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The Bird family papers are made up of correspondence, documents, ephemera, and other materials related to members of the Bird family of East Smithfield, Pennsylvania.

The Bird family papers are made up of correspondence, documents, ephemera, and other materials related to members of the Bird family of East Smithfield, Pennsylvania. A number of letters written between George Niles Bird and Frances Rowe depict their lengthy, occasionally difficult, courtship in the late 19th century. Letters from other friends and family members are interspersed, including a letter from Hope Rowe recounting the funeral of President James A. Garfield (October 9, 1881).

Nancy N. Bird's correspondence consists primarily of incoming personal letters. Nancy's cousins wrote many of the letters, with the family's religiosity influencing much of their writing. The Bird family papers include many of Nancy N. Bird's speeches, including a series of talks delivered to fellow members of the Women's Christian Temperance Union (WCTU) between 1886 and 1912. She discussed temperance, religion, and topics of local interest, including the history of Smithfield, Pennsylvania. Nancy N. Bird's printed materials consist primarily of ephemera, programs, and newspaper clippings, largely related to her work with the WCTU and to the Bradford Baptist Association. Also present are three items written by Nancy: a short book entitled A History of the Sunday Schools in East Smithfield, PA. Since 1822, and two copies of The History of the Baptist Church of East Smithfield, PA. Other materials related to Nancy include journal pages, a photograph, and Sunday School papers.

Helen Bird's letters, written to her mother, chronicle her year at the West Chester Normal School, 1912-1913, and include frequent complaints about the atmosphere, the people, and the food.

Materials relating to George Bird consist primarily of incoming correspondence from friends and from his cousin Geraldine ("Jerry"). Jerry, who financially supported George during his time at Pennsylvania State University, also offered advice and updates on her academic life at Cornell University, while George's friend Eugene Edgar Doll discussed his experiences at the University of Chicago and his patronage of the arts. The collection also includes reports from George Bird's early studies and from his time at Pennsylvania State.

Personal letters from other members of the Niles and Bird families include early letters from Hannah Niles to her husband Samuel, and letters addressed to George N. Bird, his wife Frances, and their daughter-in-law Carrie. Two printed letters from "Robert and Bernie" in Impur, India, describe the country and their educational and missionary work; on January 7, 1921, they mentioned Gandhi's non-cooperation movement.

The collection contains diaries and journals, account books, and albums. The diaries include an 1844 unsigned journal, Hannah Minor Niles' 1866 diary, Nancy Niles Bird's 1851 diary, and Carrie M. Bird's 1921 diary. An account books tracks John Bird's expenses between 1846 and 1858, and a record book kept by Nancy Niles Bird includes the meeting minutes from the Soldiers Aid Society during the Civil War and household accounts. George Bird's autograph album covers the years 1879-1881 and Nancy Niles Bird's scrapbook, kept between 1850 and 1925, contains newspaper articles about her mother Hannah, members of the Bird family, and acquaintances from Pennsylvania and Kansas.

Other miscellaneous items include a printed map, a document related to the military chapel at Ellington Field, Texas, genealogical items, and manuscript poems.

The Edwin F. Belden friendship album contains autographs (sometimes accompanied by poems or other inscriptions), newspaper clippings, and biographical notes by and related to New York politicians, Civil War soldiers, and other individuals. Photographs are also included.

The Edwin F. Belden friendship album (25cm x 18cm, 141 pages) contains autographs (sometimes accompanied by poems or other inscriptions), newspaper clippings, and biographical notes by and related to New York politicians, Civil War soldiers, and other individuals. Included are 112 salted paper and 3 albumen photographic portraits. The album has a hard cover with Belden's name and a decorative border stamped in gold on the front. Plates on the inside of the front and back covers feature a patriotic eagle and banner with the slogan "The Federal Union it must be preserved" and of a building used as "Republican Head Quarters" in 1860.

The first 37 pages contain signatures from members of the New York State Assembly, where Belden was a messenger in the early 1850s. Some politicians accompanied their signatures with brief personal message for Belden, often including well wishes and advice. Many signers recorded the name of the district they represented, and most dated their contributions April 16, and 17, 1851. This section of the album is followed by other autographs that Belden solicited in the mid-1850s, as well as an endorsement from his employers Lemuel Jenkins and C. Ten Broeck (November 22, 1852, p. 41).

The remaining contents, dated 1860-1866, are comprised of small photographic portraits, brief biographical notes, inscriptions, autographs, and newspaper clippings related to a variety of individuals, including many men who served in the Civil War. One page of individual full-length portraits represents members of the Albany Zouave Cadets with military equipment and musical instruments. Belden labeled most of the photographs and often included notes about the subjects' dates of death. Several entries include copied correspondence, inscriptions and autographs, and obituaries or other news articles. Contributors included former New York Governors Washington Hunt and John A. King; General William Tecumseh Sherman; and Samuel Streeter, a former delegate representing Albany at The Colored Men's Convention of 1840 (also pictured, October 30, 1860, p. 63). A letter from William F. Russell, a former member of the state legislature, is laid into the volume after the autographs (April 19, 1886).

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Henry and Ruth Dyer Collection consists of prose, epigrams, and other writings in four volumes. The bulk is attributed to Henry Dyer, including three volumes of lyrical writing, pencil illustrations, and political cartoons on the Civil War and slavery. Henry Dyer cut Union patriotic cartoons from letterheads or envelopes and pasted them into one volume, adding additional illustrations or frames in his own hand. Many of Dyer's wartime poems were printed in the Daily Alta, a California newspaper, as "War Lyrics," under his pseudonym Henry Proverb. Ruth Dyer's "friendship album" contains over 30 entries by Abington, Massachusetts, family and friends on virtue, wisdom, proclamations of love, and friendship.

The Henry and Ruth Dyer Collection consists of prose, epigrams, and other writings in four volumes. The bulk is attributed to Henry Dyer, including three volumes of lyrical writing, pencil illustrations, and political cartoons on the Civil War and slavery. Henry Dyer cut Union patriotic cartoons from letterheads or envelopes and pasted them into one volume, adding additional illustrations or frames in his own hand. Many of Dyer's wartime poems were printed in the Daily Alta , a California newspaper, as "War Lyrics," under his pseudonym Henry Proverb. Ruth Dyer's "friendship album" contains over 30 entries by Abington, Massachusetts, family and friends on virtue, wisdom, proclamations of love, and friendship.

One faded, partly colored photograph of San Francisco in 1860 is affixed to the back pastedown of Henry Dyer's "War Lyrics" volume.

This collection is comprised of a scrapbook, a diary, and an autograph album related to the family of Elizabeth Henshaw Gaspar Brown. The scrapbook contains newspaper clippings and ephemera regarding Horace W. Henshaw of Chicago, Illinois, and his immediate family and descendants. The diary and autograph album belonged to Elizabeth H. G. Brown, his granddaughter.

This collection is comprised of a scrapbook, a diary, and an autograph album related to the family of Elizabeth Henshaw Gaspar Brown. Many items relate to Brown's grandfather, Horace W. Henshaw of Chicago, Illinois; to his parents, Horace and Martha Montgomery Henshaw; and to his daughter, Marguerite Henshaw Gaspar.

The Diary is a partially completed five-year line-a-day volume kept by Elizabeth Henshaw Gaspar from 1930-1934. Her brief diary entries largely concern her education, social life, and other daily activities.

The Autograph Album belonged to Elizabeth Henshaw Gaspar. The entries are dated largely in 1925 and they include contributions from teachers at the Lake View Institute in Chicago, Illinois. Most writers included brief personal messages to "Betty," including one entry in French.

The Scrapbook first belonged to Horace W. Henshaw in the 1880s. The majority of its contents are newspaper clippings, though ephemeral items such as programs, a Christmas cards, advertising cards, stamps, and ticket stubs are also present. The programs concern events held in England around 1880-1881. A group of ephemeral items, several clippings, and some visual materials relate to steamship travel and the St. Clair Tunnel Company. Also included are a copy of Horace W. Henshaw's will, a brief biography of Henshaw, and condolence letters and telegrams regarding his death in 1925. The two card photographs are portraits of Horace W. and Lily Henshaw. Other visual materials include a clipping with an image of a locomotive, clippings with printed drawings of animals, and a comic strip set on a golf course.

The scrapbook's newspaper clippings date from the early 1880s to 1958. Many are obituary notices, birth announcements, and similar articles regarding members of the Henshaw, Gaspar, and Brown families. Several items relate to Horace W. Henshaw's business career in Chicago, Illinois, and to the American Farm Products Company. A copy of the W. F. Roos Company's Daily Trade Bulletin is laid into the volume (July 22, 1905). Among the items that relate to the Civil War are a reprint of the Gettysburg Address and a facsimile reproduction of a letter from General Ulysses S. Grant to General Simon Bolivar Buckner (original dated February 16, 1862).

Laura L. Earl's friendship album includes material dating from 1860 to 1932, documenting her relationships across several geographic regions. Entries include poems, signatures, quotations, brief comments, and drawings of calling cards with signatures added. The volume includes engraved illustrations, several entries that feature artistic elements, and miscellaneous tipped in materials.

Laura L. Earl's friendship album includes material dating from 1860 to 1932, documenting her relationships across several geographic regions. Entries include poems, signatures, quotations, brief comments, and drawings of calling cards with signatures added. Additional visual materials include a negative image of a leaf made by splattering ink, a watercolor painting of flowers, and a calligraphic rendering of Laura Earl's name. Places linked to writers include states such as Wisconsin, Iowa, Minnesota, Colorado, Missouri, New York, Illinois, Ohio, Kansas, Nebraska, Massachusetts, and Oklahoma. Later entries refer to Laura by her married name, Laura E. Nethers.

Laura L. Earl pasted or tipped in various materials to the volume, including printed poems, calling cards, newspaper clippings, leaves, a scrap of fabric, an advertising blotter, a printed set of four images with Biblical passages, a notice for Mrs. D. E. Denman's funeral services in 1928, and Laura (Earl) Nethers' newspaper obituary from 1932. One calling card is from Laura L. Earl, and includes a photograph of her affixed to it. One clipped newspaper or magazine image shows two white men seated at a table with an African American man serving beverages.

"Pensez A Moi" is printed on the front cover. "Laura L. Earl" is stamped on the front flyleaf, as well as a pencil inscription, "1860. A Christmas Gift from my father, Covington, Ky."

• Modesty and Vanity
• Pensez A Moi
• The Departure
• Fatal Signal
• The Balsille. Eng'd for this Work
• Little Rogues in Trouble

This album contains autograph manuscripts and signatures of famous American politicians, military figures, authors, artists, actors, and religious figures, begun by Boston resident "Mrs. Russell" in 1859. A small number of contributors wrote directly into the volume, which also includes pasted-in letters, documents, poetry, excerpts, and signatures.

This album (145 pages) contains autograph manuscripts and signatures of famous American politicians, military figures, authors, artists, actors, and religious figures, begun by Boston resident "Mrs. Russell" in 1859. The first few pages include notes and signatures written directly into the volume, mostly dated at Boston in 1859. The majority of the album consists of pasted-in letters, poems, fragments, and standalone signatures written as early as 1759 and as late as 1920; 3 items from 1912, 1917, and 1920 are addressed to James C. McCabe of Bay City, Michigan. The correspondence refers to politics and current events, the memory of George Washington, and other subjects. One letter from Maria Mitchell to "My Dear Emily" assured the recipient that she had consulted the stars for auspicious signs (p. 100). The contributions from John Quincy Adams and James Madison are unsigned handwriting samples. The album includes a financial document signed by Jenny Lind regarding the distribution of proceeds from a charity performance (p. 6). A small number of materials are accompanied by clippings containing biographical information about the contributors. A complete index is available in the Manuscripts Division.

The Stiles family papers are made up of 3,480 letters, one diary, several financial documents, a photograph, a poem, and printed items related to sisters Ellen E. and Alice M. Stiles of Southbury, Connecticut, in the later 19th and early 20th century. The correspondence is primarily the incoming and outgoing correspondence of the Stiles sisters, their family, and friends. The largest groups of letters are communications with Sarah J. Whiting ("Jennie") of New Haven; educator Mary J. Robinson ("Robie") of Minnesota, California, and elsewhere; and teacher Rose M. Kinney of Oberlin, Ohio, the Tillotson Institute in Austin, Texas, and other locations.

The Stiles family papers are made up of 3,480 letters, one diary, several financial documents, a photograph, a poem, and printed items revolving around sisters Ellen E. and Alice M. Stiles of Southbury, Connecticut, in the later 19th and early 20th century.

The correspondence is primarily incoming and outgoing correspondence of the Stiles sisters, their family, and friends. In the early 1850s, Ellen ("Nellie") E. Stiles, received letters her from friend Emma Gilbert ("Emmie" or "Em," daughter of a Methodist Minister), Lottie R. Pierce, cousins, and others while Ellen attended school at Southbury, Connecticut, and lived in New Haven. In 1856, Emmie began her schooling at Music Vale Seminary in Salem, Massachusetts, and by 1857, lived in Ridgefield where her family kept boarders and had a class of five music scholars.

Alice ("Allie") Stiles sent her father letters while she attended E. A. Roberti's school in New Haven. Nellie and Allie corresponded regularly throughout their lives, whenever apart. In the 1860s, Ellen wrote lengthy letters, with remarks on boys, flirtation, peers' relationships, copperheads, dresses, clothing, fashion, everyday life, household activities, family, interpersonal relationships, church attendance, sicknesses, deaths, and news on health and medical conditions of family and friends. When Ellen became ill in 1874, she traveled to Castile, New York, and remained at the Castile Sanitarium/Castile Water-Cure from 1875 to 1876. Letters from this period include several from Dr. Cordelia Greene, director of the institution.

Their most regular and prolific correspondent was Sarah J. Whiting "Jennie," who spent her life in New Haven, Connecticut. Alice received letters from her friend Mary J. Robinson ("Robie" or "Robbie"), a teacher with ties to the American Missionary Association. Robie spent much of her time in Lake City and Marshall, Minnesota. She worked as a teacher and private tutor. From 1882 to 1884, she taught at Coe College, Cedar Rapids, Iowa; in 1886 she wrote from the Daytona Institute for Young Women in Daytona, Florida; from 1888 to 1889 she lived in Ormand, Florida; and in the 1890s she lived in Monrovia, California, and taught at the Occidental College in Los Angeles.

Beginning in the mid 1870s, Alice and Ellen received letters from educator Rose M. Kinney of Oberlin, Ohio. Rose's letters include correspondence from the later 1880s, when she taught at the Tillotson Institute, Austin, Texas.

The sisters received letters from their cousin H. S. Osborne in San Francisco, 1863-69 and 1884-87, and cousin Annie of East Oakland, California. H. S. Osborne's April 23, 1865, letter includes a description of San Francisco's response to news of the death of Abraham Lincoln. Other correspondents included Cordelia Sterling of Stratford, Connecticut; Mary A. Babbitt of Ansonia, Connecticut; cousin A. E. Wright; Emily A. Mitchell of Brooklyn, New York; Annie E. Stockwell at South Britain, Connecticut; Walter J. Webb; Annie M. Upton of Salem, Massachusetts; members of the Gilbert family at Nichols Farms; and William H. Sage of New Haven.

The papers include a pre-printed pocket diary of Ellen E. Stiles, covering the year of 1856, in which she recorded visits of family and friends, church attendance, letters sent and received, parties, and other aspects of her daily life. A book or reading list is tucked into the back of the volume.

S. J. "Jennie" Whiting kept a memory album between 1848 and 1858, containing autographs, poetry, sentiments, pre-printed illustrations, and original watercolor illustrations of flowers by F. L. Norton.

The collection concludes with a poem by Harriet Lavina Wheeler, beginning "Within a house not far from town..." (undated); two folders of receipts and other financial miscellany of Alice and Ellen Stiles; three newspaper clippings; one oval photograph portrait of Jennie Whiting, and three printed items.