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The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.

This scrapbook contains correspondence, newspaper clippings, ephemera, and other material about New York businessman William C. Roberts. Most items pertain to the New York Standard Watch Company and other business ventures. One group of letters concerns Roberts's efforts to gather biographical information about Civil War veterans.

This scrapbook (around 100 pages) contains correspondence, newspaper clippings, and ephemera related to various personal and business ventures of New York businessman William C. Roberts. Most of the items are advertisements, other ephemera, and newspaper clippings concerning the New York Standard Watch Company, the Republican Club of the City of New York, and the Chatham & Lebanon Valley Railroad. Some items include biographical sketches of William C. Roberts and other prominent New York businessmen, and one group of clippings pertains to Roberts's unsuccessful campaign for Congress in 1892. The scrapbook contains photographs and printed portraits of William C. Roberts and a photograph of a Chatham & Lebanon Valley Railroad locomotive (page 61).

In the late 1880s and early 1890s, Roberts received a small series of letters from Civil War veterans and veterans' relatives responding to his requests for autographs, photographs, and information for planned biographical sketches. Two of the letters provide narratives about individual soldiers' experiences. Additional correspondence includes telegrams and a letter from Chauncey Depew about recruitment for the Republican Club of the City of New York (March 19, 1898). The scrapbook contains a small number of items related to Roberts's personal life, such as a business card, a certificate of his admission to Harvard Law School, and an invitation to his wedding.