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Edith A. Moore Frost's commonplace book includes material dating from 1860 to 1893, with signatures, poetry, and comments predominantly written by her classmates and teachers from Ashland High School in Ashland, Massachusetts, and the Massachusetts State Normal School in Framingham, Massachusetts. Acquaintances in Kansas wrote additional entries in the 1880s. Thirty-two photographs of signatories are pasted or tipped into the volume, along with other materials like a fabric swatch with a hair clipping attached, embellished paper, and a pressed leaf.

Edith A. Moore Frost's commonplace book includes material dating from 1860 to 1893, with signatures, poetry, and comments predominantly written by her classmates and teachers from Ashland High School in Ashland, Massachusetts, and the Massachusetts State Normal School in Framingham, Massachusetts. Some entries include notations written in another hand, primarily indicating if someone was a teacher. Acquaintances in Kansas contributed additional entries in the 1880s.

Many persons signing the album added elements to their entries, such as poems, proverbs, comments, and drawings. Twenty-seven photographs of women were pasted into the volume alongside their signatures, with an additional five photographs enclosed in a letter written by Mrs. E. A. Husey to Mrs. F. W. Frost in 1893 (concerning classmates from the State Normal School). The volume includes various other materials tipped or pasted in, such as a fabric swatch with an attached hair clipping, embellished paper, and a pressed leaf.

Edith A. Moore Frost first inscribed the volume on December 25, 1860, indicating this "Forget Me Not Album," which features engraved illustrations of women, may have been given to her as a Christmas gift. She later wrote, beneath a photograph of herself, "Edith A. Frost. Class of 1868. Mass. State Normal School. Framingham Mass. Pictures of graduating Class 1868."

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Hemenway family collection is made up of correspondence, documents, books, and other items related to the family of Asa and Lucia Hunt Hemenway, who worked as Christian missionaries to Siam (Thailand) in the mid-19th century. Most items pertain to family members' lives in the United States after their return in 1850. One group of letters pertains to the ancestors of Maria Reed, who married Lewis Hunt Hemenway.

The Hemenway family collection contains correspondence, documents, books, and other items related to the family of Asa and Lucia Hunt Hemenway, who served as Christian missionaries to Siam (Thailand) in the mid-19th century. Most items pertain to family members' lives in the United States after their return in 1850.

The Correspondence series is divided into two subseries. The Cotton Family Correspondence (26 items, 1819-1848) primarily consists of incoming personal letters to Frances Maria Cotton, whose father, siblings, and friends shared news from Vermont, New York, and Massachusetts. Her brother Henry, a member of the United States Navy, wrote about his travels to Cuba and Haiti on the USS St. Louis in the 1830s. The subseries also includes letters to Frances's father, John Cotton, and her husband, Joseph Reed.

The Hemenway Family Correspondence (116 items, 1857-1899) is comprised of letters between members of the Hemenway family. Lucia Hunt Hemenway wrote to her niece, Isabella Birchard, and her son, Lewis Hunt Hemenway, about her life in Ripton, Vermont, in the late 1850s and early 1860s, and corresponded with her sisters, Charlotte Birchard and Amanda Tottingham. Her letters contain occasional references to the Civil War. Other items include a letter from M. R. Rajoday to Asa Hemenway, written in Thai (March 23, 1860), and a letter from S. B. Munger to Asa Hemenway about Munger's experiences as a missionary in India (February 23, 1867).

The bulk of the subseries is comprised of Lewis Hunt Hemenway's letters to Isabella Birchard, his cousin, written between the 1860s and 1880s. He discussed his studies at Middlebury College, his decision to join the Union Army, and his service with the 12th Vermont Infantry Regiment, Company K, in Virginia in 1862 and 1863. He later wrote about his work at the King's County Lunatic Asylum in Brooklyn, New York; his medical practice in Manchester, Vermont; and his brief stint as a partner in an insurance firm in Saint Paul, Minnesota. His letter of February 16, 1877, includes a illustrated view of Saint Paul's city limits. Lewis and his wife, Maria Reed, corresponded with their children. Their daughter Clara also received letters from her grandfather Asa Hemenway.

The first item in the Diaries and Writings series is a diary that Lucia Hunt Hemenway kept while traveling from Boston, Massachusetts, to Thailand with other missionaries onboard the Arno between July 6, 1839, and September 21, 1839 (approximately 50 pages). She described her fellow passengers, discussed the religious meetings they held while at sea, and anticipated her missionary work in Thailand. A second item by Lucia Hemenway is a religious journal in which she recorded around 22 pages of Biblical quotations for her son Lewis from December 1, 1844-February 1, 1846. The final pages contain a poem entitled "Sunday School" and a list of rhymes that her son had learned.

The journals are followed by 15 speeches and essays by Lewis Hunt Hemenway. He composed Latin-language orations and English-language essays about politics, literature, the Civil War, death, and ancient history.

Maria Reed Hemenway kept a diary (39 pages) from November 20, 1875-[1878], primarily about her children's lives in Saint Paul, Minnesota, after September 1877. The final item in the series is a 47-page religious sermon or essay attributed to Asa Hemenway (undated)

The Documents and Financial Records series (7 items) includes Asa Hemenway's graduation certificate from Middlebury College (August 10, 1835); a documents certifying his position as a missionary for the American Board of Commissioners for Foreign Missions (June 29, 1839, and May 26, 1851); and a United States passport for Asa and Lucia Hemenway (December 26, 1838). Two account books belonged to an unidentified owner and contain records of debts and credits, dated December 1, 1830-December 1, 1831 (volume 1) and December 1, 1831-December 1, 1832 (volume 2).

The Photographs and Silhouettes series (9 items) includes silhouettes of Lucia and Asa Hemenway, photograph portraits of two Thai women, a portrait of an unidentified Thai man, and a portrait of King Mongkut. Two photographs show a tree and buildings near the missionary compound where the Hemenway family lived.

The Books series (22 items) includes volumes in English, Sanskrit, and Thai. Subjects include the history of Thailand, Christianity, and missionary work in southeast Asia.

A volume of Genealogy (approximately 40 pages) contains records pertaining to the births, marriages, and deaths of members of the Hunt family and their descendants, as well as a history of the descendants of Ralph Hemenway of Roxbury, Massachusetts. Manuscript notes and letters are laid into the volume.

The Artifacts and Fabrics series includes baskets, textiles from Thailand, coins, and bottles.

Laura L. Earl's friendship album includes material dating from 1860 to 1932, documenting her relationships across several geographic regions. Entries include poems, signatures, quotations, brief comments, and drawings of calling cards with signatures added. The volume includes engraved illustrations, several entries that feature artistic elements, and miscellaneous tipped in materials.

Laura L. Earl's friendship album includes material dating from 1860 to 1932, documenting her relationships across several geographic regions. Entries include poems, signatures, quotations, brief comments, and drawings of calling cards with signatures added. Additional visual materials include a negative image of a leaf made by splattering ink, a watercolor painting of flowers, and a calligraphic rendering of Laura Earl's name. Places linked to writers include states such as Wisconsin, Iowa, Minnesota, Colorado, Missouri, New York, Illinois, Ohio, Kansas, Nebraska, Massachusetts, and Oklahoma. Later entries refer to Laura by her married name, Laura E. Nethers.

Laura L. Earl pasted or tipped in various materials to the volume, including printed poems, calling cards, newspaper clippings, leaves, a scrap of fabric, an advertising blotter, a printed set of four images with Biblical passages, a notice for Mrs. D. E. Denman's funeral services in 1928, and Laura (Earl) Nethers' newspaper obituary from 1932. One calling card is from Laura L. Earl, and includes a photograph of her affixed to it. One clipped newspaper or magazine image shows two white men seated at a table with an African American man serving beverages.

"Pensez A Moi" is printed on the front cover. "Laura L. Earl" is stamped on the front flyleaf, as well as a pencil inscription, "1860. A Christmas Gift from my father, Covington, Ky."

• Modesty and Vanity
• Pensez A Moi
• The Departure
• Fatal Signal
• The Balsille. Eng'd for this Work
• Little Rogues in Trouble

The Oliver-Bonnell collection is made up of 20 letters, documents, printed items, one notebook, and miscellany. They pertain to the family of Paul Ambrose Oliver (1796-1849), his son Paul Ambrose Oliver, Jr. (1830-1912), and Adelaide Bonnell, niece of Paul A. Oliver, Jr. Of particular note are six letters by Paul A. Oliver, Jr., Pennsylvania gunpowder manufacturer, during his education in Germany in 1846, while conducting business in New Orleans in 1852, and from Oliver's Mills in Luzerne County, Pennsylvania, between 1883 and 1891.

Please see the box and folder listing below for details about each item in the collection.

This collection is made up of correspondence and other items related to Silas and Rebecca Tenney of Chester, New Hampshire, and to their descendants, including Orlando Murray Tenney of Chester and West Hampstead, New Hampshire; his wife, Emmagene Fitts; and their daughter, Alice Lillian Tenney.

This collection is made up of correspondence and other items related to Silas and Rebecca Tenney of Chester, New Hampshire, and to their descendants, including Orlando Murray Tenney of Chester and West Hampstead, New Hampshire; his wife, Emmagene Fitts; and their daughter, Alice Lillian Tenney.

The Correspondence series contains approximately 320 letters addressed to members of the Tenney and Fitts families, particularly Rebecca (or Rebekah) Tenney, Orlando M. Tenney, Emmagene F. Tenney, and Alice L. Tenney.

A small group of letters, dated from the 1820s-1830s, is comprised of letters to Silas and Rebecca Tenney from their children, including Bailey, Thomas, Sally, and Charles; other family members; and friends. Thomas Tenney discussed his philosophical, moral, and religious beliefs; others shared family and local news. Scattered letters dated in the 1840s, 1850s, and early 1860s concern other members of the Tenney and Fitts families, including religious letters that Orlando M. Tenney received from an acquaintance.

The bulk of the series is made up of incoming letters to Orlando M. and Emmagene F. Tenney and their daughter Alice, dated 1867-1925 (bulk 1867-1917). Orlando Tenney and Emmagene Fitts ("Genie") exchanged love letters during their courtship and marriage; in later years, they discussed their children and family news, particularly while Emmagene visited her family in Candia, New Hampshire. From the mid-1870s to the early 1890s, Emmagene F. Tenney also received personal letters from family members such as her sister, Alice C. Fitts; her mother, Caroline Phelps Fitts; and many cousins and acquaintances. Orlando M. Tenney received condolence letters after Emmagene's death in 1892, and his siblings and other family members wrote to him into the early 20th century.

In the mid-1880s, Alice L. Tenney began to receive letters from family members and friends; her incoming correspondence comprises the bulk of the collection after 1892. Letters from a school friend, May E. Norris, concern Norris's life in Boston, Massachusetts, and later letters pertain to family members' lives in New England and New York. Alice's other correspondents included her sister Bertha, her brothers Walter and Sewall, and several aunts and cousins. One brief series of letters by Ralph Candee of Westwood, Massachusetts, pertains to Alice's recent denial of his marriage proposal (included in his letter of July 14, 1903); most of the 20th-century letters pertain to the Tenney brothers' lives in New York and New Hampshire.

The Diary Fragments, Essays, and Poetry series (13 items) consists of items written by multiple authors. One group of diary entries (20 pages), dated January 1809-June 25, [1813], focuses on the unidentified author's religious beliefs and reflections. A second author wrote similar reflections on their 69th and 70th birthdays (May 13, 1842, and May 13, 1843). The remaining items are poems and essays by Helen M. Tenney (July 9, 1851, and February 9, 1856), O. M. Tenney (undated), and others (undated). These writings concern nature and animals, religion, the Eiffel Tower, and other subjects. One essay, entitled "Exercises of My Mind," is a copy of a work by Augustus Sanborn (d. 1823).

Financial Records (8 items, 1867-1911) consist of receipts, a money order, a dividend notice, and accounts related to Orlando M. Tenney, William Tenney, Sewall F. Tenney, and Alice L. Tenney.

The Photograph is an undated carte-de-visite portrait of an unidentified woman, taken in Norristown, Pennsylvania.

The Ephemera and Invitations series (8 items, 1870-1903) contains items addressed to various members of the Tenney and Fitts families. Most of the invitations pertain to weddings. The series also contains calling cards and a blank application for the "Tribe of Ben-Hur."

Miscellaneous material (12 items) includes a notebook that belonged to Orlando M. Tenney in 1881, a drawing of a man riding a plow attributed to "O. M. T." (July 30, 1907), a recipe for corn salve, a newspaper obituary for Frank E. Fitts, and manuscript notes and fragments.