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This volume contains autographs and notes that Clement Stewart collected from fellow students at the College of New Jersey (now Princeton University) in March 1864.

This volume contains autographs and notes that Clement Stewart collected from fellow students at the College of New Jersey (now Princeton University) in March 1864. The front cover bears a gold-tooled illustration of a book of "Autographs," lying on a table beside a quill pen and inkwell; both covers have additional decorative tooling.

Stewart wrote the names of those he wished to contribute on blank pages of the volume before approaching his friends for their remarks, and many commented on the number of sheets he had assigned for them. Most wrote in letter format and gave their campus addresses with their signatures. They reminisced about college, referring to Stewart's "Moral Show"; "class politics" (related to the college); social activities; the first time they met Stewart; and aspects of Stewart's character. Some offered advice. Auxenicus Mari Piña Venezuela Hildreth Dickeson's note is a pun about the military draft ("Well, may you prosper in life & also in getting out of the draft for you might catch a cold."). The majority of these friends graduated with Stewart in 1864, though some underclassmen also contributed to the album.

The Edwin F. Belden friendship album contains autographs (sometimes accompanied by poems or other inscriptions), newspaper clippings, and biographical notes by and related to New York politicians, Civil War soldiers, and other individuals. Photographs are also included.

The Edwin F. Belden friendship album (25cm x 18cm, 141 pages) contains autographs (sometimes accompanied by poems or other inscriptions), newspaper clippings, and biographical notes by and related to New York politicians, Civil War soldiers, and other individuals. Included are 112 salted paper and 3 albumen photographic portraits. The album has a hard cover with Belden's name and a decorative border stamped in gold on the front. Plates on the inside of the front and back covers feature a patriotic eagle and banner with the slogan "The Federal Union it must be preserved" and of a building used as "Republican Head Quarters" in 1860.

The first 37 pages contain signatures from members of the New York State Assembly, where Belden was a messenger in the early 1850s. Some politicians accompanied their signatures with brief personal message for Belden, often including well wishes and advice. Many signers recorded the name of the district they represented, and most dated their contributions April 16, and 17, 1851. This section of the album is followed by other autographs that Belden solicited in the mid-1850s, as well as an endorsement from his employers Lemuel Jenkins and C. Ten Broeck (November 22, 1852, p. 41).

The remaining contents, dated 1860-1866, are comprised of small photographic portraits, brief biographical notes, inscriptions, autographs, and newspaper clippings related to a variety of individuals, including many men who served in the Civil War. One page of individual full-length portraits represents members of the Albany Zouave Cadets with military equipment and musical instruments. Belden labeled most of the photographs and often included notes about the subjects' dates of death. Several entries include copied correspondence, inscriptions and autographs, and obituaries or other news articles. Contributors included former New York Governors Washington Hunt and John A. King; General William Tecumseh Sherman; and Samuel Streeter, a former delegate representing Albany at The Colored Men's Convention of 1840 (also pictured, October 30, 1860, p. 63). A letter from William F. Russell, a former member of the state legislature, is laid into the volume after the autographs (April 19, 1886).

The Emory L. Smith Normal Music Institute autograph album contains autographs and inscriptions from the institute's instructors and students, who signed their names, wrote brief inscriptions, and quoted music.

The Emory L. Smith Normal Music Institute autograph album contains 21 autographs and 2 autographed visiting cards that Smith collected in North Reading, Massachusetts, from August 14, 1861-August 20, 1861. Some of the signers, who included instructors and male and female students, wrote brief personal messages and/or copied bars of music. Small photographic portraits are pasted directly into the volume beside five entries. The red leather cover has a decorative design around the border; the title "Autographs" is part of a gilt design on the front cover that includes a wreath, an autograph book, and a quill.

The Henrietta Walker autograph album contains 48 autographed cards signed by presidents, politicians, and other famous people in the early 20th century. The collection also includes a Christmas card sent to Walker by Colonel F. W. Marshall, and a letter to Walker from Barry Goldwater.

The Henrietta Walker autograph album contains 48 autographed cards signed by presidents, politicians, and other famous people in the early 20th century. Of note are cards signed by Helen Keller and by William McKinley, the latter on a card from the "Executive Mansion, Washington." The collection also includes a Christmas card sent to Walker by Colonel F. W. Marshall (1945) and a letter to Walker from Barry Goldwater (July 27, 1964). Autographs were written on cards measuring approximately 4"x2". The cards are dated and many contain notes on the location where the autograph was acquired.

The John Hendrickson Yale class album contains numerous engraved and lithographed portraits of members of the Yale College Class of 1852, professors, and administrators.

The John Hendrickson Yale class album contains numerous engraved and lithographed portraits of members of the Yale College Class of 1852, professors, and administrators.

The album (25.5 x 19.75 cm) has green leather covers with “John B. Hendrickson’” stamped on the front in gold. Contents begin with four engraved views of New Haven, Connecticut, before progressing to engraved portraits of Yale College professors and administrators. Subsequent images are primarily lithographic portraits of members of the class of 1852, many of which are inscribed with sentimental notes, birthdays, and hometowns. Numerous signatures belong to men who went on to fight in the Civil War. Other signatures of note include those of Daniel Colt Gilman, William Preston Johnston, and Homer Baxter Sprague. The portraits of the students were produced by F. Michelin and George E. Leefe of New York City.