Collections : [University of Michigan Special Collections Research Center]

Bi-weekly newspaper based in Highland Park, Michigan reflecting the view of the "International Socialists." Consists primarily of marked up editorial copy and some miscellaneous administrative files.

The collection consists almost exclusively of marked-up editorial copy. The material in box 3 was organized for the most part by issue number, and this organization has been maintained. The material in boxes 1 and 2, however, arrived at the library without any prior separation into issue numbers. It appears that the articles in boxes 1 and 2 are essentially in chronological order, and this material has been separated by issue number where possible, but it must be stressed that this separation may be not be completely accurate.

With a very few exceptions, most of the articles in this collection appear to have been published in Workers' Power. Researchers are advised to start with the published newspaper; the Alternative Press Index may also be helpful.

In addition to the marked-up copy, there are nine folders of miscellaneous material, including items regarding finances, form letters giving general information about the newspaper, marked-up galleys, and lists of articles for various issues.

The bulk of the William R. Day Collection concerns the life and work of William Rufus Day. There are also materials related to other immediate and extended family members. Some of the topics covered in the William R. Day Collection are the Spanish-American War; the United States Peace Commission; the Mixed Claim Commission concerning reparations from Berlin, Germany; and William Day's career as a lawyer and diplomat. Materials represented include correspondence, newspaper clippings, publications, and manuscripts.

This collection contains a variety of materials including correspondence, newspaper clippings, publications, and manuscripts. Although the bulk of the collection concerns William Rufus Day, there are materials related to other immediate and extended family members. Some of the topics covered in the William R. Day Collection are the Spanish-American War; the United States Peace Commission; the Mixed Claim Commission concerning reparations from Berlin, Germany; and William Day's career.

The Correspondence and Papers series consists of 3 subseries: William Day, Family, and Miscellaneous.

The William Day subseries is organized by date and includes correspondence related to the Spanish-American War, Cuba, Germany and the Mixed Claims Commission. In 1896 there are materials related to the Monroe Doctrine, silver and gold, and Venezuela and Cuba. The 1897 folder primarily has correspondence related to Spain and Cuba. The 1898 folder contains materials related to Cuba, Spain, Germany, Puerto Rico, and the Philippines. The 1899 folder contains congratulations William Day received upon being appointed a judgeship as well as speaking requests. 1900-1911 contains remarks, information about a Day family land transfer, Day's McKinley manuscript, a map of Washington, DC, and a European military map. 1920-1923 has correspondence and papers related to the 18th amendment (prohibition), the Berlin agreement by the Mixed Claims Commission, and Day's retirement from the Commission. Biographical materials include biographies, a genealogy, ancestry from the Mayflower, and a memorial. The scrapbook contains newspaper clippings related to William Day's work and life as well as that of his wife, Mary Elizabeth Schaefer, and his son, Luther Day. Topics are related to William Day's political and judicial career including the Spanish-American War, Cuba, and the Philippines, and Luther Days' career as a lawyer and politician.

The subseries Family includes four files. The folder for Luther Day, father of William R. Day, contains correspondence to Luther as well as papers related to him being elected a prosecuting attorney. The folder for Emily Spalding Day, mother of William R. Day, contains letters from her mother, sister, and cousin, as well as one letter from Emily to her mother. The folder for Louis Schaefer, father-in-law of William R. Day, contains letters to Louis from members of the Meiklehaus family and one letter from Louis Schaefer to his daughter on Schaefer's Opera House stationary. The Other Members folder contains letters and papers for other members of the Day family including Ellen Day, Laura Lyman, Frances Day, Lucretia Spalding, Honorable Spalding, Ida Barker, Luther Day (William R Day's son), Asa Spalding, and a pamphlet titled Industrial Peace with Justice which lists Stephen A. Day as the president.

The three miscellaneous folders contain papers and letters whose relationship to the Day family and William R. Day is unknown including a letter written in 1797 by Darius Morgan, a letter from 1795 to Ephraim Root, as well as some additional letters, a memo about being an officer of the United States, information relating to the Hero of Bitche, Red Cross instructions for knitting socks, and a list of names.

The Manuscripts series contains William Day's notebook related to his biographical project on William McKinley, Stephen Day's (William Day's son) notebook related to sales and cases he worked on, the dissertation of Joseph McLean about William Rufus Day submitted to New York University, and a folder of miscellaneous materials including a review of a German newspaper and an incomplete document about patent law and the rights of inventors.

The Newspaper series includes issues of the University of Michigan newspaper The Chronicle from 1868-1870 and an assortment of newspaper clippings from 1894-1950.

The Publications series brings together the published materials within the William Day Collection. They are mostly political in nature and relate to law cases, government documents and procedures, and political opinions. Also included are speeches given by William R. Day.

The Ephemera folder contains two items. One is an envelope for Goldie's Pens that begins "This packet contains as assortment (10) of the Goldie's, the highest grade of writing pens..." There is also a photograph of Robbie Hubbs on the packaging. Inside the envelope is a tissue that contains some unidentified seeds. The other item in the Ephemera folder is a carte de visite printed by Brand Artist. The portrait is undated and the subject unidentified, but it may be a young William R. Day.

William Reuben is an investigative reporter and author who wrote, most notably, about the Rosenberg espionage case and the Alger Hiss-Whitaker Chambers libel and perjury trials. The Collection includes correspondence, research and interview notes, drafts of books and articles, published and unpublished, on the trials of the "Trenton Six," Morton Sobell and Robert Soblen, Julius and Ethel Rosenberg, and Alger Hiss, with much research on Whittaker Chambers.

In general, most of the series consist of similar kinds of material: Reuben's research notes, drafts of his writings, correspondence, clippings, and reviews of other writings about the case or individual. Some of the series have further value because they include Reuben's collection of printed material about the case. For example, Reuben was particularly active in the Committee to Secure Justice in the Rosenberg Case, and the Rosenberg series includes some of the printed matter put out by this organization. Reuben also collected correspondence of the Civil Rights Congress, a major organization lobbying on behalf of the Trenton Six.

In many ways, the Reuben papers are an assemblage of secondary material. Reuben had little first-hand dealings with either the Rosenbergs or the Trenton Six. Nevertheless, the files have value for their documentation of the manner in which this one investigative reporter worked. Reuben was a meticulous and persistent researcher, who tracked down a variety of leads in a story, first analyzing the available court transcripts and other official records, then corresponding as much as he was able with the people involved in the case (including other writers like himself), and finally monitoring the amount and kind of press coverage given to the case. Unfortunately, Reuben did not gain as much first-hand contact with the principals in his investigations as he would have liked, and thus the collection is not as substantive as the researcher might like. Reuben 's correspondence, furthermore, is often superficial and anecdotal in character. Another disappointment of the collection are Reuben 's notes and drafts, which because they are fragmentary or unidentified, are difficult to use and of questionable research value.

William Kaufman, M.D., Ph.D (Physiology), discovered that niacinamide (vitamin B-3) can effectively treat symptoms in arthritic patients. This collection documents Kaufman's niacinamide research, his work as an author of academic and popular medical articles, and his personal life. William's wife's, Charlotte (Schnee) Kaufman's papers are also included, especially those relating to the Family Life Film Center of Connecticut.

The William and Charlotte Kaufman Papers document many facets of both William and Charlotte Kaufman's professional and personal lives. The collection has been arranged into fourteen series: Niacinamide, Other Medical Topics, Other Writings, General Correspondence, Professional Organizations, Personal, Charlotte Kaufman, Patient Records, Computer disks, Artwork, Audiovisual, Slides, Photographs and Negatives, and Realia.

William Kaufman's research in the therapeutic use of niacinamide and its effect on arthritis is documented by professional correspondence, correspondence with interested members of the public, patient records, published and unpublished writings, notes, photographs and negatives, and relevant writings by others. Kaufman's involvement in various medical organizations and his work as an author of popular and academic articles are also well represented. Drafts of plays and poems, an autobiography, sketchbooks, and paintings show William's creative work as an amateur artist, playwright, and poet. Papers relating to Kaufman's personal life are also present in the collection.

Material relating to Charlotte Kaufman mostly stems from her work as Executive Director of the Family Life Film Center of Connecticut, Inc. A wide range of materials document the workings of the Film Center: correspondence, leaflets, memos, discussion notes, training materials, posters, newspaper clippings, and photographs. Charlotte's activity in other community organizations and her personal life are represented by photographs, schoolwork, biographical material, creative writings, invitations, newspaper clippings, and correspondence.

Series Level Scope and Contents Notes:

The Niacinamide series consists of approximately 4.5 linear feet and provides insight not only into Kaufman's research and writing on niacinamide as a therapy for arthritis but also into his research's impact and general reception. This series includes data such as charts and summary results, but please note that some niacinamide study data is in other parts of the collection: forms recording individual patients' joint measurements are in the Patient Records series and are mostly restricted due to the presence of personally identifiable health information; a significant number of photos, slides, and negatives of Kaufman's patients who participated in the niacinamide studies are part of the Photographs and Negatives series and many of these visual materials are also restricted.

Niacinamide correspondence constitutes the largest group of material in the Niacinamide series and this correspondence is subdivided into three groups: professional correspondence and name files (exchanges with doctors and other health care providers, companies, government agencies, etc.); requests for niacinamide or arthritis advice or treatment testimonials from members of the public; and simple requests and delivery confirmations for Kaufman's articles and books on niacinamide. The professional correspondence includes exchanges between Kaufman and important medical figures such as Linus Pauling, Abram Hoffer, Jonathan Wright, Andrew Saul, and others. Researchers interested in Kaufman's niacinamide work may also want to consult the General Correspondence series as it contains a small amount of correspondence mentioning niacinamide.

The Niacinamide series documents Kaufman's niacinamide work in several other ways: through drafts, publications, notes, press notices on Kaufman's two monographs, material related to Kaufman winning the Tom D. Spies Award, as well as material related to Kaufman's role in a 1942-1943 study at the Bridgeport Brass Company, in which workers were given vitamin supplements and the effect on their overall health and mental state was assessed.

The Other Medical Topics series is composed of roughly 2 linear feet of material directly related to Kaufman's medical writings (those not about niacinamide). The writings cover a wide range of topics, from electrocardiography to psychosomatic eating problems and are intended for a wide range of audiences, from medical specialists to members of the public. Drafts, copies of Kaufman's publications, and notes make up the bulk of the series. There is also correspondence, published background material, drafts, and notes related to the Béla Schick Festschrift (1958) , which Kaufman edited, and about the Lowenfeld Mosaic Test (the test, which consists of a set of colored plastic shapes that the subject is supposed to arrange into a pleasing pattern, is part of the Realia series).

Other Writings consists of about 6 feet of mostly unpublished material directly related to Kaufman's writings that are neither medical nor niacinamide-related in subject. They are divided into four subseries: creative writing, money, autobiography, and miscellaneous.

The creative writing subseries consists of drafts, publications, and notes and fragments of Kaufman's short stories, poems, plays, and novels. This subseries also contains a small amount of correspondence and other material related to Kaufman's efforts to publish and publicize his creative writings.

Kaufman's interest in money led to the publication of a few articles, most notably "Some Emotional Uses of Money," primarily about what Kaufman termed "psycho-economic behavior." The money subseries contains drafts, publications, notes, source material for Kaufman's articles, and an unpublished book on money. The subseries also includes letters expressing readers' reactions to Kaufman's money pieces, as well as requests for advice.

Two draft versions and some notes and fragments of William Kaufman's autobiography, Snippets , make up the autobiography subseries. The miscellaneous subseries consists of drafts, notes, and publicity on writings of Kaufman's that don't fall into any of the above categories (i.e. are neither medical, nor creative pieces, nor money-related), for example, an opinion piece on writing obituaries .

The General Correspondence series (roughly 3 linear feet) is divided into two groups: personal correspondence between William and Charlotte Kaufman and general correspondence (correspondence that doesn't primarily concern niacinamide, the business of William's professional organizations, or William's employment) between William and others.

The correspondence between William and Charlotte Kaufman spans their relationship from their first meeting in Ann Arbor in 1936 until just before William's death in 2001. The early correspondence also includes a fair amount of attachments, including creative writings by both William and Charlotte, letters from others, and some sketches by William. The bulk of the letters date from 1938 and 1939, the years just before Charlotte and William were married. Their correspondence is arranged chronologically by, but not within, year.

The general correspondence subseries ranges in subject from personal to medical and includes correspondence with: Dave Brubeck, Luke Bucci, Rodrigo Carozo, William Crook, Thomas Dorman, Carlton Fredericks, John Fulton, Anna Freud, Bernard Halpern, David Harley, Fred Hodges, Paul Kallós, Heinz Karger, Sam Kaufman, John Leonard, Marshall Mandell, Theron Randolph, Samuel Schnee, Béla Schick, Nicholas Spinelli, Frank Wilson, and White House staff members during the Franklin D. Roosevelt and Dwight Eisenhower administrations.

The Professional Organizations series (approximately 1 linear foot) details Kaufman's involvement with various medical organizations, including as American Editor-in-Chief of the International Archives of Allergy and Applied Immunology , President of the Academy of Psychosomatic Medicine, and in various posts in the American College of Allergists and other organizations. The series consists primarily of correspondence and memos. It also contains programs, menus, schedules, some newspaper clippings, and meeting minutes.

The Personal series consists of about 3 feet of papers that relate to William Kaufman's personal affairs. The material falls in nine groups: biographical, education, employment, family, finances, health, homes, inventions and copyrights, and articles and press releases.

A broad swath of material documents Kaufman's basic personal information. Included are passports, a diary, and Who's Who entry material. William Kaufman's academic achievements are well represented and span from Pottsville High to University of Michigan Medical School to continuing education courses. His academic life is reflected in grades, notes, yearbooks, newspaper clippings related to scholarships and honors, fraternity materials, student identification cards, financial records, graduation programs, and alumni correspondence and reunion materials.

Periods of William Kaufman's employment in hospitals and New York pharmaceutical advertising agencies are documented in memos, drafts of industrial writings (interpretation of FDA regulations, drug labeling, promotion and education, etc.), announcements and press about Kaufman's professional appointments, and other business papers. The family material documents particular episodes in the lives of the Schnee and Kaufman families. These papers were originally grouped together and have been retained in this order. Besides these few groups, all correspondence with members of the Schnee and Kaufman families is part of the General Correspondence and Charlotte Kaufman series.

The remainder of the Personal series is composed of two smaller groups: information related to the selling, buying, rezoning, taxation, and insuring of the Kaufmans' homes; and certificates of copyright, letters patent, legal paperwork, correspondence, and design plans related to the construction of Kaufman's joint measuring instruments.

The Charlotte Kaufman series is 7 linear feet of Charlotte Kaufman's files. The bulk of the series arises from Charlotte Kaufman’s role as Executive Director of the Family Life Film Center of Connecticut (established February 22, 1967). The Family Life Film Center papers overlap with Charlotte’s involvement with other citizens’ groups championing causes such as better schools and better police-community relations. Charlotte’s original topical folder organization, where present, was retained and most folder labels are hers. All dates assigned to the folders are rough bulk dates and not necessarily comprehensive. There is a significant amount of material related to a grant given to the Family Life Film Center by the U.S. Department of Health, Education, and Welfare, Social & Rehabilitation Service to conduct a pilot program designed to raise awareness of career options for handicapped individuals.

Also included in the Charlotte series are materials relating to Charlotte's other community activities (such as her involvement with the Alliance Française du Comte de Fairfield), correspondence between Charlotte and other individuals (not related to niacinamide--those letters have been included in the Niacinamide series), and personal materials, which include biographical material, papers relating to Charlotte's education, employment, family, and health. A highlight of the personal Charlotte material is a folder of material about her 1939 trip to Alaska and Charlotte's interest in Alaska becoming a place for resettlement of refugees from Hitler's Europe.

The Patient Records series (one linear foot) consists primarily of joint measurements of and case histories of patients, most likely collected as part of William Kaufman's niacinamide studies in the 1940s. A few patients have more extensive files that may include correspondence or additional charts. Due to the presence of personally identifiable health information, much of the material in this series is closed to researchers and consultation with Special Collections staff is required before accessing this series. Original binder and folder titles have been retained where present. This series contains a few photographs, but most patient photos have been transferred to the Photographs and Negatives series.

The Computer Disks consists mostly of 3.5 inch floppy disks that contain backups of emails and files the Kaufmans had on their home computer. The majority of the disks are indexed and organized in binders and their original order and housing has been retained. The series also includes 3 CDs.

The Artwork series is comprised of William Kaufman’s drawings, sketches, and paintings. This includes a series of mostly black-and-white drawings of imaginary creatures titled “Kaufman’s Kritters.” Documents complementing the artwork are also in this series and include Kaufman’s efforts get his artwork published and his entries into various shows and contests.

The relatively small Audiovisual series is comprised of cassette tapes, including a 1978 interview William Kaumfan did with Carlton Fredericks, and film in various formats including 16mm motion pictures reels, microfilm, and canisters of 36mm film. Among the films is a short film, A Day in the Life of P. T. Barnum, that Charlotte Kaufman produced.

The Slides series consists of a few thousand color slides, including a small number of glass-plate slides. The patient studies slides, which are mostly images of mouths, tongues, eyes, and, to a lesser extent, other body parts, make up the largest part of the series. It is very likely that these slides were produced as part of William Kaufman's niacinamide studies. The patient studies slides are divided into three groups: boxed, sleeved, and glass-plate. All three groups are organized alphabetically by patient name. Most of these patient slides are closed due to the presence of personally identifiable health information. Researchers interested in the slides should consult Special Collections staff. Additionally, there are a small number of personal and other slides.

The Photographs and Negatives series is divided into three subseries: Photographs, Negatives, and Photographs and Negatives (the Photographs and Negatives subseries, while redundant, is used because some photographs were bundled together with their original negatives and these were kept together). All three subseries contain a variety of sizes and formats. The Photographs subseries and the Negatives subseries both include a substantial number of patient images, mostly demonstrating the flexibility of a particular joint. While some of these photographs are restricted (please consult with Special Collections staff if interested), some do not contain personally identifiable information and are open for research. All three subseries contain personal images (which include portraits, images of homes and artwork, as well as travel and conference pictures). The Negatives subseries also encompasses color transparencies, many of which are images associated with the Lowenfeld Mosaic Test .

Finally, the Realia series contains three dimensional artifacts, mostly metal medical instruments that William Kaufman invented and used in his niacinamide studies. In particular, many of the objects are goniometers, or instruments for measuring flexibility. The Lowenfeld Mosaic Test , in its original green case, is also part of this series.

Voltairine De Cleyre was a prominent anarchist poet, lecturer, and writer. This collection spans the years 1876 to 1914 and is made up of correspondence, manuscript and print poems and essays, and one photograph.

The Voltairine De Cleyre Collection is organized in four series: Correspondence, Manuscripts, Printed Materials and Photograph.

American biographer; participated, researched, and wrote about individuals involved in movements central to New York City's Lower East Side, including the Beats and the Punks. Papers include correspondence, notes and notebooks, clippings, other resources, manuscripts (drafts, proofs, galleys), photographs, and audiovisual materials.

The Correspondence series is comprised of approximately 2.5 linear feet of material, foldered alphabetically by author with individual letters and cards within each folder arranged chronologically. The majority of the correspondence discusses Bockris' professional endeavors, including correspondence between publishers, lawyers, and sources. Additionally included are some personal correspondence such as letters, notes, and cards. Within the series are several notable, lengthy correspondence partners including Isabelle and Jean Louis Baudron, 1984-1997 (5 folders); Gerard Malanga, 1977-1996 (10 folders); Miles, 1977-1998 (7 folders); Elvira Peake, 1984-1999 (5 folders); Claude and Mary Beach Pelieu, 1983-1996 (5 folders); and especially Ingrid von Essen, 1983-2001 (31 folders); Christopher Whent, 1985-2002 (7 folders); and Andrew Wylie, 1974-2000 (41 folders). Correspondence with von Essen is of particular note as she was both a professional collaborator and personal friend of Bockris, and in addition to incoming correspondence, outgoing correspondence from Bockris to von Essen, 1977-2001 (17 folders), is included in the series.

The series also includes correspondence from notable individuals, poets such as Anne Waldman and Allen Ginsberg, John Giorno, Jeff Goldberg, artists and personalities including Lawrence Ferlinghetti, Art Garfunkel, Bobby Grossman, John Waters, Aram Saroyan, and book subjects Bebe Buell, William Burroughs, Debbie Harry, and Terry Southern.

The Notebooks and Journals series is comprised of approximately .5 linear feet, and consists of 17 volumes or items (including one that is oversize). The volumes' contents seem to span the range of Bockris' subjects, although it is difficult to discern the exact contents given the handwriting.

The Topical Files series is approximately .25 linear feet, and contains materials surrounding important topics and persons to Bockris' work. Included in the files are coverage on the subject matter of writing biographies, manuscript fragments, and information on various personalities including those that were featured in some of Bockris' work, like Lydia Lunch, collaborators including Andrew Wylie and Gerard Melanga, and individuals whom Bockris pursued as potential biography subjects such as Art Garfunkel.

The Events series is approximately .1 linear feet, and contains gallery invitations and speaking engagements sent to Bockris. These materials do not correspond specifically to any of Bockris' works, nor do they involve him as an artist or speaker, and thus are separated into their own series.

The Muhammed Ali series is approximately .5 linear feet and pertains to the works that Bockris wrote about Muhammed Ali. Although one of the smaller series of Bockris' works within the collection, it still contains a multitude of information, and is broken down into six subseries: Correspondence; Notes and Notebooks; Scrapbook; Clippings and Articles; Manuscripts; and Reviews. The correspondence is primarily from 1993-2002 and consists of letters between Bockris and his publishers. Within this subseries, items are arranged chronologically by date. The Notes and Notebooks, and Scrapbook subseries both contain Bockris' thoughts and collections of information he gathered on Muhammed Ali. Similarly, the Clippings and Articles subseries contain assorted clippings and photocopies of text about Ali. The Manuscript subseries contains drafts of four works that Bockris wrote about Ali, and the Reviews subseries contains clippings and photocopies of reviews of these works.

The Beat Punks series is approximately 1.5 linear feet, and contains materials related to the subjects within Bockris' Beat Punks book (also published as NYC Babylon) and related works. Correspondence within this series is primarily from Bockris' publisher. The series contains significant information on Allen Ginsberg, including a scrapbook, clippings and articles, and the National Arts Club Literary Aware Dinner manuscript. Other notable individuals mentioned in this series include clippings and articles related to Lydia Lunch and a transcript documenting an interview between Bockris and Legs McNeil.

The Blondie/Debbie Harry series is approximately 2.25 linear feet, and its contents pertain to both Blondie and its lead singer Debbie Harry. Also heavily represented is Blondie member (and Harry's former partner), Chris Stein. Although the Correspondence subseries mostly concerns the book and publishers, there is a handwritten letter by Debbie Harry. The Transcripts subseries features numerous transcriptions of interviews and conversations featuring both Harry and Stein. Other resources noted within the series include both song lyrics and visual materials such as images of both Harry and Blondie.

The manuscript series fastidiously documents the evolution of the Making Tracks monograph written by Bockris, Harry, and Stein. Included are multiple, often annotated drafts of the manuscript beginning with when it was still referred to as Above Fourteenth Street. This documented evolution continues even after the manuscript was renamed to Making Tracks, and includes not only drafts but galleys, sample layouts, second blues, and book covers. In addition to this manuscript, also included are drafts of From Eat to the Beat to Autoamerican and Meeting Famous People.

The smallest series (.2 linear feet) within the collection documenting one of Bockris' works, the Bebe Buell series documents Bockris' and Buell's biography, Rebel Heart. The Correspondence subseries is comprised of two handwritten letters to Bockris from Buell. However, the most notable items within the series are a series of photocopied love letters written by Elvis Costello to Buell. Additionally included are several drafts of Rebel Heart, and documentation of legal issues concerning quotes within the book.

The William Burroughs series is 1.25 linear feet and contains an assortment of materials used by Bockris to write his works on Burroughs. The Correspondence subseries includes letters from publishers and sources, as well as from Burroughs himself, including a small painting sent to Bockris as a Christmas card. The Events subseries includes several gallery invitations specifically sent to Bockris, as well as postcards of his own speaking engagement, In America All We Do is Work.

The Transcripts subseries includes transcripts featuring a wide breadth of individuals such as William Burroughs, James Grauerholz, Richard Hell, Debbie Harry, Christ Stein, Allen Ginsberg, Jean Michel Basquait. Also found in this subseries are transcripts from Burroughs interviewing Patti Smith.

Finally, the Manuscript subseries includes several drafts of many of the works Bockris wrote about Burroughs (including A Report from the Bunker and With William Burroughs). Also included are drafts of shorter works, including the cover, back copy and page mock ups of William Burroughs Cool cats, furry cats, and aliens, but no purring, which Bockris printed in a limited edition of only 100 copies, each of which he signed and numbered.

The John Cale series is .75 linear feet and documents the writing of Cale's biography, as well as the related disagreements about its publication between Cale and Lou Reed.

The Correspondence subseries primarily consists of letters from Lou Reed, Sylvia Reed, and Chris Whent, documenting legal issues and disagreements between Cale and Reed, concerning their past as members of the Velvet Underground, and potential future as collaborators. Also of note are items from Mo Tucker (another member of the Velvet Underground).

Also included is the Other Resources subseries, which contains papers about Cale, his assorted lyrics and writings, and album covers. The Manuscripts subseries provides insight into Cale's biography from proposal, to early draft, to proof, to galleys. The series concludes with clippings and photocopies of What's Welsh for Zen reviews.

At approximately 12.5 linear feet, the Lou Reed series is the largest within the Bockris Collection. Each of its subseries, Correspondence; Notes and Notebooks; Clippings and Articles; Events; Sketchbooks; Transcripts; Other Resources; Manuscripts; and Reviews are sizeable and detailed, providing an enlightening look into Bockris' research and writing processes.

The Correspondence subseries contains numerous letters both from publishers and sources, the most notable of whom include Shelley Corwin (nee Albin), Reed's former girlfriend, Elizabeth Kronstad, Reed's first wife, and Andrew Wylie, Bockris' agent and former collaborator who struck up a friendship with Reed. The Notes and Notebooks subseries is extensive, containing a variety of notes, some of which were arranged by Bockris by subject, and others which were arranged by year. Bockris also participated in several speaking engagements related to his Lou Reed book, the promotional materials for which are documents in the Events subseries.

In addition to notes, Bockris's research also generated a vast quantity of clippings and articles (11 folders), serials and books (7 folders), and an assortment of Lexis-Nexis article print outs, spanning the years 1950 – 1989. Bockris also filled seven volumes of sketchbooks (the Sketchbooks subseries) with Lou Reed Content. Also utilized as source material, Bockris conducted numerous taped interviews, many of which were transcribed and are contained within the Transcriptions subseries. Interviewees of note include Shelley Corwin (nee Albin), Roberta Bayley, Legs McNeil, Richard Mishkin, Billy Name, Bob Quine, Lou Reed, Maureen Tucker, Chris Whent, and Andrew Wylie.

Other Resources also played a role in Bockris' research, and may be found in the subseries of the same name. Included are Reed's college magazine, The Lonely Woman Quarterly, Lou Reed: The Collected Lyrics, and information from Lou Reed's fan club. However, the most extensive portion of this series is the Manuscript subseries which documents Bockris' Transformer: The Lou Reed Story from early proposal all the way to U.S. galleys as well as the U.K. edition galleys, providing a meticulous documentation of the book's evolution. The drafts are organized based on the various arrangements that Bockris utilized. Similar to the arrangement of the Notes and Notebooks subseries, this results in some of the drafts organized chronologically by year range, and others organized by subject or chapter. Numerous final drafts are also included, which reveal different versions of the monograph in its entirety. The series concludes with the Reviews subseries, containing clippings and photocopies the book's reviews.

The Keith Richards series is approximately 3.75 linear feet, and documents Bockris' writing of Keith Richards. Most of the Correspondence subseries is comprised of communications from publishers and fans, however, there are several handwritten letters from Richards' former girlfriend, Anita Pallenberg, although they merely describe materials she sent to Bockris as well as signed certification that the information she provided is truthful. The arrangement of the Notes and Notebooks subseries remains as Bockris sent it, chronological and divided by year. Additional background materials may be found in the Sketchbook, Scrapbook, and Clippings and Articles subseries, the last of which includes copies of Rolling Stones newsletters Beggars Banquet and Basement News. Bockris also made use of taped interviews, the transcripts of which are provided in the Transcripts subseries, including one between him and Marianne Faithful. The Manuscript subseries contains an assortment of drafts of Bockris' work on Richards. These range from drafts focusing on specific people or time period to edited galley proofs and book covers. This broad spectrum of the manuscript provides a view inside Bockris' writing process and style. Finally, the Reviews subseries includes clippings and photocopies of reviews of this work.

The Patti Smith series is composed of approximately .75 linear feet of materials, documenting Bockris' writing of Patti Smith: A Biography. The Correspondence series primarily documents the communication between Bockris and his publisher, Fourth Estate. The remaining subseries, Notes and Notebooks; Scrapbook; Events; Clippings and Articles; and Other Resources all provide background materials for Bockris' writing.

The Manuscript subseries recounts Bockris' writing process, beginning with the early draft of Smith's biography, and ending with several portions of the finished work including the unbound galley, index, cover image, and image galleys. Also included are several drafts documenting the process Bockris underwent to get from early draft to completed galley. The final subseries, Reviews, provides clippings and photocopies of the book's reviews.

At .25 linear feet, the Terry Southern series is one of the smaller series in the collection that describes one of Bockris' works. Correspondence in this series includes a letter written by Southern, as well as several letters by Lee Hill (a Terry Southern biographer) written to Bockris. Also included is a Transcript subseries which features the transcript of a conversation between Southern and William Burroughs. The largest portion of the series is the Other Resources subseries containing several works by Southern and Hill. Unlike the other series documenting Bockris' works, the Southern series provides very little Manuscript subseries content. Indeed, the only item is an untitled early draft. Thus, in this case, little insight is provided into Bockris' writing process or the final work.

The Velvet Underground series is approximately .5 linear feet, and documents the making of Bockris' Uptight: The Story of the Velvet Underground. The Correspondence subseries mainly contains communication from publishers. The bulk of the contents in this series are research materials, including subseries Notes and Notebooks; Clippings and Articles; and Other resources which includes an interview with former Velvet Underground member Moe Tucker. The Events subseries provides information on several speaking engagement of which Bockris was a part.

The Manuscript subseries has two drafts, but is primarily composed of galleys, both for the U.K. edition in 2002 and the new edition. The Reviews subseries contains numerous clipped and photocopied reviews of the book. Also of interest is that some of Bockris' materials, ranging from notes to drafts also appear to have been referenced and utilized during the writing process of his Transformer: The Lou Reed Story book. The Andy Warhol series is approximately 3.5 linear feet. The bulk of the Correspondence subseries is comprised of communication between Bockris and his publishers. However, there are two letters of note, both from Warhol's brother, John Warhola, written directly to Bockris. Also included with one of these letters is a photograph of Bockris at Warhol's grave, taken by Warhola.

Much of the background research for the work is found in the Notes and Notebooks, Clippings and Articles, and Other Resources subseries. The Events subseries includes promotional materials for several speaking engagements made by Bockris as well as student feedback on a lecture presented by Bockris. The Manuscripts subseries documents the evolution of Bockris' The Life and Death of Andy Warhol from original manuscript to page proofs. Additionally included are drafts of related pieces written by Bockris including How I wrote a Biography of Andy Warhol and Pittsburgh Andy. Also included is the Reviews subseries which provides numerous clippings and photocopies of reviews of Bockris' pieces on Warhol. The series concludes with the Scripts subseries which includes several scripts based on Warhol's life and Bockris' biography. These include a potential script for Andy Warhol the Motion Picture and several annotated copies of the script Pop.

The Proposals and Drafts series is approximately .75 linear feet and documents an assortment of research on proposed subject including Ornette Coleman, Dennis Hopper, Fred Hughes, and Charles Plymell. Also included are collaborative pieces with Andrew Wylie like Which Way Did Doris Day Go? drafts of Bockris' shorter works such as Negative Girls and some of his Gadfly pieces. The Photographs series is approximately 2.25 linear feet. The photographs are primarily arranged by subject, including many of the subjects of Bockris' books (Ali, Blondie/Debbie Harry, Burroughs, Cale, Reed, Richards, Smith, the Velvet Underground, and Warhol). Photographs featuring unidentifiable or multiple subjects were filed under "Various." Additionally, there is a folder of negatives. Also included are three volumes of Bockris Contact sheets, chronologically divided into three binders, and covering 1972-2001 in total. Three more binders create the three volumes of Photographs by Victor Bockris, with each binder focusing on a different subject, Burroughs, Warhol, and Ginsberg respectfully. Finally, additional photographic materials may be found in the two oversize boxes, including the AliWarhol 24 Panel Piece, a Debbie Harry photograph, and various photographs. The Audiovisual subseries is approximately 2.5 linear feet, primarily containing cassettes of taped interviews conducted by Bockris. Of particular interest are interviews including Burroughs, Jaguar, Warhol, Ali, John Warhola (Warhol's brother), Buell, Harry, Stein, Cale, the Allen Ginsberg Memorial at the Poetry Project, Gerard Melanga, Legs McNeil, Roberta Bayley, Chris Whent, and Sterling Morrison. Also included among the cassettes are various published materials such as Lou Reed albums. In addition to the cassettes, a Terry Southern CD is also included. The VHS tapes found within this series are primarily published and feature Lou Reed. Similarly, the LPs in this series are all published. Most of these records feature Bockris' subjects including Blondie/Debbie Harry, Cale, Reed, and the Velvet Underground. Other notable individuals include Susan Sontag and Maureen Tucker. Cassette tapes from boxes 36 and 38 have been reformatted and CD use copies have been created. Use copies are located in boxes 45-47

The Tom Hayden Papers largely consist of materials generated while Hayden was in the California State Assembly and Senate during the 1980s and 1990s as well as the research he conducted for many of his books.

FBI Files: The FBI files are files Hayden petitioned to be released through the Freedom of Information Act in the 1970s. The bound documents are not in strict chronological order with many dates overlapping, since many of the documents are reports from various field offices from different parts of the U.S. reporting to central headquarters in Washington D.C. Different types of source materials such as photocopies of newsletters, newspapers clippings, pamphlets or any other relevant information are attached to some reports. Some pages are redacted in the reports and not all files are complete with pages missing. Some pages are marked by Tom Hayden with Post-It notes and other notes possibly used for his writings.

Files of interest include a transcript of Hayden’s testimony before the House Committee on Un-American Activities in Washington, D.C. in regard to the Chicago riots during the Democratic National Convention in December 1968. Other documents of interest include reports on Tom Hayden’s first trip to Vietnam in 1965, and transcripts of phone calls between Hayden and Black Panther members during 1969-1971.

The FBI indexes contain a list of document numbers or pages generated in relation to Tom Hayden, a brief description of the document, a description of deletions made or information withheld from documents, exemptions to the deletions and cross references to other pages. The indexes do not match or list all the pages found in the archive. Referral documents means information or specific pages sent to other field offices or agencies such as the CIA.

In the Counter Intelligence Program and New Left folders the FBI the documents were generated either from headquarters (Washington D.C.) or different field offices. COINTELPRO and New Left locations are from different field offices throughout the US, and from Japan and Puerto Rico. The documents show the FBI’s monitoring and infiltrating of colleges and student organizations and their publications, activities and whereabouts. Included in the reports are examples of student publications and copies of articles in these publications and correspondence on how to counteract student organizations and their political activities from 1968-1971.

In the Jane Fonda FBI section, the Reports and Reactions folders contains reports from agents in regard to the Jane Fonda anti-Vietnam war FTA tour/show ( seen under various names such as Free Theater Associates or Free the Army and also the Peace Tour), which later became part of a larger peace tour in locations such as Okinawa, Japan and Manila, Philippines. Documents include reports of itineraries and names of people involved in the tour. Also included is correspondence received by the FBI from the public expressing negative reactions to Jane Fonda's FTA show and comments she made in public captured by the press.

The Freedom of Information Act folders include requests submitted by Tom Hayden and Jane Fonda’s lawyers for any government documents with information pertaining to them in the FBI, CIA, U.S. Department of Justice or NSA files. Subsequently, a lawsuit was filed in 1976 after certain documents were withheld by the CIA. Correspondence between their lawyers, Ira M. Lowe and Martin Echter and various government agencies can be found as well as correspondence addressing both Tom Hayden and Jane Fonda since they filed FOIA requests jointly. Any correspondence or law documents referring to both Tom Hayden and Jane Fonda have been filed under Tom Hayden and any documents referring only to Jane Fonda are in the Jane Fonda FBI section. Cases such as Joan C Baez v. U.S. Department of Justice and other cases are included.

1960s-1970s: The Writings folders contain articles written by Hayden in the 1960s-1970s. This is not a comprehensive list of all his articles written during this time period. The majority of the articles are not originals or drafts but photocopies.

The Notebooks section contains spiral bound notebooks of various sizes Hayden used to jot down notes, ideas, outlines for articles and meeting notes. Some of the notebooks outline his trips to North Vietnam. The notebooks are organized according to identifying information on each notebook such as year or location of when the notebook was initially used. Many of the notebooks include various loose sheets of paper or items such as stamps or business cards folded into the notebook. These items have been included in the same folder.

The Students for a Democratic Society section contains bulletins, reports, newsletters and publications under SDS from 1961-1964 and some undated documents. The Indochina Peace Project section has a selection of publications by the organization from 1972-1975 and some undated material.

Personal: The personal section reflects Hayden’s childhood, family, and interests. The files in this section include ancestry information, Royal Oak Dondero High School materials, University of Michigan materials, family greeting cards, and baseball clippings and photographs. The largest file in the Personal section includes ancestry reports Hayden had conducted in 1986 outlining and researching his family history and heritage.

Political Career: The Political Career section is organized according to year and type of campaign. In 1976 Hayden ran for U.S. Senate against John V. Tunney in the Democratic primary. He lost the Senate campaign, but later won the 44th State Assembly seat for the Santa Monica area in 1982. He later went on to serve 18 years in the California assembly and senate. Hayden served five terms in the California State Assembly from 1982-1992 and two terms in the California State Senate from 1992-2000. In 1997, he ran for Mayor of Los Angeles against Republican Richard Riordan and lost. In 2000, he considered a bid for the 42nd California State Assembly District Campaign, but reconsidered and instead ran unsuccessfully for City Council in Los Angeles. He also served as California’s first energy official.

As part of the California State Assembly, he served as Chair of the Assembly Subcommittee on Higher Education and Chair of the Assembly Committee on Labor. As part of the California State Senate, he served as Chair of the Senate Natural Resources Committee and member of the Senate Committee on Education, the Senate Budget Committee on Natural Resources and the Joint Committee for Review of the Master Plan.

The correspondence folders contain letters sent to Jane Fonda in regard to Hayden’s campaign which she supported through various fundraisers and campaigning. Also included are "thank you" notes addressed to Tom Hayden and a folder on business cards.The general correspondence section has various letters from constituents and from his political networks throughout the United States. Highlights include correspondence with Bill Clinton and Jimmy Carter. Each campaign has a folder labelled propaganda which refers to campaign propaganda such as flyers, pamphlets and mailers used for each campaign.

Of note is the Campaign for Economic Democracy folders, an independent political movement started by Tom Hayden that led the way in progressive issues such as environmental protections, solar energy and renters rights. CED led the campaign for Proposition 65 in 1986 requiring labels on cancer causing products.

The press clippings sections includes clippings Hayden and his staff were reading or collecting during each campaign to research and measure public opinion.

Legislation: This section is divided into general correspondence, budgets, press releases and different types of bills. The Education, Environment and the the Metropolitan Transportation Authority(MTA) sections are three areas in which the archive has the most documents in which Hayden actively researched, authored or co-authored bills. The Senate and Assembly bills folders are legislation that Hayden authored or co-authored while in the Assembly and Senate. The folders are arranged alphabetically according to topic and some single subject folders contain several bills for that one topic. At the end of the alphabetical section the bills are organized by year.

Education: The education section contains correspondence, bills and drafts, and clippings about California’s education system. The higher education section focuses on the University of California and California State University systems as well as independent and community colleges. Admissions contains information about affirmative action across California’s higher education institutions as well as accusations of favoritism at UCLA. Other notable topics include governance, the cost of higher education and legislation aimed at making college more affordable, and the enrollment crisis, which documents how California’s higher education system struggled to handle an increase in the college-aged population. K-12 contains information about the Los Angeles Unified School District (LAUSD). Notable topics include the potential breakup of LAUSD into multiple districts as well as the Equal Opportunity to Succeed initiative. Information on Toxic Schools and the Belmont Learning Center can be found in the environment section of legislation.

Environment: The environment section contains correspondence, clippings, bills, booklets, and notes about environmental legislation in Califorinia. One of the major issues Hayden tackled in the 1990s was toxic schools, which demonstates his concern for both the environment and education. Materials are arranged by theme, and the themes are then organized alphabetically. The six boxes are comprised of smaller bills that are arranged alphabetically. While there are no subheadings on the folders, materials within boxes are futher grouped by format, and the clippings and correspondence are in chronological order. There are materials in both English and Spanish.

MTA: These files contain information of multiple bills associated with the Metropolitan Transportation Authority (MTA). The files contain correspondence, general information, bill information, and clippings regarding MTA legislation. The files are organized by date with undated materials at the end of each section.

Publications: The Publications folders contain correspondence, drafts, book tour schedules and reviews of Hayden’s books. This section is not a comprehensive listing of all of Hayden’s book publications or articles. He contributed to a variety of newspapers and journals from 1980-2000 (please see the 1960s-1970s section for writings from that decade).

In the articles section folder sections are organized alphabetically according to topic and another group of folders are organized by year. These folders and their headings are topics created by Hayden and his staff for reference files much like the name and topical files.

International Interests: This section includes other countries Hayden was involved with or interested in besides Vietnam. Hayden’s Vietnam War activism can be found in the 1960s-1970s section.

One of the largest sections, Ireland, includes correspondence, clippings, and notebooks of notes he took while on several trips to Ireland. Please refer to the Publication section to see a section on his writings about Ireland as well.

The El Salvador section contains general information on El Salvador as well as folders on the Alexander Sanchez case. Alexander Sanchez is an ex-gang member from Los Angeles with ties to El Salvador and accused of racketeering and conspiracy to commit murder. Charges against him were dismissed. Documents in this section include court documents, court transcripts and notes on the case.

Name and Topical Files: These files contain Hayden’s reference files for people and topics around the world. Several of the topics in this section were later referenced in his writing and legislation. Included in these files are newspaper clippings, reports, and correspondence. Notable topics are President Bill Clinton correspondence and Chicago 7 Trial newspaper clippings. Particularly well documented topics include Kosovo, Corcoran State Prison, and salmon protection.

Los Angeles Name and Topical Files: These files contain Hayden's reference files for people and topics in the Los Angeles area. Files include newspaper clippings, reports, and brief correspondence on people, administrative bodies and various topics relevant to LA. The construction of new buildings in the LA area is particularly well-documented, including especially sports stadiums and arenas such as the Coliseum. Other topics that receive substantial coverage include earthquakes, water policy and the riots and subsequent Rebuild LA effort following the Rodney King police brutality incident.

Photographs: The photographs contain Hayden's family photos and trips and pictures with various political figures including Bill Clinton, Jimmy Carter, John Kerry and Jerry Brown. Many of the pictures depict Hayden's involvement in social justice and environmentalist movements including his participation with Students for a Democratic Society and trips to Ireland and Vietnam. The unidentified folders contain more pictures of political events and protests between the 1960s and 1980s. Clippings: The clippings include articles from 1965 to 2009 that document Hayden's political career, literary pursuits,personal life, and interests. Many of the clippings contend with themes such as reflections on his time as a radical activist, political campaigns, environmentalism, and the MTA strike. There are also articles that pertain to general news events. Several of the clippings are in Spanish and one is in Japanese.

Socialist and pacifist active in labor, civil rights, cooperative, and world government movements. The papers comprise scattered meeting minutes of various organizations, notes (some very detailed) on speeches and other social functions attended by Tekla in the Cleveland area in the 1930s, carbon copies of outgoing correspondence, and a collection of mailing lists. There is a considerable amount of print and nearprint material -- single issues of labor periodicals, newspaper clippings, for m letters, flyers, etc. The papers reflect to varying extents Tekla's activities in North Dakota as an organizer for the Civilian Public Service Union, a national organization of conscientious objectors performing alternative service during World War II; his efforts to recruit Cleveland auto workers for the Socialist Party in the late 1930s; and his membership on the national executive committee of the Socialist Party, the executive committee of the War Resisters League, the policy committee of Democracy Unlimited (ca. 1952-56), the Cleveland Congress of Racial Equality (CORE), and the Committee for a Socialist Program and Action (ca. 1959-64). Tekla was heavily involved in the cooperative movement in Cleveland and to a lesser extent in the Saskatchewan Cooperative Commonwealth Federation (CCF) in the mid-1940s.

The collection consists of material created and collected by Tad Tekla, individually and in various roles in socialist and labor organizations.The collection has been arranged alphabetically by topic.The most voluminous material includes: minutes and other records of the Socialist Party and the Socialist Party-Social Democratic Federation, ca. 1945-1958, including records relating to the Committee for a Socialist Program (founded by critics of the Socialist Party who wanted to serve as an "educational and organizational center within the Party"); records and other material relating to labor unions and labor issues, including records of the Civilian Public Service Union, 1946, and records relating to a crisis in the United Auto Workers and efforts by the Socialist Party to recuit auto workers, ca. 1939; "public meeting notes" by Tekla, which include typewritten notes and diaries relating to a wide variety of meetings and events, 1933-1955 (bulk, 1933-1936); material relating to the world citizenship movement, ca. 1945-1958; material relating to the cooperative movement, ca. 1936-1954; records of the Congress of Racial Equality (CORE), ca. 1948-1952; and outgoing correspondence, 1961-1964.

Stew Albert, a founding member of the Yippies, was a political activist, writer, journalist, and unindicted co-conspirator in the "Chicago Seven" case in 1968. The Stew Albert and Judy Gumbo Albert Papers offer insight into the lives of two activists who were involved in anti-Vietnam war protests, members of the Youth International Party (Yippies), and had ties to groups such as the Black Panther Party and the Weather Underground. The collection contains a variety of materials, including manuscripts, FBI files and court documents, photographs, slides, and negatives, artwork, audiovisual material, realia, scrapbooks, and posters.

The Stew Albert and Judy Gumbo Albert Papers offer insight into the lives of two activists who were involved in anti-Vietnam war protests, members of the Youth International Party (Yippies), and had ties to groups such as the Black Panther Party and the Weather Underground. This collection contains a variety of materials, including manuscripts, FBI files and court documents, photographs, slides, and negatives, artwork, audiovisual material, realia, scrapbooks, and posters. Besides documenting their lives and activities, the collection also offers a glimpse into an aspect of American activism in the 1960s and afterwards, including antiwar protests and the women's liberation movement. The Alberts had close ties to other prominent figures in the movement, such as Abbie Hoffman and Jerry Rubin, who are well-represented in this collection through writings, correspondence, photographs, and audio interviews.

With roughly 28 linear feet of materials, the Stew Albert and Judy Gumbo Albert papers are divided into 12 series: Manuscripts and Writings; Name and Correspondence; Personal; Topical Files; FBI Files; Court Documents; Photographs, Slides, and Negatives; Artwork; Audiovisual; Realia; Scrapbooks; and Posters. Researchers should note that books have been separated from the collection and cataloged individually.

Robert Shaye founded New Line Cinema in 1967. The company began by distributing foreign, kitsch and art house films to college campuses and eventually grew to distribute and produce films in the Hollywood industry. The archive consists of five series: Personal, Business Documents, Projects, Articles and Clippings, and Audiovisual Materials. The documents range in date from 1958-2008.

The collection is divided into five series: Personal, Business Documents, Projects, Articles and Clippings, and Audiovisual Materials. All the series contain many of Shaye’s hand-written notes from notebooks to scraps of paper in which many of his ideas are written. Along with the notes, Shaye included many Post-it notes explaining some of the content. The majority of documents for the Projects series and all the material from the Audiovisual series are from The Last Mimzy, directed by Shaye and released in 2007.

The Personal series includes correspondence between friends and business partners as well as congratulatory cards and notes. The majority of the series consists of Shaye’s speeches made during awards ceremonies, general speeches for company events, movie premiere speeches and speeches for family and friends’ events. Many documents refer to Shaye as L.E. Moko. This reference refers to Pépé le Moko, a 1937 French gangster film directed by Julien Duvivier.

The Business Documents series ranges from 1967-2008 with documents focusing on New Line and consisting of correspondence, shareholder meeting notes, and film catalogs showcasing the variety of movies available for distribution that year. A binder with information on New Line common stock and correspondence can be found in an oversize box.

The Project series highlights some of New Line Cinema’s distributed and produced films. Highlights include storyboards for Nightmare on Elm Street 4: Dream Master, produced in 1988. The majority of documents are production documents for two films directed by Shaye, Book of Love and The Last Mimzy.

The Articles and clippings section consists of personal articles about Robert Shaye as a business entrepreneur and creative director, New Line Cinema articles, and miscellaneous film reviews along with trade magazines with issues dedicated to New Line or Robert Shaye.

The Audiovisual Materials series consists of The Last Mimzy DVD’s and a CD of video clips, trailers and publicity events. The DVD’s include production footage such as alternate beginnings, B-roll footage and different edited versions of the film.