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Lawrence L. Witt was a Detroit native who served in the Army Air Force during World War II and was a prisoner of war (POW) for eleven months after getting shot down over Nazi Germany. His daughter Laura A. Edge later researched her father's story and wrote a book about his and other airmen's experiences as prisoners of war in WWII. Correspondence, various documents relating to military and prisoner of war experience, and audio-visual materials including oral histories of several WWII veterans.

The Lawrence Witt and Laura Edge papers document Witt's experiences during and after World War II, as well as his daughter's research on his and other airmen's experiences as prisoners of war in Nazi Germany. Most series consist of folders (both original and digitized copies) originally ordered and numbered by Laura Edge.

Organization dedicated to furthering "the art of playing the Hammered Dulcimer" founded in 1963 by Elgia C. Hickok in Michigan. Records include correspondence, minutes, newsletters, programs, event flyers, and oral histories, sound recordings of interviews and meetings, and photographs.

The Original Dulcimer Players Club records document the group's organization and activities from its founding in 1963. The records are arranged into six series: Administrative materials, Publications and events, Articles and newspaper clippings, Miscellaneous, Visual materials, and Audio materials.

Noted Michigan-based modern architect and former Professor and later Dean of the University of Michigan College of Architecture and Urban Planning. Metcalf's work includes over 150 buildings in Michigan and Ohio. The material in this collection spans the years 1942 to 2017, and includes architectural drawings, presentation boards, client files, photographs and slides, correspondence, newspaper clippings, journals, articles, and teaching material.

The Robert C. Metcalf papers include architectural drawings, presentation boards, presentation books, client files, photographs, slides, and negatives of Metcalf's work on residential, commercial, and community projects. The collection provides comprehensive documentation on virtually all of the projects undertaken by Metcalf. Projects are documented from design to construction and often subsequent additions and renovations. The materials in the collection are organized into three series: Project Files, General Files, and Visual Materials.

The General Files series includes personal material such as an audio interview with Robert Metcalf (2010), a date book (1974), and Metcalf's undergraduate student work from the University of Michigan (1942-1950).

This collection includes material regarding the activities of the Vietnam Veterans of America, Inc., Chapter 9 (Detroit, Mich.). Some members of this group have also been involved in the Vietnam Veterans of America (VVA) State of Michigan Council, as well as the Michigan Veterans Trust Fund and Vietnam Monument Commission so materials from these groups have also been included in this collection.

This collection has five series: Vietnam Veterans of America, Inc. Chapter 9 (Detroit), Vietnam Veterans of America, Inc., Michigan Veterans Trust Fund, Vietnam Monument Commission, and Audio and visual material. Records in this collection include administrative documents, Vietnam Veterans of American national convention materials, and VVA chapter newsletters and publications.

Professor of Fine Arts at the University of Michigan and widely exhibited painter with studios in Pinckney, Michigan and Gloucester, Massachusetts. Collection includes digital still images, video files, and promotional materials related to Castagnacci's classroom instruction, his artwork, and his personal influences.

The Vincent Castagnacci collection documents Castagnacci's dual careers as an Professor of Fine Arts and a widely exhibited painter. Teaching materials (lecture notes, handouts, and readings) provide access to his four decades as an educator and are complemented by video footage of his classroom instruction. Digital reproductions of artwork and video of Castagnacci in his studio suggest the range and extent of his creative pursuits. Additional video footage of interviews and conversations with colleagues along with depictions of the natural environs of Gloucester, Massachusetts further contextualize Castagnacci's approach to education and art.