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The Amy Kelty photograph album contains approximately 333 photographs documenting the professional and personal life of Michigan woman Amy G. Kelty, including from her time spent as an instructor at the Mount Pleasant Indian Industrial School.

The Amy Kelty photograph album contains approximately 333 photographs documenting the professional and personal life of Michigan woman Amy G. Kelty, including from her time spent as an instructor at the Mount Pleasant Indian Industrial School.

The album (28 x 36 cm) has black covers and is itself in poor condition while the photographs are largely undamaged. Images of interest include pictures of Kelty's children Genevieve (1888-1953), Mary (1890-1964), and John Neil (1898-1980) engaged in various activities shown mostly from teenage to adult years; views of Mount Pleasant Industrial School buildings as well as school events with pupils and staff; views of buildings at Central State Normal School, the teaching college attended by Kelty and her daughters; views of Michigan Mining College which her son attended; and scenes from Kelty's later life including trips to the Grand Canyon, Black Hills, Alaska, Colorado, and Washington State as well as her graduation from the University of California at Berkley in 1925. Also present are earlier studio portrait photographs of various relatives from the 1880s and 1890s.

Daily newspaper published in Owosso, Michigan. Formerly known as Owosso Weekly Press, Evening Argus, and Press-American. Materials consist of full newspaper issues spanning 1862-2016, assorted newspaper clippings, photographs, and research material for articles.

The records document newspaper issues and articles regarding Shiawassee County and national news published by the Argus-Press located in Owosso, Michigan between 1862-2016. Material includes microfilms of full newspaper issues, newspaper clippings, photographs, and research material related to select articles. Series and subseries may have overlapping subjects, and folders are arranged according to original order. The collection is divided into two series: Publications and Arranged Clippings.

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey.

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and approximately 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey, including a mix of people, buildings, farm animals, and scenic shots. Descriptive captions are written on some of the photographs.

The second page of the album features members of the Blairstown High School Class of 1915 while the third page features views of what is likely Rutgers University. Page 11 includes an aerial view of a parade for the 150th anniversary of Rutgers. Pages in the back of the album include a photograph of women cross-dressing while "looking for a dear," images of a new car, medieval reenactors, and a group of people dressed as "Bandits." Nine loose photographs of Washington, D.C., soldiers boarding a train during World War I, and snapshots of people are contained in an envelope within the ablum.

The Cornelia Hancock papers consist primarily of the Civil War correspondence of Hancock, who served as a nurse for the Union Army in Pennsylvania, Washington, D.C., and Virginia from 1863-1865. The collection also includes brief accounts of Hancock's experiences during the war, as well as several items of ephemera.

The Cornelia Hancock papers consist primarily of the Civil War correspondence of Cornelia Hancock (1840-1927), who served as a nurse for the Union Army from 1863 to 1865. Other items within the collection include photographs, accounts of Hancock's experiences during the war, and several items of ephemera.

The Correspondence series includes 168 dated letters, 15 undated letters and fragments, 2 military passes, and 1 fragment of cloth. The dated letters cover the period from July 31, 1862-January 12, 1866, with the undated fragments most likely from the Civil War period. Two additional letters, dated August 27, 1890, and April 25, 1892, are also included in the collection.

The great bulk of the correspondence was written by Cornelia Hancock to her mother Rachel, her sister Ellen, and her niece Sarah, during Cornelia's time serving as a nurse in Pennsylvania and Virginia; her mother and sister occasionally returned letters giving news of the family in New Jersey. Other correspondents represented in the collection include Cornelia's brother, William N. Hancock; Caroline Dod, the mother of a soldier who died during the war; and several soldiers who expressed gratitude for Hancock's work. In her letters, Cornelia discussed in some detail her work as a nurse during the war, including several accounts of specific wounds and illnesses. Slavery and the social and economic conditions of freedmen are focal points of the letters written during Hancock's time at the Contraband Hospital in Washington, D.C. Though most of the letters concentrate on wounded soldiers and military hospitals and treatments, Hancock and others often expressed political opinions, reported on developments in the war, and shared news of loved ones in the field or back home.

An early series of letters documents Hancock's experiences at the Camp Letterman Hospital after the Battle of Gettysburg, when she first noted "There are no words in the English language to express the sufferings I witnessed today…" (July 7, 1863). A few months later, in October 1863, Hancock left for Washington, D.C., where her letters document her time working with African American refugees at the Contraband Hospital. Twice, she related encounters with President Lincoln. Robert Owen, a former United States ambassador to Italy, once "read to us a speech that he read to the President one Sunday…The subject was the Pardoning power vested in the President. He said that Abraham listened with all his attention then asked him if he would give it to him and also had him promise he would not have it published for the present, said he would read and consider it well. [Lincoln] Complimented Mr. Owen, told him he had been of much service to him in many ways" (October 25, 1863). On another occasion, Hancock recounted a personal glimpse of Abraham Lincoln: "Little Meenah Breed and I went to the White House, and I told you I would encounter the President- sure enough there he stood talking to some poor woman. I did not stop him because he was in a hurry but I know him now and I shall. It is a much easier matter to see him than Stanton" (October 29, 1863). Other letters from this period pertain to the state of escaped slaves (November 15, 1863) and the state of the anti-slavery movement: "Where are the people who have been professing such strong abolition proclivity for the last 30 years[?] Certainly not in Washington laboring with these people whom they have been clamoring to have freed" [January 1864].

In February 1864, Hancock moved again to work with the 3rd Division of the 2nd Corps at Brandy Station, Virginia. Hancock was here during the Battle of the Wilderness, the aftermath of which is represented in Hancock's accounts and in a letter of Henry Child to his wife, Ellen (née Hancock), wherein he warns, "You will hear of another terrible battle yesterday" (May 12, 1864). Soon after the Battle of the Wilderness, Hancock accompanied the Union Army during their march through Virginia. Items from this period include a description of a "rebel house…The house was visited by our Cavalry guard and found deserted, also that the the [sic] gentleman owning the house was a chief of Guerillas, consequently the house was burned to the ground" (May 3, 1864, author unknown). In June 1864, Hancock spent a few days at White House, Virginia, before eventually stopping at City Point, Virginia, where she remained until the end of the war. During this period, she reflected on what had become normal experiences in the time she spent with the army: "A shell explodes every little while, not far away. About as much account is made of it as the dropping of a pin at home. Habit is a wonderfull [sic] matter" (June 7, 1864).

At City Point, Hancock continued to work with the ill and wounded soldiers of the Union army, and in many of her letters, she described specific soldiers or wounds she treated. Among these soldiers was Charlie Dod, a New Jersey native who served with Cornelia's friend Henry Smith. Dod's August 17, 1864, letter is included in the collection, as well as two notes by Cornelia relating that "Capt. Dod is now dying in my bed" (August 27, 1864) and "Capt. Dod of Henry's company died in my bed today. His mother arrived in time to see him just one day and night…The scene was very affecting and I shall never forget it" (August 27, 1864). Charlie's mother, Caroline Dod, became an occasional correspondent after this time and continued to hold Cornelia in high regard throughout the rest of her life. Another notable item from this period is an official Union army pass allowing Cornelia to travel to and from Washington, D.C.; this is enclosed in a letter from Rachel Hancock dated October 20, 1864.

By the spring of 1865, the Union army was closing in on Richmond, and Cornelia Hancock was near the Confederate capital when it fell. On April 3, 1865, she reported, "This morning we could see the flames of Petersburg lighting the skies[. I] suppose the rebels are compelled to evacuate the place. Our troops can enter now at any time…Gen Weitzel entered Richmond this morning at 8 A.M. There is great rejoicing here of course." Even better was the feeling of release that accompanied the end of the fighting: "The situation is splendid the air so fresh and altogether it seems like getting out of prison to get away from C[ity] P[oint] we were there so long" (May 13, 1865).

The undated papers and fragments appear at the end of the collection and include eight letters and fragments written by Hancock as well as five letters from Caroline Dod. These appear to date from the Civil War period. One fragment was written on the reverse side of a table of contents from the 8th volume of Connop Thirlwall's History of Greece.

• A January 3, 1866, letter of reference from Robert Dale Owen, a friend of Dr. Henry Child, stating that the "bearer of this, Miss Cornelia Hancock…is about to visit the South, there to aid in the education of the children of freedmen," and giving a glowing account of Hancock's merits.
• An August 27, 1890, letter from Caroline B. Dod, in which she reflected on the death of her son and expressed continuing gratitude for Hancock's sympathy during his final hours. The letter is accompanied by its original envelope, which was used by a later owner of the material to house Robert Owen's letter of reference for Cornelia Hancock (January 3, 1866) and an undated Swarthmore Library ticket with manuscript biographical notes on Owen.
• An April 25, 1892, letter from S. B. Dod to Cornelia Hancock, in which he explained that his mother had left Hancock a legacy in her will as a token of "her appreciation of your great kindness to my brother Charlie."

• January 8, 1864: A pass authorizing Ellen Child and one friend to travel "over Chain and Aqueduct Bridges and Alexandria Ferry, within the lines of the Fortifications"
• January 12, 1864: A pass authorizing "Miss C. Hancock team, driver, and Contrabands to Arlington Va and return."
• "A piece of the ornaments upon the flag of the 116th Pa. Vol." Verso: "Capt. Shoener's Regt." (Undated)

• A 10-page typescript with unattributed manuscript annotations. Topics include the personality of Hancock's father and an account of her time at Gettysburg, told in the first person. This text is the basis for some of the biographical information included in published editions of Hancock's letters.
• A 10-page incomplete typescript written well after the war, with unattributed manuscript annotations. The text is a first-person account of Hancock's war experiences near the end of the war. Of particular interest is a recollection that "April 8th Abraham Lincoln visited our hospital." The typescript is the basis for much of the biographical information included in published editions of Hancock's letters.
• A first-person manuscript fragment, written in the style of a diary and with a note on the reverse that the author, likely Cornelia Hancock, "would like this sent to mother and have her copy it." The note also says that "Soldiering now days is hard work."
• An incomplete third-person account of Cornelia Hancock, covering the very beginning with her journey to Gettysburg "with Mrs. Elizabeth W. Farnham, who was an eminent writer," in July 1863.
• An 8-page manuscript account of Cornelia Hancock's departure for the theater of war. The manuscript includes two slightly different copies of the same material, and a lapse into the first person suggests that Cornelia Hancock is the author.

The Cornelia Hancock Obituary is a small newspaper obituary published on January 1, [1928], entitled "Civil War Nurse Dies, Closing Busy Career." The item was not part of the original accession and was discovered in a book in the Clements Library in 1985.

• A 4" x 6" photograph on card stock showing a party of women and military men gathered in front of several tents. The photograph is labeled "Cornelia Hancock." [1860s]
• A newspaper clipping "Queen of Field Nurses at Ninety in Feeble Health," recounting the decline of Florence Nightingale. [1910]
• Five identical sheets of paper bearing the letterhead of the Association of Army Nurses of the Civil War. The letterhead includes a list of officers of the organization. One sheet is marked, "To Cornelia," and is slightly torn.
• A book jacket from the 1937 edition of South after Gettysburg; letters of Cornelia Hancock, 1863-1868.

The following card photograph from the collection is currently housed in the graphics division:

• "Capt. Charles Dod[,] A. A. Gen. in Gen. Hancocks staff. 2nd Corps[,] A.P." Portrait of Charles Dod, by [Frederick August] Wenderoth & [William Curtis] Taylor, Philadelphia, ca. 1864.

Don Werkheiser was a teacher, writer, and philosopher-reformer active in the last half of the 20th century. He is best described as an individualist anarchist and libertarian. Most of his writings center on the philosophy of Mutual Option Relationship, which he developed and promoted throughout his life. It is multidisciplinary in its nature but based mainly on principles of equal rights and freedom of the individual. The eight linear feet of papers consist primarily of Werkheiser's writings (in the form of notes, drafts, and finished typescripts), correspondence with friends and colleagues, and related ephemera. A small number of photographs, materials documenting Werkheiser's interests and activities, and works by associates of Werkheiser are also present.

Don Werkheiser, like many of his peers, received little recognition for his ideas and efforts during his lifetime, even among the relatively small circle of individualist anarchists within which he interacted. The papers consist mainly of various iterations of his Mutual Option Relationship philosophy and methodologies for realizing it, as well as his thoughts on the numerous social, economic, and political problems that he saw in contemporary American society. There is also correspondence with friends and associates in his intellectual and ideological sphere. The ephemera in the collection--consisting of newspaper clippings; pamphlets; and extracts from periodicals, books, and monographs, are significant because of their subject area (mainly freedom of speech), their relative obscurity, and also Werkheiser's extensive annotations. These materials are supplemented by a very small number of photographs.

The Don Werkheiser Papers (8 linear feet) have been divided into six series: Writings, Correspondence, Other Activities, Works by Others, Photographs, and Ephemera. Originally included with the Don Werkheiser Papers was a large collection of books and pamphlets by Theodore Schroeder, an important influence on Werkheiser, as well as published works by other authors. These have been removed and cataloged separately.

There is a significant amount of material in the Don Werkheiser Papers having to do with Theodore Schroeder. In addition to championing free speech causes, Schroeder developed a system of psychological thought which he named "evolutionary psychology." He was also interested in erotogenic interpretations of religious practices, and his writings on this topic generated much controversy in his day. Werkheiser was profoundly influenced by evolutionary psychology and other areas of Schroeder's thought, especially his advocacy of free speech. This is indicated not only in Werkheiser's own writings, but also in his substantial files of material by and about Schroeder and in a small amount of correspondence between the two, and between Schroeder and others. (As a point of clarification, Schroeder's evolutionary psychology appears to be entirely unrelated to the discipline of the same name established by Leda Cosmides and John Tooby in the 1990s.)

There is also a substantial amount of material related to the School of Living (mainly the one in Brookville, Ohio) and the ideas associated with it: decentralism, cooperative living, monetary and tax reform, alternative education, permaculture, wilderness and farmland preservation, and the environment. Its founders, Ralph Borsodi and Mildred Loomis, are also well-represented in the collection--particularly Loomis, who was a close friend of Werkheiser's. (As another point of clarification, the School of Living's journal-newsletter, Green Revolution, is unaffiliated with--and even in direct ideological opposition to--the Green Revolution in agriculture begun in the mid-1940s that encouraged large-scale chemical applications as a means to boost agricultural productivity.)

Other important influences on or associates of Werkheiser represented in the collection are Georgism and Henry George (on which Werkheiser wrote extensively), Laurance Labadie, Ralph Templin, and Arnold Maddaloni. There is also some material by the science fiction writer Robert Anton Wilson.

The Tyler-Montgomery-Scott family album chronicles multiple generations of the Tyler, Montgomery, and Scott families of the Philadelphia area from the 1860s through the 1930s. It includes approximately 275 items including studio portrait photographs, informal snapshots, newspaper clippings, postcards, letters, and other ephemera.

The Tyler-Montgomery-Scott family album chronicles multiple generations of the Tyler, Montgomery, and Scott families of the Philadelphia area from the 1860s through the 1930s. It includes approximately 275 items including studio portrait photographs, informal snapshots, newspaper clippings, postcards, letters, and other ephemera.

The album (33 x 25.5 cm) is string-bound with grey cloth covers. Most photographs in the album have detailed handwritten captions identifying people, often with their middle or maiden names as well as the location and date. The presentation of the album is not strictly chronological, especially in the latter half. The early generations of Tylers are represented in photographic formats such as cartes-de-visite, tintypes and cabinet cards, while later generations are represented in snapshots and postcards. When the album reaches the mid-twentieth century, it begins to resemble the modern family album with various forms of ephemera (newspaper clippings, drawings, letters, Christmas cards, etc.) supplementing the photographs of family and friends.

The album begins with a portrait of Frederick Tyler, his daughter Sarah Sophia Cowen, granddaughter Kate “Gwen” Cowen Pratt, and great-granddaughter Kate Pratt. George F. and Louisa R. Tyler as well as their children (including Sidney F. and Helen Beach Tyler) are also featured in the initial section of the album, along with many extended family members, friends, nurses, and pets. Among the family friends pictured are painter Frederick Church, writer Bret Harte, Leonor Ruiz de Apodaca y Garcia-Tienza, Gen. William Buel Franklin, patent lawyer and historian Woodbury Lowery, and the Duke and Duchess of Arcos (Jose Ambrosio Brunetti and Virginia Woodbury Lowery Brunetti). Several interior views of rooms in George F. and Louisa R. Tyler’s home on 201 South 15th St. taken in 1896 are also present, including a photograph of the “Children’s play room” that features their granddaughter Hope Binney Tyler Montgomery holding a doll. Hope, her parents Mary W. and Sidney F. Tyler, her husband Robert “Bob” L. Montgomery, and their children Mary, Ives, and Alexander are well-represented in the album.

Of particular interest are a number of photographs in different sections of the album that depict Theodore Roosevelt and his family. Some of these images are formal studio portraits, while others are more candid snapshots of Roosevelt with other people. One snapshot shows the family at play on the grounds of Sagamore Hill in 1897. Two photos taken at the White House including Helen Beach Tyler, daughter of George F. and Louisa R. Tyler and second cousin to Edith Kermit Carow Roosevelt, are labelled “taken by Ted Roosevelt,” possibly referring to President Roosevelt’s son Theodore Roosevelt III. Helen Beach Tyler may be the “Nellie” who was the recipient of a partial letter included in the album which describes conditions at a wartime hospital (most likely in Italy) in 1915. Only the first two pages of this letter are included, and there is no indication of the identity of the writer. Helen Beach Tyler may also have been the principal compiler of this album. Supporting this possibility is the presence of an interior view of a bedroom at 201 South 15th St. (George F. and Louisa R. Tyler’s home) captioned as “Mother’s bedroom,” a signed portrait of Englishman Lytton Sothern captioned “Given to me by Mr. Sothern June 1872. Mr. Edward Sothern & his son Lytton Sothern sat at our table on ‘Oceanic’ my first trip to Europe,” and a portrait of Sara Schott von Schottenstein, Baronin von Prittwitz-Gaffron, bearing the inscription “to her friend Helen Tyler 1880.”

Other items of interest include portraits of Col. August Cleveland Tyler; several portraits of Brig. Gen. Robert Ogden Tyler; a portrait of French pianist Antoine Marmontel captioned “Mr. Marmontel Professor au Conservatoire gave us music lessons in Paris 1873-74”; a group portrait of Helen Beach Tyler, Mary L. Tyler, Alice Seward, Kitty Seward, and Ida Vinton posing with a silhouette of Sidney F. Tyler; photographs of painted portraits of George F. Tyler and Hope Binney Tyler Montgomery; a series of photos taken at the Spanish Embassy in Mexico City, some of which include the Duke and Duchess of Arcos, Woodbury Lowery, and Archibald Lowery; portraits of the Prittwitz-Gaffron family in Germany; photos taken around the world in various locations including Egypt, India, Germany, and Italy; images taken during an exhibition of sculpture by Stella Elkins Tyler (wife of George Frederick Tyler, Jr.), as well as a program from the event; and photos showing the family of Helen Hope and Edgar Scott.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

The Historical views of Malden album contains approximately 200 items including photographs, reproductions, prints, newspaper clippings, and maps related to the history of Malden, Massachusetts.

The Historical views of Malden album contains approximately 200 items including photographs, reproductions, prints, newspaper clippings, and maps related to the history of Malden, Massachusetts. The album (26 x 31 cm) is largely disbound with black cloth covers. Many items are loose.

Items of interest include images of street scenes, commercial buildings, schools, houses, gravestones, plaques, monuments relating to the history of Malden (with particular attention paid to the homes of the Winship, Sprague, and Waite families), and several group portraits of Malden students including "Malden High School Cadets" in uniform holding bayoneted rifles and the Centre Grammar School graduating class of 1883 at their school desks. Also present are images of interior and exterior views of city hall (festooned for the 250th anniversary in 1899), and Massachusetts Governor Curtis Guild dedicating Bell Rock around 1905.

Two maps showing Malden in 1852 and 1856 as well as a laid-in negative photostat showing "Sales at auction of the pews in Malden Meeting House, January 13th, 1803" replete with names and prices are also included

Holly Fine was a dancer and performer with the traveling vaudeville production, the Marcus Show, in the 1930s. The collection documents Fine’s relationship with entertainer Danny Kaye, as well as the Marcus Show itself. Includes correspondence, vaudeville programs and promotional material, photographs, scrapbooks, printed material and drawings. The correspondence includes approximately 0.5 linear feet of letters written from Kaye to Fine.

The Holly Fine and Danny Kaye Papers document the relationship between Fine and Kaye, as well as the 1930s traveling vaudeville production, The Marcus Show. The papers have been divided into six series: Correspondence, Vaudeville, Printed Material, Photographs, Scrapbooks, and Drawings and Artwork.

Serves as media relations office and disseminates information about university programs, research, events, and faculty activities. Includes correspondence, press releases, newspaper clippings, and other papers concerning the activities and work of the University, notable campus events, research, and teaching.

The News and Information holdings document how the university is portrayed in the media and the efforts of the university to promote itself. Although there is some correspondence from 1900-1903 and the 1930s, the bulk of the records date from 1946 to the present. The value of the files is as a source of ready information (on a yearly basis) about the activities and research accomplishments of university faculty and staff, departments, colleges and schools, libraries, centers, and other units. The records also chronicle notable events and visits by famous scholars and celebrities through yearly topical files, press releases, and correspondence. News and Information Service holdings also contain extensive photographic material (prints, negatives, slides, and transparencies) generated by the photography unit in addition to non-photographic records. The substantial photographic holdings are described in a separate finding aid.

The non-photographic News and Information Services records include some correspondence of the unit's administrators, although the bulk consists of news clippings, published materials, press releases, and other background information collected by NIS and arranged topically by year. The records are organized into eight series: CORRESPONDENCE, PRESS RELEASES, MISCELLANEOUS, TOPICAL FILES, GERALD R. FORD, UNIVERSITY PRESIDENTS, and ARCHIVED WEBSITES.