality and addictions or exploring how the lesbian community addressed addiction in the mid-1980s.

Student organization at the University of Michigan established in 1968 for students of African descent. The materials in the collection include minutes, correspondence, agendas, officer reports and topical files on issues including the Michigan Mandate and the 2000 Michigamua protest. The collection also contains photographs, audio/visual recordings, Twitter posts, and event flyers.

The Black Student Union (University of Michigan) records document the various activities of the Black Student Union at U-M. Materials in this collection include agendas, budgets, correspondence, event flyers, minutes, officer reports, photographs, topical files, Twitter posts, and audio/visual recordings.

Organization created by Baptist minister Reverend Edward Pinkney to fight economic and social injustice in Benton Harbor, Michigan. Includes correspondence, news articles, court documents, protest fliers, protest signs, religious writings, website captures, and photographs. Also contains a copy of the 2006 documentary, "What's going on in Benton Harbor? : The Trial of Reverend Pinkney."

The Black Autonomy Network Community Organization records (1 linear feet, 1 oversize box and 3.41 GB) contains correspondence, news articles, court documents, protest fliers, religious writings, and photographs. The collection also includes a box of protest signs supporting Reverend Pinkney and digital files containing email correspondence, website pages and a copy of the 2006 documentary, "What's Going On in Benton Harbor: The Reverend Pinkney Story." The materials focus on the voter fraud charges against Reverend Edward Pinkey and the protests in response to his conviction.

Michigan-based architect, founder of Gunnar Birkerts and Associates, professor in the University of Michigan College of Architecture and Urban Planning. The collection is comprised of six series: Personal papers, Professional papers, Faculty papers, Project records, Personal Project Files and Personal Correspondence and Files. Personal papers includes biographical information, family photographs, early architectural drawings, and course notebooks and project drawings completed while a student at the Technische Hochschule Stuttgart. Professional papers includes transcripts and notes of speeches, lectures and seminars (many of these are also available on audiotapes; some are available on videocassettes). Also included are correspondence, awards, travel diaries with conceptual drawings, newspaper and journal articles and photographs. Faculty papers include course and other materials relating to his career as professor at the University of Michigan College of Architecture and Urban Planning. Project files contains textual files, photographs, and conceptual drawings associated with 122 of the buildings and projects designed by Birkerts. Scanned images of some conceptual drawings are available online.

The Gunnar Birkerts Collection offers researchers the opportunity to study the personal, professional and faculty papers and conceptual sketches of one of the masters of American modern architecture, whose career spans the second half of the twentieth century. The collection encompasses 15 linear feet of Birkerts' student work, notes and transcripts of speeches, lectures and interviews, video and audio tapes, writings, correspondence, awards, travel diaries, academic course materials, photographs and project records. Perhaps the greatest significance of this collection lies in its presentation of over 1900 drawings of 122 buildings and projects by the architect's own hand, many of which are valuable, early conceptual sketches.

In its pairing of narrative and visual documents, the Gunnar Birkerts Collection offers a rich perspective on the architect himself, illuminating his views on the creative process and the resulting conceptual designs which have defined his expressive architecture over his illustrious fifty-plus-year career. The Gunnar Birkerts Collection is the architect's deeply personal legacy. He recognizes that, while some of his buildings may be demolished over time, his original conceptual designs on paper are conserved here for future generations to study and enjoy. To this end, he has endowed the Gunnar Birkerts Collection to ensure that his drawings will be preserved and that his place in architectural history can be studied and understood.

The Gunnar Birkerts Collection is comprised of six series: Personal Papers, Professional Papers, Faculty Papers, Project Records, Personal Project Files and Personal Correspondence and Files. The narrative and visual documents in these series illuminate the full breadth of the architect's life and work, from his early years as a student at the Technische Hochschule in Stuttgart, Germany in the 1940s to his career in Michigan as an internationally acclaimed architect, esteemed design professor and global lecturer from the early 1950s to the present.