Collections : [University of Michigan William L. Clements Library]

The Alexander T. Stewart collection contains around 300 letters that Stewart received from strangers requesting financial assistance, employment, and other means of support. Many commented on the Civil War's negative economic impact on their lives, particularly in the South.

The Alexander T. Stewart collection contains around 300 letters that Stewart received from strangers requesting financial assistance, employment, and other means of support. Many commented on the Civil War's negative economic impact on their lives, particularly in the South.

The majority of the letters are dated 1865-1876, including a large group (around 215 items) dated 1869-1870. Stewart's correspondents requested loans, donations, or employment; some wrote more than once. Writers include war widows, former soldiers, and others who had been affected by the war, particularly in the South. Many provided details of recent financial hardships, such as spouses' or parents' deaths, unemployment, and the effects of the Civil War, and some provided character witnesses or references. A soldier requested money for a camp stove (January 6, 1865); another man requested help after having difficulty collecting loans from southern borrowers (February 27, 1862); and a third writer mentioned displaced persons in South Carolina (March 9, 1867). Correspondents occasionally enclosed carte-de-visite portraits or newspaper clippings, and some pasted return postage onto their letters. The letters reveal the authors' views on wealth, social status, employment, and philanthropy in the Reconstruction-era United States.

Stewart received letters from correspondents in states including Alabama, California, Connecticut, Delaware, Georgia, Illinois, Indiana, Iowa, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, New Hampshire, New Jersey, New York, North Carolina, Ohio, Pennsylvania, Rhode Island, South Carolina, Texas, Utah, Vermont, Virginia, and Wisconsin. The few items that are not begging letters include a letter that Alexander T. Stewart wrote about his business affairs with P. Whitin & Sons (September 30, 1861) and a letter offering Stewart medical advice (April 7, 1873).

The collection contains 4 printed items: a ticket to a charity festival at the Astor House (February 22, 1855), 2 newspaper articles relating to Alexander T. Stewart, and a printed advertisement for A.T. Stewart & Co.'s store (September 23, 1871).

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

The Bacon family papers contain correspondence, financial documents, and other material related to Delia Bacon, her siblings, her niece Katharine Bacon, and to other members of her family.

The Bacon family papers contain correspondence, financial documents, and other material related to Delia Bacon and to other members of her family. The Correspondence series, which comprises the bulk of the collection, contains several distinct groups of items; the first of these is a series of letters to Catharine Terry of Hartford, Connecticut, from her husband Nathaniel, composed between 1805 and 1818. A member of the United States House of Representatives, Nathaniel frequently wrote to her about his life in Washington, D. C., and though he occasionally discussed political affairs, the majority of his correspondence concentrated on news of his life and of his business affairs. The second group of letters consists of Delia Bacon's correspondence (1841-1853), much of which relates directly to the quarrel between Delia, her brother Leonard, and Alexander MacWhorter. During this period, Catharine Beecher composed 26 letters, most of which were letters of support to Delia, as the very public scandal took a toll on the latter's reputation. Many of the other correspondents offered similar sentiments, including Elizabeth P. Peabody, who wrote 10 letters. Among the undated Delia Bacon material is a letter in which she wrote a detailed self-defense. The third group of letters (1870-1888) relates primarily to Leonard's daughter Katharine, including a significant amount of material written just prior to her February 1872 wedding. Later items addressed to Katharine pertain to family news and updates from friends, and the collection also includes several letters from Katharine to her children, written in the 1880s. In addition to these three main groups of letters, the series also holds correspondence related to other members of the extended Bacon family.

The Bills and receipts series is comprised primarily of material directly related to Delia Bacon; among these are several receipts for printing circulars and for purchasing advertising in different publications. The collection's Miscellaneous material belonged to Delia Bacon, and includes several advertisements related to Bacon's historical lectures, manuscript essay drafts and notes about the MacWhorter scandal and her later interest in Shakespeare, poetry, a program from Vassar College's 1882 Class Day, and a notebook regarding her lectures.

The Billings family collection contains correspondence, invitations, ephemera, and other items related to Marcia Billings of Denver, Colorado; Owego, New York; and Brookville, Pennsylvania. Much of the material pertains to her social life in the late 19th and early 20th centuries.

The Billings family collection (2.5 linear feet) contains correspondence, invitations, ephemera, and other items related to Marcia Billings of Denver, Colorado; Owego, New York; and Brookville, Pennsylvania. Much of the material pertains to her social life in the late 19th and early 20th centuries.

The Correspondence series (551 items), which comprises the bulk of the collection, includes several Civil War-era letters to Mary Pearsall from her friend Emily Jewett, as well as other earlier items addressed to Marcia Billings. Most items concern the social lives of Billings's friends and family members in Denver, Colorado; Owego, New York; and Brookville, Pennsylvania, in the 1880s and 1890s. A series of 5 letters from September 1890 pertains to Colorado travel, including newspaper clippings with information for tourists. Two letters enclose photographs (January 19, 1909 and April 2, 1913) and one picture postcard shows a view of a town (August 14, 1911). Later items include letters by Marcia's husband, Benjamin Thomas, and letters to her mother, Gertrude Billings.

The Diaries series (4 items) is made up of a diary that Marcia Billings kept in 1870, the diary of an unidentified writer covering the year 1909, and 2 books containing records of correspondence and personal finances.

The School Papers series (17 items) consists of a Denver High School report card for Marcia Billings, 4 lists of examination questions from geography and grammar exams, 8 manuscript essays, and a card with the program from a "Friday Evening Club [Soiree]" held at Warren's Dancing Academy on November 30, 1882. The series also contains 3 sets of graded notes by Helen C. Jones, October 5-7, 1896, on arithmetic, history, and physiology.

The accounts and receipts in the Financial Records series (6 items) pertain to the personal finances of Marcia Billings and Benjamin Thomas.

The Photographs (6 items), taken in the early 20th century, show unidentified women. The series includes a group of photographs whose images are no longer discernible (counted as 1 item).

The Illustrations series (3 items) contains a colored drawing of a young girl sewing, a colored drawing of a woman holding flowers, and a sheet with sketches of farm animals and people.

Invitations, Responses to Invitations, Cards, and Ephemera (94 items), mainly addressed to Marcia Billings, concern events such as marriages, birthday celebrations, and casual outings. Ephemeral items include lists of dances from social events.

Printed Items (39 items) include over 30 newspaper clippings, most of which concern social events, elopements, and deaths; others contain poetry, cartoons, and news stories. Other printed items are advertisements, a poem entitled "The Mark of a Man-Child," and a poem entitled "The Type-Writer," which contains a printed illustration of a woman typing.

The Realia items are a ribbon, a sock, and an accompanying poem about a "Sock Social" held by the Ladies Aid Society.

This collection is made up of correspondence related to Ira Blake of Chester, Vermont, and his descendants, and is divided into three main groups: letters between Ira Blake and Mary Seamans, his future wife; letters to Frances Blake, their daughter; and letters by Ormond and Oscar Colony, Frances's sons. The Blake letters relate to Ira and Mary's courtship and to news of their families in New England, and the Colony letters pertain to the brothers' experiences traveling to and living in Colorado during the Civil War.

This collection (131 items) is made up of correspondence related to Ira Blake of Chester, Vermont, and his descendants, and is divided into three main groups: letters between Ira Blake and Mary Seamans, his future wife (8 items); letters to Frances Blake, their daughter (30 items); and letters by Ormond and Oscar Colony, Frances's sons. The Blake letters primarily concern courtship and family news in New England, and the Colony letters pertain to the brothers' experiences traveling to and living in Colorado during the Civil War.

The Blake correspondence (38 items) relates to Ira Blake's immediate family. In 1807, during their courtship, Ira Blake and Mary Seamans exchanged 8 letters about their relationship and separation. The remaining 30 items are mostly letters to Frances Blake (later Colony) containing personal and family news, with the exception of one letter by [G.]S. Barstow to "Mr. Stutevant" relating to information about local deaths from 1859-1861 (December 30, 1864). The majority of the letters are from Mary Blake (later Mary Moore), Frances's mother, and Cyrus Blake, a friend who wrote of life in Roxbury and Boston, Massachusetts, and who provided a list of items he purchased for Frances, along with each item's cost (August 12, 1831).

The Colony correspondence (103 items) chiefly consists of letters that Ormond and Oscar Colony wrote to their family in Keene, New Hampshire, while living in Central City, Colorado, during the Civil War. Winslow J. Howard wrote the earliest letter to the twins' brother Lewis; he described the city of Santa Fe, New Mexico (May 16, 1859). Oscar and Ormond Colony wrote the remainder of the letters. Ormond departed from New Hampshire in the summer of 1862 and wrote several letters from Saint Joseph, Missouri, before embarking on an overland journey to Colorado. He traveled in covered wagons across the Great Plains, which he described in a lengthy composite letter composed after his arrival in Central City, Colorado (June 3, 1862). His first work in Colorado required occasional journeys in the mountains to survey potential routes for the Pacific Railroad. He wrote about his daily life in the town, mentioning its gold mines and describing the surrounding scenery.

Oscar joined Ormond in early December 1862, and the brothers continued to provide their family with updates on their everyday lives and local news, including at least one report of a trial (October 20, 1863). On December 25, 1862, Ormond drew a detailed picture of their home and shop, complete with sketches of their merchandise, which included stuffed mountain birds and fiddles. Oscar shared a related drawing of a covered wagon pulled by two mules, captioned "…our gilded chariot, and we are inside, but you can't see me" (October 16, 1863). The pair also took several trips throughout the surrounding area. On two occasions, they described the perils of cross-country railroad travel, which included fatal Indian attacks (December 6, 1864), causing Ormond to remark that he wanted the Indians "wiped out" (December 11, 1864). The twins also occasionally commented on the Civil War and contemporary politics. While in Missouri, Ormond mentioned a local military unit and the effects of martial law, and in Colorado they occasionally saw military recruiters and wrote about the public's view of the war. On January 8, 1864, Ormond shared his belief that future politics would be difficult because of problems posed by African Americans, Native Americans, and Mormons. In his final letters, written in or around 1865, he revealed his plans to return to New Hampshire following the closing of his business ventures in Colorado.

Undated material includes several letter fragments and drawings. Among the latter are a valentine and a poem; a surreal drawing depicting "A Dream;" a picture of a man driving a mule behind two men carrying long guns; and a drawing of the Pikes Peak Stage labeled "Mr. Aged Individual Candidate for Pikes Peak." Other items include a newspaper clipping regarding Howard & Colony's jewelry products and a printed advertisement for Winslow J. Howard's jewelry business in Santa Fe.

The July 1, 1874 kidnapping of four-year-old Charles Brewster "Charley" Ross from a sidewalk in front of the family home in the Germantown neighborhood of Philadelphia, Pennsylvania became the first nationally publicized kidnapping for ransom case in the United States. This collection contains six items: one letter, a manuscript reward advertisement, handwritten notes, a pencil sketch portrait of Charley, a manuscript account of experiences with the main suspects, and an undated newspaper clipping related to the continuing investigation of the child's abduction, ca. 1909.

The July 1, 1874, kidnapping of four-year-old Charles Brewster "Charley" Ross from a sidewalk in front of the family home in the Germantown neighborhood of Philadelphia, Pennsylvania became the first nationally publicized kidnapping for ransom case in the United States. This collection contains six items: a letter, a manuscript draft of a reward advertisement, handwritten notes, a pencil sketched portrait of Charley, a manusscript account of experiences with the main suspects, and an undated newspaper clipping-related to the continuing investigation of the child's abduction, ca. 1909.

The one Letter in the collection is from Charley Ross's father Christian K. Ross to Rev. Henry Whitney Cleveland, October 20, 1877; Philadelphia. 2 pages. In it, Mr. Ross states that he cannot help Cleveland publish a book as his time is spent searching for his missing son. Ross mentions the book he published on the case, lamenting that he published it using a subscription service as it limited its circulation.

Written on the verso of printed, illustrated stationery of the Haynes Hotel, Springfield, Massachusetts, the manuscript draft of a Reward Advertisement stipulates a $10,000 reward for the return of Charley Ross alive, promising not to seek out or discover the identity of the kidnappers. The page is headed "For Local Article."

Notes: Six pages of pencil notes on checkbook stubs, measuring approximately 9x4 inches. Dating from July 1, 1874, to an unknown point in 1909, the notes begin from the point of Charley's kidnapping, chronicling accounts of the case. First remarking that Christian Ross had "run down false clews [in a] vain attempt" to locate Charley, the unidentified writer continues with a sparse summary of the alleged kidnappers capture "at Fort Hamilton, L.I. [Long Island]" and Joseph Douglas's confession that "Mosher & I stole Charly [sic] Ross." The next entry, dated 1909, discusses one Wm. G. Eyster, whose claim to be the lost Charley Ross was rejected.

The notes conclude with a sketch of a man wearing glasses and a bow tie, with the caption "3 days to get it ready, $20,000," followed by what appears to be notes related to other kidnappings and reference to a "Jessy James."

Manuscript: On October 9, 1932, James H. Hall wrote a nine-page summary of George W. Murdock's recounting of his experiences with the main suspects in the Charles Brewster Ross kidnapping case, Bill Mosher and Joe Douglas, while his mother was in charge of the lighthouse in the Hudson River. Murdock recalled Mosher and Douglas attempting to sell them a boat, described the two men, and described encounters with detectives who searched their premises and read their mail. Hall speculated about the possible role of the boat in the kidnapping.

Newspaper Clipping: An undated clipping regarding one Mr. W.C. DeWitt, claiming to be the lost Charley Ross and giving a lecture, titled "The True Story of My Abduction."

Portrait: A pencil sketch of Charley with an inscription that reads,"at the time of his abduction. Then 4 yrs. and Walter, his 6-yr-old brother. Disappeared from the sidewalk, near their home. July 1, 1874."

In the 1870s and 1880s Charles H. Lund of Nashua, New Hampshire, compiled this collection of letters, documents, essays and other writings (including a manuscript newspaper), artwork, and miscellaneous printed items relating to his education, social life, and participation in the Nashua City Guards. The collection is accompanied by the original album in which Lund housed them.

In the 1870s and 1880s Charles H. Lund of Nashua, New Hampshire, compiled this collection of letters, documents, essays and other writings, artwork, and miscellaneous printed items relating to his education, social life, and participation in the Nashua City Guards. The collection is accompanied by the original file which housed them.

The Correspondence Series consists of eleven letters, ten of which are addressed to Charles H. Lund. The bulk appear to have been written by former schoolmates and commented in some fashion on education. One was likely written by one of his teachers. A handful of others relate to politics, railroads, agriculture, and the Nashua City Guards.

The Documents Series consists of miscellaneous items relating to Lund's education, including report cards for Charles and Marcus Lund, a reward of merit, and notices for readings from the Taming of the Shrew. The series also contains a receipt for payment to the Nashua City Guards, a document relating to payment for use of the patented "Richardson's Centennial Gate," and a handmade advertisement for Charles Lund's "Crosses Cut to Order."

The Writings Series includes school essays and compositions on topics like American history and the causes of the American Revolution, the seasons, the last day of school, railroads, "A Kiss in School," secret societies, Edmund Burke, and others. Lund annotated one essay from 1870 with the message, "First Composition and a poor one too." The verso of an undated essay entitled "Railroads" includes a manuscript drawing of a school desk along with diagrams of how the interior was organized. A manuscript newspaper, "The Star," was dated March 17, 1887, and proclaimed itself "The leading grange paper in Nashua. Is adapted to the farmer, the mechanic, the business and professional man." It features poetry, jokes and riddles, advertisements, and articles relating to farming, religion, cities, manhood, and other topics. Two poems are also present in the series.

The Original Artwork Series includes calling cards for Charles H. Lund and several of his acquaintances, featuring manuscript drawings of birds, flora, and calligraphic embellishments. Other drawings in the series include pencil illustrations of flowers, a bicycle, a train engine, dogs, Charles Lund's initials done in colored pencil with graphic elements added, and a pencil and colored pencil rendering of the Lund homestead, showing the main residence and outbuildings.

The Printed Materials Series consists of programs, two catalogs for the Nashua Literary Institution, a printed calling card for Lund, a menu for the Profile House, and a newspaper clipping of a government bond.

The album in which the collection was originally housed is located at the back of the box.

This collection is made up of correspondence, legal documents, and other items related to Michigan lawyer and politician Charles S. May, including letters between May and George Willard. The materials pertain to politics, family history, and May's legal career.

This collection (59 items) is made up of correspondence, legal documents, and other items related to Michigan lawyer and politician Charles S. May.

The Correspondence series (47 items) largely consists of incoming and outgoing letters related to Charles S. May, including correspondence between May and George Willard of Kalamazoo and Battle Creek, Michigan. Writing to Willard in 1855 and 1856, May discussed his work for the Detroit Tribune and politics; Willard also discussed political issues, such as the presidential election of 1856. Two items pertain to May's service with the 2nd Michigan Infantry Regiment in 1861: a letter that May wrote to his wife about his experiences just before the First Battle of Bull Run, including a description of being attacked by enemy fire (July 20, 1861), and a doctor's letter to Captain Dwight May about Charles's affliction with "nervous exhaustion" and other ailments that together rendered him unfit for duty (September 12, 1861).

After the war, Charles S. May wrote to George Willard about his legal career in Kalamazoo, state politics, and his failed political ambitions. He received two letters from United States Representatives William L. Stoughton (April 25, 1870) and Allen Potter (December 15, 1876); Potter discussed the disputed presidential election of 1876. Samuel May of Leicester, Massachusetts, wrote 10 letters to May from 1874-1883, requesting information about May family history and sharing his admiration for Charles's speaking talents. A group of items from the 1890s and early 1900s includes a letter that Charles May received from the Grand Army of the Republic soliciting donations for an exhibition (February 12, 1892).

Legal Documents (8 items) include two sets of undated notes about legal cases, court documents regarding Charles S. May's legal career, a certificate of copyright for May's Wat Tyler: An Historical Tragedy in Five Acts (February 24, 1879), and Civil War pension documents for Eliza E. May (October 12, 1901) and George W. Clark (January 19, 1904).

The Speeches and Printed Items series (4 items) contains undated notes from a lecture about Thomas Jefferson and Alexander Hamilton and a printed edition of a speech that Charles S. May delivered during the dedication ceremonies for a library in Leicester, Massachusetts, on July 8, 1896. Several testimonials regarding May's orations are enclosed with the speech notes. The series also includes a group of testimonials and advertisements concerning Charles S. May's speaking engagements and a small broadside advertisement for May's lecture about Patrick Henry, delivered in Kalamazoo, Michigan, on February 3, 1876.

This collection is made up of 4 documents related to the emigration of Charles Stuart and his family from Scotland to the United States in 1854.

This collection is made up of 4 documents related to the emigration of Charles Stuart and his family from Scotland to the United States in 1854. The material includes manuscript, partially printed, and fully printed documents concerning the family's journey onboard the Wallace (including a ticket for their passage) and their arrival and first year in Canada and the United States. See the Detailed Box and Folder Listing for more information.

This collection is made up of 23 letters that Charlotte York wrote to her fiancé and husband, Stiles P. York, in the mid-19th century. She discussed her life in Tarrytown, New York, while her husband was in New York City.

This collection is made up of 23 letters that Charlotte York wrote to her fiancé and husband, Stiles P. York, in the mid-19th century. She discussed her life in Tarrytown, New York, while her husband was in New York City.

Charlotte wrote 5 letters from November 6, 1845-March 22, 1852, and 18 undated letters during the couple's courtship and after their wedding. In one undated letter, identified as "Thursday 2 o'clock," Charlotte anticipated their upcoming wedding and her transition from single to married life, and she later wrote one letter on their anniversary, May 12. Before and during their marriage, she reflected on her feelings for her husband and on her role as a housewife. She also reported the weather conditions and provided news about her neighbors and family members, particularly her mother and her sister Alletta. One letter is about her visit to Newburgh, New York, in March 1852. Charlotte occasionally referred to the Tarrytown Female Seminary, which she ran out of her home, and the collection includes a manuscript advertisement for her services, accompanied by a list of references.