David V. Tinder Collection of Michigan Photography, ca. 1845-1980
Approximately 113,000 photographs and 96 volumes
Approximately 113,000 photographs and 96 volumes
The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.
Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.
Approximately 113,000 photographs and 96 volumes
58 items
The Newell family papers show what life was like in a small New York town in the mid-1860s and detail Albert Newell's entrepreneurial ventures into the oil and cotton trades. The heart of the Newell family papers consists of 41 letters written by Arthur W. and Cornelia E. Newell to their son George Newell during his first two years at Yale. Most were written from the family home in Medina, New York. Both Arthur and Cornelia included news of local people's movements and sicknesses, of events, and the effects of the weather on the crops. They frequently mentioned trips to nearby Lockport, Middleport and Ridgeway, often for cultural or religious activities. The Newells' letters also recounted longer trips to Chicago for the nomination of Lincoln on the Republican ticket in 1860, to the Armory in Springfield, Mass., and to the Grand Review of the Army of the Potomac in Washington in May 1865.
There are no letters from George to his parents, but some information about his university years can be inferred from the letters they wrote to him. They both lectured him about being an upstanding young gentleman, exhorting him to "choose virtue as your Goddess..." and to "beware of all evil". As a freshman he joined a fraternity without having to undergo too many trials. During the winter of 1865-66 he hurt his ankle severely enough to necessitate the use of a crutch for several months. He first lived in a private home at 30 High Street but moved to college rooms his sophomore year. Arthur's investments meant that the Newells were often cash poor, however, they were still able to send George over $970.00 during his first two years of college. Yale tuition at the time was less than $25.00 per term. Almost all of George's tuition bills are included in this collection, along with a "promise to pay" signed by his father.
There are five letters written to George Newell in the 1880s and 1900. As an older man, he evidently developed an interest in his family history, and there are two letters from a second cousin concerning their great grandfather Thomas Steadman. Colonel Edwin Franklin Brown of the 28th New York Infantry wrote George a marvelous letter recounting the involvement of his father, Jeremiah Brown, in the "Morgan Affair". In 1826 the Masons of the Batavia Lodge were accused of murdering Capt. William A. Morgan for divulging secrets of the society. Jeremiah Brown was charged with complicity in the abduction of Morgan, went into hiding, was tried at Lockport and acquitted by Judge William S. Marcy (who went on to serve as governor 1833-1838). This event catalyzed the Anti-Masonic movement, led by Thurlow Weed, and Brown related some of the repercussions felt by his family.
The collection also includes three earlier Newell family documents. The oldest is a small copybook, inscribed, "Samuel Newell his book 1734". It evidently passed from generation to generation of Newells and contains genealogical information and some accounts; dates span from 1726 to 1823. According to the copybook, Solomon Newell married Sally Steadman in 1807. The two letters from George's second cousin G. W. Pierce suggest that her father was Thomas Steadman, a Revolutionary War soldier from Connecticut. Pierce refers to Thomas Steadman as "your [George's] Grandmother's Father", offering further evidence that Arthur was the son of Solomon and Sally (Steadman) Newell. The other two documents are early nineteenth century deeds. One, from Damaris Newell, gave his son Solomon Newell land on Center Hill in Barkhamsted, Litchfield County, Conn. The second, signed by Grandison Newell, gave Solomon a portion of a house and barn, also on Center Hill. The rest of the collection is comprised of a variety of miscellaneous documents relating to the life of George Newell, including Yale tuition bills, a bill from the photographer, George K. Warren, a stock certificate issued by the Medina & Alabama Plank Road Company, a mortgage, two checks drawn from a Union Bank of Medina account and a clipping from the Medina Tribune.
approximately 150 photographs
The collection includes photographic examples in multiple formats with real photo postcards, tintypes, cabinet cards, cartes de visite, and small format mounted photos being the most numerous. 145 images are contained in Box 1 of the collection while an additional 5 photographs on larger format card mounts are stored in Box 2. Images mainly consist of portraits of men posing familiarly with other men, women posing familiarly with other women, and portraits of groups and individuals engaged in cross-dressing. Due to the subjective nature of assessing these images combined with historical differences in what was considered socially acceptable displays of affection and the general lack of verifiable context, many of these photographs remain open to a variety of interpretations.
Numerous photographs show same-sex duos and larger groups holding hands, placing their hands on each other, leaning on each other, or demonstrating affection in some other observable way. Most subjects are unidentified, though occasionally individuals have been identified through the presence of inscriptions. In some cases, individuals pictured together have been confirmed to be relatives.
Numerous photographs of male and female individuals and groups engaged in cross-dressing are also present. In many instances, the cross-dressing most likely occurred for humorous reasons.
approximately 150 photographs
approximately 1,530 items in 12 boxes
The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.
The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.
The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping: