Collections : [University of Michigan Special Collections Research Center]

David Cope is a poet in the Objectivist tradition and the founder of Nada Press, a small press which publishes the literary magazine and other poetry. Cope, a University of Michigan graduate and lifelong Michigan resident, taught literature and writing at Grand Rapids Community College and Western Michigan University. The collection documents Cope's writing, editing, and to some extent teaching and other spheres of Cope's life, through correspondence, manuscripts, notes, printed material, photographs, and videotapes.

David Cope made his first donation of papers to the Special Collections Research Center in 1987. Since then he has continued to make frequent contributions. The David Cope Papers cover Cope's writing and correspondence from the 1970s to the present, as well as his editing and teaching activities. In addition to offering insight into Cope's work, the collection details some of the activities and thoughts of friends and fellow writers and poets; in particular, Allen Ginsberg, Jim Cohn, Antler, and Jeff Poniewaz. Not currently well-documented are the more personal aspects of Cope's life--especially his family life--except for those details made available through his writings and correspondence.

The David Cope Papers are divided into eight series: Correspondence and Name Files, Writings, Editing Materials, Teaching and Education Materials, Publicity Materials, Personal, Photographs, and Audio/Visual. A small selection of books from Cope's library have been removed from the collection and have been cataloged individually. They are shelved by call number in Special Collections and can be requested through the Library's catalog.

The Detroit Streetcar Collection documents the history of passenger rail transportation in the Detroit, Michigan metropolitan area during the late-19th century until the mid-20th century. The collection consists of photographs, correspondence, maps, articles, streetcar rosters and equipment reports, and newsletters. Photographs make up the majority of the collection and depict urban street scenes, streetcars in use and stationary streetcars, and route construction.

The Detroit Streetcar Collection documents the history of passenger rail transportation in the Detroit, Michigan metropolitan area. The collection consists of photographs, correspondence, maps, articles, streetcar rosters and equipment reports, and newsletters. Photographs make up the majority of the collection. The photographs include depictions of urban street scenes, streetcars in use, stationary streetcars, specialized equipment, constructions of rail lines and bridges, repair shops and train yards, and disassembly and former routes. Research contains materials documenting various streetcar types, equipment and parts, routes, timelines, and maps. Published materials include articles and newsletters, advertisements, and flyers and brochures.

The Detroit United Railway (DUR) and the Detroit Department of Street Railways (DSR) are the main transportation services depicted in the collection. Railroads spanning the state of Michigan are also represented in the collection, as are other forms of public transportation such as buses and trolleys.

This collection documenting the history of the Industrial Workers of the World (IWW) and of labor organizing in North America was assembled by Don Stewart, owner of the Vancouver bookstore MacLeod's Books since 1973. The collection is arranged into five series. Organizational Records comprise records of the central IWW administration, such as general convention minutes (1913-1969 with gaps), general executive boards letters and minutes (1959-1964), financial statements (1918-1944 with gaps), membership cards, and documents from the general defense committee relating to IWW prisoners during World War I. Reflecting the IWW's internal structure, Constituent Unions Records are organized by industrial trade numbers and include administrative documents and organizing literature. Constituent Unions Records also include a few folders relating to the Western Federation of Miners, which pre-dates IWW's founding in 1905 The Colorado Coal Strike Archive is a set of letters, telegrams between labor organizers, bulletins to workers, and other documents relating to the Columbine Mine Massacre of 1927. Topical Literature contains general ephemera by the IWW and literature related to the IWW and labor unions, including a transcript of the play "The Wobblies" by Ronald Weihs and a memorial booklet for Carlo Tresca. Finally, International Material contains foreign print materials about IWW or labor more generally. It also contains records and letters from the Canadian division of IWW in the Vancouver area, including letters from Fred Thompson and Pete Seeger.

Don Werkheiser was a teacher, writer, and philosopher-reformer active in the last half of the 20th century. He is best described as an individualist anarchist and libertarian. Most of his writings center on the philosophy of Mutual Option Relationship, which he developed and promoted throughout his life. It is multidisciplinary in its nature but based mainly on principles of equal rights and freedom of the individual. The eight linear feet of papers consist primarily of Werkheiser's writings (in the form of notes, drafts, and finished typescripts), correspondence with friends and colleagues, and related ephemera. A small number of photographs, materials documenting Werkheiser's interests and activities, and works by associates of Werkheiser are also present.

Don Werkheiser, like many of his peers, received little recognition for his ideas and efforts during his lifetime, even among the relatively small circle of individualist anarchists within which he interacted. The papers consist mainly of various iterations of his Mutual Option Relationship philosophy and methodologies for realizing it, as well as his thoughts on the numerous social, economic, and political problems that he saw in contemporary American society. There is also correspondence with friends and associates in his intellectual and ideological sphere. The ephemera in the collection--consisting of newspaper clippings; pamphlets; and extracts from periodicals, books, and monographs, are significant because of their subject area (mainly freedom of speech), their relative obscurity, and also Werkheiser's extensive annotations. These materials are supplemented by a very small number of photographs.

The Don Werkheiser Papers (8 linear feet) have been divided into six series: Writings, Correspondence, Other Activities, Works by Others, Photographs, and Ephemera. Originally included with the Don Werkheiser Papers was a large collection of books and pamphlets by Theodore Schroeder, an important influence on Werkheiser, as well as published works by other authors. These have been removed and cataloged separately.

There is a significant amount of material in the Don Werkheiser Papers having to do with Theodore Schroeder. In addition to championing free speech causes, Schroeder developed a system of psychological thought which he named "evolutionary psychology." He was also interested in erotogenic interpretations of religious practices, and his writings on this topic generated much controversy in his day. Werkheiser was profoundly influenced by evolutionary psychology and other areas of Schroeder's thought, especially his advocacy of free speech. This is indicated not only in Werkheiser's own writings, but also in his substantial files of material by and about Schroeder and in a small amount of correspondence between the two, and between Schroeder and others. (As a point of clarification, Schroeder's evolutionary psychology appears to be entirely unrelated to the discipline of the same name established by Leda Cosmides and John Tooby in the 1990s.)

There is also a substantial amount of material related to the School of Living (mainly the one in Brookville, Ohio) and the ideas associated with it: decentralism, cooperative living, monetary and tax reform, alternative education, permaculture, wilderness and farmland preservation, and the environment. Its founders, Ralph Borsodi and Mildred Loomis, are also well-represented in the collection--particularly Loomis, who was a close friend of Werkheiser's. (As another point of clarification, the School of Living's journal-newsletter, Green Revolution, is unaffiliated with--and even in direct ideological opposition to--the Green Revolution in agriculture begun in the mid-1940s that encouraged large-scale chemical applications as a means to boost agricultural productivity.)

Other important influences on or associates of Werkheiser represented in the collection are Georgism and Henry George (on which Werkheiser wrote extensively), Laurance Labadie, Ralph Templin, and Arnold Maddaloni. There is also some material by the science fiction writer Robert Anton Wilson.

This collection documents Dorothy L. Tyler's life and professional career, including her literary endeavors, primarily through her diaries, literary manuscripts, and materials for two unfinished monographs. The collection is of interest to researchers of Detroit history, the Merrill Palmer Institute, literary life at the University of Michigan in the 1920s, Robert Frost, and sculptor Carl Milles. Researchers of women's literary and social history will also find the collection interesting. The Tyler collection consists of ten boxes of material, two of them diaries and day books.

This collection documents Dorothy L. Tyler's life and professional career, including her literary endeavors, primarily through her diaries, literary manuscripts, and materials for two unfinished monographs. The collection is of interest to researchers of Detroit history, the Merrill Palmer Institute, literary life at the University of Michigan in the 1920s, Robert Frost, and sculptor Carl Milles. Researchers of women's literary and social history will also find the collection interesting.

The Tyler collection consists of ten boxes of material, two of them diaries and day books. It is divided into the following series:

I. Diaries & Travel Journals

II. Photographs

III. General correspondence

IV. General writings

V. Publications

VI. Miscellaneous clippings, receipts, and reviews

VII. Research for unfinished book on Carl Milles

VIII. Research for writings on Robert Frost

IX. Oversized material

Tyler's diaries and travel journals give a full account of most of her life. She wrote a page or two in her diary almost every day for decades. The diaries record daily activities, as well as her thoughts and ideas about college life, current art and literature, world events, travel, sociological changes in Detroit, and events at the Merrill Palmer Institute. They document her strenuous efforts to remain actively engaged in literary life, even while employed in a demanding professional position. The travel journals document (with text and photographs) a trip to Ireland in 1938, a trip to England in 1960, and a trip to Europe in 1967.

General correspondence included in the collection is incomplete, but includes letters from several major publishing houses to whom Tyler submitted her Hopwood manuscript, Relic of Hilda.

The writings series includes several full-length novels, short stories, novellas, and volumes of poetry. It also includes short poems that she filed interleaved with her diary entries. The sheer volume of poetry and the many rejection slips indicate the extent of her efforts until at least 1971 to place her poems in literary publications of quality.

The collection contains extensive research material for Tyler's projected biography of Swedish sculptor Carl Milles, who was at the Cranbrook Academy in Bloomfield Hills, Michigan, 1931-51. There are some original files from Milles' legal representative and executor, LeRoy W. Dahlberg of Detroit, as well as Tyler's correspondence with a number of Milles friends and associates, notes on each of his sculptures, her draft manuscript, and several shorter articles she wrote about Milles.

Tyler's research and writing on Robert Frost is documented in the last series, which includes correspondence with his friends and associates, a scrapbook of photographs and clippings, and research files and notes.

Douglas Pappas was a traveler, collector, lawyer, and a huge fan of Baseball. The Douglas Pappas Archive documents the modern Lincoln Highway Association, as well as the personal interests of Douglas Pappas with his travel albums/scrapbooks and postcard collection. The collection is arranged into four series: Lincoln Highway Association, Publications, Travel albums/Scrapbooks, and Postcards. The Lincoln Highway Association series contains business records, ephemera, and manuscripts that date from their charter conference planning in 1992 to 2004. There are newsletters relating to local chapter activities, reports, and correspondence. The Lincoln Highway Forum from 1993-2004 is included in the publications series with other printed materials relating to the Lincoln Highway and Lincoln Highway Association that cover 1913-2003. The travel albums/scrapbooks span the years 1985-1999 and contain postcards, maps, souvenirs, photographs, and typed commentary documenting travels on roads across the United States. The postcard collection focuses on buildings such as hotels and motels, as well as landmarks along the numbered highways in the United States. U.S. Highways 1 through 101 are included in the collection and date approximately from 1917-1971.

The Douglas Pappas Archive documents the modern Lincoln Highway Association, as well as the personal interests of Douglas Pappas with his travel albums/scrapbooks and postcard collection. The collection is arranged into four series: Lincoln Highway Association, Publications, Travel Albums/Scrapbooks, and Postcards.

The Lincoln Highway Association series contains business records, ephemera, and manuscripts that date from their charter conference planning in 1992 to 2004. In the business records there are newsletters relating to local chapter activities and research, reports, member lists, conference planning materials, pamphlets, and various correspondence. There is a great deal of correspondence between Douglas Pappas and Keith Hixon in the New York/New Jersey folders. A bumper sticker, charter conference flyers, and general flyers make up the ephemera in this series. There are several pages of handwritten notes from Douglas Pappas on yellow lined paper.

The Publications series includes the official quarterly journal of the Lincoln Highway Association entitled The Lincoln Highway Forum, which spans from 1993-2004. There are also other printed materials relating to the Lincoln Highway and Lincoln Highway Association that cover 1913-2003. The official membership rosters of the modern Lincoln Highway Association from 1993-2003 are within this series. There are guides and maps relating to the Lincoln Highway, as well as news clippings and articles. Most of this material is copied from the original and there are some printed from websites.

The Travel Albums/Scrapbooks series encompasses the years 1985-1999 and contains postcards, maps, souvenirs, photographs, and typed commentary documenting travels by Douglas Pappas on roads across the United States. In order to make the collection easier to use there are archivist supplied volume numbers given to each unique photo album/scrapbook. In total there are 34 travel albums/scrapbooks that make up this portion of the collection. Each travel album/scrapbook is different in that it follows a certain trip, a particular region of the United States, a single highway, or multiple numbered highways. They are in a chronological arrangement beginning with specific 1980s, general 1980s, then specific 1990s, general 1990s, and undated. The scrapbooks/photo albums provide a unique perspective and commentary. There are roadside attractions, monuments, landmarks, postcards, and buildings that are documented in this series.

The postcard collection spans from 1917-1971 and focuses on United States numbered highways 1 through 101, as well as a specific concentration on the Lincoln Highway. There are 6 postcard boxes that make up the entire collection with one devoted to the Lincoln Highway. The collection is arranged by highway number and then by state; a unique number was given next to each state in the finding aid detailing the amount of postcards within that state's section. The subjects on the postcards include buildings and landmarks along the numbered highways. Hotels, motels, motor lodges, inns, bridges, tunnels, restaurants/cafes, attractions, monuments, landscapes, and general greetings are the main topical areas.

For a related collection, the records of the original Lincoln Highway Association can be found in the Transportation History Collection at the University of Michigan Special Collections Library.

Eleanor Leacock was a prominant marxist/feminist anthropologist active from the 1940s to the late 1980s. Her area of focus was social and gender relations, feminist theory, and racism in American education. During her career she conducted multiple studies and field work, most prominantly the work she did with the Innu of Labrador Canada. Her collection includes materials related to her various studies and field work, publictions and teaching career, areas of research, and a small portion of family/personal materials. The collection ranges from 1915 to 1987, but most of the collection spans from the 1940s to the 1970s. Notable materials are the field notes and research materials from her field studies in Zambia, Labrador Canada, and Samoa.

The majority of materials in this collection are manuscripts, field notes, research materials, correspondence, articles and papers. This collection includes materials directly related to Eleanor Leacock's career as an anthropologist, such as research notes, field materials, publications, drafts, teaching materials, and correspondence, as well as resources related to the anthropology field. Since Leacock was an anthropologist as well as a professor, many in the field would send Leacock papers and materials for her to review or annotate. These are included in the Professional Materials series. This series in particular will house a large portion of the collection since it includes Leacock's work on her own publications and textbooks as well as those she reviewed for others. The Subject/Research Files series is also very large because it includes notes and research that Leacock conducted throughout her career. There is very little arrangement or description in these folders beyond what was listed on original folder headings.

The most significant portions of this collection pertain to her field work for her various studies. Her most prominant study being the work she did with the Innu in Labrador. Because Leacock passed while in the field in Samoa, the materials in the Samoa series may be unfinished, as are the materials related to her "Levels of Integraion" book, which she had been working on when she passed.

Keeping with the original order of the collection, some topics will be interspersed throughout the collection. For example, some correspondence relating to articles or publications will be found in the Publications series rather than Correspondence, and field materials may be interfiled with other studies (a few Innu materials are found in the Samoa Study series).

The Ellen Van Volkenburg and Maurice Browne Papers document their personal and professional lives together. The papers are also an important source for American and British theater history.

Correspondence – Extensively documents the personal and professional activities of MB and EVV – Letters to their families, to each other, correspondence to/from other people connected with the theatre – Major correspondents include: Mary Aldis, Dorothy Crawford, Cyril Edwards, Dorothy and Leonard Elmirst, Arthur Davison Ficke, Wilfrid Wilson Gibson, Alexander Greene, Harold Monro, John Cowper Powys, R.C. Stewart, Charles Erskine Scott Wood – Also correspondence about Henry Morley, related to MB's attempted revision of Morley's A First Sketch of English Literature

Writings – Typescripts, annotations, notes, galleys, etc. – MB's autobiography, Too Late to Lament; his plays, including multiple drafts of titles such as The King of the Jews, The Mother of Gregory, and Wings over Europe; prose, including Recollections of Rupert Brooke; and poetry – EVV plays, including Ameriga Vespucci, The American, The Queen's Keys; her prose – Works by others

Theatrical Work – Companies and associations such as Chicago Little Theatre, Cornish School, Maurice Browne Ltd. - contracts, correspondence, financial records, meeting minutes, programs, scripts – Playbills - productions associated with Maurice Browne and Ellen Van Volkenburg, divided into United States and Great Britain; other productions – Printing plates of images and text used for Chicago Little Theatre materials such as playbills, etc. – Promptbooks for many of their plays, including published versions of the plays marked with cuts and edited versions EVV used in readings she gave – Puppets - small amount of material related to puppet productions

Samurai Press – Maurice Browne's project with Harold Monro – Correspondence, business records, several manuscripts, scrapbook, clippings, etc.

Personal and Family – Personal materials related to Maurice Browne and Ellen Van Volkenburg, including correspondence about their engagement, divorce, etc. – EVV's 39 journals covering 1910-1966 – Papers of other family members - Frances Anna Browne, F.H. Browne (MB's father - his papers, dismissal as headmaster, suicide), Edward Stanley Browne, F.W. Mercer (manuscripts he hand lettered and illuminated) – Family papers - Browne family, Neligan family, indentures on vellum

Photographs – Have been organized into groupings by subject – Family and Friends (roman numerals signify subject groupings - legacy from earlier cataloging) - Many photographs of EVV and MB, their families, travel photographs (MB went to India as a young man), Molly Underwood, John Cowper Powys, Arthur Davison Ficke, Mary Aldis, Marjorie Morris, other friends – London and New York I and II - organized by title of play - production/cast photographs (see both categories - not intermingled) - many from Journey's End production – Chicago Little Theatre, Cornish School, and Carmel - organized by title of play - many from Trojan Women – Associates - actors, guest artists, others associated with them

Artwork – Costume and stage designs for various productions (organized by last name of artist when known) - separate section for Othello – Miscellaneous art works - including portraits, woodcuts, watercolors, prints, sketches (organized by last name of artist when known)

Scrapbooks – contain photographs, clippings, programs (some not represented elsewhere in the collection) – some appear to have been created by professional clipping services – document Maurice Browne's parents, their early lives, public appearances, theater reviews, etc.

Printed Material – clippings, topical files

Realia – three breastplates and leather pouch worn by Paul Robeson in Othello, 1930 – puppet made of paper and bamboo – small plaster head (appears to have broken off something)

The Ellen Van Volkenburg and Maurice Browne Papers document their personal and professional lives together. The papers are also an important source for American and British theater history.

Correspondence – Extensively documents the personal and professional activities of MB and EVV – Letters to their families, to each other, correspondence to/from other people connected with the theatre – Major correspondents include: Mary Aldis, Dorothy Crawford, Cyril Edwards, Dorothy and Leonard Elmirst, Arthur Davison Ficke, Wilfrid Wilson Gibson, Alexander Greene, Harold Monro, John Cowper Powys, R.C. Stewart, Charles Erskine Scott Wood – Also correspondence about Henry Morley, related to MB's attempted revision of Morley's A First Sketch of English Literature

Writings – Typescripts, annotations, notes, galleys, etc. – MB's autobiography, Too Late to Lament; his plays, including multiple drafts of titles such as The King of the Jews, The Mother of Gregory, and Wings over Europe; prose, including Recollections of Rupert Brooke; and poetry – EVV plays, including Ameriga Vespucci, The American, The Queen's Keys; her prose – Works by others

Theatrical Work – Companies and associations such as Chicago Little Theatre, Cornish School, Maurice Browne Ltd. - contracts, correspondence, financial records, meeting minutes, programs, scripts – Playbills - productions associated with Maurice Browne and Ellen Van Volkenburg, divided into United States and Great Britain; other productions – Printing plates of images and text used for Chicago Little Theatre materials such as playbills, etc. – Promptbooks for many of their plays, including published versions of the plays marked with cuts and edited versions EVV used in readings she gave – Puppets - small amount of material related to puppet productions

Samurai Press – Maurice Browne's project with Harold Monro – Correspondence, business records, several manuscripts, scrapbook, clippings, etc.

Personal and Family – Personal materials related to Maurice Browne and Ellen Van Volkenburg, including correspondence about their engagement, divorce, etc. – EVV's 39 journals covering 1910-1966 – Papers of other family members - Frances Anna Browne, F.H. Browne (MB's father - his papers, dismissal as headmaster, suicide), Edward Stanley Browne, F.W. Mercer (manuscripts he hand lettered and illuminated) – Family papers - Browne family, Neligan family, indentures on vellum

Photographs – Have been organized into groupings by subject – Family and Friends (roman numerals signify subject groupings - legacy from earlier cataloging) - Many photographs of EVV and MB, their families, travel photographs (MB went to India as a young man), Molly Underwood, John Cowper Powys, Arthur Davison Ficke, Mary Aldis, Marjorie Morris, other friends – London and New York I and II - organized by title of play - production/cast photographs (see both categories - not intermingled) - many from Journey's End production – Chicago Little Theatre, Cornish School, and Carmel - organized by title of play - many from Trojan Women – Associates - actors, guest artists, others associated with them

Artwork – Costume and stage designs for various productions (organized by last name of artist when known) - separate section for Othello – Miscellaneous art works - including portraits, woodcuts, watercolors, prints, sketches (organized by last name of artist when known)

Scrapbooks – contain photographs, clippings, programs (some not represented elsewhere in the collection) – some appear to have been created by professional clipping services – document Maurice Browne's parents, their early lives, public appearances, theater reviews, etc.

Printed Material – clippings, topical files

Realia – three breastplates and leather pouch worn by Paul Robeson in Othello, 1930 – puppet made of paper and bamboo – small plaster head (appears to have broken off something)

This collection consists of letters from anarchist writers and labor organizers Emma Goldman and Alexander Berkman to their friends Virginia and Lee Hersch, along with a couple miscellaneous private publications.

This collection includes letters from Emma Goldman and Alexander Berkman Americans Virginia and Lee Hersch in Paris, dated June 1930 to March 1934. All but one of the Goldman letters were written from "Bon Esprit" in St. Tropez (the last letter was written after Goldman moved to London).

Goldman first writes Hersch on June 10, 1930 with a request to send autographed bookplates to Arthur Leonard Ross. In that letter, Goldman writes how glad she is to have met the Hersches, and to "count you among my friends." Subsequent letters are increasingly warm and intimate, as Goldman shares news of mutual friends, makes arrangements for her to visit the Hersches in Paris, and reports on her travels, writing, and concerns about Alexander Berkman.

The Berkman letters were written from Nice, France. Like Goldman, Berkman discuss his political and philosophical ideas, as well as his efforts not to be expelled by the French government, mutual friends, and concerns about personal finances and health. In particular, his letter of July 6, 1933, mentions his "psychic disgust with the world at large, [and] my situation…." before going on to comment on the futility of both Russian state capitalism and U.S. private capitalism: "The result is the same: man is turned into a slave of the State or of the private owner."

In addition, the collection holds an undated memo reviewing Goldman's Living My Life, a limited edition of Voltairine de Cleyre inscribed by Emma Goldman for Virginia Hersch, and a 20-page booklet of letters of appreciation for Berkman's sixtieth birthday celebration in 1930.