Collections : [University of Michigan William L. Clements Library]

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Collection

Gerald T. and Charlotte B. Maxson Printed Ephemera Collection, ca. 1750s-1999 (majority within 1850s-1900)

approximately 5,000+ items in 23 volumes

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

Collection

Wella and Pet Anderson Spirit Drawings Photograph Album, 1879

26 photographs in 1 album

The Wella and Pet Anderson spirit drawings photograph album contains 26 cabinet card photographs of pencil-drawn portraits of spirits of various historical figures made by a spiritualist couple in San Francisco, California in the early 1870s.

The Wella and Pet Anderson spirit drawings photograph album contains 26 cabinet card photographs of pencil-drawn portraits of spirits of various historical figures made by a spiritualist couple in San Francisco, California in the early 1870s.

The album (17.5 x 12 cm) has marbled paper board covers and the spine has been reinforced with library cloth. Inside of the front cover, a handwritten note has been laid in that states “The following Photographs were presented to this society by Col. J. C. Bundy. They are from full-sized drawings, made with a Faber pencil, by Mr. & Mrs. Wella Anderson of California, when in a ‘Trance’ or unconscious state. About two hours time was required in which to draw each Portrait. For further particulars see ‘Descriptive Catalogue of the Ancient Band.’ July, 1879.” John C. Bundy (1841-1892) was the chief publisher of The Religio-Philosophical Journal, a Chicago-based spiritualist periodical that Bundy inherited from his father-in-law Stevens S. Jones (1813-1877) after the latter’s murder. The society to which Bundy gifted this album has not been identified.

Each photograph in this album bears printed captions identifying the subject. All but two of the photographs also bear printed copyright statements stating “Photographic copy of the Original Life-size Pencil painted Portrait, executed by those celebrated Spirit Artists, Wella and Pet Anderson, when in the unconscious ‘trance’ condition. Entered according to Act of Congress, in the year 1874, in the office of Librarian of Cong. Washington, D. C. by the Pacific Art Union, of San Francisco, Cal. Inc. March, 1874.” Two of the photographs (portraits of Anthony van Dyck and Peter Abelard) have copyright statements attributed to Jonas Winchester.

While many members of The Ancient Band were true historical figures, numerous fictitious or legendary individuals were also counted amongst the group, including an adult woman supposedly born in Massachusetts ca. 1774 named “Dawn” who lived for only one hour and who served as an assistant for The Ancient Band; Henri de Brianville, a supposed English knight and alchemist who lived during the reign of Charles I; Ayotte, a supposed French Huguenot artist, poet, musician, and occult alchemist from the 15th-century; Peter Korzakieff, a supposed Polish writer and scientist from the 15th-century; Mazeleel, a supposed high priest of the Magi of Nineveh, Assyria, active during the 7th-century BCE; Hiram Abiff, a pseudo-historical allegorical figure presented to candidates embarking on the third degree of Freemasonry and described as the chief architect of Solomon’s Temple; Pietro Vecchia, a supposed 5th-century ruler of a Venetian island republic called Rialto; Catullus, a supposed Roman metallurgist and descendant of poet Gaius Valerius Catullus employed during the reigns of Nero and Vespasian; Hassan al Meschid, a supposed Persian Magi who aided an insurrection against Cambyses II and declared himself King before being killed himself; Abd El Kader, a supposed Arabian chief from 1500 B.C. described as the father of Arabian chemistry and a direct descendant of Ishmael; and Adehl, a supposed Indian Hindu chief and necromancer that lived “8,000 years ago” and who utilized an Elixir of Life to live until the age of 180 before he was put to death.

Also present are depictions of supposed figures from the legendary ancient civilization of Atlantis, including Orondo (described as an eight foot tall expert in mining, a trusted advisor of head Atlantean ruler Yermah, and the progenitor of intermarriage alliances with indigenous tribes of North America following the fall of Atlantis) and Atyarrah (described as a military commander who was part of an expedition of North America and the constructor of earthwork defenses against Native American tribes, some of which yet remain in the Mississippi Valley).

Authentic historical figures represented amongst The Ancient Band include Archbishop of Canterbury Thomas Cranmer (1489-1556); Flemish painter Anthony van Dyck (1599-1641); French writer Philippe Quinault (1635-1688); Italian friar Giovanni Giocondo (1433-1515); English philosopher and statesman Lord Francis Bacon (1561-1626); medieval French polymath Peter Abelard (1079-1142) and his philosopher lover Héloïse d'Argenteuil (ca. 1095-1163 or 1164); Alfred the Great, King of the Anglo-Saxons (ca. 849-899); Greek philosopher Plutarch (ca. 46-after 119); Umar ibn al-Khattab, second caliph of the Rashidun Caliphate (ca. 583 or 584-644); Greek poet Pindar (ca. 518 BCE-ca. 438 BCE); Chinese philosopher and politician Confucius (ca. 551-ca. 479 BCE); and Gautama Buddha, Indian ascetic and founder of Buddhism (ca. 563 BCE or 480 BCE-ca. 483 BCE or 400 BCE).

The following list references the printed captions for each member of The Ancient Band represented in this album in order of appearance:
  • 1) “Dawn.” Born in Massachusetts 100 years ago, living only an hour.
  • 2) Henri de Brianville. English Knight and Soldier of Fortune - Days of Charles I. [“1630” inscribed alongside caption]
  • 3) Cranmer. Archbishop of Canterbury - Burned at the Stake in 1635.
  • 4) Vandyke. The Great Flemish Painter - Pupil of Rubens - Died 1642.
  • 5) Ayotte. French Hueguenot, Artist, and Alchemist - 15th Century.
  • 6) Philippe Quinault. Distinguished French lyrical Author and Poet - Born 1635.
  • 7) Fra Giocondo. Dominican Friar - Architect of St. Peters - Born in 1435.
  • 8) Lord Bacon. High Chancellor of England, and Scientist - Born in 1561.
  • 9) Peter Korzakieff. Polish Scholar and Scientist - time of Casimer, about 1460.
  • 10) Abelard. Celebrated French Scholar - Lover of Heloise - Born 1079.
  • 11) Heloise. Mistress of Abelard - Abbess of the Paraclete - Born 1101.
  • 12) Alfred the Great. The Noblest Saxon Monarch of Britain - Died A.D. 900
  • 13) Plutarch. The Greek Historian and Philosopher - Born A.D. 50.
  • 14) Mazaleel. Most learned of the “Magi” in the best days of Nineveh.
  • 15) Hiram Abiff. The “Widow’s Son” - Grand Master of Ancient Masonry.
  • 16) Omar I. 2d Moslem Caliph - Conqueror of Syria and Egypt - 644.
  • 17) Pietro Vecchia. Tribune of a Venitian Island Republic in the 5th Century.
  • 18) Catullus. Roman Metallurgist and Jeweller, of the Time of Nero.
  • 19) Pindar. Most famous of the Ancient Greek Poets - Born 520 B.C.
  • 20) Orondo. Of Yermah’s Time - Father of the “Mound Builders.”
  • 21) Hassan al Meschid. Persian Magian, Astrologer, and King - lived B.C. 500.
  • 22) Atyarrah. Warrior of Yermah’s Time and Country, high in Rank.
  • 23) Confucius. The Great Chinese Reformer and Sage - Born B.C. 551.
  • 24) Gautama. Brahminical Reformer - Father of Buddhism - B.C. 557.
  • 25) Abd El Kader. An Arabian Chief - Descendant of Ishmael. - B.C. 1,500
  • 26) Adehl. Hindoo Necromancer - 2d Chief - lived 8,000 years ago.