Search

This collection is mainly comprised of letters that Sergeant Stewart F. Laurent wrote to his wife and other family members while serving in France during World War I. The collection also includes documents, postcards, photographs, and ephemera.

This collection (0.5 linear feet) is mainly comprised of letters that Sergeant Stewart F. Laurent wrote to his wife and other family members while serving in France during World War I. The collection also includes documents, postcards, photographs, and ephemera.

The Correspondence series (67 items) contains 65 letters that Laurent wrote about his service in France from March 10, 1918-May 18, 1919; 1 letter that he wrote on January 10, 1918; and 1 letter by other military personnel confirming Laurent's good record as an automobile driver (April 30, 1918). Laurent most frequently wrote to his wife Alice, discussing their separation and anticipating their life together after the war. In other letters to Alice and to his mother, aunt, uncle, and siblings, he described his travels around the French countryside and reported military rumors, particularly those related to the end of the war. He vacationed at Aix-les-Bains in September 1918 and was stationed in Abainville and Haussimont after the Armistice; he also visited Nice and Paris. On Thanksgiving Day, 1918, after the relaxation of censorship requirements, he recounted his passage to France on the USS President Lincoln and enclosed a dinner menu from the journey. Other enclosures include a photographic postcard; snapshots of Laurent, other soldiers, tanks, and places in France; a booklet celebrating Mother's Day; and a political cartoon of an American soldier awaiting his return home. In 2 letters from March 1919, Laurent drew pictures of artillery shells that had been turned into vases.

The Postcards series (11 items) is divided into 3 groups. Stewart F. Laurent sent 3 postcards to his wife Alice between January 8, 1919, and February 17, 1919, of which 2 show the interior and exterior of the Château de Valençay; the third informs Alice of her husband's reassignment to Haussimont, France. The second group of postcards depicts soldiers and scenes from Paris, France, during World War I. The final group of 4 postcards pertains to the Laurents' candy store in Philadelphia, Pennsylvania, in the 1940s.

Items in the Documents series (9 items) mostly relate to Stewart Laurent's military service, including 4 items about his discharge (May 1919), a Treasury Department document about the War Risk Insurance Act and related financial allotments (undated), and instructions for troops sailing from the United States to France onboard the USS President Lincoln [February 1918]. Three items, 2 of which are dated November 18, 1914, concern the Metropolitan Life Insurance Company.

Printed Items and Ephemera (15 items) pertain to Stewart F. Laurent's military service and personal life. A 1908 program for an event at Glenolden Grammar School and an unidentified photograph from 1907 are enclosed with an invitation to Laurent's wedding. The remaining items are from the World War I era, including 2 newsletters about the French Riviera in the spring of 1919, a group of ticket stubs with a parody song ("Silver Threads Among the Black"), Laurent's pay book, a program for a variety performance in Aix-les-Bains, and 3 booklets: a guide to the French Riviera, a history of and guide to Paris, and a soldier's French phrasebook. This collection also includes 2 realia items: a string of beads and a private's chevron.

This collection is made up of the papers of Arba U. Thompson and his wife Frances Warner Thompson of Farmington and Avon, Hartford County, Connecticut, as well as the correspondence of their children Herbert, William, Lewis, Leila, Charles, and Frances May Thompson. The collection also includes the correspondence of Lucelia "Leila" U. Thompson, an educator who traveled with her husband William P. Baker to India in 1853 to serve for a decade as a missionary and teacher.

This collection is made up of the papers of Arba U. Thompson and his wife Frances Warner Thompson of Farmington and Avon, Hartford, Connecticut, as well as the correspondence of their children Herbert, William, Lewis, Leila, Charles, and Frances May Thompson. The papers include 2,713 letters, plus one linear foot of diaries, legal and financial documents, school papers, a commonplace book, a notebook, poems and writings, photographs, ephemeral materials, and printed items.

The Thompson Family Papers correspondence includes a wide range of writers and recipients. A temporary, rudimentary selection of them is as follows:

• The earliest portion of the collection is largely comprised of the incoming correspondence of Frances "Frankie" Warner / Frances Warner Thompson, 1850-1851, and the often lengthy, journal-like letters of Lucelia "Leila" U. Thompson who traveled with her husband William P. Baker to India in 1853, where she served as a missionary and teacher until her death in 1864. Lucelia's letters begin with correspondence from Dwight Place Seminary, New Haven, in 1850. By 1852, she served as a teacher at Germantown in a school of Mary Fales, then in 1853 determined to travel as a missionary abroad. From 1853 to 1864, she wrote lengthy, at times journal-like letters from different locations in India, including "Ahmednuggur," "Khokar," Bhingar, "Shingvay" (illustrated letter from Bombay, January 1, 1855). Her recipients included Emmie Gallup (in Essex, Conn.), Lottie R. Andrew, and Emily Hubbard.
• After Lucelia's death, her husband William P. Barker wrote letters to their parents, daughter Mary, and niece Leila Anna. Barker wrote from Minneapolis and Cottage Grove in the 1860s and 1870s, and from Carbon, Wyoming Territory, in the early 1880s.
• Early 1850s courtship correspondence of Arba Thompson and Frances Warner.
• Early 1850s letters from Mary E. Hubbell of Ipswich, Massachusetts; Avon, Connecticut; Baltimore, Maryland; and North Stonington, Connecticut, to Abigail "Nabby" Thompson.
• Correspondence of Frances Thompson's brother "Baxter" at Yale College, beginning in 1854.
• Letters by Flora Thompson in Avon, Connecticut, to her siblings beginning in the 1850s, then from Carthage, Ohio, by the 1870s.
• Letters of Abel M. Thompson of Rockville mid-1850s
• Correspondence of Pliny F. Warner of Aledo, Illinois, a job printer and publisher of the weekly Aledo Banner, editor of the Mason County Republican out of Havana, Illinois, and then the Havana Republican.
• Letters by Frances Warner's father Milo Warner of Strykersville, New York, 1850s-1860s.
• Letters by Frances Warner's sister Cordelia Morrill of Brooklyn, Strykersville, "Shadow Nook," and Java Village, New York, 1860s-1890s.
• Post-Civil War correspondence to Frances, Abigail "Nabby", and Herbert Wilson Thompson.
• Letters to Frances and Arba from cousin Dr. C. D. Woodruff of Lima, New York.
• Letters of E. G. Warner in Amherst, Massachusetts, to cousin Leila Thompson, 1880s.
• Letters from Charles and Anna Thompson to Frances Thompson from Bridgeport, Connecticut, late 1880s. Charles K. Thompson worked for the American Gramophone Company at Bridgeport.
• Letters of H. W. Thompson, working at C. H. Smith & Co., loan brokers and western real estate out of Hartford, Connecticut, late 1880s.
• Correspondence of Edith A. Warner of Brooklyn, New York, while teaching at Granville Female College, Granville, Ohio, in the 1880s.
• By 1890, the volume of letters to Frances May Thompson, known as May, from siblings and cousins increased dramatically. In the early 1890s, May took a job as a teacher at a schoolhouse in Washington, Connecticut. While there, she received letters from Helen M. Webster (1860-1905), a supervisor at the American Asylum at Hartford, Connecticut; later, Helen married to a man named George Reed and wrote from Hill City, South Dakota, in 1896 and 1897. By the late 1890s, May received letters from her husband, who worked at Harvey & Lewis, opticians and photographic supplies. He also used New York Life Insurance Company stationery.
• Correspondence between siblings Lewis and Leila Thompson, 1900s.
• Incoming letters to Leila Thompson from Alice P. Warner of Beloit, Wisconsin, early 1900s.
• Letters between Leila and Alice H. "Claire" Alderman in Clarkston, Georgia; St. Petersburg, Florida; and elsewhere, 1900s-1910s.
• Later letters between Beatrice A. Hoskins and her mother Frances Hoskins.

The collection includes two small, unsigned diaries, dated 1848 and 1923. Legal and financial documents include 57 accounts, tax receipts, land indentures, loan receipts, four account books (1824-1927), and other papers, largely from Avon and Farmington, Connecticut. One account book, kept by Guy Thomson in 1824, includes accounts for sawing, mending a halter, plowing, mowing, planting, picking apples, making cider, shoeing horses, mending fences, and other labor, plus monies taken in from a boarder.

School papers include 10 rewards of merit, report cards, school programs, a student's notebook, and a teacher's notebook, all dating from 1851-1925. A commonplace book by Leila U. Thompson dates from the 1840s and includes poetry and excerpts, including a multi-page poem, "The Missionary's Call." A notebook, marked "O.V. Brainerd" contains page after page of scribbles.

Poems and other writings include 42 loose leaf copies of poems on subjects such as temperance, resignation, death and bereavement, friendship, sentimental and religious topics, Christmas, and other subjects. Seventeen photographs include a CDV of Fannie Warner as a young girl, and a selection of snapshots, apparently of members of the Hoskins family.

The Thompson Family Papers include a variety of ephemera and printed items, including 12 visiting cards; 33 invitations and announcements; 46 birthday, valentine, Christmas, Thanksgiving, Easter, and other holiday cards; genealogical notes; newspaper clippings, pamphlets, programs, and other items.

The Traveling circus photograph album contains approximately 70 photographs plus 6 additional loose images related to traveling performers.

The Traveling circus photograph album contains approximately 70 photographs plus 6 additional loose images related to traveling performers. The album (14.5 x 21 cm) has black paper covers, and some photographs include handwritten captions. Images include group portraits of a dancing group called "Philip's Girls"; performers in costume for a performance of Uncle Tom's Cabin by Mason Bros.; the Mason Bros. band outside of a circus tent; the interior of a tent with folding chairs; a makeshift stage set up in a grocer's storefront; members of "Baylors Comedians"; the exterior of the Waverly Hippodrome labeled, "Empire Players, Lansing Park Theatre, 1917"; and people relaxing at the beach posing with swimwear and automobiles. One loose image (mount 21 x 26 cm) shows a group of six performers in costume including a clown, a devil, a cowboy, and a man in blackface standing in front of a horse-drawn wagon.

The U.S. Army 15th Infantry Regiment photograph albums consist of a two-volume set containing approximately 197 photographs compiled by a United States Army soldier stationed in China.

The U.S. Army 15th Infantry Regiment photograph albums consist of a two-volume set containing approximately 197 photographs compiled by a United States Army soldier stationed in China.

Volume one (33.5 x 26.5 cm) contains approximately 150 snapshots that primarily consist of images of street scenes, Chinese laborers, construction projects, and American, Chinese, and British soldiers at work and posing in front of buildings. Of particular note are extremely graphic images of Chinese men being executed at large public events. Also present is a clipping from Popular Mechanics regarding a hotel in Honolulu being converted into an army Y.M.C.A., a program from Christmas 1919 including the dinner menu and roster of "Headquarters Company, 15th U.S. Infantry," and a series of family photographs of unidentified men, women, and children on a farm presumably back in the United States.

Volume two (27 x 34.5 cm) contains approximately 47 snapshots. Contents consist of images documenting daily life activities of Chinese people including parades and street scenes as well as views of flooding, American soldiers, and military facilities. Also present is a clipping dated to 1927 from the Attleboro Sun regarding executions in China.

Both volumes appear to have sustained fire damage and are accordion-style fold out albums composed of heavy cardstock encased in brown covers with "Album" stamped in gold on the front.

The Weston family World War II photograph albums consist of four volumes containing approximately 374 images as well as one box of ephemera documenting the camp life and leisure time of married couple Lawrence and Elizabeth Weston. Lawrence served in the United States Army in France during World War II while Elizabeth worked as a nurse.

The Weston family World War II photograph albums consist of four volumes containing approximately 374 images as well as one box of ephemera documenting the camp life and leisure time of married couple Lawrence and Elizabeth Weston. Lawrence served in the United States Army in France during World War II while Elizabeth worked as a nurse.

Volume one (27.25 x 16.5 cm) contains approximately 88 snapshots and one holiday card. The album is constructed like a graduated flipbook, with images loaded into plastic sleeves bound with metal pins. Many images have typewritten notes on the back written by Lawrence Weston. The photographs primarily depict Lawrence's time at Fort Dix in 1940 and 1941, showing soldiers at rest and camp life scenes. Also present are photographs taken in Trenton, New Jersey.

Volume two (27.25 x 16.5 cm) contains approximately 98 snapshots and three negatives. The album is constructed in the same flipbook style as volumes one and three. The images chronicle leisure time in France in Reims and Ancerville around 1945. Of note are several pictures of French civilians standing next to men in uniform, images of Lawrence at a plane crash site, and a cardigan knit from a parachute.

Volume three (27.25 x 16.5 cm) contains approximately 96 snapshots. This album is also constructed in the same flipbook style as volumes one and two and continues where the second volume leaves off. The first half of the album contains more images from France leading up to Lawrence Weston’s departure from Le Havre and Camp Lucky Strike in August of 1945 while the latter half concerns his return to the United States with his arrival in Boston Harbor in January of 1946. Several identified images of Elizabeth Weston are present, and some of the inscriptions on these photographs may be in her hand. The album concludes with views of Detroit, Michigan.

Volume four (30.5 x 24.25 cm) contains approximately 92 snapshots that detail Elizabeth Weston's life from her time in nursing school until 1942. Many images feature her siblings and coworkers while a 1942 trip to Canada is also represented. The album is blue with a ship design on the front cover and is spiral bound.

Also present is one box of ephemera containing three card photographs, 10 tickets and identifications cards, three "letters on record" envelopes, a memo book, two Bond Drive advertisements, a pamphlet on Camp Maxey, four event pamphlets, a copy of a Formula for Peace, a map of Fort Dix, seven documents relating to Lawrence's candidacy to Officer's Candidate School, a certificate, two 1920 letters regarding the location of Lawrence's father, Elizabeth's certificate as a registered nurse, a large map of Germany, and four 1945 copies of The Stars and Stripes.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The William A. Lewis photograph collection consists of approximately 1,530 items pertaining to a wide range of visual subjects that are represented across a variety of photographic formats including daguerreotypes, cartes de visite, stereographs (which form the bulk of the collection), and glass plate negatives as well as modern slides, film strips, snapshots, and postcards.

The subject matter of this collection is thematically and chronologically diverse and reflects the broad interests of the collector, with the U.S. Civil War and 19th-century views of American and European cities being particularly well-represented topics. The collection is organized into four main series according to subject matter and is further divided into specific subject groupings within each series. In most cases, multi-item sets have been kept together and placed within the most generally appropriate subject grouping. An extensive number of photographers and publishers are represented throughout the collection including the likes of H. H. Bennett, C. B. Brubaker, John Carbutt, Centennial Photographic Company, B. F. Childs, E. & H. T. Anthony & Company, Alexander Gardner, T. W. Ingersoll, International Stereoscopic View Company, Keystone View Company, William Notman, Timothy O'Sullivan, William Rau, Strohmeyer & Wyman, Underwood & Underwood, and F. G. Weller.

The following list provides a breakdown of every topical subsection of the collection and includes item counts for each grouping:

• Airships (11)
• Bridges (69)
• Civil War I--stereographs (91)
• Civil War II--cartes de visite, Kodachrome slides, negative film strip copies of stereographs held at the Library of Congress, postcards (48)
• Disasters (49)
• Expositions (24)
• Industry & Labor (89)
• Miscellaneous (23)
• Portraits (109)
• Railroads (62)
• Ships (80)
• War (30)

• Alaska (47)
• Arizona (3)
• California (20)
• Colorado (2)
• Dakota (4)
• District of Columbia (50)
• Florida (2)
• Hawaii (1)
• Illinois (17)
• Iowa (2)
• Maine (8)
• Maryland (27)
• Massachusetts (20)
• Michigan (31)
• Missouri (3)
• New Hampshire (10)
• New York (116)
• Ohio (2)
• Oregon (2)
• Pennsylvania (16)
• Tennessee (1)
• Texas (1)
• Vermont (3)
• Utah (3)
• Virginia (6)
• Washington (1)
• West Virginia (1)
• Wisconsin (2)
• Wyoming (2)
• Unidentified locations (35)

• Austria (5)
• Belgium (6)
• Brazil (1)
• Canada (3)
• Cuba (5)
• Czechoslovakia (1)
• Egypt (5)
• England (21)
• France (43)
• Germany (14)
• Greece (1)
• India (2)
• Ireland (4)
• Italy (22)
• Japan (3)
• Mexico (1)
• Miscellaneous (31)
• Monaco (4)
• Netherlands (1)
• Norway (3)
• Palestine (5)
• Panama (41)
• Puerto Rico (3)
• Scotland (10)
• Spain (2)
• Sweden (2)
• Switzerland (9)
• Turkey (1)

• Keystone Alaska and Panama views, set box (1)
• Stereoscope (1)

• Post-WWI Keystone views of German and American zeppelins and one real photo postcard showing pre-WWI aircraft (Series I, Box 1, Airships)
• Numerous views of the Brooklyn Bridge under construction and after completion, and the Niagara Falls suspension bridge (Series I, Box 1, Bridges)
• Views of Civil War battle sites, encampments, and leaders on contemporary mounts as well as numerous reproductions of stereographs showing important battlefield sites and troops (Series I, Boxes 1-2, Civil War)
• Stereographs, real photo postcards, and other images documenting the aftermath of the 1906 San Francisco Earthquake, 1871 Chicago Fire, 1889 Johnstown Flood, 1900 Galveston Hurricane, and other calamities (Series I, Box 3, Disasters)
• Images showing scenes from various American and European events, with an emphasis on the 1876 Centennial Exhibition in Philadelphia (Series I, Box 3, Expositions)
• Images showing mills, factories and people engaged in various occupations, including a boxed set of 50 images related Sears, Roebuck operations produced around 1906 (Series I, Box 3, Industry & Labor)
• Hand-colored early groupings of French theatrical tableaux (Series I, Box 3, Miscellaneous)
• Approximately 109 portrait photographs in different formats of various individuals, including William Jennings Bryan; a boxed set of 50 cartes de visite depicting Danish actors and actresses; cartes de visite of Emperor Napoleon III and the Mikado of Japan; and numerous unidentified subjects represented in real photo postcards (1), tintypes (17), framed/cased ambrotypes, and daguerreotypes (13) (Series I, Box 4, Portraits)
• Approximately 62 images of railroads, mostly in the U.S., including photographs from an 1866 expedition to the 100th meridian on the Union Pacific Railroad while under construction (Series I, Box 5, Railroads)
• Approximately 80 images of ships including warships, freighters, riverboats, passenger ships, shipwrecks (including of the USS Maine), and shipyards mostly in the U.S. with the notable exception of a photo of the 1858 launch of the SS Great Eastern, with Isambard Kingdom Brunel possibly in the crowd. Also of interest are 8 photos and postcards showing ships in World War I-era "dazzle" camouflage (Series I, Box 5, Ships)
• A Keystone View Co. series of images related to World War I (Series I, Box 5, Wars)
• A number of images produced by Keystone View Co. and other stereograph purveyors that focus on major cities such as Boston, New York, Paris, Constantinople, and Jerusalem (throughout Series II & Series III)
• Views from geological expeditions to the American frontier in the 1860s and 1870s (Series II, Unidentified Locations)