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Mrachnyi, a Russian immigrant anarchist, who at various times went by the surnames Clevans, Klavansky, and Mratchny, was editor of Freie Arbeiter Stimme in the 1930s. The papers consist of correspondence relating to personal matters and editorial work, three radiograms reporting on the Spanish Civil War, some miscellaneous documents, and six circulars and one manifesto of the Association Internationale des Travailleurs. Contains letters from many leading anarchists including Emma Goldman. The papers are in English, French, German, Italian, Russian, Spanish, and Yiddish, with the Russian and Yiddish items accompanied by translations.

The collection consists primarily of personal and editorial correspondence, and also includes documents and circulars from the Association Internationale de Travailleurs (International Workingmen's Association). The correspondence mainly concerns the international anarchist movement and the anarchist, anti-Fascist role in the Spanish Civil War. Mrachnyi was known to most of the correspondents under the pseudonyms Mraschnyi or Mratchny, but he also used his original name, Klavansky, in Europe and Clevens in the United States. His wife used the name Johanna Clevens, reverting to her maiden name, Boetz, after their divorce.

The papers are in English, French, German, Russian,Spanish, and Yiddish. Translations of most of the Russian items were provided by Charles Gilbert. Articles received for publication in Fraye Arbeter Shtime (Freie Arbeiter Stimme) have been removed to the FAS collection.

Documents and correspondence detailing Martha Vicinus' involvement in the New University Conference (NUC).

The Martha J. Vicinus papers date from 1968 to 1976 (primarily 1969 to 1972) and measure 1.25 linear feet (4 Hollinger boxes). The papers detail only Vicinus' involvement in the New University Conference, its programs, publications and meetings. Arranged alphabetically into one series, the collection includes incoming and outgoing correspondence, position papers, reports, minutes of the organization, pamphlets and related newspaper clippings.

Some of the file folders concern the organizational workings of NUC. These include National Office, National Committee, and Executive Committee. Others consist of reports and papers on subjects of interest to NUC, notably Child Care, the Peoples' Peace Treaty (Vietnam), and the reform of course grading. Of note are the folders for the Modern Language Association relating to the efforts of Vicinus and other NUC members to organize radical caucuses and thereby affect the decision-making process in this and other professional organizations.

ACKNOWLEDGEMENT: Processing of this collection by the staff of the Michigan Historical Collections was funded through a grant from the National Endowment for the Humanities (RC-20588-83).

Naomi Long Madgett was a prominent poet, educator, and editor, recognized for her significant contribution to African-American letters. Since 1972 she organized and operated, single-handedly, Lotus Press, which publishes poetry by African-Americans and others. The collection documents Madgett's career and the operations of Lotus Press, through correspondence, manuscripts (both by Madgett and by authors published by Lotus Press), ephemera, audiovisual material, and photographs. Lotus Press merged with Broadside Press to form Broadside Lotus Press in 2015.

The Naomi Long Madgett Papers document the prominent career of Ms. Madgett as a poet and a teacher, and her operation of Lotus Press, which Madgett ran single-handedly for more than 30 years. Thus, the collection makes a good source of insight both into Madgett's own writing and aesthetic sensibility, and into the cultures of lyric poetry and African-American letters in the latter decades of the 20th Century. The bulk of the material covers the 1980s, the 1990s, and the first few years of the 21st century, with Madgett's activities in the 1970s being represented as well. From the correspondence collected here a vivid picture emerges of Madgett's relationships with some of the authors whose work she published--such as James Emanuel and Gayl Jones--as well as with other authors, such as Gwendolyn Brooks. In addition, correspondence and ephemera evidence the growth of Madgett's own reputation, documenting her many professional activities, awards, and honors over the years. While manuscripts by Madgett herself do not comprise a large part of the collection, the fortunes of one of her most famous poems, "Midway," are documented in detail, and an autobiography (Pilgrim Journey) provides an extensive synthesis by the author of her own influences and career (a section of which has been published by Gale's Contemporary Authors' Autobiography Series). Finally, the collection provides a close look at the daily operation, from its inception, of a small literary press.

The Naomi Long Madgett papers have been arranged into nine series: Personal, Writings, General Correspondence, Workshops and Events, Author Files, Business Records, Ephemera, Photographs, and Audiovisual. Books published by Lotus Press, as well as other books and periodicals from Madgett's library, have been catalogued individually and are shelved by call number in the Special Collections Library. Within the collection, however, much material is available from the production of certain Lotus Press books; see below Writings and Author Files.

The Oakley Johnson Papers, 1926-1934, 1966-1969, include correspondence, photographs, newspaper clippings and other documents relating to the Negro-Caucasian Club and the City College of New York Case which addresses Oakley Johnson's dismissal from the College.

The Oakley Johnson papers date from 1926 to 1934 and from 1966 to 1969, with nothing for the years 1935 to 1965. The collection totals 17 folders or eight inches of material and is arranged in three groupings: University of Michigan Negro-Caucasian Club; City College of New York Case; and Other Papers.

The papers contain Johnson's correspondence in the 1960's with members of the Negro-Caucasian Club, concerning in part a reunion of Club members in 1969. The papers also reflect the controversy surrounding Johnson's dismissal from City College of New York in 1932.

Ann Arbor, Michigan artist, invited to curate show on pornography and prostitution in conjunction with University of Michigan Law School on the subject. Speakers, including Catherine MacKinnon and Andrea Dworkin, generally opposed pornography and prostitution while artists argued for freedom of expression legalization and legalization of prostitution. Removal of a videotape from the exhibit resulted in controversy and legal action. Includes materials from the exhibit, correspondence, conference files, photos and videotapes.

The records in the Carol Jacobsen Collection are compromised of materials documenting the "Porn I'mage'ry" exhibit, the controversy and negotiations surrounding the exhibit, and materials concerning the issues of prostitution, pornography, sex work, and censorship. The records are organized into six series: Correspondence Files, Press Clippings and Published Material Files, Original Conference Files, Photographs, Protest and Reinstallation Material, and Videotapes.

Political group formed in Wayne, Michigan in 1920, with roots in the old Socialist Party of America. This "Michigan faction" was expelled from Communist Party shortly after its founding in 1919, in part for its "consistent adherence to majority action and repudiation of the Communist Party's minority action concept." The party moved its headquarters to Chicago in 1925 where it maintained an office until disbanding in 1968. Consists mainly of correspondence of National Secretary Al Wysocki.

The records of the Proletarian Party survive in an unusual condition, requiring an organizational scheme with some unusual features to accommodate them. Most of the records were torn up by hand when the party disbanded in 1968, usually into quarters or halves. Perhaps 75% of the records have since then been largely or wholly reconstituted by being pasted onto sheets or strips of paper or occasionally clipped or stapled together; the remainder exist only as fragments. These fragments have been variously treated depending on the series to which, if whole, they would belong. Fragments of general correspondence, if dated, are placed in separate folders of fragmentary correspondence at the end of each year's correspondence files; undated fragments are divided by medium and shape, handwritten fragments in one folder, typescript (mostly carbon copy) fragments into several, depending on whether they represent the top left, bottom left, or bottom right corners, the entire left side, or some miscellaneous portion of the original page. This should make it possible to reassemble individual letters when necessary, assuming that all the component parts still exist. Fragments of mundane official correspondence and other material is not distinguished from non-fragmentary examples of the same, fragments that have lost their date being treated as undated.

Note also that many of the records consist of carbon copies, often made on the verso of other documents of interest (flyers, bulletins, the Constitution of the Proletarian Party, etc.). With one or two exceptions, it is the later use as a carbon that is reflected in the item's organizational placement. Researchers seeking the documents accidentally preserved in this way may need to examine the whole collection personally.

The value of the collection resides chiefly in the correspondence. Taken in bulk, it provides an almost intimate acquaintance with the people and ideas that animated the Proletarian Party during its last ten to fifteen years of existence, as well as recollections of its past. The jargon and mechanisms of the party are well illustrated, as is, poignantly, the inability of either to cope with the refusal of history to cooperate with the party's program, or to accept the weariness its members. The decline of the party is well captured in passages like this (John Davis to Al Wysocki, May Day, 1963): "We are dying on the vine as it were, there isn't many more than a dozen of us left. You can't call this a political party. The bulk of our funds go to the paying of rent for the Headquarters and the Kerr store room. I ma not at all clear about what can be done." Or this, from one of the last two members of the Detroit Local (Phil Drouin to Al Wysoki, 6 May 1964): "I have been trying to get a meeting of the remaining members in local Detroit and the only one that shows up is myself and Bennie so we keep postponing it and contact the other members and they always have excuses so...it looks like local Detroit is finish." To which Wysoki can only reply vainly (9 May 1964): "The local Detroit members are asleep on their revolutionary duties."

For comments on the Sarah Lovell for Mayor (of Detroit) campaign, see general correspondence, April 1957. For Wysocki's exchanges with curious student Arthur Maglin, see general correspondence, May, 1960; with student Douglas Hainline, see May and July 1962. For comments on the correct interpretation of the assassination of J.F.Kennedy, see general correspondence of 29 November and 9 December 1963.

The papers contain extensive correspondence and numerous photographs of noted American poet, Robert Frost and members of his family. Also included is a collection of privately printed chapbooks and Christmas cards which contain poems by Frost.

The research value of this collection resides in the correspondence and the photographs. It appears that the letters at some point may have been consulted by various Frost biographers, but their depths may not have been fully plumbed. The photographs offer a candid glimpse into several generations of Frosts, but also include a number of posed studio portraits. The collection as a whole complements the Robert Frost papers already housed in the Special Collections Library, as well as those at the Bentley Historical Library.

The Alternative Press was a literary and artistic small press started in Detroit in 1969 by Ken and Ann Mikolowski. The press initially focused on publishing the work of Detroit artists and later became international in scope. The collection documents the press's management and publication processes, including those for its acclaimed subscription mailings, which contained poetry, bookmarks, bumper stickers, drawings, paintings, collages, and postcards.

The Alternative Press Records held by the University of Michigan Special Collections Library is the founders' full set of press records up until 1996. It contains items such as correspondence from poets, artists, and friends, manuscripts of poems and other writings, sketches, Christmas cards, event announcements, the press' printed products, subscription renewal requests and more. Records from all three operating locations of the press are included, although the records from business done from Grindstone City predominate.

The Alternative Press Records is divided into ten series: Artists and Poets: Correspondence, Writings and Ephemera; Business Records; Ephemera; Events and Organizations; Original Postcards; Printed Materials; Printing Process; Small Presses; 1996 accretion; and 2018 accretion. Records sorted by individual or organization (primarily Artists and Poets and Small Presses) are arranged in alphabetical order. Other series and subseries (primarily those containing correspondence, business records, artwork/writings, and event announcements) are arranged in chronological order to preserve evidence of the creative process and organizational decisionmaking.

The Thomas Tredwell papers contain letters and documents related to Tredwell, concerning New York politics, travel across New York State, and family news.

The Thomas Tredwell papers consist of four letters and one document, spanning 1769-1807. The earliest item, a document dated 1769, concerns the building of a schoolhouse, and contains a list of subscribers; Tredwell apparently served as treasurer of the endeavor.

Tredwell wrote three of the collection's four letters. On January 1, 1794, he wrote to his son, Nathaniel, concerning family matters, a shipment of kettles, and the purchase of a slave by an acquaintance. A letter dated February 8, 1804, to his daughter, Hannah (Tredwell) Davis, includes Tredwell's comments on New York gubernatorial candidates, the ratification of the 12th Amendment, and the unpopularity of Aaron Burr. Tredwell's final letter in the collection, also to Hannah, describes the rough month-long journey between Albany and Plattsburgh, across frozen Lake Champlain and provides instruction on how to make an ointment out of roots (May 29, 1807). A "D. Bennett" wrote an additional letter, dated June 12, 1800, to Tredwell's daughter, Mary, concerning news from Norwalk, New York, and expressing sadness at the distance that separated them.

Tom Pohrt is a self-taught artist who works out of Ann Arbor, Michigan. He is best known as a children’s book illustrator and author. The collection documents Pohrt’s work as a children’s book illustrator and author through published works, correspondence with authors and publishers, manuscripts, and artwork.

This collection spans the years 1980-2004, and is comprised of published books, correspondence between Pohrt and authors and publishers, manuscripts, and artwork. The published books have been removed from the collection and catalogued separately. It is divided into 4 main series; Correspondence, Manuscripts, Ephemera and Artwork. The collection was divided into these four series to facilitate the addition of materials to the collection. The repository also holds a box of facsimiles of items in the collection used in an exhibit at the Ann Arbor District Library Exhibit in Fall, 2003.

The Correspondence series is arranged into subseries according to the correspondent or organization (usually publishing houses) in alphabetical order. Under each correspondent the materials are further divided into folders by date span and arranged chronologically. Under the publishing houses, materials are divided under subheadings according to project (book title) and arranged chronologically.

The Manuscript series contains manuscript material by Jim Harrison, Barry Lopez, and Tom Pohrt, and is arranged alphabetically by creator and book title.

The Ephemera series consists of calendars with illustrations by Pohrt, exhibit catalogs, flyers and brochures announcing events and public appearances, and other printed ephemera.

The Artwork series contains unbound preliminary drawings, paintings and sketches created by Pohrt to illustrate some of his most well-known books. The pieces of art are of various sizes and in a variety of media (e.g., pencil, watercolor, pen and ink). Many are stored in linen-covered cardboard portfolios, while others are tipped into handmade booklets and scrapbooks.