Collections : [University of Michigan William L. Clements Library]

This travel account of Abbé Montesquiou was written in 1798 three years after his trip to American from 1758-1832. The journal covers Montesquiou's travels as well as his thoughts on America, Canada and the mid-Atlantic areas he visits.

Montesquiou's 'journal' is not a standard travel account: it goes beyond pure description to include discussions of the philosophy and the history, the people and government of the nation. The journal appears to have been written following the Abbé's return to France with internal evidence suggesting 1798 as the most likely date. Perhaps because of the time that had elapsed between his voyage and its writing, the journal includes as many opinions on his experiences in North America as it does actual description of what he has seen. Montesquiou is naturally analytical in his writing style, and he has a penchant for 'augmenting' his personal observations with views and opinions that appear to have been culled from written sources. Thus his discussion of the Philadelphia Yellow Fever epidemic of 1793 contains information that may have been derived from the opinions of contemporary scientists, and his discussions of the relative merits of monarchy and democracy are sufficiently generic that the American context seems almost incidental.

Montesquiou is generally an unsympathetic observer of the young United States; while he appreciates the scenery and the productivity of the nation he is strongly critical of the hypocrisy of 'Republican' slaveholders, of the nation's leaders -- particularly Washington and Jefferson. While he admires the Philadelphia prison system, he is repelled by what he considers the crass, ultra-capitalist sensibilities of Americans. Among the more interesting aspects of the 'journal' are his extended discussions of the prison system and a theory of crime and punishment, slavery, the American character, and democracy and monarchy.

The Gerard B. Palmer journal consists of short entries and sketches by a Unites State Navy Lieutenant at the end of the Korean War.

With the exception of a two week period in April, when engaged at Wonsan Harbor, North Korea, Gerard Palmer's diary entries are very short and slight. Many dates are left entirely blank, either for fear of censorship, lack of time, or simply from never having developed the regular habit of keeping a diary. Although scant in detail, the diary provides some information useful in reconstructing the chronology of U.S. naval operations on the North Korean coast during the final months of the Korean War, and Palmer's pen drawings of naval life are as entertaining as they are roughly hewn.

Of particular interest among the illustrations is Palmer's pencil-sketch plan of Wonsan Harbor, labeled confidential. This drawing indicates the positions of North Korean gun emplacements and the American base of Yo Do, as well as notes on the areas of operation for U.S. ships, and it is accompanied by the densest description in the diary, documenting the activities of the Owen during a period of relatively heavy action. Palmer's sketch of South Korean Marines huddled on shore during a covert raid to gather intelligence is also worth noting, as are the humorous pair of sketches of an officers' club and serviceman's club in Singapore.

Joe Sanford of Stockton, California, summarized his weekend activities for the year 1949 in this typed diary. He traveled to various places in northern California, took camping trips with friends, participated in outdoor activities, and attended dances and plays. Some entries reflect racial tensions in Stockton.

Joe Sanford of Stockton, California, summarized his weekend activities for the year 1949 in this typed diary (134 pages). The diary's frontispiece is a poem by Nick Kenny entitled "Youth."

Though he occasionally mentioned his schoolwork and grades, Sanford wrote most frequently about his social life and leisure activities, almost all of which involved his friend Glenn. They and other friends went camping, attended theatrical performances (often at the College of the Pacific) and dances, and participated in outdoor activities throughout the year. Sanford traveled around northern California, writing about trips with friends and family to Mount Diablo (April 1949), Yosemite National Park (June 1949), Santa Cruz (July 1949), and the "Old Hearst Ranch" (August 1949). He played saxophone in the school marching band and briefly participated in the Sea Scouts during the summer. Some entries refer directly or indirectly to Mexican and African-American residents of Stockton, including Sanford's attempts to communicate with persons who "spoke Mexican" and the presence of African Americans at a December school dance. Some clipped images of locations that Sanford visited and unidentified individuals participating in fishing and similar outdoor activities are pasted into the volume. Sanford's diary also contains pencil sketches of a man painting on a ladder, a birthday cake, and other subjects. A program from a school talent show is also pasted in.

H. W. Blumenthal, a Jewish sailor in the United States Navy, kept this diary in November and December 1918. He wrote several times each day about many aspects of his military service and the politics of the Balkan Peninsula at the end of World War I.

H. W. Blumenthal, a Jewish sailor in the United States Navy, kept this diary (approximately 70 pages) from November 7, 1918-December 17, 1918. He wrote several times each day about many aspects of his military service and the politics of the Balkan Peninsula at the end of World War I. The front cover has a United States Navy seal stamped on the front, as well as the title "Cattaro," the date November 7, 1918, and the initials "H. W. B." A printed sheet containing information about five captured Austrian vessels is laid into the front cover.

Blumenthal commented in depth about his assignments, meetings (with American naval officers and others), his desire to obtain information about naval operations, and other aspects of his military service. He wrote briefly about the navies of Austria-Hungary, Great Britain, and France, as well as the Austrian and Italian armies. Much of the diary focuses on the politics of the Balkan Peninsula during and just after the end of World War I, particularly with regard to attempts to establish what would become the Kingdom of Yugoslavia.

The Hazel L. Sloan motorcycle journal chronicles six trips taken near Youngwood, Pennsylvania, by the young woman and several of her friends in the summer of 1914. The journal is accompanied by a pencil sketch of an Indian motorcycle.

The Hazel L. Sloan motorcycle journal chronicles six trips taken near Youngwood, Pennsylvania, by the young woman and several of her friends in the summer of 1914. During that summer, the fifteen-year-old rode out on both Indian and Thor motorcycles, accompanied by her friends Ralph, Mabel, and Lawrence, and she cheerfully related their adventures in her notebook. Tire blowouts and other mechanical failures plagued the riders throughout their adventures, and the riders often found themselves additionally hampered by the weather or by poor road conditions; despite these mishaps, however, Hazel maintained a happy attitude and fully relished "the good times of the summer of 1914" (November 8, 1914). She recounted six day-long trips taken between September 20, 1914, and November 8, 1914, when a light snowfall forced an abrupt end to the journey and, moreover, signaled the conclusion of the riding season. Based in Youngwood, Pennsylvania, the cyclists visited Derry, Bear Rocks, Connellsville, Ligonier, New Stanton, Ruffsdale, and Jeannette, and postponed an October 25 venture due to a broken machine. The small, cloth-bound pocket notebook originally belonged to Samuel Francis Sloan, Hazel's father, and bears an illustration of a man and a steer on its cover. The journal is accompanied by a pencil sketch of an Indian motorcycle.

The William A. Bates journal chronicles Bates' travels through Scotland and England in July 1912.

The William A. Bates journal chronicles Bates' travels through Scotland and England in July 1912. In a series of daily diary entries, Bates covered the entire trip, including his transatlantic passages on the Baltic and Oceanic. Bates and two companions, John S. Bates and Dudley Bates Lawrence, set off on the Baltic on July 3, 1912, and spent 8 leisurely days onboard making acquaintances and playing shuffleboard. The author pleasantly noted a large number of Yale graduates also making the trip, and discussed the trio's indecision regarding their upcoming plans. On July 11, the passengers arrived in Liverpool, and the three companions made their way to Glasgow by train, where they began a month of sightseeing around Scotland and England. As the group journeyed across the country to Edinburgh, Bates paid particular attention to the landscape, and often noted golf courses and cricket pitches. After spending a few days in Edinburgh, the travelers went to St. Andrews, where they spent two days on its legendary golf links (July 16-17), and then on to North Berwick, where they again played golf. On July 21, they left Scotland for York, where they viewed the city's cathedral, and moved onward to Cambridge, where Bates recorded his impressions of university students and of the pleasant town. After arriving in London on July 25, they spent several days touring local landmarks, including the Houses of Parliament and Westminster Abbey, where they attended a church service. Following a week filled with theatrical outings and museums, the three companions boarded the Oceanic in Southampton on July 31. During the return journey, Bates noted several aspects of life on the ship, including his first-class view over the steerage deck and the presence of several Olympians onboard.

The Emilie M. Bennett and Phoebe Baker Grand Tour diary chronicles a 1910 journey through England, Holland, Germany, Austria, and France.

The Emilie M. Bennett and Phoebe Baker Grand Tour diary chronicles a 1910 journey through England, Holland, Germany, Austria, and France. The diary, embossed with "My Trip Abroad" in gold on its cover, was presented to Emilie M. Bennett and Phoebe Baker by Margaret Burton on May 24, 1910, just prior to their Grand Tour of Europe. The volume contains supplemental information for overseas travelers, including color illustrations of semaphore and national flags, information on nautical terms and sailing, conversion charts for time and currency, a loose printed map of the world, and instructions on how to play shuffleboard, complete with a diagram. The authors added a list of hotels and of people they met during the trip. In the first entry, made on June 8-13, 1910, Emilie and Phoebe wrote about their experiences traveling to London on the Lusitania, and pasted in several printed illustrations. They wrote daily about social and sightseeing activities, including descriptions of scenery, hotels, and local food; the authors frequently visited art collections and attended musical and theatrical performances, and recorded general impressions of Europe. The two companions felt as if they "were really in a foreign land" from the time they were in London until they reached The Hague, Holland, and throughout the remainder of the trip to Germany, Austria, Hungary, and France. They returned to New York on the Oceanic in late September.

Edith Maude Murphy wrote daily diary entries while traveling from her home in Lincoln County, Nebraska, to Kansas and Colorado in the summer of 1907. Murphy traveled with her aunt and uncle, Maude and Edward Murphy, and her cousins Myrtle, Bertha, Fulton, Milton, and Nevah (or Nivah).

Edith Maude Murphy wrote 72 pages of daily diary entries while traveling from her home in Lincoln County, Nebraska, to Kansas and Colorado from June 25, 1907-August 13, 1907. She accompanied her aunt and uncle, Maude and Edward Murphy, and her cousins Myrtle, Bertha, Fulton, Milton, and Nevah (or Nivah) of Brady, Nebraska to Colorado Springs, Colorado. She titled her diary "A Trip to the Middle West."

In her first entry, Murphy commented on the family's traveling wagon, which was driven by two ponies, and their supplies, which included a tent, cooking utensils, clothing, and food. Throughout the diary, she described towns in southwest Nebraska, northwest Kansas, and central Colorado, sometimes mentioning interactions with local residents. The Murphy family occasionally met with acquaintances or relatives such as Joe Murphy, who joined them for part of the trip. While heading west, the Murphys followed the Rock Island Railroad and other railroad lines, and Edith often made observations about the weather and scenery. She collected rocks and Native American artifacts. In her entry of July 4, she discussed Independence Day celebrations in Goodland, Kansas, and the increased police presence. The party neared Pike's Peak on July 10 and ascended the mountain on July 19. On July 27, Murphy noted her birthday and resolved to maintain her dignity despite aging. The Murphys remained near Colorado Springs for several days in mid- to late July, and returned home by way of northeast Colorado. Edith reached home on August 13.

The final 2 pages contain signatures by May Gustafson and Edith Maude Murphy, various scribbles, and a brief poem. The volume was originally intended as a "Local Medical Examiner's Record" for the "Supreme Tent Knights of the Maccabees O.T.W."

The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915.

The collection consists of a 172-page diary, composed in the summer of 1906 (July 3-Sept. 2) about Helen Moorhouse’s experience as a hired musician at a hotel on Cape Cod, and a series of 32 letters that Moorhouse wrote from the Nichewaug Inn in Petersham, Massachusetts, to Alice E. Brown, the woman with whom she was romantically involved, in the summer of 1915. The diary includes numerous photographs, concert programs, and other clippings related to her summer. Both the diary and correspondence reflect Moorhouse’s interests in music, botany, art, and reading.

I. Diary, 1906

Helen Moorhouse’s 172-page diary from the two months she spent as a contracted musician at the Hotel Mattaquason in Chatham, Massachusetts, in the summer of 1906 offers a detailed account of daily life at a summer resort on Cape Cod.

Positioned somewhere between the hotel’s wait-staff and guests, Helen and her fellow trio members, Mary Molly Durgin and E. Isabel Foster, performed twice each day, but otherwise seem to have spent much of their time reading, sewing, and going on outings to the beach or into the village of Chatham. The diary entries record these activities, along with anecdotes about the hotel guests and employees, with particular attention paid to how the music the trio prepared and performed was selected and received. Other figures that appear throughout the diary are Mr. and Mrs. Frederick Wilkey, the Hotel Mattaquason’s proprietors; hotel guest Mrs. Edward Arthur James, of Chicago, and her son Sydney L. James, a violinist who often played with the Middlesex Trio over the course of the summer; Miss Ellen L. Cabot, a hotel guest who frequently commented on the trio’s music; Miss Haddock, a guest who also performed music; and Mr. Middlemass, the hotel’s head waiter and a student at Harvard. Other entries of note include a lengthy description of ice on the Great Lakes (29-31), the visits of an Armenian trader to the hotel (59; 113), a description of meeting journalist Lillian Whiting, who wrote The House Beautiful (83), and the complaints of an old crank of a Women’s Club Woman (99-103).

The journal contains various pieces of ephemera related to the concerts, activities, and places described in the written entries. These additions include 65 photographs (18 of which are cyanotypes), of beach scenes, the village of Chatham, the hotel, and its guests and staff; 2 real photo postcards; 2 hand-drawn sketches, one a diagram of her room and the other the view from her window; 2 news clippings; 6 concert programs from the Middlesex Trio’s performances at the Mattaquason; 3 visiting cards; 4 dinner menus from the hotel; a letter of music recommendations from Mr. Herbert H. White; and several other miscellaneous pieces of the hotel’s promotional literature. A couple of the photographs show men outfitted in dresses to play a hybrid game of baseball and tennis with the ladies of the hotel (132-133).

Moorhouse seems, in part, to have kept the diary as a record of the summer to share later with her parents, who were themselves vacationing for part of the summer at the shore in Mattapoisett, Massachusetts.

II. Correspondence, [1915]

This portion of the collection consists of thirty-two letters that Helen Moorhouse wrote between the end of June and mid-August 1915 to Alice E. Brown, a widow with whom she was romantically involved.

Moorhouse was in the midst of a nine-week contract to perform as a member of a music trio at the Nichewaug Inn in the central Massachusetts town of Petersham, while Brown was at home in Melrose, just outside Boston. During their time at the Nichewaug, Moorhouse and her fellow musicians, Susie Wells and a Miss Wilson, tended to practice music or paint landscape scenes in the mornings and performed each afternoon and evening in the hotel’s music room. The letters also reveal her keen interest in botany, art, and reading. In particular, she spent much of the summer reading the works of American philosopher John Fiske, whose son was the proprietor of the Nichewaug, as well as a history of architecture.

Moorhouse’s account of her days at the Nichewaug are interspersed with outpourings of longing for Alice, her Dear Heart, and candid reflections about how the couple was negotiating the familial and financial terrain of their relationship. News about Brown’s two children, Effie and George, as well as Moorhouse’s aunts feature prominently in the correspondence. A couple of the letters additionally contain Moorhouse’s thoughts on current events, including World War I, women’s suffrage, and the status of Native Americans living on reservations. In one of the letters, she included sketches of British war posters that a group of women fundraising for Belgian refugees had brought to the hotel to display and sell.

Helen L. Wild kept this diary immediately following the 1906 San Francisco Earthquake. Wild described the state of the city, fires, her family's experiences, residential and commercial displacement, and other effects of the event on the city and its residents.

Helen L. Wild, a San Francisco teenager, kept this diary, titled "The San Francisco Earthquake, Being the Impressions of One H. Wild Who Stood it all Even to Eating Relief Food and Is, So Far, Alive to Tell the Tale," during and in the days following the 1906 San Francisco Earthquake. Wild described the state of the city, fires, her family's experiences, residential and commercial displacement, and other effects of the event on the city and its residents.

Wild began the diary on April 18, 1906, with a description of the earthquake and immediately resulting fires. Later that day, she visited some heavily damaged sections of the city, including the downtown business district, and commented on the flames then engulfing Market Street and other areas. She and her family temporarily evacuated their home and slept in a tent alongside others at a local park. Wild continued to write throughout the following weeks and reported on aspects of the rebuilding process, such as relief efforts and the gradual restoration of normalcy. She also included some personal reflections about the disaster. Wild maintained the diary until May 2, 1906.