Collections : [University of Michigan Special Collections Research Center]

Eleanor Leacock was a prominant marxist/feminist anthropologist active from the 1940s to the late 1980s. Her area of focus was social and gender relations, feminist theory, and racism in American education. During her career she conducted multiple studies and field work, most prominantly the work she did with the Innu of Labrador Canada. Her collection includes materials related to her various studies and field work, publictions and teaching career, areas of research, and a small portion of family/personal materials. The collection ranges from 1915 to 1987, but most of the collection spans from the 1940s to the 1970s. Notable materials are the field notes and research materials from her field studies in Zambia, Labrador Canada, and Samoa.

The majority of materials in this collection are manuscripts, field notes, research materials, correspondence, articles and papers. This collection includes materials directly related to Eleanor Leacock's career as an anthropologist, such as research notes, field materials, publications, drafts, teaching materials, and correspondence, as well as resources related to the anthropology field. Since Leacock was an anthropologist as well as a professor, many in the field would send Leacock papers and materials for her to review or annotate. These are included in the Professional Materials series. This series in particular will house a large portion of the collection since it includes Leacock's work on her own publications and textbooks as well as those she reviewed for others. The Subject/Research Files series is also very large because it includes notes and research that Leacock conducted throughout her career. There is very little arrangement or description in these folders beyond what was listed on original folder headings.

The most significant portions of this collection pertain to her field work for her various studies. Her most prominant study being the work she did with the Innu in Labrador. Because Leacock passed while in the field in Samoa, the materials in the Samoa series may be unfinished, as are the materials related to her "Levels of Integraion" book, which she had been working on when she passed.

Keeping with the original order of the collection, some topics will be interspersed throughout the collection. For example, some correspondence relating to articles or publications will be found in the Publications series rather than Correspondence, and field materials may be interfiled with other studies (a few Innu materials are found in the Samoa Study series).

Ella Reeve "Mother" Bloor (1862–1951) was an American activist dedicated to the labor movement, the Socialist Party, and numerous radical groups.

The Ella Reeve Bloor Papers consist of two linear feet of personal and professional correspondence, notebooks and pamphlets, clippings, publications, and printed ephemera.

The collection, divided into 4 series, documents her activities as suffragist, free speech advocate, and labor organizer.

The Correspondence series consists of manuscript letters betweeen Bloor and her family, and correspondence between Bloor and her colleagues.

The majority of the family letters are to/from her children. Her letters, written during her travels, provide information about individuals and events associated with her work. Most of the family letters include the month and day written, but not the year. As a result, the letters are arranged in non-specific order.

Bloor's correspondence with colleagues and organizations are arranged chronologically. Included are letters from various Socialist societies, state and local government offices, newspapers, and labor unions, such as the New York State Committee Socialist Party, United Cloth and Cap Makers, Tailors' Union. In addition, there are handwritten letters from other activists involved in socialist and labor causes (e.g., letter from Joseph W. Sharts, counsel for Eugene V. Debs in his trial at Cleveland, Ohio; Theodore H. Lunde, officer of the Peace Council in Chicago).

The Publications series includes several small booklets, articles, a journal, and a report on the professional achievements of Harold M. Ware.

The Ellen Van Volkenburg and Maurice Browne Papers document their personal and professional lives together. The papers are also an important source for American and British theater history.

Correspondence – Extensively documents the personal and professional activities of MB and EVV – Letters to their families, to each other, correspondence to/from other people connected with the theatre – Major correspondents include: Mary Aldis, Dorothy Crawford, Cyril Edwards, Dorothy and Leonard Elmirst, Arthur Davison Ficke, Wilfrid Wilson Gibson, Alexander Greene, Harold Monro, John Cowper Powys, R.C. Stewart, Charles Erskine Scott Wood – Also correspondence about Henry Morley, related to MB's attempted revision of Morley's A First Sketch of English Literature

Writings – Typescripts, annotations, notes, galleys, etc. – MB's autobiography, Too Late to Lament; his plays, including multiple drafts of titles such as The King of the Jews, The Mother of Gregory, and Wings over Europe; prose, including Recollections of Rupert Brooke; and poetry – EVV plays, including Ameriga Vespucci, The American, The Queen's Keys; her prose – Works by others

Theatrical Work – Companies and associations such as Chicago Little Theatre, Cornish School, Maurice Browne Ltd. - contracts, correspondence, financial records, meeting minutes, programs, scripts – Playbills - productions associated with Maurice Browne and Ellen Van Volkenburg, divided into United States and Great Britain; other productions – Printing plates of images and text used for Chicago Little Theatre materials such as playbills, etc. – Promptbooks for many of their plays, including published versions of the plays marked with cuts and edited versions EVV used in readings she gave – Puppets - small amount of material related to puppet productions

Samurai Press – Maurice Browne's project with Harold Monro – Correspondence, business records, several manuscripts, scrapbook, clippings, etc.

Personal and Family – Personal materials related to Maurice Browne and Ellen Van Volkenburg, including correspondence about their engagement, divorce, etc. – EVV's 39 journals covering 1910-1966 – Papers of other family members - Frances Anna Browne, F.H. Browne (MB's father - his papers, dismissal as headmaster, suicide), Edward Stanley Browne, F.W. Mercer (manuscripts he hand lettered and illuminated) – Family papers - Browne family, Neligan family, indentures on vellum

Photographs – Have been organized into groupings by subject – Family and Friends (roman numerals signify subject groupings - legacy from earlier cataloging) - Many photographs of EVV and MB, their families, travel photographs (MB went to India as a young man), Molly Underwood, John Cowper Powys, Arthur Davison Ficke, Mary Aldis, Marjorie Morris, other friends – London and New York I and II - organized by title of play - production/cast photographs (see both categories - not intermingled) - many from Journey's End production – Chicago Little Theatre, Cornish School, and Carmel - organized by title of play - many from Trojan Women – Associates - actors, guest artists, others associated with them

Artwork – Costume and stage designs for various productions (organized by last name of artist when known) - separate section for Othello – Miscellaneous art works - including portraits, woodcuts, watercolors, prints, sketches (organized by last name of artist when known)

Scrapbooks – contain photographs, clippings, programs (some not represented elsewhere in the collection) – some appear to have been created by professional clipping services – document Maurice Browne's parents, their early lives, public appearances, theater reviews, etc.

Printed Material – clippings, topical files

Realia – three breastplates and leather pouch worn by Paul Robeson in Othello, 1930 – puppet made of paper and bamboo – small plaster head (appears to have broken off something)

The Ellen Van Volkenburg and Maurice Browne Papers document their personal and professional lives together. The papers are also an important source for American and British theater history.

Correspondence – Extensively documents the personal and professional activities of MB and EVV – Letters to their families, to each other, correspondence to/from other people connected with the theatre – Major correspondents include: Mary Aldis, Dorothy Crawford, Cyril Edwards, Dorothy and Leonard Elmirst, Arthur Davison Ficke, Wilfrid Wilson Gibson, Alexander Greene, Harold Monro, John Cowper Powys, R.C. Stewart, Charles Erskine Scott Wood – Also correspondence about Henry Morley, related to MB's attempted revision of Morley's A First Sketch of English Literature

Writings – Typescripts, annotations, notes, galleys, etc. – MB's autobiography, Too Late to Lament; his plays, including multiple drafts of titles such as The King of the Jews, The Mother of Gregory, and Wings over Europe; prose, including Recollections of Rupert Brooke; and poetry – EVV plays, including Ameriga Vespucci, The American, The Queen's Keys; her prose – Works by others

Theatrical Work – Companies and associations such as Chicago Little Theatre, Cornish School, Maurice Browne Ltd. - contracts, correspondence, financial records, meeting minutes, programs, scripts – Playbills - productions associated with Maurice Browne and Ellen Van Volkenburg, divided into United States and Great Britain; other productions – Printing plates of images and text used for Chicago Little Theatre materials such as playbills, etc. – Promptbooks for many of their plays, including published versions of the plays marked with cuts and edited versions EVV used in readings she gave – Puppets - small amount of material related to puppet productions

Samurai Press – Maurice Browne's project with Harold Monro – Correspondence, business records, several manuscripts, scrapbook, clippings, etc.

Personal and Family – Personal materials related to Maurice Browne and Ellen Van Volkenburg, including correspondence about their engagement, divorce, etc. – EVV's 39 journals covering 1910-1966 – Papers of other family members - Frances Anna Browne, F.H. Browne (MB's father - his papers, dismissal as headmaster, suicide), Edward Stanley Browne, F.W. Mercer (manuscripts he hand lettered and illuminated) – Family papers - Browne family, Neligan family, indentures on vellum

Photographs – Have been organized into groupings by subject – Family and Friends (roman numerals signify subject groupings - legacy from earlier cataloging) - Many photographs of EVV and MB, their families, travel photographs (MB went to India as a young man), Molly Underwood, John Cowper Powys, Arthur Davison Ficke, Mary Aldis, Marjorie Morris, other friends – London and New York I and II - organized by title of play - production/cast photographs (see both categories - not intermingled) - many from Journey's End production – Chicago Little Theatre, Cornish School, and Carmel - organized by title of play - many from Trojan Women – Associates - actors, guest artists, others associated with them

Artwork – Costume and stage designs for various productions (organized by last name of artist when known) - separate section for Othello – Miscellaneous art works - including portraits, woodcuts, watercolors, prints, sketches (organized by last name of artist when known)

Scrapbooks – contain photographs, clippings, programs (some not represented elsewhere in the collection) – some appear to have been created by professional clipping services – document Maurice Browne's parents, their early lives, public appearances, theater reviews, etc.

Printed Material – clippings, topical files

Realia – three breastplates and leather pouch worn by Paul Robeson in Othello, 1930 – puppet made of paper and bamboo – small plaster head (appears to have broken off something)

These are the papers of Erving Winslow (1839-1922), Secretary of the Anti-Imperialist League (Boston, MA). The collection is largely correspondence related to the activities of the Anti-Imperialist League, especially those regarding Philippine independence. Many of these letters are from members of the U.S. Congress, U.S. and Philippine officials, representatives of public interest groups, and the press. There are also five volumes of record books of Anti-Imperialist League executive committee meetings as well as annual meetings (spanning 1898-1920).

Correspondence concerns the activities of the Anti-Imperialist League, especially as to Philippine independence, and chiefly includes Erving Winslow's outgoing letters as well as letters to him from members of the League's executive committee, along with letters from members of the U.S. Congress; U.S. and Philippine officials; representatives of public interest groups and the press; and other papers. It includes the record book of executive committee meetings, including the printed reports of the annual meeting, 1899–1920.

597 items and 5 v.

This collection documents the activities of Esther Newton (1940-), a professor, cultural anthropologist, and author who is a founder and prominent scholar of LGBTQ studies. The collection contains correspondence; research files; drafts and manuscripts of Newton's published and unpublished writings; coursework, notes, course syllabi, exams, and bibliographies from Newton's time as both a student and professor; presentations, speeches, lecture notes, and programs from conferences and public appearances; newsletters and meeting minutes from professional organizations; genealogical research and photographs of Newton's relatives; and photographs documenting Newton's life and research.

This collection documents the activities of Esther Newton, a professor, cultural anthropologist, and author who is a founder and prominent scholar of LGBTQ studies. The collection contains both personal and professional correspondence; research notes and files; drafts and manuscripts of Newton's published and unpublished writings including essays, books, articles, and journal entries; contracts, reprint permissions, reader's reports, reviews, and correspondence with literary agents and editors; coursework and notes from Newton's undergraduate and graduate student career; course syllabi, quizzes and exams, and bibliographies from Newton's career as a professor; lectures and speeches, paper presentations and proposals, and event programs from academic and professional organization conferences and other public appearances; newsletters and meeting minutes from professional organizations, recommendation letters, proposal reviews, and exhibition planning materials; and personal materials such as summer camp publications, academic transcripts, real estate records, publicity, and interviews.

The collection also contains genealogical materials including family trees and charts; photographs of Newton's family members dating back to the late-1800s; correspondence belonging to Newton's mother, grandmother, and great-grandmother; scrapbooks and photograph albums depicting the Bash family, Newton's mother and maternal grandparents; newspaper articles written in the late-1800s by Newton's maternal great-grandmother Lucia Gilbert Runkle; and research and correspondence relating to Newton's father, Saul Newton.

The collection contains photographs depicting the life of Esther Newton, including photographs of Newton's childhood, friends, romantic partners, and events such as birthdays and vacations. Other photographs depict places, events, and people related to Newton's research, particularly Cherry Grove, New York and drag queen performers in the 1960s. Titles denoted in quotes in the finding aid are transcribed from Newton's original titles of folders and envelopes.

Series 2, Research, contains files of Newton's research relating to her studies, career, and writing. The folders contain scholarly articles, journals, newspaper and magazine articles, book chapters, and written and typescript notes. The files are arranged alphabetically by the author's last name, and by topic if publications are mixed.

Series 3, Writings, contains drafts, manuscripts, and research material relating to the books and articles Cherry Grove, Fire Island; The Future of Gender; A Hard Left Fist; Margaret Mead Made Me Gay; Mother Camp; My Butch Career; The Mythic Mannish Lesbian; Sex and Sensibility; Too Queer for College; Womenfriends; and the unpublished Alice-Hunting; as well as various other essays and articles.

The Ethel Smyth Papers contain correspondence with members of the musical community and members of the women's suffrage movement, drafts of autobiographical work, performance programs and pamphlets, and extensive diaries by Smyth commenting on personal matters, national and regional politics, composition and performance, and the lives of her friends. Also contains two sketches of Smyth by an unknown artist and two books of research notes by Christopher Marie St. John for the definitive biography of Smyth.

The Ethel Smyth Papers are comprised of five series. The series, Manuscripts, Print, Research Notes, Artwork, and Diaries, are arranged in two boxes. The bulk of the Manuscripts series consists of outgoing correspondence dated from 1910 to 1937, primarily addressed to recipients who were involved in the music community of the time. Most of the outgoing correspondence is addressed to Professor Donald Tovey, a Scottish composer and conductor and one of Smyth's mentors. This correspondence consists of 16 letters spanning more than 14 years and addresses various musical topics. Also represented in the outgoing correspondence are letters to composer and conductor Gordon Bryan; to Philip Heseltine (a.k.a. Peter Warlock) a composer and founder of the music serial The Sackbut regarding an article she wrote for the publication; and letters to Lady Constance Lytton, who was a friend of Smyth's in the Women's Suffrage Movement. Correspondence also includes a letter to Scottish conductor and student of Donald Tovey, Dr. Mary Grierson, remarking on the glorious first performance of Smyth's work, The Prison in February of 1931. Other correspondence consists of a letter from Lindsay Venn to Ethel Davidson regarding the disposition of Smyth's papers after her death. Also included in the Manuscripts series is the typescript of Lyrics to Smyth's composition, The Prison, based on the writing of Henry Brewster, who was strongly connected to Smyth. Finally, there is a fragment of several bars of music from the Concerto for Violin, Horn and Orchestra penned and autographed by Smyth. A fragment of a composition by Smyth's contemporary, Frederic H. Cowen is on the verso of this item. The Writings sub-series is made up of drafts of two typescripts. The first contains the first three chapters of A Fresh Start, Smyth's last autobiographical work, which was probably begun in 1941 but was never published. The second contains three drafts of An Eightieth Birthday, a speech given on BBC radio in 1938. These are heavily corrected in Smyth's hand. Finally, there is a single holograph sheet entitled Notes on "Mass in D" which seems to be jottings for program notes. The Print series consists of a program from the 1921 Queen's Hall Symphony performance of Smyth's "Love Duet" from her opera, The Wreckers. It also includes a pamphlet containing the lyrics of March of the Women, a piece Smyth wrote in support of the Women's Suffrage Movement. There are three newspaper clippings which discuss Smyth as a conductor, especially at the Bournemouth Music Festival, held in April of 1924. The Research Notes series contain two books of notes taken by Christopher Marie St. John for the definitive biography of Smyth. Both contain research notes and possibly notes from interviews with Smyth and members of her circle. The second of the notebooks is entitled "Wood on her Conducting / Beecham on Criticism" and contain commentary from two of Smyth's close acquaintances, Henry Wood and Thomas Beecham. The Artwork series consists of two pencil sketches of stage sets for Smyth's opera, "The Prison." The artist of these sketches is unidentified. Perhaps the most significant portion of this collection is the Diaries. These six volumes are in fragile condition and begin in 1917, continuing almost uninterrupted through 1942. The diaries are heavily annotated by Smyth herself, and she obviously used them in writing her autobiographical works. The dated entries present an excellent description of Smyth's life and include commentary on composition and performance of her music; her literary works; her health (in particular, her failing hearing) and travels; her beloved old English sheep dogs; World Wars I and II; the political climate of Ireland in the early 20th century; British royalty; and the lives of her many friends, including Empress Eugénie, Edith Somerville, Lady Ponsonby, Maurice Baring, Betty Balfour and Virgina Woolf. Throughout the diaries, Smyth has pasted in newspaper clippings, photography, pamphlets and other memorabilia. It is possible that Volume VI, which consists of family photographs, poetry by Ethel and her sister Mary, and other notes, is written in a hand which is not Smyth's.

This collection is comprised of the Everett E. Thompson Papers and Photographs. It contains material related to American missionary and civil servant Everett E. Thompson and includes correspondence and extensive photographs from Thompson's time in the Philippines in particular and Southeast Asia in general. Photographs document Thompson's travel to different islands in the Philippines, missionary and American life there, Thompson's travel between San Francisco, Honolulu, the Philippines, Singapre, and Myanmar, and unnamed subjects from the period after Thompson's return to the United States. Many of the photographs contain descriptive notes.

The collection is arranged in one manuscript box containing a variety of correspondence and three small, flat boxes of photographs. The manuscript box contains one folder of miscellaneous papers, one folder of correspondence, one full envelope of 98 letters, and one full envelope of 134 letters. The three flat boxes all contain albumen photographs in mylar. Subjects of the photographs include scenes from the American occupation of the Philippines, voyages to and from the Philippines including stops in San Francisco and Honolulu; travels in Southeast Asia, including Singapore and Myanmar.

Private Steiner, a communist and conscientious objector, was sentenced to death for refusing military orders in WWI. Sentence was commuted to 15 years hard-labor by President Harding. Consists of 66 Steiner letters written from prison to his sisters and mother.

The collection consists of 66 letters from Private Francis Steiner, a German-American, mainly to his two sisters, Anna and Aloisia. The letters were written between May 1918 and November 1920, from various prisons (Camp Funston, Fort Dix, Fort Riley, Fort Leavenworth, Fort Douglas). Although his scheduled date of release was February, 1923, the last letter, dated November 7, 1920, makes no mention of an impending release. There are two letters written to his mother. Letters from prison during that time were required to be in English. His parents apparently did not read or write in English, so his letters home were no doubt translated for them.

Much of the subject matter in the letters describes prison life, the political views of Private Steiner (he was a communist and also a strong supporter of the IWW), the treatment he and his fellow C.O.s (Conscientious Objectors) received at the command of various officers in charge, the food they were served, etc. One amusing letter (January 30, 1920) described the visit to Fort Douglas from General Pershing. The letters also contain "brotherly advice," such as how to shoot a good photograph, (Steiner was the "house" photographer in prison and was apparently given access to dark room facilities as well) and words of encouragement regarding their jobs and social activities.

There is one letter, dated February 21, 1919, written to "Miss A. Steiner" from F.P. Keppel, Third Assistant Secretary, War Department, Washington. This letter was in response to an inquiry from either Anna or Aloisia about her brother's status in prison. Also included is a photocopy of a newspaper clipping which tells that Steiner's death sentence was commuted to 15 years by President Harding.

Steiner made several references in his letters to enclosed photographs, which were not included with the collection. No information is available about these photos.

The Gregory M. Franzwa Lincoln Highway Papers consist of correspondence, publications, clippings, administrative papers, and audiovisual materials that not only discuss the inner workings of the Lincoln Highway Association that Franzwa helped spearhead in 1992 but also showcase the legacy of the historic interstate.

The Gregory M. Franzwa Lincoln Highway Papers, donated by Franzwa's widow, Kathy, on June 26, 2015, is a compilation of correspondence, administrative documents, guides, articles, photographs, and audiovisual materials that deal with the running of the Lincoln Highway Association as well as with the history, sites, and legacy associated with the highway itself.

Correspondence: In this series, there are letters and emails arranged chronologically about a variety of subjects including: the publication of Franzwa's books, the formation and functioning of the Lincoln Highway Association, conventions, and information related to the history of the interstate. Some are the most frequent correspondents that appear in this collection are: Bob and Joyce Ausberger, Rob Bauer, Earl W. Givens, Brian Butko, Lawrence R. Eno, Randall A. Wagner, and Esther M. Oyster. Each of these individuals played a role in the management of the organization. Many of the earlier documents in this section deal with the construction of the Lincoln Highway and are photocopies of the originals.

Lincoln Highway Association Administration: The documents in this series relate to the operation of the Lincoln Highway Association. Located first within this section are the membership rosters that are organized by date. There are two rosters from 1992 that contain slightly different information and are separated from the other booklets due to their rarity, fragile condition, and abundant annotations. Following the rosters are the papers of the organization that are arranged chronologically. The types of materials included in the papers are: participant lists, bylaws, mission statements, reports to the board, position descriptions, invitations to events, financial records, meeting notes, and internal communication. There are also awards presented by the Lincoln Highway Association to chapters of the organization as well as to individual members. The Lifetime Membership Awards are arranged alphabetically by last name while all the other certificates are organized chronologically.

Guides: This section consists of brochures, educational materials, information about landmarks along the Lincoln highway, maps, tours, and travel guides. Both the brochures and the maps are alphabetically organized by state while the travel guides are arranged alphabetically. The travel guides from the beginning of the twentieth century are photocopies of the originals. Though many topics appear in this series, Iowa is particularly well represented.

Journals and Clippings: This series is comprised of seventeen journals, arranged chronologically, that contain articles that either mention the activities of the Lincoln Highway Association directly or discuss themes with which this organization contends. There are also clippings that include newspaper articles, periodical pages, and short narratives organized according to date. The older documents in this section have either been printed out or photocopied.

Photographs: In this section, there are seventeen folders of photographs, negatives, film strips, transparencies, and printouts that are predominantly arranged according to chronology. These pictures document landmarks and scenery alongside the Lincoln Highway, Lincoln Highway Association trips and gathering such as the 1992 foundation meeting in Ogden, Iowa, and reproductions of historic images. On the back of many of the sheets of negatives, there is a list detailing the sites depicted along with a date.

Slides: The slides contain images of Lincoln Highway Association members, landmarks and scenery, and reproductions of photographs that had been taken in the early days of the Lincoln Highway's history. Franzwa used these slides, which arrived in carrousels but have since been removed from their initial housing for storage concerns, in presentations about the Lincoln Highway. They have been kept in their original groupings. While some written components to these slideshows are included with the slides, there is also a folder of other scripts as well as introductory information about Franzwa himself.

Audiovisual: The audiovisual materials consist of cassette tapes and digital media. The cassettes contend with topics like: Iowa's relationship with the Lincoln Highway, Utah, and Franzwa's notes on various historic societies. The digital media sub-series is comprised of CDs that contain images of the Lincoln Highway and individuals affiliated with the Lincoln Highway Association. Two of the CDs are pictures that accompany tours, and the PowerPoint is a conglomeration of Edward A. Holden's 1915 expedition.