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This album contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. Adelaide was a student at Elizabeth Cabot Cary Agassiz's day school, and received autographs from Elizabeth Cabot Cary Agassiz, Louis Agassiz, and Alexander Agassiz, who taught at the school, as well as friends, primarily female. The volume also has several black-and-white engravings. A circular letter is laid in and a tuition receipt is housed separately.

This album (101 pages) contains autographs of the acquaintances of Adelaide Harris Davis of Cambridge, Massachusetts, collected between 1859 and 1864. The front and back covers are decorated with imprinted artistic details and text reading "Album of Remembrance;" the album was printed by Leavitt & Allen of New York. Charles F. D. wrote a note on the first page celebrating many of Adelaide's virtues and recording his presentation of the album to her on February 22, 1859. Most of the acquaintances who signed the album were female, and some noted their locations or the date. Adelaide collected a majority of the signatures between 1859 and 1861 and one in 1864. Most signers were from Cambridge, Massachusetts, but contributors also came from New York, Vermont, and Iowa, as well as other towns in Massachusetts. Some included short mottos, such as Augusta M. Stevens, who inscribed a Shakespeare quotation (p. 55).

• [Miel] E. Berlancourt (poem in French) (p. 19)
• Alice C. Gates (p. 23)
• Francena Danforth ("Sweet be her dreams, the fair, the young," by Barry Cornwall) (p. 47)
• Lizzie Howe ("Watch and pray! The world deceiving…," by M. A. Dodd) (p. 57)
• "Belle" (p. 61)
• Sarah A. Manoun (p. 63)
• Sarah C. Fisher (p. 67)
• Carrie L. Fisher (p. 75)

• L. E. Agassiz (p. 79)
• E[lizabeth] C[abot Cary] Agassiz (p. 79)
• A[lexander] Agassiz (p. 83)
• Li. Agassiz (p. 93)

Several black-and-white engravings depict women at leisure and other scenes. An undated circular letter laid into the volume appeals to former students of the Agassiz day school to contribute to a gift prior to the school's having to close on June 26, 1862, because of the Civil War. A receipt, housed separately, records Eliphalet Davis's payment of $37.50 for one quarter's tuition at the Agassiz school (June 27, 1861).

This collection is made up six volumes pertinent to the Civil War service of Captain later Major Alonzo M. Keeler of the 22nd Michigan Infantry. They include an autograph album kept by Captain Keeler while a Confederate prisoner at Libby Prison in Richmond and at Roper Hospital prison in Charleston between May 1864 and February 1865. Also present is the Book of Common Prayer carried by Keeler during his time as prisoner of war, including marginalia related to Sunday services. The remainder of the collection is a block of wood in a custom case purported to be from the original flooring of Libby Prison, Keeler's copy of Silas Casey's Infantry Tactics (3 vols., 1862-1863), and five South Carolina newspapers from 1864.

This collection is made up six volumes pertinent to the Civil War service of Captain later Major Alonzo M. Keeler of the 22nd Michigan Infantry. They include an autograph album kept by Captain Keeler while a Confederate prisoner at Libby Prison in Richmond and at Roper Hospital prison in Charleston between May 1864 and February 1865. Also present is the Book of Common Prayer carried by Keeler during his time as prisoner of war, including marginalia related to Sunday services. The remainder of the collection is a block of wood in custom case purported to be from the original flooring of Libby Prison, Keeler's copy of Silas Casey's Infantry Tactics (3 vols., 1862-1863), and five South Carolina newspapers from 1864.

Alonzo Keeler kept an autograph album of prisoner of war officers over the course of his imprisonment at Libby Prison, the Charleston Jail Yard, Roper Hospital Prison in Charleston, and the "Asylum Camp" in Columbia. The volume has an illustrated title page bearing multiple forms for calligraphic lettering, and a watercolor illustration of the Libby Prison building with two crossed, furled American flags. The full title is "AUTOGRAPHS. US OFFICERS Prisoners of war" and below, "Libby Prison Richmond Va Capt A M. Keeler." Most pages include 4-5 autographs, and the signatures are variously accompanied by the signer's rank, military unit, and home city or state. The contributors to the album were almost entirely infantrymen, though at least two Navy officers, one Veteran Cavalry officer, and one chaplain signed. Their home States included Connecticut, Massachusetts, Michigan, Maine, Illinois, Ohio, Pennsylvania, New York, Kentucky, Missouri, West Virginia, Wisconsin, Indiana, Rhode Island, Kansas, Iowa, Tennessee, and Vermont. Michigan soldiers in Libby Prison were from Ypsilanti, Kalamazoo, Ann Arbor, Detroit, Jackson, Coldwater, Chelsea, and Mount Clemens; Michigan soldiers in the Roper Prison were from Battle Creek, Marshall, Mount Clemens, Lapeer, Saginaw City, and Adrian.

• Pages 1-73: Contains 343 numbered autographs of prisoners.
• Pages 74-75: A brief history of the movement of 600 officers from Macon, Georgia, July 28; to Charleston City Jail Yard July 29; on August 10, the placement of 177 in prison for "confining convict laborers and runaway neg[ros]"; and movement to Roper Hospital building on August 13, 1864. This is followed by a history of the Roper Hospital copied from a piece of marble at the head of the stairs over the library, on the second story.
• Pages 76-86: Contains prisoner autographs numbered 344-390.
• Pages 81-82: Between autograph entries 368 and 369 is a gap containing tabular election returns headed "Official returns of the Presidential Election held in the U.S. Military Prison near Columbia S.C. among the Federal prisoners, Oct 17th. 1864." The columns are States, Lincoln, Johnson, McClellan, Pendleton, Total for President, L. Maj.; total votes cast are present.
• Unnumbered pages: Twenty-four pages intended to be an index of the autograph album, but not completed. Each page has a state name at the top, but only Connecticut has any index information present.
• Laid into the volume is: A. Martin Keeler ALS to "grand father" with appended L. A. Knight ANS, June 9, [?]; Utica. Respecting the sickness/fever of A. Martin Keeler's father; Dr. Knight described the treatments given, effect, and remarks on family.
• Also laid into the volume is a periodical clipping showing an oval portrait of Major and Mrs. A. M. Keeler; and a The Detroit Journal clipping about the Keelers' 58th wedding anniversary and the 35th year of their wedding tradition of a New Years' Eve family party (January 2, 1908).

The collection includes Alonzo M. Keeler's copy of The Book of Common Prayer, and Administration of the Sacraments; and Other Rites and Ceremonies of the Church . . . Together with the Psalter, or Psalms of David. Philadelphia: King & Baird, 9 Sansom Street, [ca. 1852-1856]. It contains an inscription, "A.M. Keeler Libby Prison Richmond Va, 1864." On many Sundays, Keeler wrote the date or other notes in the margins beside the scripture(s) of the day. For, example, he noted that he was in Macon Prison beside various passages on May 22, June 12, 19, 26, and July 3, 10, 17, and 24, 1864. On pages 294-303, beside Articles of Religion, he wrote "Must buy a Bible containing these" next to list of canonical biblical books; then after the 39th article, "In prison at Macon Ga July 10 1864 – Sunday – How different from home – But since its all for the best it is tolerable." Beside Selections from the Psalms of David (page 58-59) he wrote "A good hymn" (Hymn 10. C.M.) and "I subscribe this" (Hymn 11. III.1).

On July 31 and August 7, he made annotations from the Charleston City Jail Yard. On August 7, 1864, he noted, "Shells flying over," and, marking Selection 55 C.M. "approves my heart" (Selections from the Psalms of David, page 18). By the following Sunday, he attended service in the Roper Hospital Prison, Charleston, and again on August 21, 28, and into September. After his move to Columbia, he wrote from the Asylum Prison (February 12, 1865), "A beautiful day – One wishes to join his congregation in public praise at home – How long shall this separation from home & friends last?" (Selections from the Psalms of David, page 43).

On February 26, 1865, Alonzo Keeler reflected on his impending release from Camp Holmes, Raleigh, North Carolina. "A beautiful sabbath day A prisoner still but on parole for exchange Over anxious to be at home yet trusting fully that He who has kept me so carefully these 17 months while in the hands of my enemies, will soon restore to home & friends" (Selections from the Psalms of David, page 5). The same day, "The mind in high expectation of being released from imprisonment by an unfriendly power is quite illustrative of the soul in anxious hope of final deliverance from the power of Satan – too buoyant to entertain deep study & meditation – too joyful to be dismayed from fear – the future is all powerful to charm, the present is powerless to torture or annoy – All packed up waiting for transportation – paroled ready to pass through the lines – All supplied & stored with Christian graces, waiting to be borne away, name in the book of life" (Selections from the Psalms of David, page 104).

The Keeler collection also includes 5.6 x 6.2 x 1.2 cm block of wood in a modern custom traycase. Pasted onto the wood is an eight-edged printed label with a red border: "This piece of wood is a part of the original floor of Libby Prison Building. Jno. L. Ransom, Manager." Also present is Silas Casey's 3-volume Infantry Tactics, for the Instruction, Exercise, and Manœuvres of the Soldier, a Company, Line of Skirmishers, Battalion, Brigade, or Corps d'Armée. New York, D. Van Nostrand, 1862-63. Each of the volumes has a stenciled owner inscription in the front endpapers, "Alonzo M. Keeler, Capt. Co. B. 22nd. M.I."

• The Charleston Mercury, v. 85, no. 12,150. Charleston, South Carolina. Saturday, August 27, 1864.
• Charleston Daily Courier, v. 63, no. 19,857. Charleston, South Carolina. Thursday Morning, September 1, 1864.
• The Charleston Mercury, v. 85, no. 12,160. Charleston, South Carolina. Friday, September 9, 1864.
• Charleston Daily Courier, v. 63, no. 19,875. Charleston, South Carolina. Thursday Morning, September 22, 1864.
• The Daily South Carolinian, v. 15, no. 250. F. G. DeFontaine & Co., Columbia, South Carolina. Tuesday Morning, October 18, 1864.

The Bird family papers are made up of correspondence, documents, ephemera, and other materials related to members of the Bird family of East Smithfield, Pennsylvania.

The Bird family papers are made up of correspondence, documents, ephemera, and other materials related to members of the Bird family of East Smithfield, Pennsylvania. A number of letters written between George Niles Bird and Frances Rowe depict their lengthy, occasionally difficult, courtship in the late 19th century. Letters from other friends and family members are interspersed, including a letter from Hope Rowe recounting the funeral of President James A. Garfield (October 9, 1881).

Nancy N. Bird's correspondence consists primarily of incoming personal letters. Nancy's cousins wrote many of the letters, with the family's religiosity influencing much of their writing. The Bird family papers include many of Nancy N. Bird's speeches, including a series of talks delivered to fellow members of the Women's Christian Temperance Union (WCTU) between 1886 and 1912. She discussed temperance, religion, and topics of local interest, including the history of Smithfield, Pennsylvania. Nancy N. Bird's printed materials consist primarily of ephemera, programs, and newspaper clippings, largely related to her work with the WCTU and to the Bradford Baptist Association. Also present are three items written by Nancy: a short book entitled A History of the Sunday Schools in East Smithfield, PA. Since 1822, and two copies of The History of the Baptist Church of East Smithfield, PA. Other materials related to Nancy include journal pages, a photograph, and Sunday School papers.

Helen Bird's letters, written to her mother, chronicle her year at the West Chester Normal School, 1912-1913, and include frequent complaints about the atmosphere, the people, and the food.

Materials relating to George Bird consist primarily of incoming correspondence from friends and from his cousin Geraldine ("Jerry"). Jerry, who financially supported George during his time at Pennsylvania State University, also offered advice and updates on her academic life at Cornell University, while George's friend Eugene Edgar Doll discussed his experiences at the University of Chicago and his patronage of the arts. The collection also includes reports from George Bird's early studies and from his time at Pennsylvania State.

Personal letters from other members of the Niles and Bird families include early letters from Hannah Niles to her husband Samuel, and letters addressed to George N. Bird, his wife Frances, and their daughter-in-law Carrie. Two printed letters from "Robert and Bernie" in Impur, India, describe the country and their educational and missionary work; on January 7, 1921, they mentioned Gandhi's non-cooperation movement.

The collection contains diaries and journals, account books, and albums. The diaries include an 1844 unsigned journal, Hannah Minor Niles' 1866 diary, Nancy Niles Bird's 1851 diary, and Carrie M. Bird's 1921 diary. An account books tracks John Bird's expenses between 1846 and 1858, and a record book kept by Nancy Niles Bird includes the meeting minutes from the Soldiers Aid Society during the Civil War and household accounts. George Bird's autograph album covers the years 1879-1881 and Nancy Niles Bird's scrapbook, kept between 1850 and 1925, contains newspaper articles about her mother Hannah, members of the Bird family, and acquaintances from Pennsylvania and Kansas.

Other miscellaneous items include a printed map, a document related to the military chapel at Ellington Field, Texas, genealogical items, and manuscript poems.

This autograph album contains 33 signatures from male and female acquaintances of Clara McCarron of Detroit, Michigan, which she collected between 1887 and 1893.

This autograph album contains 33 signatures from male and female acquaintances of Clara McCarron of Detroit, Michigan, which she collected between 1887 and 1893. Many of McCarron's friends wrote quotations, poetry, and other brief messages beside their names. Minnie Doran (April 1, 1887) and Grace Maley (June 2) shared brief humorous thoughts on marriage, and Chikanori Tomohira's message is accompanied by a note in Japanese (January 23). Some signatures are accompanied by sets of dates. The volume was originally manufactured as a diary, with pre-printed lines for each calendar date. Colored illustrations for each month are accompanied by brief "birthday wish[es]." The book's cover has a relief illustration of a hand, writing on paper with a pen.

This volume contains autographs and notes that Clement Stewart collected from fellow students at the College of New Jersey (now Princeton University) in March 1864.

This volume contains autographs and notes that Clement Stewart collected from fellow students at the College of New Jersey (now Princeton University) in March 1864. The front cover bears a gold-tooled illustration of a book of "Autographs," lying on a table beside a quill pen and inkwell; both covers have additional decorative tooling.

Stewart wrote the names of those he wished to contribute on blank pages of the volume before approaching his friends for their remarks, and many commented on the number of sheets he had assigned for them. Most wrote in letter format and gave their campus addresses with their signatures. They reminisced about college, referring to Stewart's "Moral Show"; "class politics" (related to the college); social activities; the first time they met Stewart; and aspects of Stewart's character. Some offered advice. Auxenicus Mari Piña Venezuela Hildreth Dickeson's note is a pun about the military draft ("Well, may you prosper in life & also in getting out of the draft for you might catch a cold."). The majority of these friends graduated with Stewart in 1864, though some underclassmen also contributed to the album.

The Edwin F. Belden friendship album contains autographs (sometimes accompanied by poems or other inscriptions), newspaper clippings, and biographical notes by and related to New York politicians, Civil War soldiers, and other individuals. Photographs are also included.

The Edwin F. Belden friendship album (25cm x 18cm, 141 pages) contains autographs (sometimes accompanied by poems or other inscriptions), newspaper clippings, and biographical notes by and related to New York politicians, Civil War soldiers, and other individuals. Included are 112 salted paper and 3 albumen photographic portraits. The album has a hard cover with Belden's name and a decorative border stamped in gold on the front. Plates on the inside of the front and back covers feature a patriotic eagle and banner with the slogan "The Federal Union it must be preserved" and of a building used as "Republican Head Quarters" in 1860.

The first 37 pages contain signatures from members of the New York State Assembly, where Belden was a messenger in the early 1850s. Some politicians accompanied their signatures with brief personal message for Belden, often including well wishes and advice. Many signers recorded the name of the district they represented, and most dated their contributions April 16, and 17, 1851. This section of the album is followed by other autographs that Belden solicited in the mid-1850s, as well as an endorsement from his employers Lemuel Jenkins and C. Ten Broeck (November 22, 1852, p. 41).

The remaining contents, dated 1860-1866, are comprised of small photographic portraits, brief biographical notes, inscriptions, autographs, and newspaper clippings related to a variety of individuals, including many men who served in the Civil War. One page of individual full-length portraits represents members of the Albany Zouave Cadets with military equipment and musical instruments. Belden labeled most of the photographs and often included notes about the subjects' dates of death. Several entries include copied correspondence, inscriptions and autographs, and obituaries or other news articles. Contributors included former New York Governors Washington Hunt and John A. King; General William Tecumseh Sherman; and Samuel Streeter, a former delegate representing Albany at The Colored Men's Convention of 1840 (also pictured, October 30, 1860, p. 63). A letter from William F. Russell, a former member of the state legislature, is laid into the volume after the autographs (April 19, 1886).

This collection is made up of manuscript essays and writings, original artwork, and printed proof sheets by Edwin Whitefield, an artist who specialized in bird's-eye views and landscapes in North America. The manuscripts largely concern Whitefield's travels in Minnesota, Wisconsin, and the Dakota Territory, as well as Whitefield's interest in the Bible.

This collection (approximately 200 items) contains 24 manuscript essays and writings, original artwork (approximately 40 items), and around 140 printed proof sheets by artist Edwin Whitefield between the 1840s and 1880s. The collection also includes 2 autograph albums that Mabel Whitefield kept between 1876 and 1883.

The Manuscripts series (24 items) contains essays, charts, notes, and fragments; a draft of Edwin Whitefield's The Bible Its Own Interpreter; and 2 autograph albums kept by Mabel Whitefield. The essays mainly relate to Whitefield's travels in Wisconsin, Minnesota, and the Dakota Territory in the 1840s and 1850s; Whitefield described landscapes, and some of his writings refer to specific drawings. A series of essays concerns immigration to Minnesota, including several short pieces about opportunities for settlers. Whitefield's other writings include an argument for increasing workers' wages; a letter about his son's conduct; notes about the Bible; 2 manuscript tables of the populations of major U.S. cities at each national census between 1790 and 1890; and a copied extract from the Encyclopedia Britannica about Moses.

Edwin Whitefield's The Bible Its Own Interpreter manuscript (approximately 220 pages) is made up of notes and clippings about passages from scripture and Biblical subjects. The volume contains a preface, index, and printed title page. Mabel Whitefield kept her 2 autograph albums, which contain inscriptions and poetry from family and friends, between 1876 and 1883.

The Original Artwork series is made up of Edwin Whitefield works, including 2 oil paintings; approximately 35 graphite, ink, and watercolor sketches; and 2 sketchbooks. One oil painting (1885, 20"x16") is a country landscape with a man herding cows over a bridge. The other painting (undated, 30"x20") is a mountain landscape, with a man and cows resting beside a river or lake. Approximately 35 individual graphite, ink, and watercolor sketches depict houses, bridges, landscapes, and buildings. Whitefield identified many of the views as locations in Massachusetts and New Hampshire. Edwin Whitefield's 2 sketchbooks contain illustrations of buildings, persons, and bird's eye views of cities and landscapes.

The Printed Items series includes proof sheets from the 1880, 1882, and 1889 editions of The Homes of Our Forefathers (approximately 75 colored or tinted lithographs), approximately 65 colored lithographs of botanical specimens by Whitefield, and one printed view of Newburyport, Massachusetts.

The Emily A. Bellair autograph album contains signatures and poetry of many of Emily's acquaintances in the early 1860s. Emily Bellair was from Detroit.

The Emily A. Bellair autograph album contains signatures and poetry of many of Emily's acquaintances throughout the early 1860s. She received the book, whose decorative cover bears the title "Wreaths of Friendship," from W. E. Gentle, who inscribed a two-page letter proclaiming the pair's friendship. Family members also contributed autographs and poetry, including several poems dedicated specifically to Emily that explored themes of friendship and parting. Her brother, Albert F. R. Arndt, wrote a poem from Cairo, Illinois, after he had "gone off to the seat of War." (March 16, 1862). The final page contains a copy of "Auld Lang Syne," as well as several shorter poems that are darker in mood than the other verses.

• "Escape of Carrara"
• "Wreaths of Friendship," depicting a ship in a stormy sea
• "The Bird Trap"
• "The Bride"
• "Kishna"
• Unlabeled: A scene with a tree-lined pond

The Emory L. Smith Normal Music Institute autograph album contains autographs and inscriptions from the institute's instructors and students, who signed their names, wrote brief inscriptions, and quoted music.

The Emory L. Smith Normal Music Institute autograph album contains 21 autographs and 2 autographed visiting cards that Smith collected in North Reading, Massachusetts, from August 14, 1861-August 20, 1861. Some of the signers, who included instructors and male and female students, wrote brief personal messages and/or copied bars of music. Small photographic portraits are pasted directly into the volume beside five entries. The red leather cover has a decorative design around the border; the title "Autographs" is part of a gilt design on the front cover that includes a wreath, an autograph book, and a quill.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.