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The Fox Island Lighthouse Association is a non-profit organization founded to preserve the South Fox Island light station in northern Lake Michigan. The collection contains both paper and digital records, and consists of materials created or collected by the association as part of their efforts to preserve the light station.

The collection contains both paper and digital records and consists of materials created or collected by the Fox Island Lighthouse Association as part of their efforts to preserve the South Fox Island light station. Collected material includes copies of U.S. Lighthouse Service and Coast Guard records from the National Archives, including photographs. The collection also includes the association's newsletters, newspaper articles about the association or the light station, a historic structures report developed for the association by U.P. Engineers & Architects, and a series of oral history interviews of former lighthouse personnel, conducted by association members.

The Fox Island Lighthouse Association records are organized into four series: Organizational Records, Collected Research Materials, Oral Histories, and Visual Materials. All but the Visual Materials series contain both print and digital records, and some documents exist in both formats.

Frank and Peggy Bach were involved with the counterculture in Detroit and Ann Arbor beginning in the 1960s as musicians, performers, graphic designers, promoters, and activists for area jazz, blues, and pop acts. Frank Bach was also involved in community organizations supporting housing and economic development activities in Detroit. The collection documents the Bach's numerous professional activities and organizations, groups, and individuals with whom they were associated, including Rainbow Corporation and Rainbow Multi-media, Allied Artists Association of America, Strata Associates, Detroit Jazz Center, Grande Graphics, Morda-Sinclair & Associates, and John Sinclair. Detroit community organizations documented in the collection include the Creekside Community Development Corporation, the Jefferson-Chalmers Citizens' District Council, and the Jefferson East Business Association.

The Frank and Peggy Bach collection consists of six series including Professional Ventures, Detroit Redevelopment, Arts and Culture, Newspaper Clippings, Visual Materials, and Audio Materials. These are in alphabetical order except for the Professional Ventures series, which follows its original chronological organization according to the Bachs' careers. The majority of the collection includes finished products of their graphic design and advertising careers and photographs of jazz musicians. Another substantial portion of the collection includes materials documenting the inner workings of Detroit community development organizations.

The Bachs are long-standing friends and business colleagues of John and Leni Sinclair. Therefore, the Bach collection closely compliments the John and Leni Sinclair Papers at the Bentley Historical Library, both containing extensive material regarding the 1960s and 1970s youth movement and later business ventures. Additional material about many topics within the Bach collection may be found with the Sinclair papers. Frank Bach was a journalist for the Sun, Fifth Estate, and Creem. Each of these publications is available for research at the Bentley Historical Library. Additional information about many topics within the Bach collection may be found with the Sinclair papers.

Frank C. Gates was a professor of botany at the University of the Philippines, 1912-1915. He later taught botany and biology at the University of Michigan Biological Station and Kansas State College. His collection includes personal and biographical material, including a biography written by his son, David M. Gates; personal and professional correspondence; journals; academic and research material, such as birding and botany notebooks as well as descriptions and drafts of writings pertaining to Philippine vegetation and travels in the Philippines; and photographic material, including lantern slides, photographs, and photograph albums.

The Frank C. Gates papers are dated from 1871-2010 and include biographical and personal material, such as a biographical monograph authored by his son, David M. Gates; personal and professional correspondence; journals; publications; research notebooks; postcards, photographs, photographic negatives, photograph albums, and lantern slides. In addition to documenting Gates's time spent teaching botany at the University of the Philippines and exploring the vegetation of the Philippines Islands (1912-1915), this collection also documents his personal and professional life, service in World War I, and research interests and efforts.

Detroit businessman, active in many civic and philanthropic activities, a founder and president of the National Italian American Foundation and a founding director of Legatus, an organization of Catholic business leaders. The Frank D. Stella collection documents the career of a Detroit businessman, who devoted much of his time and energy to many philanthropic, cultural, and civic endeavors. The collection consists of his files from a selection of his organizational responsibilities relating to Italian American organizations and causes, to state and national Republican Party fund raising and campaigns, to Roman Catholic schools and organizations, and to the betterment of life (cultural, health services, etc.) of the greater Detroit area.

The Frank D. Stella collection documents the career of a Detroit businessman, who devoted much of his time and energy to many philanthropic, cultural, and civic endeavors. The collection consists of his files from a selection of his organizational responsibilities relating to Italian American organizations and causes, to state and national Republican Party fund raising and campaigns, to Roman Catholic schools and organizations, and to the betterment of life (cultural, health services, etc.) of the greater Detroit area.

The collection has been arranged into the following series: Biographical / Personal; National Italian American Foundation; Republican Party activities; Orchestra Hall Renovation; Legatus; Various community, fraternal, and charitable activities; and Photographs. Portions of the collection are more fully processed than others. Most series are arranged, as Stella maintained the files, into broad chronological divisions. Only the Orchestra Hall series and the Photographs series have been arranged and described in more detail.

Frederick Moncrieff worked as an editor, writer, photographer, and manager for the University of Michigan News and Information Services between 1946 and 1966. He accompanied the University of Michigan Symphony Band on its 1961 tour of the Soviet Union and the Near East. The majority of the collection is materials relating to this tour. Other items pertain to historic buildings in Ann Arbor and Camp Michigania

The Frederick E. Moncrieff papers primarily document Moncrieff's work with the University of Michigan. These papers are divided into three series: University of Michigan Band Tour Papers; Other Materials; and Audiovisual Materials.

Church documents and personal papers of Dr. Frederick G. Sampson II, pastor of Tabernacle Missionary Baptist Church of Detroit Mich., noted lecturer and keynote speaker, and member of various commissions and boards dedicated to human rights, community outreach, and community education.

The Frederick G. Sampson collection includes personal and church related papers that document his professional work and church activities from 1970 until his death in 2001. In addition, there is some information about the Foundation established in his name. The papers are arranged in the following series: Pastoral Career and Personal Papers.

Fred E. Schwab was an influential member of the plastics community in the Detroit area. A German immigrant, he opened and ran several plastic manufacturing businesses, including Schwab & Frank and Schwab Plastics, which focused on styrofoam products and later automotive parts. He was also a founding member of the Society of Plastics Engineers. The collection includes personal materials, photographs, and professional files relating to his association with various plastics firms.

The Fred E. Schwab collection has been divided into three series: PERSONAL LIFE, PLASTICS, and PHOTOGRAPHS. The collection documents Schwab's professional endeavors in the plastic community in addition to elements from his personal life.

The Friends of the Jordan River Watershed. Records contains the organizational and non-organizational records of conservation activities pertaining to the Jordan River and other fresh water bodies in the northwest corner of Michigan's Lower Peninsula.

The Friends of the Jordan River Watershed Records makes a significant contribution to understanding late twentieth and early twenty-first century environmental advocacy within the state of Michigan, especially in the Lower Peninsula's northwest corner as it relates to conservation of freshwater systems. Further, FOJ's engagement with state and local government agencies illuminates the ways in which it has been able to increase the political and regulatory salience of environmental protection, despite and amidst the simultaneous rising influence of energy companies. The records will be useful for any researcher seeking to explore these dynamics and many others related to environmental justice.

The Friends of the Jordan River Watershed Records provides evidence of the organization's efforts to maintain the environmental and water quality of the Jordan River and its supporting water system. The collection is arranged into two series: Internal Business and External Business.

Professor of economics, University of Michigan, government official, and U.S. Ambassador to Italy. Correspondence, speeches, and memos, relating to Ackley's work as presidential adviser and member of President's Council of Economic Advisers during the Kennedy and Johnson administrations; reports and other papers, 1944-1945, concerning his work with U. S. Office of Price Administration; papers, 1950-1953, concerning his career as assistant director of U. S. Office of Price Stabilization; and miscellaneous research notes and University of Michigan course materials.

The Gardner Ackley papers document the career of one of the most influential economists of his time. As a researcher, teacher, and especially as an advisor to United States presidents and various government agencies Ackley helped formulate the direction of governmental economic policy. This collection reflects those activities. Ackley's papers arrived at the Bentley Library in four accessions: 1972 (boxes 1-23), 1988 (boxes 24-28), 2005 (boxes 29-36), and 2011 (boxes 37-38). Generally, papers from the first accession relate to his earlier career, those from the 1988 accession relate to his later career, and those from 2005 from all phases of his professional life. The 2011 accession consists mainly of photographs and other personal materials.

The collection is divided into twelve series: Office of Price Administration/Office of Price Stabilization files; President's Council of Economic Advisors files; University of Michigan files; Professional Correspondence; Meetings and Conferences; Speeches, Journal Articles, Letters to the Editor, Chronological correspondence, Clipping file, Columns and unpublished writings, US Ambassador to Italy, 1968-1969, Later career, and Personal: Photographs, Scrapbooks, etc.

Performer and professor of modern dance at the University of Michigan. Collection contains subject files relating to Delanghe's activities as a choreographer, dancer, teacher and department chair. Collection also contains photographs and audiovisual material documenting productions with which Delanghe was involved.

The Gay Delanghe papers document a range of Delanghe's professional activities, with particular focus on choreography, teaching, and performing. The bulk of the records originate from the time of her graduation from the University of Michigan in 1965 through the first twenty years of her tenure in the University of Michigan Dance Department. There are few records from her childhood and college years, or from her late career. The records serve to illuminate her engagements as a dancer, and as a teacher, as well as the processes that went into her choreography and the staging of her work. In addition to this finding aid, a performance list exists which attempts to compile information on all of Delanghe's performances for which documentation exists in the collection. This list is available in Performance and Publicity series and upon request.

The collection is divided into ten series of materials relating to various aspects of the professional and artistic activities of Gay Delanghe. These series are: Biographical Materials, Choreography, Correspondence, Funding and Awards, Notebooks, Photographs, Programs and Publicity, Teaching, University of Michigan Department of Dance, and Audiovisual Materials.