Collections : [University of Michigan Special Collections Research Center]

Stew Albert, a founding member of the Yippies, was a political activist, writer, journalist, and unindicted co-conspirator in the "Chicago Seven" case in 1968. The Stew Albert and Judy Gumbo Albert Papers offer insight into the lives of two activists who were involved in anti-Vietnam war protests, members of the Youth International Party (Yippies), and had ties to groups such as the Black Panther Party and the Weather Underground. The collection contains a variety of materials, including manuscripts, FBI files and court documents, photographs, slides, and negatives, artwork, audiovisual material, realia, scrapbooks, and posters.

The Stew Albert and Judy Gumbo Albert Papers offer insight into the lives of two activists who were involved in anti-Vietnam war protests, members of the Youth International Party (Yippies), and had ties to groups such as the Black Panther Party and the Weather Underground. This collection contains a variety of materials, including manuscripts, FBI files and court documents, photographs, slides, and negatives, artwork, audiovisual material, realia, scrapbooks, and posters. Besides documenting their lives and activities, the collection also offers a glimpse into an aspect of American activism in the 1960s and afterwards, including antiwar protests and the women's liberation movement. The Alberts had close ties to other prominent figures in the movement, such as Abbie Hoffman and Jerry Rubin, who are well-represented in this collection through writings, correspondence, photographs, and audio interviews.

With roughly 28 linear feet of materials, the Stew Albert and Judy Gumbo Albert papers are divided into 12 series: Manuscripts and Writings; Name and Correspondence; Personal; Topical Files; FBI Files; Court Documents; Photographs, Slides, and Negatives; Artwork; Audiovisual; Realia; Scrapbooks; and Posters. Researchers should note that books have been separated from the collection and cataloged individually.

The records of the American Society of Indexers date from the organizations early years in the late 1960s to as recent as the 2000s, and document the members of the society as well as the society’s activities. The collection is comprised of the following series: Administrative Files, Correspondence, Committees, Meetings, Events, Publications, Chapters, Awards, Other Organizations of Interest, and Multimedia.

Administrative Files (1968-2000, 4 linear feet) documents the organizational activities of ASI including constitution and bylaws, elections, financial documents, general topical files, organizational history, membership, and policies and procedures.

Correspondence (1981-2000, .5 linear feet) consists of the ASI related correspondence of the organization's elected officials, as well as inquiries from members and non members.

The Committees (1974-2006, .5 linear feet) series is comprised of papers relating to and originating from various ASI committees.

Meetings (1981-2000, 1.5 linear feet) documents the meeting materials generated by the board of directors of ASI, and including agendas and minutes. Additionally, this series contains papers relating to business meetings and special meetings held by the organization.

Events (1982-2000, .5 linear feet) consists of papers related to various events held and attended by ASI, including annual meetings and conferences, professional development workshop, and various symposia and workshops.

The Publications (1961-2000, 2.25 linear feet) series is comprised of various documents published by ASI, including newsletters and registers. This series also contains correspondence relating to the newsletter, register, and other publications, as well as reports detailing publication sales.

Chapters (1983-1997, .25 linear feet) consists of papers documenting the various chapters of ASI spread throughout the United States, as well as chapter manuals and general chapter information.

The Awards (1978-2000, .25 linear feet) series documents the various indexing awards given out by ASI, as well as related forms and criteria for selection.

Other Organizations of Interest (1972-1997, .5 linear feet) documents numerous outside organizations with which ASI is affiliated or otherwise interested in. This series includes the newsletters of a number of these organizations.

Multimedia (1970-1995, 1 linear foot) consists of items in a variety of formats created by ASI, including photographs, audio cassettes, and microfilm. The photographs and audio cassettes largely document annual conferences.

ASIS&T (or ASIST) is a professional association which creates, organizes, disseminates, and applies knowledge regarding information and its transfer. ASIS&T was preceded by the American Documentation Institute (ADI), which was founded in 1937 with the goal of acquiring and indexing the knowledge of the world. Name changes followed in 1968 (ASIS) and 2000 (ASIS&T). The records consist of correspondence, business and financial documents, minutes, bylaws, memoranda, manuscript and printed journal articles, printed promotional material, microfiche, photographs, and audio and video tapes covering the society's activities (and those of its predecessor organizations) from 1925 to 2001, with the bulk falling between the 1930s through 2000. Organizational business affairs and activities, including the conceptual evolution of its purpose and mission, are well-documented in several series, most notably in the Council Files. These broad areas are also covered in the Committee Files, but in a more detailed fashion, focusing on specific activities or issues. This series also represents the scope of ASIS's liaison committees, ranging from the American Library Association to the Egyptian Society for Information Technology. Documents generated by ASIS-approved regional and student chapters and the organized professional groups within ASIS devoted to special interests (SIGs) are found in the large Chapter Files and Special Interest Groups series. The Publications series includes significant editorial and administrative documents as well as some manuscript submissions for the "Annual review of information science and technology, and the Bulletin of the American Society for Information Science." Special note may be made of the Special Libraries Association Merger Files which chronicle the history of the ultimately unsuccessful merger of ASIS and SLA. The main correspondents found in the collection include: Robert McAfee, Assistant Executive Director; Joshua I. Smith, Executive director (1973-1976); Bonnie Carroll, Councilor and President; Linda Resnik, Executive Director (1985-1988); Samuel Beatty, Executive Director (1976-1984); and John Brokenshire, ASIS Financial Officer.

For the purpose of clarity, the organization shall for the most part be referred to as "ASIS"--the name by which it has been known for most of its history and to which it is mainly referred in the records--throughout this section.

Throughout the record group, the year listed for a folder is often the fiscal year rather than calendar year. This is particularly so for records in the Financial series. The fiscal year for ASIS runs from October through September.

The Black Liberation Army (BLA) was an underground Black Nationalist organization largely comprised of former Black Panther Party members. The majority of the materials in the Black Liberation Army archive fall under the Thomas "Blood" McCreary series, a member of the BLA. The archive consists of seven series: Thomas "Blood" McCreary, Correspondence, 1976-1978, Legal, Topical, Newspaper Clippings, 1969-1978, Events, Publications and Black Panther Party. The documents range in date from 1963-1998.

Thomas "Blood" McCreary, a member of the BLA, is the largest series in the Black Liberation Army archive. The correspondence sub-series consist of letters written to or from McCreary ranging in date from 1963-1998. Letters referencing Tupac Shakur can also be found in the correspondence sub-series. Legal is the largest sub-series and is comprised of eight legal cases McCreary was involved in as well as legal documents regarding Tupac Shakur's estate. Legal documents include affidavits, appeals, correspondence with lawyers, statements from McCreary describing prison conditions and trial errors, and a character reference from Bell Gale Chevigny. McCreary's resume, contacts and newspaper clippings are also small sub-series'. The photography sub-series is comprised of three folders which include a photograph of McCreary's graduation from Adelphi University in 1986, the Panther 21 reunion and miscellaneous photographs.

Project Renewal is an organization in New York City with a goal of ending homelessness. McCreary served as a member of the Black History Month Committee for this organization. The Project Renewal sub-series contain documents regarding the planning of a black history month event. The next sub-series is the 25th anniversary of the New York Panther 21 acquittal. On April 2, 1969, 21 members of the Black Panther Party were arrested and charged with conspiracy to blow up the New York Botanical Gardens. McCreary served on the committee to plan the celebration of their acquittal 25 years later. This material includes speaker requests, invitation and flyers. The final sub-series is the 30th anniversary of the Black Panther Party, where McCreary served as a committee member. This material includes meeting minutes, speaker requests and publicity.

Correspondence, 1976-1978 is a series consisting of 5 folders of letters and notes from Black Liberation Army members and range in topic.

The Legal series is comprised of two legal cases. The first is Caban v. United States, dated February 7, 1984. This document is an appeal in a case that involves a man named Salvador Caban who was detained for six day by INS despite being a citizen of the United States. The second is Richard Moore v. FBI, et al.. The documents in this case include exhibit documents as well as a transcript taken during the deposition of Sekou Odinga, a BLA member.

Topical is a series which is separated into 3 sections. Resumes are the first section, which contains the resumes of four people. Next, the Counterintelligence Program section consists of a memorandum describing the background, development and potential offices of the Counterintelligence Program (COINTELPRO), an FBI program which conducted covert and sometimes illegal activities to neutralize numerous political organizations. The final sectuib in the Topical series is titled Reconsolidation and Infrastructure, dated 1996. This includes several documents regarding ways to reconsolidate the structure of the BLA.

Newspaper Clippings, 1969-1997 is a series that largely consists of newspaper clippings covering the arrests of BLA members as well as opinion pieces regarding the organization.

Events consist of seven sections: United African Movement Freedom Retreat, Protests, Fundraisers, Memorials, Campaigns, Lectures, and the 27th Annual African American Parade. The materials range in date from 1970-1995 and include publicity material, clippings and flyers.

The Publications series contains five sections. First, the Black Panther section include various articles from the Black Panther publication ranging from their beliefs to collages and poems. The New York Amsterdam News section is an ad in support of Assata Shakur. "Antiterrorism and Effective Death Penalty Act of 1996," Public Law 104-132 is dated April 24, 1996 and was signed into law after the Oklahoma City bombing. Newsletters is a section comprised of newsletters from various organizations. Finally, the New Afrikan Journal section consists of Volume 4, Number 1 edition of the journal.

Black Panther Party is the final series in the Black Liberation Army archive and consists of six sections: Articles, "The Black Panther Party Foundation" by Afeni Shakur, Panther film, Questionnaire, Photocopies of photographs and Black Panther Collective. The articles section ranges in topic and are all undated. "The Black Panther Party Foundation" was a brief report written by Afeni Shakur regarding the assembly of the east and west coast Black Panthers in order to preserve the history of the party and conduct formal remembrances of fallen members. Panther, film is a section regarding the 1995 film about the BPP directed by Mario Van Peebles and starring Kadeem Hardison, Courtney Vance and Bokeem Woodbine. The photocopies of photographs sub-series include photographs of BPP Minister of Defense Huey Newton as well as photographs of a "Free Huey" rally. There are also miscellaneous photographs which are undated. The Black Panther Collective was formed in 1994 with the mission to carry on the legacy of the BPP. This sub-series includes correspondence, flyers, rules and regulations and community police patrol documents.

Ella Reeve "Mother" Bloor (1862–1951) was an American activist dedicated to the labor movement, the Socialist Party, and numerous radical groups.

The Ella Reeve Bloor Papers consist of two linear feet of personal and professional correspondence, notebooks and pamphlets, clippings, publications, and printed ephemera.

The collection, divided into 4 series, documents her activities as suffragist, free speech advocate, and labor organizer.

The Correspondence series consists of manuscript letters betweeen Bloor and her family, and correspondence between Bloor and her colleagues.

The majority of the family letters are to/from her children. Her letters, written during her travels, provide information about individuals and events associated with her work. Most of the family letters include the month and day written, but not the year. As a result, the letters are arranged in non-specific order.

Bloor's correspondence with colleagues and organizations are arranged chronologically. Included are letters from various Socialist societies, state and local government offices, newspapers, and labor unions, such as the New York State Committee Socialist Party, United Cloth and Cap Makers, Tailors’ Union. In addition, there are handwritten letters from other activists involved in socialist and labor causes (e.g., letter from Joseph W. Sharts, counsel for Eugene V. Debs in his trial at Cleveland, Ohio; Theodore H. Lunde, officer of the Peace Council in Chicago).

The Publications series includes several small booklets, articles, a journal, and a report on the professional achievements of Harold M. Ware.

Joan Blos is a writer of children's literature who lives in Ann Arbor, Michigan. She is best known for her novel A Gathering of Days: A New England Girl's Journal, 1830-32, which in 1980 won the American Library Association's Newbery Medal.(1) Blos has written several other works of historical fiction as well as picture books for younger readers. The collection documents her career as a writer through items including development materials, correspondence, manuscripts and illustrations of both published and unpublished works.

The Joan W. Blos papers span the years 1971 through 2007 and are made up of some personal materials with the majority of the material. related to her literary works. The Personal series includes correspondence, manuscripts by students and others, and articles, announcements, events information, and awards not related to a specific literary work.

The remaining series are designated by book title and appear in publication order. Unpublished works follow published works and are listed in order of conception. Titles in the collection are: Just Think!; A Gathering of Days; Martin's Hats; Brothers of the Heart; Old Henry; Lottie's Circus; "Pioneers" (in Michigan Traditions); The Heroine of the Titanic; A Seed, a Flower, a Minute an Hour; Brooklyn Doesn't Rhyme; The Days Before Now; The Hungry Little Boy; Nellie Bly's Monkey; Bedtime!; Brother's of the Heart (a dramatization); Hello Shoes!; Letters from the Corrugated Castle; Bringing The Jackson Home; Thisca!; Brave Sisters, Fighting Women; When Times Square Was New; The Applesauce Tree; The Happy Park Day; Old Henry II; Samuel Foote's Nonsense; She's Busy!; The Scribble Scrabble Surprise; Rhymes and Reason; Bathtime; and Ker-choo! A Wintertime Story. Within each title series are several possible subseries:

Development Materials include items such as news clippings, photocopies of articles and stories, early handwritten and typed notes by the author, travel information, postcards, maps, brochures, and library request slips.

Correspondence is primarily with editors, publishers, and some illustrators. This section also includes corresponding manuscripts and drafts that have been edited by the author or editor.

Manuscripts are arranged chronologically and include correspondence from an editor or publisher.

Articles and Announcements include newspaper clippings, programs, announcements, reviews, advertisements for book signings and other promotional events, and interviews.

Events and Awards achieved by the author during her career.

Realia includes items such as playbills for the dramatization of Brothers of the Heart and a handmade quilt inspired by Brooklyn Doesn't Rhyme.

Illustrations, Artwork, and Publication Materials relate to the production of the corresponding title. Examples include mock-ups, color proofs, and unbound signatures for several of the picture books.

Audiotapes include a reading of A Gathering of Days , interviews, and Blos' Newbery acceptance speech for A Gathering of Days.

Study Guides include those associated with the dramatization of Brothers of the Heart.

The Blos papers provide a rich resource for scholars of children's literature along several different avenues. Blos' painstakingly thorough research process is evident in the almost two boxes of materials from her Letters from the Corrugated Castle. One is able to gain an understanding of Blos' creative process through the evolution of the manuscript for this piece of historical fiction. Nellie Bly's Monkey and The Heroine of the Titanic are longer picture books both researched and written as historical fiction. In addition to text, these materials, among other picture books in the collection, provide valuable insight into the collaborative process between author and illustrator. Correspondence between Blos and her editors and publishers provides a window into the business of children's book publishing over the span of Blos' writing career.

American biographer; participated, researched, and wrote about individuals involved in movements central to New York City's Lower East Side, including the Beats and the Punks. Papers include correspondence, notes and notebooks, clippings, other resources, manuscripts (drafts, proofs, galleys), photographs, and audiovisual materials.

The Correspondence series is comprised of approximately 2.5 linear feet of material, foldered alphabetically by author with individual letters and cards within each folder arranged chronologically. The majority of the correspondence discusses Bockris' professional endeavors, including correspondence between publishers, lawyers, and sources. Additionally included are some personal correspondence such as letters, notes, and cards. Within the series are several notable, lengthy correspondence partners including Isabelle and Jean Louis Baudron, 1984-1997 (5 folders); Gerard Malanga, 1977-1996 (10 folders); Miles, 1977-1998 (7 folders); Elvira Peake, 1984-1999 (5 folders); Claude and Mary Beach Pelieu, 1983-1996 (5 folders); and especially Ingrid von Essen, 1983-2001 (31 folders); Christopher Whent, 1985-2002 (7 folders); and Andrew Wylie, 1974-2000 (41 folders). Correspondence with von Essen is of particular note as she was both a professional collaborator and personal friend of Bockris, and in addition to incoming correspondence, outgoing correspondence from Bockris to von Essen, 1977-2001 (17 folders), is included in the series.

The series also includes correspondence from notable individuals, poets such as Anne Waldman and Allen Ginsberg, John Giorno, Jeff Goldberg, artists and personalities including Lawrence Ferlinghetti, Art Garfunkel, Bobby Grossman, John Waters, Aram Saroyan, and book subjects Bebe Buell, William Burroughs, Debbie Harry, and Terry Southern.

The Notebooks and Journals series is comprised of approximately .5 linear feet, and consists of 17 volumes or items (including one that is oversize). The volumes' contents seem to span the range of Bockris' subjects, although it is difficult to discern the exact contents given the handwriting.

The Topical Files series is approximately .25 linear feet, and contains materials surrounding important topics and persons to Bockris' work. Included in the files are coverage on the subject matter of writing biographies, manuscript fragments, and information on various personalities including those that were featured in some of Bockris' work, like Lydia Lunch, collaborators including Andrew Wylie and Gerard Melanga, and individuals whom Bockris pursued as potential biography subjects such as Art Garfunkel.

The Events series is approximately .1 linear feet, and contains gallery invitations and speaking engagements sent to Bockris. These materials do not correspond specifically to any of Bockris' works, nor do they involve him as an artist or speaker, and thus are separated into their own series.

The Muhammed Ali series is approximately .5 linear feet and pertains to the works that Bockris wrote about Muhammed Ali. Although one of the smaller series of Bockris' works within the collection, it still contains a multitude of information, and is broken down into six subseries: Correspondence; Notes and Notebooks; Scrapbook; Clippings and Articles; Manuscripts; and Reviews. The correspondence is primarily from 1993-2002 and consists of letters between Bockris and his publishers. Within this subseries, items are arranged chronologically by date. The Notes and Notebooks, and Scrapbook subseries both contain Bockris' thoughts and collections of information he gathered on Muhammed Ali. Similarly, the Clippings and Articles subseries contain assorted clippings and photocopies of text about Ali. The Manuscript subseries contains drafts of four works that Bockris wrote about Ali, and the Reviews subseries contains clippings and photocopies of reviews of these works.

The Beat Punks series is approximately 1.5 linear feet, and contains materials related to the subjects within Bockris' Beat Punks book (also published as NYC Babylon) and related works. Correspondence within this series is primarily from Bockris' publisher. The series contains significant information on Allen Ginsberg, including a scrapbook, clippings and articles, and the National Arts Club Literary Aware Dinner manuscript. Other notable individuals mentioned in this series include clippings and articles related to Lydia Lunch and a transcript documenting an interview between Bockris and Legs McNeil.

The Blondie/Debbie Harry series is approximately 2.25 linear feet, and its contents pertain to both Blondie and its lead singer Debbie Harry. Also heavily represented is Blondie member (and Harry's former partner), Chris Stein. Although the Correspondence subseries mostly concerns the book and publishers, there is a handwritten letter by Debbie Harry. The Transcripts subseries features numerous transcriptions of interviews and conversations featuring both Harry and Stein. Other resources noted within the series include both song lyrics and visual materials such as images of both Harry and Blondie.

The manuscript series fastidiously documents the evolution of the Making Tracks monograph written by Bockris, Harry, and Stein. Included are multiple, often annotated drafts of the manuscript beginning with when it was still referred to as Above Fourteenth Street. This documented evolution continues even after the manuscript was renamed to Making Tracks, and includes not only drafts but galleys, sample layouts, second blues, and book covers. In addition to this manuscript, also included are drafts of From Eat to the Beat to Autoamerican and Meeting Famous People.

The smallest series (.2 linear feet) within the collection documenting one of Bockris' works, the Bebe Buell series documents Bockris' and Buell's biography, Rebel Heart. The Correspondence subseries is comprised of two handwritten letters to Bockris from Buell. However, the most notable items within the series are a series of photocopied love letters written by Elvis Costello to Buell. Additionally included are several drafts of Rebel Heart, and documentation of legal issues concerning quotes within the book.

The William Burroughs series is 1.25 linear feet and contains an assortment of materials used by Bockris to write his works on Burroughs. The Correspondence subseries includes letters from publishers and sources, as well as from Burroughs himself, including a small painting sent to Bockris as a Christmas card. The Events subseries includes several gallery invitations specifically sent to Bockris, as well as postcards of his own speaking engagement, In America All We Do is Work.

The Transcripts subseries includes transcripts featuring a wide breadth of individuals such as William Burroughs, James Grauerholz, Richard Hell, Debbie Harry, Christ Stein, Allen Ginsberg, Jean Michel Basquait. Also found in this subseries are transcripts from Burroughs interviewing Patti Smith.

Finally, the Manuscript subseries includes several drafts of many of the works Bockris wrote about Burroughs (including A Report from the Bunker and With William Burroughs). Also included are drafts of shorter works, including the cover, back copy and page mock ups of William Burroughs Cool cats, furry cats, and aliens, but no purring, which Bockris printed in a limited edition of only 100 copies, each of which he signed and numbered.

The John Cale series is .75 linear feet and documents the writing of Cale's biography, as well as the related disagreements about its publication between Cale and Lou Reed.

The Correspondence subseries primarily consists of letters from Lou Reed, Sylvia Reed, and Chris Whent, documenting legal issues and disagreements between Cale and Reed, concerning their past as members of the Velvet Underground, and potential future as collaborators. Also of note are items from Mo Tucker (another member of the Velvet Underground).

Also included is the Other Resources subseries, which contains papers about Cale, his assorted lyrics and writings, and album covers. The Manuscripts subseries provides insight into Cale's biography from proposal, to early draft, to proof, to galleys. The series concludes with clippings and photocopies of What's Welsh for Zen reviews.

At approximately 12.5 linear feet, the Lou Reed series is the largest within the Bockris Collection. Each of its subseries, Correspondence; Notes and Notebooks; Clippings and Articles; Events; Sketchbooks; Transcripts; Other Resources; Manuscripts; and Reviews are sizeable and detailed, providing an enlightening look into Bockris' research and writing processes.

The Correspondence subseries contains numerous letters both from publishers and sources, the most notable of whom include Shelley Corwin (nee Albin), Reed's former girlfriend, Elizabeth Kronstad, Reed's first wife, and Andrew Wylie, Bockris' agent and former collaborator who struck up a friendship with Reed. The Notes and Notebooks subseries is extensive, containing a variety of notes, some of which were arranged by Bockris by subject, and others which were arranged by year. Bockris also participated in several speaking engagements related to his Lou Reed book, the promotional materials for which are documents in the Events subseries.

In addition to notes, Bockris's research also generated a vast quantity of clippings and articles (11 folders), serials and books (7 folders), and an assortment of Lexis-Nexis article print outs, spanning the years 1950 – 1989. Bockris also filled seven volumes of sketchbooks (the Sketchbooks subseries) with Lou Reed Content. Also utilized as source material, Bockris conducted numerous taped interviews, many of which were transcribed and are contained within the Transcriptions subseries. Interviewees of note include Shelley Corwin (nee Albin), Roberta Bayley, Legs McNeil, Richard Mishkin, Billy Name, Bob Quine, Lou Reed, Maureen Tucker, Chris Whent, and Andrew Wylie.

Other Resources also played a role in Bockris' research, and may be found in the subseries of the same name. Included are Reed's college magazine, The Lonely Woman Quarterly, Lou Reed: The Collected Lyrics, and information from Lou Reed's fan club. However, the most extensive portion of this series is the Manuscript subseries which documents Bockris' Transformer: The Lou Reed Story from early proposal all the way to U.S. galleys as well as the U.K. edition galleys, providing a meticulous documentation of the book's evolution. The drafts are organized based on the various arrangements that Bockris utilized. Similar to the arrangement of the Notes and Notebooks subseries, this results in some of the drafts organized chronologically by year range, and others organized by subject or chapter. Numerous final drafts are also included, which reveal different versions of the monograph in its entirety. The series concludes with the Reviews subseries, containing clippings and photocopies the book's reviews.

The Keith Richards series is approximately 3.75 linear feet, and documents Bockris' writing of Keith Richards. Most of the Correspondence subseries is comprised of communications from publishers and fans, however, there are several handwritten letters from Richards' former girlfriend, Anita Pallenberg, although they merely describe materials she sent to Bockris as well as signed certification that the information she provided is truthful. The arrangement of the Notes and Notebooks subseries remains as Bockris sent it, chronological and divided by year. Additional background materials may be found in the Sketchbook, Scrapbook, and Clippings and Articles subseries, the last of which includes copies of Rolling Stones newsletters Beggars Banquet and Basement News. Bockris also made use of taped interviews, the transcripts of which are provided in the Transcripts subseries, including one between him and Marianne Faithful. The Manuscript subseries contains an assortment of drafts of Bockris' work on Richards. These range from drafts focusing on specific people or time period to edited galley proofs and book covers. This broad spectrum of the manuscript provides a view inside Bockris' writing process and style. Finally, the Reviews subseries includes clippings and photocopies of reviews of this work.

The Patti Smith series is composed of approximately .75 linear feet of materials, documenting Bockris' writing of Patti Smith: A Biography. The Correspondence series primarily documents the communication between Bockris and his publisher, Fourth Estate. The remaining subseries, Notes and Notebooks; Scrapbook; Events; Clippings and Articles; and Other Resources all provide background materials for Bockris' writing.

The Manuscript subseries recounts Bockris' writing process, beginning with the early draft of Smith's biography, and ending with several portions of the finished work including the unbound galley, index, cover image, and image galleys. Also included are several drafts documenting the process Bockris underwent to get from early draft to completed galley. The final subseries, Reviews, provides clippings and photocopies of the book's reviews.

At .25 linear feet, the Terry Southern series is one of the smaller series in the collection that describes one of Bockris' works. Correspondence in this series includes a letter written by Southern, as well as several letters by Lee Hill (a Terry Southern biographer) written to Bockris. Also included is a Transcript subseries which features the transcript of a conversation between Southern and William Burroughs. The largest portion of the series is the Other Resources subseries containing several works by Southern and Hill. Unlike the other series documenting Bockris' works, the Southern series provides very little Manuscript subseries content. Indeed, the only item is an untitled early draft. Thus, in this case, little insight is provided into Bockris' writing process or the final work.

The Velvet Underground series is approximately .5 linear feet, and documents the making of Bockris' Uptight: The Story of the Velvet Underground. The Correspondence subseries mainly contains communication from publishers. The bulk of the contents in this series are research materials, including subseries Notes and Notebooks; Clippings and Articles; and Other resources which includes an interview with former Velvet Underground member Moe Tucker. The Events subseries provides information on several speaking engagement of which Bockris was a part.

The Manuscript subseries has two drafts, but is primarily composed of galleys, both for the U.K. edition in 2002 and the new edition. The Reviews subseries contains numerous clipped and photocopied reviews of the book. Also of interest is that some of Bockris' materials, ranging from notes to drafts also appear to have been referenced and utilized during the writing process of his Transformer: The Lou Reed Story book. The Andy Warhol series is approximately 3.5 linear feet. The bulk of the Correspondence subseries is comprised of communication between Bockris and his publishers. However, there are two letters of note, both from Warhol's brother, John Warhola, written directly to Bockris. Also included with one of these letters is a photograph of Bockris at Warhol's grave, taken by Warhola.

Much of the background research for the work is found in the Notes and Notebooks, Clippings and Articles, and Other Resources subseries. The Events subseries includes promotional materials for several speaking engagements made by Bockris as well as student feedback on a lecture presented by Bockris. The Manuscripts subseries documents the evolution of Bockris' The Life and Death of Andy Warhol from original manuscript to page proofs. Additionally included are drafts of related pieces written by Bockris including How I wrote a Biography of Andy Warhol and Pittsburgh Andy. Also included is the Reviews subseries which provides numerous clippings and photocopies of reviews of Bockris' pieces on Warhol. The series concludes with the Scripts subseries which includes several scripts based on Warhol's life and Bockris' biography. These include a potential script for Andy Warhol the Motion Picture and several annotated copies of the script Pop.

The Proposals and Drafts series is approximately .75 linear feet and documents an assortment of research on proposed subject including Ornette Coleman, Dennis Hopper, Fred Hughes, and Charles Plymell. Also included are collaborative pieces with Andrew Wylie like Which Way Did Doris Day Go? drafts of Bockris' shorter works such as Negative Girls and some of his Gadfly pieces. The Photographs series is approximately 2.25 linear feet. The photographs are primarily arranged by subject, including many of the subjects of Bockris' books (Ali, Blondie/Debbie Harry, Burroughs, Cale, Reed, Richards, Smith, the Velvet Underground, and Warhol). Photographs featuring unidentifiable or multiple subjects were filed under "Various." Additionally, there is a folder of negatives. Also included are three volumes of Bockris Contact sheets, chronologically divided into three binders, and covering 1972-2001 in total. Three more binders create the three volumes of Photographs by Victor Bockris, with each binder focusing on a different subject, Burroughs, Warhol, and Ginsberg respectfully. Finally, additional photographic materials may be found in the two oversize boxes, including the AliWarhol 24 Panel Piece, a Debbie Harry photograph, and various photographs. The Audiovisual subseries is approximately 2.5 linear feet, primarily containing cassettes of taped interviews conducted by Bockris. Of particular interest are interviews including Burroughs, Jaguar, Warhol, Ali, John Warhola (Warhol's brother), Buell, Harry, Stein, Cale, the Allen Ginsberg Memorial at the Poetry Project, Gerard Melanga, Legs McNeil, Roberta Bayley, Chris Whent, and Sterling Morrison. Also included among the cassettes are various published materials such as Lou Reed albums. In addition to the cassettes, a Terry Southern CD is also included. The VHS tapes found within this series are primarily published and feature Lou Reed. Similarly, the LPs in this series are all published. Most of these records feature Bockris' subjects including Blondie/Debbie Harry, Cale, Reed, and the Velvet Underground. Other notable individuals include Susan Sontag and Maureen Tucker. Cassette tapes from boxes 36 and 38 have been reformatted and CD use copies have been created. Use copies are located in boxes 45-47

Founded by Hermann A. Brunn in Buffalo, New York, Brunn & Company were designers and builders of automotive bodies from the 1920s through the early 1940s, and are best known for the bodies constructed for the Lincoln Division of the Ford Motor Company. Brunn also built automobiles for private individuals, many of whom were well-known members of American business and society circles, including J.C. Penney and J.P. Morgan. Hermann C. Brunn, son of Hermann A., produced numerous designs for the company, and then continued his career at the Ford Motor Company following the closing of Brunn & Company in 1941. The collection documents the work of Brunn & Company, Hermann A. Brunn, and Hermann C. Brunn, through engineering drawings, photographs, paint and upholstery samples, customer order records, correspondence, and research materials.

The Brunn collection has been divided into four series: Correspondence, Design and Engineering, Images, and Sales and Marketing.

The Correspondence series is arranged alphabetically by correspondent and then chronologically within each file. The letters are primarily from customers to Hermann A. Brunn expressing appreciation for the work done on their vehicles. Letters that are circa 1970 includes material written by and sent to Hermann C. Brunn during his employment at Ford Motor Company, and in regards to modern restorations of Brunn vehicles. In cases where a specific vehicle can be identified, the correspondence has been filed with the photographic images of that particular vehicle. Some of the letters were part of a scrapbook and many letters are glued to the same page, as a result at the end of correspondence there are several letters listed together which indicates they are glued together and in the same folder.

The Design and Engineering series is divided into three subseries: Brunn & Company Drawings, Other Drawings, and Hermann C. Brunn. The material in the series consists primarily of drawings produced by Brunn & Company illustrating the various body designs produced by the firm, which are, for the most part, reproductions, or blueprints. The drawings show the left (driver) side elevation of the vehicle and, in some cases, include a plan view of the interior layout. Dimensions, if shown, detail the passenger interior space. The name, or initials, of the designer, customer name, and notes detailing specific vehicle configuration and trim can be found on many of the drawings. The drawings have been arranged alphabetically by make of chassis, then chronologically by date drawn and design number. Data for body style, model, chassis wheelbase in inches, engine configuration, order number, and customer name has also been included in the file title, where known. The Other Drawings subseries consist of a smaller number of drawings that originate from other manufacturers, including General Motors and the Ford Motor Company. The Hermann C. Brunn subseries consists of materials created by Hermann C. Brunn in the period after the closing of Brunn & Company, and includes a manuscript for an article describing the history of the brougham body style.

The Images series is divided into five subseries: Negatives; Vehicles, Brunn & Company; Vehicles Other, Non-vehicle, Brunn & Company; and Non-vehicle, Other. Image formats include black and white, and color, photographic prints and negatives. The bulk of the subjects are Brunn & Company vehicles, with images illustrating the exterior of completed automobiles. In many cases the prints and negatives are marked with the vehicle order number and many images are loose pages from a scrapbook. Images of body construction, interior, and body detail are captured for some vehicles. Non-vehicle subjects include the [1929] Paris, France, Auto Salon. Non-Brunn & Company subjects include several of images of the Aqua Cheetah, an amphibious vehicle built for the United States Army by the Amphibian Car Corporation. Another group of photographs are labeled “Best of Brunn” I and II which are an assortment of photos from various car models.

The Sales and Marketing series consists of brochures, print advertisements, owner lists, price lists, and a number of large-format upholstery and paint samples. The series also includes a Customer Order Book for 1935-1937. This journal records all vehicles built by Brunn & Company during that time period, with entries for order number, order date, body style, model number, customer name, body number, trim and paint specification, intermediate construction dates, and vehicle completion dates.

The collection includes typed and handwritten letters by Case to Mary Catherine Damon whom he referred to in most of the letters as Kay Damon. In the letters, Case discusses his reasons for being a conscientious objector and daily life at Public Service Camp 21. The bulk of correspondence is from 1942 until 1943 The Civilian Public Service was made to provide alternative service for conscientious objectors due to religious objections against war. Civilian Public Service Camp 21 was a Forest Service camp located in Cascade Locks, Oregon and run by the Brethren Service Committee a part of the Church of Brethren. Many of the conscientious objectors were from various other Christian religions besides the Church of the Brethren. CPS Camp 21 opened November 1941 and closed July 1946. The men fought forest fires, worked on forest fire prevention and did camp maintenance and construction. Total number of workers who worked in the camp were 579 men.

The February 1943 folder includes two pictures and a postcard of the library fire that occurred January 1943 in the camp. The library included a collection of 2000 volumes, but after the fire was rebuilt and restocked with a new collection of 3000 volumes.

The bulk of the William R. Day Collection concerns the life and work of William Rufus Day. There are also materials related to other immediate and extended family members. Some of the topics covered in the William R. Day Collection are the Spanish-American War; the United States Peace Commission; the Mixed Claim Commission concerning reparations from Berlin, Germany; and William Day's career as a lawyer and diplomat. Materials represented include correspondence, newspaper clippings, publications, and manuscripts.

This collection contains a variety of materials including correspondence, newspaper clippings, publications, and manuscripts. Although the bulk of the collection concerns William Rufus Day, there are materials related to other immediate and extended family members. Some of the topics covered in the William R. Day Collection are the Spanish-American War; the United States Peace Commission; the Mixed Claim Commission concerning reparations from Berlin, Germany; and William Day's career.

The Correspondence and Papers series consists of 3 subseries: William Day, Family, and Miscellaneous.

The William Day subseries is organized by date and includes correspondence related to the Spanish-American War, Cuba, Germany and the Mixed Claims Commission. In 1896 there are materials related to the Monroe Doctrine, silver and gold, and Venezuela and Cuba. The 1897 folder primarily has correspondence related to Spain and Cuba. The 1898 folder contains materials related to Cuba, Spain, Germany, Puerto Rico, and the Philippines. The 1899 folder contains congratulations William Day received upon being appointed a judgeship as well as speaking requests. 1900-1911 contains remarks, information about a Day family land transfer, Day's McKinley manuscript, a map of Washington, DC, and a European military map. 1920-1923 has correspondence and papers related to the 18th amendment (prohibition), the Berlin agreement by the Mixed Claims Commission, and Day's retirement from the Commission. Biographical materials include biographies, a genealogy, ancestry from the Mayflower, and a memorial. The scrapbook contains newspaper clippings related to William Day's work and life as well as that of his wife, Mary Elizabeth Schaefer, and his son, Luther Day. Topics are related to William Day's political and judicial career including the Spanish-American War, Cuba, and the Philippines, and Luther Days' career as a lawyer and politician.

The subseries Family includes four files. The folder for Luther Day, father of William R. Day, contains correspondence to Luther as well as papers related to him being elected a prosecuting attorney. The folder for Emily Spalding Day, mother of William R. Day, contains letters from her mother, sister, and cousin, as well as one letter from Emily to her mother. The folder for Louis Schaefer, father-in-law of William R. Day, contains letters to Louis from members of the Meiklehaus family and one letter from Louis Schaefer to his daughter on Schaefer's Opera House stationary. The Other Members folder contains letters and papers for other members of the Day family including Ellen Day, Laura Lyman, Frances Day, Lucretia Spalding, Honorable Spalding, Ida Barker, Luther Day (William R Day's son), Asa Spalding, and a pamphlet titled Industrial Peace with Justice which lists Stephen A. Day as the president.

The three miscellaneous folders contain papers and letters whose relationship to the Day family and William R. Day is unknown including a letter written in 1797 by Darius Morgan, a letter from 1795 to Ephraim Root, as well as some additional letters, a memo about being an officer of the United States, information relating to the Hero of Bitche, Red Cross instructions for knitting socks, and a list of names.

The Manuscripts series contains William Day's notebook related to his biographical project on William McKinley, Stephen Day's (William Day's son) notebook related to sales and cases he worked on, the dissertation of Joseph McLean about William Rufus Day submitted to New York University, and a folder of miscellaneous materials including a review of a German newspaper and an incomplete document about patent law and the rights of inventors.

The Newspaper series includes issues of the University of Michigan newspaper The Chronicle from 1868-1870 and an assortment of newspaper clippings from 1894-1950.

The Publications series brings together the published materials within the William Day Collection. They are mostly political in nature and relate to law cases, government documents and procedures, and political opinions. Also included are speeches given by William R. Day.

The Ephemera folder contains two items. One is an envelope for Goldie's Pens that begins "This packet contains as assortment (10) of the Goldie's, the highest grade of writing pens..." There is also a photograph of Robbie Hubbs on the packaging. Inside the envelope is a tissue that contains some unidentified seeds. The other item in the Ephemera folder is a carte de visite printed by Brand Artist. The portrait is undated and the subject unidentified, but it may be a young William R. Day.