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Two year custody battle over "Baby Girl Clausen" between Jan and Robby DeBoer of Ann Arbor, Michigan and her biological parents Cara Clausen and Daniel Schmidt of Blairstown, Iowa; and the national child advocacy group Hear My Voice. The collection consists of correspondence, news clippings, press releases, photographs, audio cassette tapes, digital materials, video tapes, and legal papers such as petitions, briefs, judicial orders, and amicus briefs.

The Robby DeBoer papers document the legal battle and media coverage surrounding the adoption of "Baby Girl Clausen," and also the organizational records of the national child advocacy group Hear My Voice. The collection consists of correspondence, news clippings, press releases, photographs, audio cassette tapes, digital materials, video tapes, and legal papers such as petitions, briefs, judicial orders, and amicus briefs. The collection has the following series: Biographical, Litigation, Hear My Voice, Publicity, Audio/Visual Materials, and General Correspondence.

The Roberta Holland Smith collection includes personal and autobiographical material, collected genealogical information about the Schmid, Holland and Kingsbury families. Portraits of family members are scattered throughout the collection.

University of Michigan Professor Emeritus of English whose area of expertise included Arthur Miller. Topical files containing correspondence, clippings, notes, and publications associated with various American figures. Also included are 14 sound recordings consisting of lectures delivered by and about, as well as interviews with, Miller.

The Robert A. Martin papers primarily consists of topical files containing correspondence, clippings, notes, and publications associated with various American figures, such as dramatist Arthur Miller and war correspondent Martha Gellhorn. Also, included are 14 sound recordings that include lectures delivered by and about, as well as interviews with, Miller.

Noted Michigan-based modern architect and former Professor and later Dean of the University of Michigan College of Architecture and Urban Planning. Metcalf's work includes over 150 buildings in Michigan and Ohio. The material in this collection spans the years 1942 to 2017, and includes architectural drawings, presentation boards, client files, photographs and slides, correspondence, newspaper clippings, journals, articles, and teaching material.

The Robert C. Metcalf papers include architectural drawings, presentation boards, presentation books, client files, photographs, slides, and negatives of Metcalf's work on residential, commercial, and community projects. The collection provides comprehensive documentation on virtually all of the projects undertaken by Metcalf. Projects are documented from design to construction and often subsequent additions and renovations. The materials in the collection are organized into three series: Project Files, General Files, and Visual Materials.

The General Files series includes personal material such as an audio interview with Robert Metcalf (2010), a date book (1974), and Metcalf's undergraduate student work from the University of Michigan (1942-1950).

St. Louis, MO native, who served with the 310th Army Engineers during the Allied Intervention in Northern Russia in 1918-1919, also known as the Polar Bear Expedition. The collection includes one oversize photo album and loose photographs documenting Johnson's service and the Polar Bears' military life, the city of Archangel and other locations in Russia; also Johnson's biography, letters, military papers, and ephemera related to the Polar Bear Expedition.

The photo album documents Johnson's experience while serving with the 310th Army Engineers in Northern Russia (primarily Archangel and Solombola) from 1918 to 1919. Photographs depict the exteriors and the interiors of the American army barracks, daily military life, individual and group portraits of American soldiers and officers, and military training. The album also includes scenic views, street scenes, images of religious processions, buildings and churches in Archangel, as well as portraits of the local people. Some photographs depict representatives of the indigenous population of Russian North.

Additional materials, placed in a separate folder, include one small portrait of Johnson in uniform (1917), loose photographs from the Polar Bear Expedition period, his biography, and letters particularly pertaining to his military service. An honorable discharge certificate includes information about Johnson's military rank, medals, time spent as a member of the North Russia Expeditionary Force.

Also included is an application for a Victory Medal and a 1968 The Navy Civil Engineer article by Johnson discussing his second military career during World War II. The folder also contains a hand-drawn sketch of Johnson asking his future wife Dorothy on a date and a photocopy of a letter to Dorothy highlighting a few of his daily military duties and activities.

Designer and automotive engineer with the General Motors Corporation; he later assumed increasing responsibilities within the company as president and chief operating officer and then chairman and chief executive officer. After leaving GM, he became chairman of Energy Conversion Devices (ECD). The Stempel collection documents his work with GMC and ECD and includes minutes of meetings, company memoranda and correspondence, speeches and other various presentations, publications, and photographs and other visual materials. Portions of the collection relate to other business and public service affiliations.

The Robert C. Stempel collection has been arranged into the following series: General Motors Corporation; Energy Conversion Devices; Speeches / Conferences / Presentations; Organizational Affiliations, Responsibilities, and Interests; Background / Personal information; Visual Materials, and Sound Cassettes.

Robert E. Schwartz was a mid-century modern architect working out of Midland, Michigan. The collection includes working drawings, sketches, and newspaper clippings of residential and commercial buildings designed.

The Robert E. Schwartz papers reflect the mid-century modern architectural design movement of the mid-20th century in the United States, especially that part of the movement that was employed in residential structures, although the collection contains drawings of his commercial structures as well. His residential structures exhibit fundamental characteristics of the Modern Movement including their simple geometric forms, lack of applied ornamentation, use of large expanses of glass to bring nature and sunlight into the structure, and their open, free-flowing floor plans. The collection has been maintained in the order received and is divided into four series: Architectural Drawings, Newspaper Clippings, Professional Papers, and Visual Material.

African American civil rights activist and Black militant leader in Monroe County North Carolina who came to advocate armed self-defense in response to violence, left the United States in 1961 and lived in Cuba and China until 1969 when he settled in Baldwin Michigan. Papers include correspondence, newspaper clippings, audio-visual material, manuscripts, petitions, and government documents documenting the civil rights movement, black nationalism, radical politics in the United States and Williams's experiences in Cuba and China.

The Robert Williams papers, dating from 1951, include correspondence, notes, newspaper clippings, audio-visual material, manuscripts, petitions, and government documents. The collection documents a wide variety of subjects: the American civil rights movement, Black Nationalism, cold war politics, Castro's Cuba, Mao's China, and the radical left in the United States.

As Robert Williams continued to add to his collection following his initial donation in 1976, it was necessary to arrange and describe the materials based on groupings of dates of accessioning. Thus the bulk of the collection is divided into two subgroups: 1976-1979 Accessions and 1983-1997 Accessions with much overlapping of material. In addition, the collection contains a small series of papers collected by his son John C. Williams and a separate series of Audio-Visual Materials.

Staff photographer for University of Michigan News and Information Services and contract photographer for the University of Michigan Athletic Department. Includes negatives and contact prints of game action photos of UM athletic competitions, 1978-2000 and some personal and family photos.

The Robert Kalmbach photograph collection consists primarily of 35mm negatives and contact sheets of University of Michigan athletic competitions and represents his work as a contract photographer for the Athletic department. He shot nearly every home football game between 1969 and 1998 and generally traveled to Notre Dame, Michigan State and Ohio State away games,. He also photographed most men's home basketball and hockey game games and several games or matches each season for other sports. His photos include some to the classic images of Michigan athletics and have been widely published in Athletic Department Media Guides, game programs and other publications.

The photos are primarily black and white, though after the mid 1980s the football photos frequently include one or more rolls of color shots. the photos are arranged by sport and thereunder chronologically by year and event. For each event the negatives have been placed in protective sleeves with matching contact sheets based on roll numbers assigned by Kalmbach. For football games (and occasionally other games) with multiple rolls, the numbering system does not always correspond to the actual sequence of the game. Some of the sports photos are identified as being taken by John Heafield, another News and Information Service photographer who occasionally worked with Kalmbach. The athletic photos are organized by sport and thereunder chronologically.

The collection also includes a small number of slides and transparencies of athletic events.

European correspondent for Time and Fortune magazines, 1945-1985. Letters to his parents concerning in part his student life at the University of Michigan in the 1940s, his war-time experiences as a naval officer in the Pacific theatre during World War II, and his career as a journalist in Europe from the late 1940s to the mid-1970s; student writings; dispatches written for Time and Fortune; and photographs.

The Robert Ball papers are roughly divided into two subgroups according to the focus of material, personal or professional. Within this framework, the personal papers are arranged in series by type then by chronological order. The professional papers are arrayed in strict chronological order regardless of type, except for the cassette tapes which stand as a distinct series. Ball's organization of the materials in binders both necessitated and facilitated strict adherence to chronology in ordering the professional papers. The researcher should note that the division of materials into personal and professional groups can not be absolute given the dual nature of reportorial writing. Such writing is both personal and professional. Some blurring of the categories is evident, especially for the years 1948 to 1951 when Ball's nascent career did not permit rigid distinctions to be drawn in the materials.