Collections : [University of Michigan Bentley Historical Library]

Blueprints, renderings, and blue-line prints of original University structures, and additions to, and alterations of existing structures. Architects and architectural firms represented include: Albert Kahn, Alexander J. Davis, Pond and Pond, C. William Palmer, and William LeBaron Jenney.

This collection of University of Michigan architectural blueprints, renderings, and blueline prints has been drawn together from different sources. The provenance is not always clear, though most of the sheets probably originated with the Buildings and Grounds Department of the University. The collection is selective and does not include all campus buildings. Significant buildings are included, however, as are important architects and architectural firms. Represented in the collection are the works of Albert Kahn, Alexander J. Davis, Pond and Pond, the Chicago architectural firm, C. William Palmer, William L. Jenney, and York and Sawyer of New York.

Irving Tobocman (1933-2017) was a University of Michigan alum and Birmingham, Michigan, architect whose Bauhaus-influenced works—while primarily concentrated in the Metro Detroit area—can be found throughout the world. Tobocman was active from circa 1956 to 2017. The collection documents Tobocman's professional career designing commercial, religious, and residential buildings, and includes architectural drawings, contracts, correspondence, legal documents, notes, photographs, publications, reports, and specifications.

The Irving Tobocman papers document Tobocman's professional career designing commercial, religious, and residential buildings, primarily in Metro Detroit. The materials in this collection, which are dated from 1955 to 2017, include large architectural drawings—such as elevation, floor, framing, and mechanical drawings—as well as topographical surveys and smaller materials that were originally rolled with the larger drawings. Also included are contracts, correspondence, drawings, legal documents, notes, photographs, publications, and specifications.

Researchers interested in specific projects should consult materials in both series. Project job numbers have been indicated when possible, although many drawings and files lack job numbers.

American architect. Pencil drawings of architectural ornament details, preliminary drawings for the Merchants National Bank, Grinnell, Iowa, and early humor and figure studies; also manuscript, 1922, entitled, "The Chicago Tribune Competition."

Pencil drawings of architectural ornament details, preliminary drawings for the Merchants National Bank, Grinnell, Iowa, and early humor and figure studies; also manuscript, 1922, entitled, "The Chicago Tribune Competition." This collection was accumulated by University of Michigan architecture professor Emil Lorch.

J. V. Smith was a Detroit architect. The Davenport house was built on East Michigan Avenue in Saline, Mich. in ca. 1872-1874 for Beverly Davenport.

This collection is comprised of drawings and specifications for the Beverly Davenport House, E. Henry St., Saline, Michigan, designed by J. V. Smith.

Architectural and engineering firm established in 1853 and headquartered in Detroit, Mich. with offices throughout the United States. Collection contains architectural drawings of five Michigan projects located in Ann Arbor, Detroit, and Flint.

This collection consists of architectural drawings for five projects: the Gregory Mayer & Thom and Society of Arts and Crafts buildings in Detroit, the Industrial Mutual Association (IMA) Auditorium in Flint, and the University of Michigan's Chemistry and Rackham buildings in Ann Arbor.

Robert E. Schwartz was a mid-century modern architect working out of Midland, Michigan. The collection includes working drawings, sketches, and newspaper clippings of residential and commercial buildings designed.

The Robert E. Schwartz papers reflect the mid-century modern architectural design movement of the mid-20th century in the United States, especially that part of the movement that was employed in residential structures, although the collection contains drawings of his commercial structures as well. His residential structures exhibit fundamental characteristics of the Modern Movement including their simple geometric forms, lack of applied ornamentation, use of large expanses of glass to bring nature and sunlight into the structure, and their open, free-flowing floor plans. The collection has been maintained in the order received and is divided into four series: Architectural Drawings, Newspaper Clippings, Professional Papers, and Visual Material.

Architect, professor of architecture at the University of Michigan. Biographical information; subject files relating to his professional activities, his involvement with the International Congress for Modern Architecture, his interest in architectural education, and his own design work; photographs and architectural drawings. The collection includes correspondence exchanged with Buckminster Fuller and Walter Gropius. There is also a letter from Lewis Mumford.

The Walter Sanders collection consists of architectural drawings and photographs, correspondence, and subject files dating from the mid-1930s to his death in 1972. The collection begins with a folder of biographical material followed by a series of folders arranged alphabetically by topic or type of material. Judging by the fullness of his career, it is apparent that these materials represent but a fragment of the documents created and accumulated by Walter Sanders during his professional lifetime. The materials extant in this collection provide a sampling of Sanders' designs, his architectural philosophy, his professional associations, and his teaching career.

The richest portions of the collection include those files of correspondence with other architects and his association with CIAM (the Congrès Internationaux d'Architecture Moderne) or the International Congress for Modern Architecture. Some of Sanders' correspondents include Buckminster Fuller, Walter Gropius, and Lewis Mumford. There are few materials in this collection relating to Sanders' own designs. Except for photographs and drawings of his Ann Arbor residence, the most interesting drawings are for the Pencil Point Home Competition (undated) and for the Chile Pavilion at the 1939 New York World's Fair. Course and class material is also limited though something of Sanders' views on architecture will be found in the "Talks" folder.

Ann Arbor, Michigan and Chicago, Illinois family. Correspondence of Elihu B. Pond, editor of Michigan Argus, his sons, Chicago architects, Irving Kane and Allen Bartlit Pond, founders of firm of Pond & Pond, and other family members; include materials concerning family affairs, architectural projects, Jane Addams and the work of Hull House, European travels, politics especially as relates to period of the Civil War and the election of 1896; also photographs, architectural drawings and other visual materials.

The Pond Family papers consist primarily of correspondence and other materials of architects, Irving Kane (1857-1939) and Allen Bartlit Pond (1858-1929) documenting family matters, European travels, their involvement in the civic and social life of Chicago, and professional activities. The collection has been divided into four subgroups: Allen B. Pond papers; Irving Kane Pond papers; papers of other family members and miscellaneous; and visual materials.

Correspondence comprises the bulk of both the Allen and Irving Pond subgroups. This correspondence consists almost exclusively of exchanges between the brothers when they were separated because of travel, and with their parents and sister. There is little correspondence with clients, professional associates, or others outside of the family. The letters, however, are often detailed and revealing of the thoughts and activities of the Pond brothers. In addition to the usual descriptions of landscapes and social events when traveling abroad, their letters contain many comparisons of European and American trends in architecture, housing, the development of cities. To their family and with each other, the brothers also wrote of their non-professional interests: Chicago politics, social settlements in the city, humanitarian causes, and their involvement with various literary groups. Of note in the Allen Pond papers are letters containing references to Jane Addams and her work at Hull House. There are also accounts they received from family about Jane Addams and her talks when visiting Ann Arbor. Letters concerning Jane Addams are dated Sept. 1896; Jan. 1898; Sept. 18, 1898; Jan. 22,1900; Mar. 1901; May 28,1901; June 15,1901; undated 1901; Apr. 21,1902; July 7,1902; Aug. 18,1902; Feb. 16, 1903; Jan. 12,1904; Jan. 23,1905; Feb. 1905; May 29,1907; Mar. 1908; and Apr. 1908.

Their sister, Mary Louise and their mother, Mary Barlow (Allen) Pond wrote weekly of family affairs and the social and cultural events of Ann Arbor. Both comment extensively on the ideas and activities of many of the leading intellectual and literary figures of the day - William James, John Dewey, Kipling, Wharton and Shaw - as well as on their daily interactions with Angells, Cooleys and other prominent Ann Arbor families. Unfortunately, there are few surviving letters from Allen and Irving to the family in Ann Arbor. Much of the information in the collection about their work is therefore by indirect reference only.

Ann Arbor, Michigan family. Architectural drawings and renderings for their Ann Arbor, Michigan home designed by Frank Lloyd Wright and his associates.

The Palmer Family collection consists of three oversized folders located in the basement blueprint cabinet. The folders contain topological maps of the property, a complete set (10) of blueprints for the house, an oversized floor plan, blueprints of perforate block, hand-colored drawings of the garden plans and a colored house plan signed by Wright. The collection also contains the first rendering of the Tea House with two pages of revisions, furniture design details for the Tea House and an outside lantern.

Since coming to the library in 1992, photocopies and photographic copies have been made of some of the more fragile items in the collection. The researcher is encouraged to consult these before inquiring about access to the originals. The number in parentheses at the end of each description is an identifying number assigned by the donor for individual drawings or a group of related drawings.

For an extensive selection of photographs of the Palmer house, the researcher should consult The Wright Style by Carla Lind (1992).

Ann Arbor, Michigan architect, Modern architecture, architectural drawings, presentation boards, photographs, journal articles, award submission notebooks, publicity material, and brief project summaries

The David W. Osler Papers document the professional career of this distinguished Ann Arbor architect, between the years 1956 and 2008. The collection provides researchers with a rich body of textual and visual materials, which illuminate the design excellence for which he is well known. Encompassing architectural drawings for 90 projects and photographs of 54 buildings, these papers offer a broad documentation of Osler's distinctive work in designing residences, libraries, churches, corporate and academic buildings, and condominiums. The collection contains the following series: Professional Papers, Photographs and Architectural Drawings.