Search Constraints
Start Over You searched for: Repository University of Michigan William L. Clements Library ✖ Remove constraint Repository: University of Michigan William L. Clements Library Level Collection ✖ Remove constraint Level: Collection Formats Commonplace books. ✖ Remove constraint Formats: Commonplace books. Formats Poems. ✖ Remove constraint Formats: Poems. Date range Unknown ✖ Remove constraint Date range: UnknownSearch Results
1 volume
Christian Hoffman, of Cincinnati, Ohio, and Newport, Kentucky, compiled this 201-page book of poetry, largely in the German language, with eight poems in English. Hoffman's selections include poems or poem fragments by Henry Kirke White, Lord Byron, Agnes Franz, Friedrich Rückert, Christian Hoffmann von Hoffmannswaldau, Friedrich von Sallet, August Henrich Hoffmann, and others. Christian Hoffmann apparently included several original spiritual poems, such as "Des Kinder schwingender Geist" (pages 18-24) and "Die Absched des Prindes Gottes" (pages 169-170). Several blackletter script titles, decorative initials, and illustrations are present. The three illustrations include an urn with flowers (page 69), an angel with a harp (page 168), and a vignette of three maidens holding a banner with the words "O laube", "Liebe und" and "Hoffman" (page 76).
1 volume
The Harriet Hodges commonplace book, created at an unknown location sometime in the 19th century, contains 25 pages of copied poetry, apparently from serial publications, including multiple entries titled "For an Album" and "From an Album." Other poems include "The Daughter's Dream," "Wee Willie," "The Legend of the Crossbill," "Address to Columbus dying," "Death of Napoleon," "The Bridal Day," and several fragments. Flipping the volume over, Harriet wrote eight pages of a story titled "Imogene Howard, or Self Conceit." The commonplace book is bound with a plaid cover.
1 volume
Lydia Brown compiled this notebook of copied poems, principally religious and moral in nature, sometime in the early nineteenth century. She often drew calligraphic titles and other embellishments, including borders, flowers, and leaves. Several times throughout the volume, Lydia Brown included "A E 12" after her name, possibly an abbreviation for the Latin phrase "aetatis," indicating she may have been 12 at the time of writing and the volume could have served as an educational exercise for learning penmanship. A test sheet at the end of the volume includes several practice penmanship elements, and pencil lines throughout indicate how Lydia Brown was keeping her writing straight.
- To Hope
- A Paraphrase of the Lord's Prayer
- Charity
- Safety in Christ
- Say Why!
- Childhood
- Life
- Content
- Faith
- Hope
- Charity
- Humility
- Friendship
- Fortitude
- Modesty
- Patience
- Inscription on a Clock
- Friendship
- Sunset and Sunrise
- Reputation
- A Request
- Hope
- The Rose
- Friendship
- Time
- Repentance
- Prayer
- Religion
- The Happy Cottage
- A Thought
- Evening Cloud
- Extract
- An Epitaph
- Time
- Modesty
- Extract
- Repentance
- Life
- Prayer
- The Tear
- Sympathy