Search

Back to top
Number of results to display per page
View results as:

Search Results

Collection

Christopher Hughes papers, 1801-1908 (majority within 1814-1884)

5.5 linear feet

This collection primarily consists of correspondence of U.S. diplomat Christopher Hughes; his twin sister Peggy Hughes Moore; his in-laws the Moore family; his spouse Laura Smith Hughes (1792-1832); their daughter Margaret Smith Hughes Kennedy (1819-1884); and Anthony Kennedy (1810-1892), his son-in-law. The papers largely date between the War of 1812 and the U.S. War with Mexico. Christopher Hughes corresponded with U.S. Presidents, Secretaries of State, and a large circle of friends and family on both sides of the Atlantic. The papers reflect American diplomatic policy in Europe after the War of 1812, particularly in Sweden, the Netherlands, Denmark, and France. They also present the lives and experiences of the social and personal lives of women and children who traveled as part of the duties of an American diplomat.

This collection primarily consists of correspondence of U.S. diplomat Christopher Hughes; his twin sister Peggy Hughes Moore; his in-laws the Moore family; his spouse Laura Smith Hughes (1792-1832); their daughter Margaret Smith Hughes Kennedy (1819-1884); and Anthony Kennedy (1810-1892), his son-in-law. The papers largely date between the War of 1812 and the U.S. War with Mexico. Christopher Hughes corresponded with U.S. Presidents, Secretaries of State, and a large circle of friends and family on both sides of the Atlantic. The papers reflect American diplomatic policy in Europe after the War of 1812, particularly in Sweden, the Netherlands, Denmark, and France. They also present the lives and experiences of the social and personal lives of women and children who traveled as part of the duties of an American chargé d'affaires.

The papers also include financial papers, military documents, property documentation, materials related to the San Pedro Company, writings, poetry, sketches, photographs, ephemera, and other printed items. Among the writings is an 1840 account of a visit by Christopher Hughes to physician Fru Jansen at Catherineberg for health care; 1842 travel writing by Margaret Hughes; and manuscript and printed poetry, including dinner toasts, a valentine poem, an acrostic on Margaret's name, translations, and more.

Other selected items include pencil sketches of four of the five peace commissioners at the Treaty of Ghent negotiations in Belgium, by Dutch artist P. van Huffel, January 1815. The portraits include John Quincy Adams, James A. Bayard, Henry Clay, Albert Gallatin, and Christopher Hughes (as secretary of the delegation). A group of 24 photographs from the early 1930s depict the grave of Laura Smith Hughes (1795-1832) and the church where she was buried, Bromme Church in Akershof, near Stockholm, Sweden, and a variety of other people and places.

Please see the Christopher Hughes Indices and Notes for an index of letter writers and inventories of non-correspondence materials.

Collection

Moses A. Cleveland collection, 1864-1917 (majority within 1864-1892)

4 volumes

The Moses A. Cleveland collection contains a copy of Cleveland's Civil War diary, a scrapbook of his postwar correspondence, and two drafts of his autobiography, which he composed in 1892 and copied in 1909. Cleveland, who worked primarily as a carpenter in New England and Ohio, served with the 7th Massachusetts Light Artillery Battery near the Gulf of Mexico during the war.

The Moses A. Cleveland collection is made up of a copy of Cleveland's Civil War diary, a scrapbook of his postwar correspondence, and two drafts of his autobiography, which he composed in 1892 and copied in 1909.

The first volume ("War Diary 1864-5...") contains Cleveland's transcribed copies of his diaries from his service in the 7th Massachusetts Light Artillery Battery. Cleveland began his transcription with a short introduction and a brief history of the war, written in 1866, and the first copied entry is dated January 1, 1864. Driven by a desire to evade conscription, he enlisted in the artillery on June 4, 1864, and was dispatched to the Department of the Gulf. Throughout his diary, he made marginal notes tracking important events or themes, described his military activities and, to a lesser extent, offered opinions about the war. Of particular interest is his reaction to the news of Lincoln's assassination, which he first discredited as rumor (p. 132). Following Lee's surrender, Cleveland's regiment was stationed in Mobile, Alabama, before returning to Massachusetts, where Cleveland was discharged on November 13, 1865. The diary also includes a retrospective, a log of miles travelled, a roster for the 7th Massachusetts Light Artillery Regiment, transcriptions of documents, and several ephemera items and newspaper clippings. Some of the news clippings imply that Cleveland was involved in the war's final shot. Two Confederate bills pasted into the volume. Letters and notes from the 1910s are laid into the volume.

The second item is a 95-page scrapbook that Cleveland compiled in the 1880s and 1890s while living in Willoughby, Ohio. It primarily contains correspondence, including several illustrated envelopes, and provides insight into Cleveland's postwar interest in the Civil War.

Two copies of Cleveland's autobiography, which he originally wrote in 1892 and copied in 1909, chronicle his life as a journeyman carpenter and his life as a working man in the antebellum North. He discussed both his personal life and his political views. Of particular interest are remarks about the Millerite movement and about the Mexican War. The first draft of the autobiography (59 pages) ended with Cleveland's enlistment, and the second (107 pages) closed with reflections on the first few years of his postwar life. The first volume contains two photographs of Cleveland, and the second has a number of songs and poems, many of which commemorate soldiers of the Civil War (pp. 109-252). He intended the autobiography to be integrated with his war diary as a single volume. Newspaper clippings and poems are pasted and laid into the volume's endpapers.