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The Henrietta Walker autograph album contains 48 autographed cards signed by presidents, politicians, and other famous people in the early 20th century. The collection also includes a Christmas card sent to Walker by Colonel F. W. Marshall, and a letter to Walker from Barry Goldwater.

The Henrietta Walker autograph album contains 48 autographed cards signed by presidents, politicians, and other famous people in the early 20th century. Of note are cards signed by Helen Keller and by William McKinley, the latter on a card from the "Executive Mansion, Washington." The collection also includes a Christmas card sent to Walker by Colonel F. W. Marshall (1945) and a letter to Walker from Barry Goldwater (July 27, 1964). Autographs were written on cards measuring approximately 4"x2". The cards are dated and many contain notes on the location where the autograph was acquired.

The Henry and Ruth Dyer Collection consists of prose, epigrams, and other writings in four volumes. The bulk is attributed to Henry Dyer, including three volumes of lyrical writing, pencil illustrations, and political cartoons on the Civil War and slavery. Henry Dyer cut Union patriotic cartoons from letterheads or envelopes and pasted them into one volume, adding additional illustrations or frames in his own hand. Many of Dyer's wartime poems were printed in the Daily Alta, a California newspaper, as "War Lyrics," under his pseudonym Henry Proverb. Ruth Dyer's "friendship album" contains over 30 entries by Abington, Massachusetts, family and friends on virtue, wisdom, proclamations of love, and friendship.

The Henry and Ruth Dyer Collection consists of prose, epigrams, and other writings in four volumes. The bulk is attributed to Henry Dyer, including three volumes of lyrical writing, pencil illustrations, and political cartoons on the Civil War and slavery. Henry Dyer cut Union patriotic cartoons from letterheads or envelopes and pasted them into one volume, adding additional illustrations or frames in his own hand. Many of Dyer's wartime poems were printed in the Daily Alta , a California newspaper, as "War Lyrics," under his pseudonym Henry Proverb. Ruth Dyer's "friendship album" contains over 30 entries by Abington, Massachusetts, family and friends on virtue, wisdom, proclamations of love, and friendship.

One faded, partly colored photograph of San Francisco in 1860 is affixed to the back pastedown of Henry Dyer's "War Lyrics" volume.

This collection is comprised of a scrapbook, a diary, and an autograph album related to the family of Elizabeth Henshaw Gaspar Brown. The scrapbook contains newspaper clippings and ephemera regarding Horace W. Henshaw of Chicago, Illinois, and his immediate family and descendants. The diary and autograph album belonged to Elizabeth H. G. Brown, his granddaughter.

This collection is comprised of a scrapbook, a diary, and an autograph album related to the family of Elizabeth Henshaw Gaspar Brown. Many items relate to Brown's grandfather, Horace W. Henshaw of Chicago, Illinois; to his parents, Horace and Martha Montgomery Henshaw; and to his daughter, Marguerite Henshaw Gaspar.

The Diary is a partially completed five-year line-a-day volume kept by Elizabeth Henshaw Gaspar from 1930-1934. Her brief diary entries largely concern her education, social life, and other daily activities.

The Autograph Album belonged to Elizabeth Henshaw Gaspar. The entries are dated largely in 1925 and they include contributions from teachers at the Lake View Institute in Chicago, Illinois. Most writers included brief personal messages to "Betty," including one entry in French.

The Scrapbook first belonged to Horace W. Henshaw in the 1880s. The majority of its contents are newspaper clippings, though ephemeral items such as programs, a Christmas cards, advertising cards, stamps, and ticket stubs are also present. The programs concern events held in England around 1880-1881. A group of ephemeral items, several clippings, and some visual materials relate to steamship travel and the St. Clair Tunnel Company. Also included are a copy of Horace W. Henshaw's will, a brief biography of Henshaw, and condolence letters and telegrams regarding his death in 1925. The two card photographs are portraits of Horace W. and Lily Henshaw. Other visual materials include a clipping with an image of a locomotive, clippings with printed drawings of animals, and a comic strip set on a golf course.

The scrapbook's newspaper clippings date from the early 1880s to 1958. Many are obituary notices, birth announcements, and similar articles regarding members of the Henshaw, Gaspar, and Brown families. Several items relate to Horace W. Henshaw's business career in Chicago, Illinois, and to the American Farm Products Company. A copy of the W. F. Roos Company's Daily Trade Bulletin is laid into the volume (July 22, 1905). Among the items that relate to the Civil War are a reprint of the Gettysburg Address and a facsimile reproduction of a letter from General Ulysses S. Grant to General Simon Bolivar Buckner (original dated February 16, 1862).

The James Galloway Antioch College photograph album is a memorial book for the Antioch College Class of 1860 containing 37 photographs including views of campus, co-educational classes, and individual portraits of class members.

The James Galloway Antioch College photograph album is a memorial book for the Antioch College Class of 1860 containing 37 photographs including views of campus, co-educational classes, and individual portraits of class members.

The album (28 x 23.5 cm) has moiré fabric covers with "James S. Galloway" stamped on the front. The title page lists the photographer as J. W. Winder. The majority of images are studio portraits of members of the Class of 1860, most of which include the subjects’ signatures and hometowns. Of note is a portrait of suffragist Olympia Brown (1835-1926), the first woman to both graduate from theological school and become a full-time ordained minister. Also present is an image of the Antioch College campus, three photographs of co-educational classes, and a letter from one of Galloway's classmates describing the Class of 1860’s 50th reunion in 1910 which Galloway did not attend.

The John Hendrickson Yale class album contains numerous engraved and lithographed portraits of members of the Yale College Class of 1852, professors, and administrators.

The John Hendrickson Yale class album contains numerous engraved and lithographed portraits of members of the Yale College Class of 1852, professors, and administrators.

The album (25.5 x 19.75 cm) has green leather covers with “John B. Hendrickson’” stamped on the front in gold. Contents begin with four engraved views of New Haven, Connecticut, before progressing to engraved portraits of Yale College professors and administrators. Subsequent images are primarily lithographic portraits of members of the class of 1852, many of which are inscribed with sentimental notes, birthdays, and hometowns. Numerous signatures belong to men who went on to fight in the Civil War. Other signatures of note include those of Daniel Colt Gilman, William Preston Johnston, and Homer Baxter Sprague. The portraits of the students were produced by F. Michelin and George E. Leefe of New York City.

John S. Dunning kept these two autograph albums between 1856 and 1861, while a student at the College of New Jersey (now Princeton University) and the Theological Seminary of the Northwest (now McCormick Theological Seminary) in Chicago, Illinois. Along with autographs, many contributors wrote poetry, quotations, personal notes, and reminiscences.

John S. Dunning kept these two autograph albums between 1856 and 1861, while a student at the College of New Jersey (now Princeton University) and the Theological Seminary of the Northwest (now McCormick Theological Seminary). He collected signatures from his friends and classmates in Princeton, New Jersey, and Chicago, Illinois, between 1856 and 1861. Most signers wrote brief personal notes or brief poems reflecting on friendship and reminiscing about their time at college/seminary. They variously recorded their dormitory room numbers, hometowns, and Greek or Latin quotations. The first volume consists entirely of writings by young men and the second volume includes entries by both men and women.

Ned Holden accompanied his note with two sketches: one sketch is of two men at a "Jersey Pines Deer Hunt" and another of a well-dressed man smoking (Volume 1). J.H.G. Blythe, a native of New York, wrote an 11-page reflection about Dunning; J. Kings of Americus, Georgia, expressed his fervent support of Millard Fillmore; and Morris C. Sutphen apologized for his inability to compose a line, as a result of too many recent autograph requests.

The John Stevens Cabot Abbott autograph book contains short notes and autographs from Abbott's acquaintances, particularly from Brunswick, Maine.

The John Stevens Cabot Abbott autograph book contains notes and autographs from a number of Abbott's acquaintances. Most contributors included short, inspirational quotations or poetry. Of particular interest is a letter from Senator Charles Sumner, dated March 29, 1860, in which Sumner gave his opinion on one of Abbott's recent books. Many of the contributions came from Abbott's acquaintances in Brunswick, Maine, and include notes from several family members, including Abbott's brother Jacob. An anonymous party drew a pencil sketch of a man and woman, seen from behind, on the first page of the volume.

The John V. Lansing papers document the life of Lansing, particularly his medical education and work in New York State Asylums.

Although a small collection, the Lansing papers contain a varied array of materials: 38 pieces of correspondence between Lansing and various family members, journals of his trips to Europe and to South America, journals of his medical training, assorted poems and Valentine poems by Lansing, his sketchbook and several loose pencil sketches, the text of his graduation speech from Rutgers, a lecture on "thought and thinking" which he delivered in 1848, his estate inventory, a few receipts and business letters, miscellaneous correspondence between other family members, an autograph book and theme book which probably belonged to a niece, 11 unidentified photographs, part of a magazine article depicting the Lansing family homestead, and a few pieces of peripheral miscellany. (The sketch book, autograph book, and European diary have been removed to a separate pamphlet box.) Also included in an introductory folder are obituaries of Lansing, his article on frogs, and published proceedings of the Albany Medical Society which record his participation.

This collection is not as rich in research potential as one would hope, given the subject's varied travels and career changes as documented in the manuscripts. Most of the correspondence and journals are revealing of Lansing's personality, opinions, and philosophy rather than abundant with details on places, people, and activities. One comes to know the man intimately, but not to be able to place him very confidently in a social and professional context.

Probably the greatest value of the papers is in the information which can be gleaned from them on medical education and practice in the mid-to-late nineteenth century. Lansing's medical school journals, especially the section covering his training at Bellevue Hospital in New York City (1853 June 27-December 17), are full of details on medical lectures, learning how to diagnose and treat various diseases and conditions, the performance of autopsies, surgical procedures (especially gynecological operations), and pharmacology. Given Lansing's analytical and opinionated nature, these depictions are often both informative and insightful as to the nature of medical science during this era. He writes on August 2, 1853: "I attended a part of Motts Clinique at the University and saw some noteworthy cases. He ordered a plaster over a sore breast and said when the patient had retired that was always his way when he didn't know what a thing was to cover it up with plaster and spoke of it as a rule to be adopted in life to cover up what we don't understand with plasters. I don't exactly like the principle." Lansing also includes in this journal segment a horrifying description of a woman's death of gangrene of the intestines after surgery for an ovarian tumor -- highly evocative of the primitive nature of surgery and infection prevention in this period.

The European and South American journals also contain some material on hospital conditions and medical training and practice, specifically in Paris, Montevideo, and Buenos Aires. There is an interesting account of Lansing's unsuccessful treatment of a tuberculosis patient while ship's physician on the "Seaman," and of the man's subsequent death and burial at sea. The correspondence covering Lansing's years of practice as physician at two insane asylums and at Clinton State Prison are disappointing in their lack of detail on medical practice; only a few general descriptions and anecdotes on patients and incidents are provided. Published accounts of his participation in the Albany County Medical Society, however, are more informative, for they present case studies which illustrate typical diagnoses and treatments of various illnesses.

Interesting minor sidelights of the collection are descriptions of the manufacture of an artificial arm for Lansing's brother-in-law, and some technical details about a candle making process involving lard-oil which, through his studies in chemistry, he was helping a friend to develop. Lansing's poetry also constitutes a minor but entertaining resource, for it exemplifies the sentimental nature of social and literary expression in this era, as well as revealing the author's wit and style.

The Kate G. Geary Autograph Album contains signatures, poems, proverbs, and other contributions of Geary's male and female acquaintances in Michigan from 1877 to 1884.

The Kate G. Geary Autograph Album contains signatures, poems, proverbs, and other contributions of Geary's male and female acquaintances in Michigan from 1877 to 1884. The bulk of the entries were written in Pinckney, Michigan, as well as nearby locations in Livingston, Washtenaw, Wayne, and Oakland counties. Main topics are love and friendship, the passage of time, and religion. Several printed stickers appear within the volume.

Laura L. Earl's friendship album includes material dating from 1860 to 1932, documenting her relationships across several geographic regions. Entries include poems, signatures, quotations, brief comments, and drawings of calling cards with signatures added. The volume includes engraved illustrations, several entries that feature artistic elements, and miscellaneous tipped in materials.

Laura L. Earl's friendship album includes material dating from 1860 to 1932, documenting her relationships across several geographic regions. Entries include poems, signatures, quotations, brief comments, and drawings of calling cards with signatures added. Additional visual materials include a negative image of a leaf made by splattering ink, a watercolor painting of flowers, and a calligraphic rendering of Laura Earl's name. Places linked to writers include states such as Wisconsin, Iowa, Minnesota, Colorado, Missouri, New York, Illinois, Ohio, Kansas, Nebraska, Massachusetts, and Oklahoma. Later entries refer to Laura by her married name, Laura E. Nethers.

Laura L. Earl pasted or tipped in various materials to the volume, including printed poems, calling cards, newspaper clippings, leaves, a scrap of fabric, an advertising blotter, a printed set of four images with Biblical passages, a notice for Mrs. D. E. Denman's funeral services in 1928, and Laura (Earl) Nethers' newspaper obituary from 1932. One calling card is from Laura L. Earl, and includes a photograph of her affixed to it. One clipped newspaper or magazine image shows two white men seated at a table with an African American man serving beverages.

"Pensez A Moi" is printed on the front cover. "Laura L. Earl" is stamped on the front flyleaf, as well as a pencil inscription, "1860. A Christmas Gift from my father, Covington, Ky."

• Modesty and Vanity
• Pensez A Moi
• The Departure
• Fatal Signal
• The Balsille. Eng'd for this Work
• Little Rogues in Trouble