Collections : [University of Michigan William L. Clements Library]

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Collection

Amy Kelty photograph album, ca. 1885-1935

approximately 333 photographs in 1 album

The Amy Kelty photograph album contains approximately 333 photographs documenting the professional and personal life of Michigan woman Amy G. Kelty, including from her time spent as an instructor at the Mount Pleasant Indian Industrial School.

The Amy Kelty photograph album contains approximately 333 photographs documenting the professional and personal life of Michigan woman Amy G. Kelty, including from her time spent as an instructor at the Mount Pleasant Indian Industrial School.

The album (28 x 36 cm) has black covers and is itself in poor condition while the photographs are largely undamaged. Images of interest include pictures of Kelty's children Genevieve (1888-1953), Mary (1890-1964), and John Neil (1898-1980) engaged in various activities shown mostly from teenage to adult years; views of Mount Pleasant Industrial School buildings as well as school events with pupils and staff; views of buildings at Central State Normal School, the teaching college attended by Kelty and her daughters; views of Michigan Mining College which her son attended; and scenes from Kelty's later life including trips to the Grand Canyon, Black Hills, Alaska, Colorado, and Washington State as well as her graduation from the University of California at Berkley in 1925. Also present are earlier studio portrait photographs of various relatives from the 1880s and 1890s.

Collection

Blairstown (N.J.) photograph album, ca. 1915-1940

1 volume

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey.

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and approximately 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey, including a mix of people, buildings, farm animals, and scenic shots. Descriptive captions are written on some of the photographs.

The second page of the album features members of the Blairstown High School Class of 1915 while the third page features views of what is likely Rutgers University. Page 11 includes an aerial view of a parade for the 150th anniversary of Rutgers. Pages in the back of the album include a photograph of women cross-dressing while "looking for a dear," images of a new car, medieval reenactors, and a group of people dressed as "Bandits." Nine loose photographs of Washington, D.C., soldiers boarding a train during World War I, and snapshots of people are contained in an envelope within the ablum.

Collection

Cornelia Hancock papers, 1862-1937 (majority within 1862-1865)

236 items

The Cornelia Hancock papers consist primarily of the Civil War correspondence of Hancock, who served as a nurse for the Union Army in Pennsylvania, Washington, D.C., and Virginia from 1863-1865. The collection also includes brief accounts of Hancock's experiences during the war, as well as several items of ephemera.

The Cornelia Hancock papers consist primarily of the Civil War correspondence of Cornelia Hancock (1840-1927), who served as a nurse for the Union Army from 1863 to 1865. Other items within the collection include photographs, accounts of Hancock's experiences during the war, and several items of ephemera.

The Correspondence series includes 168 dated letters, 15 undated letters and fragments, 2 military passes, and 1 fragment of cloth. The dated letters cover the period from July 31, 1862-January 12, 1866, with the undated fragments most likely from the Civil War period. Two additional letters, dated August 27, 1890, and April 25, 1892, are also included in the collection.

The great bulk of the correspondence was written by Cornelia Hancock to her mother Rachel, her sister Ellen, and her niece Sarah, during Cornelia's time serving as a nurse in Pennsylvania and Virginia; her mother and sister occasionally returned letters giving news of the family in New Jersey. Other correspondents represented in the collection include Cornelia's brother, William N. Hancock; Caroline Dod, the mother of a soldier who died during the war; and several soldiers who expressed gratitude for Hancock's work. In her letters, Cornelia discussed in some detail her work as a nurse during the war, including several accounts of specific wounds and illnesses. Slavery and the social and economic conditions of freedmen are focal points of the letters written during Hancock's time at the Contraband Hospital in Washington, D.C. Though most of the letters concentrate on wounded soldiers and military hospitals and treatments, Hancock and others often expressed political opinions, reported on developments in the war, and shared news of loved ones in the field or back home.

An early series of letters documents Hancock's experiences at the Camp Letterman Hospital after the Battle of Gettysburg, when she first noted "There are no words in the English language to express the sufferings I witnessed today…" (July 7, 1863). A few months later, in October 1863, Hancock left for Washington, D.C., where her letters document her time working with African American refugees at the Contraband Hospital. Twice, she related encounters with President Lincoln. Robert Owen, a former United States ambassador to Italy, once "read to us a speech that he read to the President one Sunday…The subject was the Pardoning power vested in the President. He said that Abraham listened with all his attention then asked him if he would give it to him and also had him promise he would not have it published for the present, said he would read and consider it well. [Lincoln] Complimented Mr. Owen, told him he had been of much service to him in many ways" (October 25, 1863). On another occasion, Hancock recounted a personal glimpse of Abraham Lincoln: "Little Meenah Breed and I went to the White House, and I told you I would encounter the President- sure enough there he stood talking to some poor woman. I did not stop him because he was in a hurry but I know him now and I shall. It is a much easier matter to see him than Stanton" (October 29, 1863). Other letters from this period pertain to the state of escaped slaves (November 15, 1863) and the state of the anti-slavery movement: "Where are the people who have been professing such strong abolition proclivity for the last 30 years[?] Certainly not in Washington laboring with these people whom they have been clamoring to have freed" [January 1864].

In February 1864, Hancock moved again to work with the 3rd Division of the 2nd Corps at Brandy Station, Virginia. Hancock was here during the Battle of the Wilderness, the aftermath of which is represented in Hancock's accounts and in a letter of Henry Child to his wife, Ellen (née Hancock), wherein he warns, "You will hear of another terrible battle yesterday" (May 12, 1864). Soon after the Battle of the Wilderness, Hancock accompanied the Union Army during their march through Virginia. Items from this period include a description of a "rebel house…The house was visited by our Cavalry guard and found deserted, also that the the [sic] gentleman owning the house was a chief of Guerillas, consequently the house was burned to the ground" (May 3, 1864, author unknown). In June 1864, Hancock spent a few days at White House, Virginia, before eventually stopping at City Point, Virginia, where she remained until the end of the war. During this period, she reflected on what had become normal experiences in the time she spent with the army: "A shell explodes every little while, not far away. About as much account is made of it as the dropping of a pin at home. Habit is a wonderfull [sic] matter" (June 7, 1864).

At City Point, Hancock continued to work with the ill and wounded soldiers of the Union army, and in many of her letters, she described specific soldiers or wounds she treated. Among these soldiers was Charlie Dod, a New Jersey native who served with Cornelia's friend Henry Smith. Dod's August 17, 1864, letter is included in the collection, as well as two notes by Cornelia relating that "Capt. Dod is now dying in my bed" (August 27, 1864) and "Capt. Dod of Henry's company died in my bed today. His mother arrived in time to see him just one day and night…The scene was very affecting and I shall never forget it" (August 27, 1864). Charlie's mother, Caroline Dod, became an occasional correspondent after this time and continued to hold Cornelia in high regard throughout the rest of her life. Another notable item from this period is an official Union army pass allowing Cornelia to travel to and from Washington, D.C.; this is enclosed in a letter from Rachel Hancock dated October 20, 1864.

By the spring of 1865, the Union army was closing in on Richmond, and Cornelia Hancock was near the Confederate capital when it fell. On April 3, 1865, she reported, "This morning we could see the flames of Petersburg lighting the skies[. I] suppose the rebels are compelled to evacuate the place. Our troops can enter now at any time…Gen Weitzel entered Richmond this morning at 8 A.M. There is great rejoicing here of course." Even better was the feeling of release that accompanied the end of the fighting: "The situation is splendid the air so fresh and altogether it seems like getting out of prison to get away from C[ity] P[oint] we were there so long" (May 13, 1865).

The undated papers and fragments appear at the end of the collection and include eight letters and fragments written by Hancock as well as five letters from Caroline Dod. These appear to date from the Civil War period. One fragment was written on the reverse side of a table of contents from the 8th volume of Connop Thirlwall's History of Greece.

Other postwar material in the series includes the following three items:
  • A January 3, 1866, letter of reference from Robert Dale Owen, a friend of Dr. Henry Child, stating that the "bearer of this, Miss Cornelia Hancock…is about to visit the South, there to aid in the education of the children of freedmen," and giving a glowing account of Hancock's merits.
  • An August 27, 1890, letter from Caroline B. Dod, in which she reflected on the death of her son and expressed continuing gratitude for Hancock's sympathy during his final hours. The letter is accompanied by its original envelope, which was used by a later owner of the material to house Robert Owen's letter of reference for Cornelia Hancock (January 3, 1866) and an undated Swarthmore Library ticket with manuscript biographical notes on Owen.
  • An April 25, 1892, letter from S. B. Dod to Cornelia Hancock, in which he explained that his mother had left Hancock a legacy in her will as a token of "her appreciation of your great kindness to my brother Charlie."
The series includes three additional items, interfiled chronologically. These include:
  • January 8, 1864: A pass authorizing Ellen Child and one friend to travel "over Chain and Aqueduct Bridges and Alexandria Ferry, within the lines of the Fortifications"
  • January 12, 1864: A pass authorizing "Miss C. Hancock team, driver, and Contrabands to Arlington Va and return."
  • "A piece of the ornaments upon the flag of the 116th Pa. Vol." Verso: "Capt. Shoener's Regt." (Undated)
The Reminiscences and Other Writings series series includes several items:
  • A 10-page typescript with unattributed manuscript annotations. Topics include the personality of Hancock's father and an account of her time at Gettysburg, told in the first person. This text is the basis for some of the biographical information included in published editions of Hancock's letters.
  • A 10-page incomplete typescript written well after the war, with unattributed manuscript annotations. The text is a first-person account of Hancock's war experiences near the end of the war. Of particular interest is a recollection that "April 8th Abraham Lincoln visited our hospital." The typescript is the basis for much of the biographical information included in published editions of Hancock's letters.
  • A first-person manuscript fragment, written in the style of a diary and with a note on the reverse that the author, likely Cornelia Hancock, "would like this sent to mother and have her copy it." The note also says that "Soldiering now days is hard work."
  • An incomplete third-person account of Cornelia Hancock, covering the very beginning with her journey to Gettysburg "with Mrs. Elizabeth W. Farnham, who was an eminent writer," in July 1863.
  • An 8-page manuscript account of Cornelia Hancock's departure for the theater of war. The manuscript includes two slightly different copies of the same material, and a lapse into the first person suggests that Cornelia Hancock is the author.

The Cornelia Hancock Obituary is a small newspaper obituary published on January 1, [1928], entitled "Civil War Nurse Dies, Closing Busy Career." The item was not part of the original accession and was discovered in a book in the Clements Library in 1985.

The Ephemera series includes eight items:
  • A 4" x 6" photograph on card stock showing a party of women and military men gathered in front of several tents. The photograph is labeled "Cornelia Hancock." [1860s]
  • A newspaper clipping "Queen of Field Nurses at Ninety in Feeble Health," recounting the decline of Florence Nightingale. [1910]
  • Five identical sheets of paper bearing the letterhead of the Association of Army Nurses of the Civil War. The letterhead includes a list of officers of the organization. One sheet is marked, "To Cornelia," and is slightly torn.
  • A book jacket from the 1937 edition of South after Gettysburg; letters of Cornelia Hancock, 1863-1868.

The following card photograph from the collection is currently housed in the graphics division:

  • "Capt. Charles Dod[,] A. A. Gen. in Gen. Hancocks staff. 2nd Corps[,] A.P." Portrait of Charles Dod, by [Frederick August] Wenderoth & [William Curtis] Taylor, Philadelphia, ca. 1864.
Collection

Finding Aid for Tyler-Montgomery-Scott Family Album, ca. 1870-1938

approximately 275 items in 1 album

The Tyler-Montgomery-Scott family album chronicles multiple generations of the Tyler, Montgomery, and Scott families of the Philadelphia area from the 1860s through the 1930s. It includes approximately 275 items including studio portrait photographs, informal snapshots, newspaper clippings, postcards, letters, and other ephemera.

The Tyler-Montgomery-Scott family album chronicles multiple generations of the Tyler, Montgomery, and Scott families of the Philadelphia area from the 1860s through the 1930s. It includes approximately 275 items including studio portrait photographs, informal snapshots, newspaper clippings, postcards, letters, and other ephemera.

The album (33 x 25.5 cm) is string-bound with grey cloth covers. Most photographs in the album have detailed handwritten captions identifying people, often with their middle or maiden names as well as the location and date. The presentation of the album is not strictly chronological, especially in the latter half. The early generations of Tylers are represented in photographic formats such as cartes-de-visite, tintypes and cabinet cards, while later generations are represented in snapshots and postcards. When the album reaches the mid-twentieth century, it begins to resemble the modern family album with various forms of ephemera (newspaper clippings, drawings, letters, Christmas cards, etc.) supplementing the photographs of family and friends.

The album begins with a portrait of Frederick Tyler, his daughter Sarah Sophia Cowen, granddaughter Kate “Gwen” Cowen Pratt, and great-granddaughter Kate Pratt. George F. and Louisa R. Tyler as well as their children (including Sidney F. and Helen Beach Tyler) are also featured in the initial section of the album, along with many extended family members, friends, nurses, and pets. Among the family friends pictured are painter Frederick Church, writer Bret Harte, Leonor Ruiz de Apodaca y Garcia-Tienza, Gen. William Buel Franklin, patent lawyer and historian Woodbury Lowery, and the Duke and Duchess of Arcos (Jose Ambrosio Brunetti and Virginia Woodbury Lowery Brunetti). Several interior views of rooms in George F. and Louisa R. Tyler’s home on 201 South 15th St. taken in 1896 are also present, including a photograph of the “Children’s play room” that features their granddaughter Hope Binney Tyler Montgomery holding a doll. Hope, her parents Mary W. and Sidney F. Tyler, her husband Robert “Bob” L. Montgomery, and their children Mary, Ives, and Alexander are well-represented in the album.

Of particular interest are a number of photographs in different sections of the album that depict Theodore Roosevelt and his family. Some of these images are formal studio portraits, while others are more candid snapshots of Roosevelt with other people. One snapshot shows the family at play on the grounds of Sagamore Hill in 1897. Two photos taken at the White House including Helen Beach Tyler, daughter of George F. and Louisa R. Tyler and second cousin to Edith Kermit Carow Roosevelt, are labelled “taken by Ted Roosevelt,” possibly referring to President Roosevelt’s son Theodore Roosevelt III. Helen Beach Tyler may be the “Nellie” who was the recipient of a partial letter included in the album which describes conditions at a wartime hospital (most likely in Italy) in 1915. Only the first two pages of this letter are included, and there is no indication of the identity of the writer. Helen Beach Tyler may also have been the principal compiler of this album. Supporting this possibility is the presence of an interior view of a bedroom at 201 South 15th St. (George F. and Louisa R. Tyler’s home) captioned as “Mother’s bedroom,” a signed portrait of Englishman Lytton Sothern captioned “Given to me by Mr. Sothern June 1872. Mr. Edward Sothern & his son Lytton Sothern sat at our table on ‘Oceanic’ my first trip to Europe,” and a portrait of Sara Schott von Schottenstein, Baronin von Prittwitz-Gaffron, bearing the inscription “to her friend Helen Tyler 1880.”

Other items of interest include portraits of Col. August Cleveland Tyler; several portraits of Brig. Gen. Robert Ogden Tyler; a portrait of French pianist Antoine Marmontel captioned “Mr. Marmontel Professor au Conservatoire gave us music lessons in Paris 1873-74”; a group portrait of Helen Beach Tyler, Mary L. Tyler, Alice Seward, Kitty Seward, and Ida Vinton posing with a silhouette of Sidney F. Tyler; photographs of painted portraits of George F. Tyler and Hope Binney Tyler Montgomery; a series of photos taken at the Spanish Embassy in Mexico City, some of which include the Duke and Duchess of Arcos, Woodbury Lowery, and Archibald Lowery; portraits of the Prittwitz-Gaffron family in Germany; photos taken around the world in various locations including Egypt, India, Germany, and Italy; images taken during an exhibition of sculpture by Stella Elkins Tyler (wife of George Frederick Tyler, Jr.), as well as a program from the event; and photos showing the family of Helen Hope and Edgar Scott.

Collection

Gerald T. and Charlotte B. Maxson Printed Ephemera Collection, ca. 1750s-1999 (majority within 1850s-1900)

approximately 5,000+ items in 23 volumes

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

Collection

Historical Views of Malden Album, 1852-1939 (majority within 1860-1900)

approximately 200 items in 1 album.

The Historical views of Malden album contains approximately 200 items including photographs, reproductions, prints, newspaper clippings, and maps related to the history of Malden, Massachusetts.

The Historical views of Malden album contains approximately 200 items including photographs, reproductions, prints, newspaper clippings, and maps related to the history of Malden, Massachusetts. The album (26 x 31 cm) is largely disbound with black cloth covers. Many items are loose.

Items of interest include images of street scenes, commercial buildings, schools, houses, gravestones, plaques, monuments relating to the history of Malden (with particular attention paid to the homes of the Winship, Sprague, and Waite families), and several group portraits of Malden students including "Malden High School Cadets" in uniform holding bayoneted rifles and the Centre Grammar School graduating class of 1883 at their school desks. Also present are images of interior and exterior views of city hall (festooned for the 250th anniversary in 1899), and Massachusetts Governor Curtis Guild dedicating Bell Rock around 1905.

Two maps showing Malden in 1852 and 1856 as well as a laid-in negative photostat showing "Sales at auction of the pews in Malden Meeting House, January 13th, 1803" replete with names and prices are also included

Collection

Robert M. Vogel Collection of Historic Images of Engineering & Industry, ca. 1850s-2004 (majority within ca. 1850s-1900)

approximately 22,890 photographs (including 18,500 stereographs), 1220 prints, 13 photograph albums, 11 books, 117 pieces of ephemera, 15 pieces of realia

The Robert M. Vogel collection of historic images of engineering & industry contains approximately 22,890 photographs (including 18,500 stereographs), 1220 prints, 13 photograph albums, 11 books, 117 pieces of ephemera, and 15 pieces of realia documenting a wide range of subjects primarily related to 19th-century civil engineering, industrial processes, and mechanization.

The Robert M. Vogel collection of historic images of engineering & industry contains approximately 22,890 photographs (including 18,500 stereographs), 1220 prints, 13 photograph albums, 11 books, 117 pieces of ephemera, and 15 pieces of realia documenting a wide range of subjects primarily related to 19th-century civil engineering, industrial processes, and mechanization.

Particularly well-represented topics within the Vogel collection include images of different types of civil infrastructure such as bridges, canals, roads, dams, and tunnels as well as images showing construction projects, various types of machinery, modes of transportation (such as railroads, steamboats, automobiles, etc.), agricultural pursuits, natural resource extraction (including oil drilling, quarrying, mining, and lumbering), textile operations, electrical and hydraulic power generation, manufacturing, metal working, machine shops, and various industrial factory scenes. Many images of important and iconic structures are included such as the Brooklyn Bridge, Panama Canal, Hoosac Tunnel, and SS Great Eastern. Other represented topics include general architectural views, scenes of disasters/accidents, and portraits of notable individuals (such as Thomas Edison, Isambard Kingdom Brunel, and Robert Stephenson). While predominately United States-focused, the materials are international in scope overall and especially include many images of industrial sites and civil infrastructure in Great Britain. The order of the collection's original arrangement has largely been kept intact.

Examples of items of particular interest include salt prints possibly taken by civil engineer Montgomery C. Meigs documenting the construction of the U.S. Capitol and Washington Aqueduct in Washington, D.C.; a series of portraits of early Baldwin Locomotive Works locomotives; images documenting the SS Great Eastern and USS Niagara steamships; a group of 4 colored stereoviews on glass produced by Frederick Langenheim showing the Niagara Falls Suspension Bridge ca. 1850s; images related to specific railroads including the Baltimore & Ohio Railroad, Mauch Chunk, Mount Washington Cog Railway, and New York City elevated railroad; and half-frame proof prints of stereographs produced by Underwood & Underwood as well as H. C. White & Co.

The following list represents the general subject categories found across the Vogel collection along with relevant box and folder numbers:

Agriculture & foodstuffs
  • Box 07.2
  • Box 14.1
  • Box 14.2
  • Box 14.3
  • Box 31.2
  • Box 52
  • Box 56
  • Folder 2.10
  • Folder 3.08

Bridges--Cantilever
  • Box 06.2
  • Box 06.3
  • Folder 1.08
  • Folder 2.15

Bridges--General
  • Box 01.1
  • Box 03.3
  • Box 06.3
  • Box 07.1
  • Box 28.2
  • Box 28.3
  • Box 46.2
  • Box 57
  • Box 58
  • Box 59
  • Box 61
  • Box 63.10
  • Folder 1.04
  • Folder 2.04
  • Folder 2.09
  • Folder 2.14
  • Folder 2.15
  • Folder 2.16
  • Folder 3.08

Bridges--Girder & tubular
  • Box 06.1
  • Box 06.2
  • Folder 2.06

Bridges--Masonry
  • Box 03.1
  • Box 03.2
  • Folder 2.17
  • Folder 3.08

Bridges--Metal
  • Box 03.3
  • Box 04.1
  • Box 04.2
  • Box 04.3
  • Box 05.3
  • Box 05.4
  • Box 06.1
  • Folder 3.08

Bridges--Moveable
  • Box 05.1

Bridges--Suspension
  • Box 01.1
  • Box 01.2
  • Box 01.3
  • Box 02.1
  • Box 02.2
  • Box 28.3
  • Box 43.2
  • Folder 3.02
  • Folder 3.08
  • Folder 3.10

Bridges--Timber
  • Box 02.3
  • Box 05.2
  • Box 06.1
  • Box 49.1
  • Box 49.2

Canals
  • Box 09.1
  • Box 09.2
  • Box 36.1
  • Box 36.2
  • Box 39.1

Construction
  • Box 08.2
  • Box 08.3
  • Box 18.4
  • Box 28.1
  • Box 28.3
  • Box 46.1
  • Box 53.2
  • Box 58
  • Box 61
  • Box 63.08
  • Box 63.11
  • Folder 1.03
  • Folder 2.16
  • Folder 2.17

Disasters
  • Box 06.3
  • Box 17.3
  • Box 20.1
  • Box 24.3
  • Box 25.1
  • Box 28.1
  • Box 41.1
  • Box 54
  • Box 57
  • Folder 1.07
  • Folder 2.16

Explosives
  • Box 11.2
  • Box 45.2

Industry--General
  • Box 27.1
  • Box 27.2
  • Box 27.3
  • Box 39.2
  • Box 46.1
  • Box 46.2
  • Box 56
  • Box 57
  • Box 58
  • Box 59
  • Box 63.02
  • Box 63.03
  • Box 64.1
  • Folder 1.05
  • Folder 1.11
  • Folder 1.13
  • Folder 2.04
  • Folder 2.11
  • Folder 2.17
  • Folder 3.08

Machinery
  • Box 07.2
  • Box 07.3
  • Box 08.1
  • Box 08.2
  • Box 28.1
  • Box 28.2
  • Box 43.2
  • Box 46.3
  • Box 52
  • Box 54
  • Box 56
  • Box 57
  • Box 59
  • Box 63.04
  • Box 64.2
  • Box 64.4
  • Folder 1.09
  • Folder 2.05
  • Folder 2.10
  • Folder 2.12
  • Folder 2.17
  • Folder 3.08

Manufacturing
  • Box 07.1
  • Box 07.2
  • Box 13.2
  • Box 13.3
  • Box 14.1
  • Box 27.2
  • Box 27.3
  • Box 31.2
  • Box 32
  • Box 33.1
  • Box 33.2
  • Box 34
  • Box 35
  • Box 36.1
  • Box 37
  • Box 39.2
  • Box 40
  • Box 41.2
  • Box 42
  • Box 43.1
  • Box 43.2
  • Box 46.2
  • Box 53.1
  • Box 53.2
  • Box 60.1
  • Box 61
  • Box 63.01
  • Box 63.03
  • Box 64.1
  • Box 64.3
  • Folder 1.03
  • Folder 1.07
  • Folder 2.05
  • Folder 2.06
  • Folder 2.11
  • Folder 2.15
  • Folder 3.03
  • Folder 3.08
  • Folder 3.09
  • Folder 3.12

Miscellaneous
  • Box 15.1
  • Box 43.2
  • Box 44
  • Box 55.1
  • Box 55.2
  • Box 60.1
  • Box 60.2
  • Box 62
  • Folder 1.01
  • Folder 1.02
  • Folder 1.12
  • Folder 3.07

Natural resources--Fossil fuels
  • Box 11.2
  • Box 11.3
  • Box 12.1
  • Box 12.2
  • Box 13.2
  • Box 23.1
  • Box 61
  • Folder 2.05

Natural resources--General
  • Box 11.2
  • Box 12.2
  • Box 14.2
  • Box 63.07

Natural resources--Lumber
  • Box 12.2
  • Box 12.3
  • Box 12.4
  • Box 13.1
  • Box 13.2
  • Box 37
  • Box 46.2
  • Box 57
  • Box 58

Natural resources--Metals
  • Box 21.3
  • Box 22.1
  • Box 22.2
  • Box 22.3
  • Box 28.1
  • Box 39.2
  • Box 61
  • Folder 2.14
  • Folder 2.15
  • Folder 3.08

Natural resources--Mining
  • Box 23.1
  • Box 23.2
  • Box 23.3
  • Box 24.1
  • Box 24.2
  • Box 40
  • Box 41.2
  • Box 50.1
  • Box 50.2
  • Box 51
  • Box 52
  • Box 55.1
  • Box 55.2
  • Box 61
  • Folder 1.03
  • Folder 2.02
  • Folder 2.05
  • Folder 2.14
  • Folder 3.02
  • Folder 3.10

Natural resources--Quarrying
  • Box 29.1
  • Box 29.2
  • Box 30
  • Box 46.1
  • Box 57
  • Folder 1.07

Natural resources--Textiles
  • Box 24.3
  • Box 25.1
  • Box 25.2
  • Box 25.3
  • Box 26.1
  • Box 26.2
  • Box 26.3
  • Box 27.1
  • Box 27.3
  • Box 37
  • Box 38
  • Box 39.2
  • Box 40
  • Box 41.1
  • Box 42
  • Box 46.3
  • Box 64.1
  • Folder 3.06

Natural resources--Water supply
  • Box 10.3
  • Box 11.1
  • Box 11.2
  • Box 41.2
  • Folder 3.05
  • Folder 3.12

Personalities
  • Box 01.1
  • Box 10.3
  • Box 28.3
  • Box 39.1
  • Box 46.3
  • Box 56
  • Box 64.2
  • Box 64.3
  • Folder 2.15
  • Folder 3.06
  • Folder 3.07

Power--Electricity
  • Box 08.1
  • Box 28.1
  • Box 46.3
  • Box 64.2

Power--Hydraulic
  • Box 09.3
  • Box 10.1
  • Box 10.2
  • Box 10.3

Transportation--Aerial
  • Box 39.1

Transportation--Automobiles
  • Box 34
  • Box 42
  • Box 56
  • Box 63.07
  • Folder 2.16

Transportation--General
  • Box 15.1
  • Box 28.2
  • Box 31.2
  • Box 33.2
  • Box 36.2
  • Box 54
  • Box 58
  • Box 64.3
  • Folder 2.16
  • Folder 3.04

Transportation--Marine
  • Box 19.1
  • Box 19.2
  • Box 19.3
  • Box 20.1
  • Box 20.2
  • Box 20.3
  • Box 21.1
  • Box 21.2
  • Box 21.3
  • Box 28.2
  • Box 45.2
  • Box 46.3
  • Box 57
  • Box 59
  • Box 63.09
  • Folder 2.08
  • Folder 2.11
  • Folder 2.14
  • Folder 3.05
  • Folder 3.07
  • Folder 3.08

Transportation--Railroads
  • Box 15.1
  • Box 15.2
  • Box 15.3
  • Box 16.1
  • Box 16.2
  • Box 16.3
  • Box 16.4
  • Box 17.1
  • Box 17.2
  • Box 17.3
  • Box 18.1
  • Box 18.2
  • Box 18.3
  • Box 18.4
  • Box 28.1
  • Box 28.2
  • Box 31.1
  • Box 35
  • Box 46.2
  • Box 47
  • Box 48.1
  • Box 48.2
  • Box 49.1
  • Box 56
  • Box 57
  • Box 58
  • Box 59
  • Box 61
  • Box 63.05
  • Box 63.06
  • Folder 1.06
  • Folder 1.10
  • Folder 2.01
  • Folder 2.03
  • Folder 2.04
  • Folder 2.06
  • Folder 2.07
  • Folder 2.10
  • Folder 2.13
  • Folder 2.16
  • Folder 3.04
  • Folder 3.07
  • Folder 3.10
  • Folder 3.11
  • Folder 3.12

Tunnels
  • Box 28.2
  • Box 43.1
  • Box 43.2
  • Box 45.1
  • Box 45.2
  • Folder 2.06

Views--General
  • Box 08.1
  • Box 08.2
  • Box 25.1
  • Box 28.3
  • Box 39.1
  • Box 39.2
  • Box 46.3
  • Box 53.2
  • Box 56
  • Box 57
  • Box 59
  • Box 64.2
  • Box 64.4
  • Folder 1.04
  • Folder 2.04
  • Folder 2.15
  • Folder 2.16

While the Vogel collection general subject categories are generally comprehensive there are still numerous instances of items that could feasibly belong to multiple categories other than the group they are classified under. For instance, there are disaster images found in several groupings other than "Disasters," while bridge construction images can be found in all of the various "Bridges" categories as well as within the "Construction" category. For more detailed descriptions of specific materials, see the box and folder listing in the Contents section below.

Collection

Russell C. Shaul photograph album, ca. 1927-1950

approximately 136 images in 1 album

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The Russell C. Shaul photograph album contains images and ephemera related to the life and career of photographer Russell Clifford Shaul, who owned a studio in Chicago in the 1930s and 1940s.

The album (36.5 x 28 cm) has string-bound brown covers with the words "Scrap Book" and a depiction of a boy and girl wearing wooden clogs embossed on the front; the covers and pages are in poor condition. The structure of the album is roughly chronological, with material from the 1920s appearing towards the beginning and material from the 1940s appearing towards the end. However, candid snapshots and studio portraits made in Milwaukee, Wisconsin, in the early 1930s are scattered throughout and mixed in with photos from other periods. At least one page includes dated photos from the early 1930s and late 1940s that appear side by side. Certain names and people reappear often, but exactly how they relate to one another is not entirely clear. Many photographs document people drinking as well as posing in a humorous manner.

Photographer Russell Clifford Shaul appears to have been the compiler of this album. Shaul’s name appears on numerous images as the credited photographer, including portraits taken in Milwaukee in the early 1930s and a Chicago cityscape view from the mid-1940s. Several photos are also inscribed with messages to “Russell,” while snapshots arranged on a page captioned “The Shauls” show him and his third wife Sarah visiting various U. S. tourist destinations between 1944 and 1949. At some point during the 1930s it appears that Shaul relocated from Milwaukee to Chicago and set up a new photography business. Several pages in the album suggest that Shaul and his colleagues practiced door-to-door operations.

Two pages document a man’s World War II service. He is pictured driving a Jeep and wearing a uniform bearing an “Official U.S. War Photographer” patch, training on a shooting range, interacting with people on the streets “In India,” and taking photographs with both still and motion picture cameras. This man appears throughout the album (identified elsewhere as “Carl”), including in the earliest Milwaukee shots in 1927. He may have been Shaul’s friend and/or business partner.

Items placed toward the end of the album include some scrapbook materials including letterheads advertising a company called Chicago Thrill Tours and Chicago-based radio host called “The Nitehawk,” as well as business cards identifying a fellow photographer in Chicago named Charles Lonk and a trailer park in Eau Gallie, Florida.

In addition to the album there is also an envelope containing several loose photographs and ephemeral items including portraits of various people and groups; pictures of people drinking at bars; photographs of the man elsewhere identified as Carl drinking at a Milwaukee bar in 1927 as well as posing in a bathtub while another man bathes him; an image of a photo supply storefront with a cutout of an unidentified man pasted over the front door (possibly shop owner I. Dobkin); photography-related clippings; aerial images of Baton Rouge, Louisiana, taken in 1938; and a portrait by Acme Newspictures of a man in the radio studio of “The Nitehawk - WBBM” captioned “J. W. Clark.” Also present is an enveloped typed letter signed by “The Nitehawk” written to Shaul in 1948 asking him to be on the lookout for early copies of Reader’s Digest.