Collections : [University of Michigan William L. Clements Library]

The Francis Edmonds papers document the art and business world of the early 19th century and the interrelationship between business and the arts. The correspondence reveals both the practical and aesthetic concerns of artists, and the interest of business men in art as a symbol of personal and national "culture."

The Francis Edmonds papers are about evenly divided between the banking and art scene. The collection is valuable in depicting the interrelationship between business and the arts in mid-nineteenth century New York, where a small group of men dominated art promotion and patronage. Edmonds, a man with one foot in both worlds, naturally occupied a prominent position, and his correspondence reveals both the practical and aesthetic concerns of artists, and the interest of business men in art as a symbol of personal and national "culture."

There are 70 different correspondents represented in this small collection, so its story must be pieced together from multiple fragments. Luckily, there are two published biographies of Edmonds which help to make sense of this scattered correspondence by placing it in context. Roughly, the letters can be divided into those from artists, those from business contacts, and those to or from family members. Their subject matter, however, is not so neatly separated -- and that is what makes the Edmonds Papers so interesting, for bankers talk of art in addition to business, artists of finances as well as aesthetics, and Edmonds may have been the only man to whom these combined interests were communicated.

The largest set of correspondence consists of letters from Francis Edmonds to elder brother John Worth Edmonds, who became prominent as a judge, politician, and writer on spiritualism. Letters written between 1823 and 1829 show the young man to have been much inclined toward personal improvement, and to have looked upon his elder brother as a worthy critic and role model. He self-consciously uses their correspondence as a means to improve his writing style and intellectual development, and mentions writing projects he is at work on. An 1829 letter refers to progress in art work: "About my neighborhood I am getting to be a little known as a painter however I am not at all intoxicated with success as yet."

Edmonds' letters to his brother reveal little of marriage or home life, but are good barometers of his psychological state and his views on life. Clearly he had no illusions about the business and political world, commenting in a March 31, 1829 letter that the Edmonds family had been "to [sic] kind in this world, too much trusting to the good will of mankind and they have suffered for their generosity. It is time we changed their nature's [sic]. ... if two hands are offered you spit in the worst & shake the best." Perhaps this attitude sustained him later on when he lost his prominent banking position, for he comments to his brother in October 1856 that "the sensitive feeling which has so influenced my conduct in going into the world is rapidly wearing away," which he knew would happen with time. In August, 1859, he writes that he is unhappy with his new position at the American Bank Note Company, and has to take the "bile" of those who are jealous and competitive of one another. It appears that he may have had an opportunity to regain his old bank job, but writes to John in 1861 that he has no interest in it, as his old boss would feel threatened by him.

Letters to Edmonds from John Gourlie, Charles Leupp, Jonathan Sturges, and Fanning Tucker, primarily dating from the 1840's, depict the interest in art held by some in the business world. These men, all of whom knew Edmonds in a business setting, also associated with him in societies for the promotion of art, bought and commented upon his paintings and those of other artists, and looked to him for advice when acquiring art for themselves. Many of the letters discuss both banking and art. A particularly interesting one, from Gourlie on June 15, 1841, criticizes artists' refusal to be business-like. Commenting upon rivalry between the Apollo Association and the N.A.D., he remarks that artists "are a queer set. ... So sensitive and at the same time so blind to their own interests." He believes popularization of art, as the Apollo does with its subscriptions for pictures or engravings, is the key to supporting artists, for "[a]ssociations in this country are what the aristocracy is in Europe." Gourlie asserts that rivalry between the Academy and Apollo is a good thing, for "rivalry is the life of all business and pictures may be made business matters as well as cotton or cocoa.!"

Yet correspondence to Edmonds from fellow-artists show them to have been aware that their work was a commodity. An 1841 January 30 letter from Daniel Huntington to Edmonds in Paris comments on hard times in New York, remarking that the arts are now "stagnant," as "[t]he mass of painters are I believe lasily waiting with hands in empty pockets for the revival of Commerce & the increase of orders for portraits." Huntington has sold a sketch he began in Rome of "one of those ragged and flea-inhabited beggar boys" for $100, and sold two heads painted at Florence for $150 each. He must be concerned with what will sell well "in these starving times." Artists Joseph Adams, Thomas Cole, and John Kensett also write of both art and money. They seem to have used Edmonds as a combination personal banker and agent, asking him to sell paintings for them, choose and execute stock transactions, or make loans with paintings offered as collateral. Because of his contacts he was also able to secure artists commissions, contracting with Cole for a painting, employing Asher Durand to copy a picture for engraving, hiring engravers to work from paintings to prepare Apollo Association and Art-Union premium offerings.

The artists' letters are highly interesting for their gossip and commentary on the art scene, both in New York and abroad. They describe work in progress, discuss the merits of major exhibitions, comment on the activities of the N.A.D., and chronicle the life of the expatriate artist as he moves from place to place in season, sending work home for display and (hopefully) sale, scrambling for funds to finance work abroad. It seems to have been a small and convivial "old boys' network" who worked and traveled together and critiqued each other's painting. Edmonds enjoyed seven months of the artist's life in 1840-41, and perhaps this cemented his position as an insider with other artists.

In two important letters of 1840 November 7 and 1842 December 14 Thomas Cole agrees to do a painting of Mt. Etna on commission and describes the finished product. He explains the location and elements of the picture in detail, noting that he may be accused of having "scattered the flowers with too profuse a hand. This is not possible. Sicily is truly the land of flowers..." He hopes the picture "will come to the lot of some one whom we would choose," or that "some good New Yorker will purchase it. I myself will give a hundred dollars & the View of Lake Schroon in Mr. Ridner's room for it." In April 1843 John Kensett writes extensively of the Paris art scene, describing specific works he has seen and including a small pencil sketch of one by Jules Louis Coignet.

Also of particular interest are three 1844 London letters from publisher and bookseller George Putnam, who worked to raise awareness of American art abroad. One solicits articles on American art from Edmonds, assuring him that despite prejudice there are many in England who would be interested in "a little information about American doings in some other arts than the art of raising the wind." In December, reporting on the disappointing reaction of a major critic to three American paintings Edmonds sent for display, he ruefully remarks that the criticism typified English ignorance of America. Putnam was advised to "'tell them to paint some American subject (!) Something of the Indian life.' He was rather incredulous when I suggested that Indians were as great a novelty, nearly, in New York as in London." Still, he wrote, hundreds had viewed and appreciated the paintings, so they had served a good purpose.

One letter in the collection involves neither art nor banking, but Civil War service in Virginia. It is from an old friend of Edmonds, William Fenton, who went to war along with his two sons and served as a colonel in the 8th Michigan regiment. Fenton describes a massive camp along the Rappahannock in detail and indignantly decries the "slaughter" at Fredericksburg as "almost unjustifiable," and due to "old fogeyism" in military strategy. "What was good strategy in the time of Napoleon may not be now." He criticizes political meddling in war and the advancement of "pets." Fenton encourages Edmonds to visit camp, for "[s]uch sights will never again be seen on this continent."

Besides correspondence, news clippings, some later genealogical material, and a draft excerpt from Edmonds' autobiography (ca.1860), the collection includes several pencil sketches by the artist. Eight rough but skillful sketches on small scraps of paper feature indoor and outdoor scenes of people and animals. One is water-colored. There is also a large preliminary study of Edmonds painting "The Bashful Cousin". It is not identified as such, and background scene and details differ from the finished version, but the two main characters are clearly recognizable.

This collection is made up of correspondence and other items related to United States Navy Admiral Frank H. Schofield and his wife, Claribel. The bulk of the collection consists of personal letters that Frank and Claribel Schofield received from acquaintances, family, and each other between the mid-1910s and the early 1920s.

This collection is made up of correspondence and other items related to United States Navy Admiral Frank H. Schofield and his wife, Claribel.

The Correspondence series, which comprises the bulk of the collection, largely consists of personal letters that Frank and Claribel Schofield received from 1913-1923. Frank wrote to Claribel while stationed in Italy, Mexico, Washington, D.C., and other locations; in 1914 and 1915, he served on the Delaware along the East Coast and in Veracruz, Mexico. His letter of March 26, 1918, pertains to military developments during World War I. Frank Schofield's incoming correspondence includes many letters from personal and professional acquaintances, who discussed his career, navy personnel and affairs, the U.S. Naval War College, and nonmilitary subjects. Perry Schofield occasionally wrote to his father about his schooling and everyday life. In July 1923, Frank Schofield received several letters of congratulation after the announcement of his promotion to rear admiral. The series includes an early letter from Anna L. Peck to her cousin Mary (July 6, 1891) and a letter by E. L. Schofield about family genealogy (March 16, 1935). Some of the letters are in French.

The Receipts, Printed Program, and Cards series contains a group of receipts from the Army and Navy Club restaurant and barber, a list of lecture courses and conferences offered by the Institute of Politics in the summer of 1923, cards from friends, and an invitation to a reception at the U.S. Naval War College. One item includes pencil drawings of Frank H. Schofield's monogram.

The collection includes three Scrapbooks. The first volume (85 pages) contains newspaper clippings, with articles about science and medicine, horses, Shakespeare, Swedenborgianism, opium usage, and American history. A large number of clippings are poems about various subjects, sometimes related to religion. Manuscript quotations were written directly onto the first few pages. Visual materials include portraits of members of the Polk family, historic homes and churches, horses, and the stages of development for trilobites. Several items pertain to Frank H. Schofield, including an article about his travels with the navy, photographs from his trip to Guam in 1903, and informal portraits of his wife and son. M. H. P. Cox received the volume from "Miss McGill" in April 1887.

Two large scrapbooks, both with canvas colors, bear the titles "U.S. Fleet Visit to Melbourne, August 1925" and "U.S. Fleet Visit to Lyttelton and Christchurch, New Zealand, August 1925." Each contains programs, invitations, visiting cards, and other ephemera related to the voyage, commanded by Frank H. Schofield. The bulk of each volume is newspaper articles and entire newspapers concerning the fleet's destination. The clippings frequently include information about the sailors' relationships with local residents. The New Zealand volume includes clippings from The Star, The Press (Christchurch), The Sun, and The Lyttelton Times, as well as a full issue of The Weekly Press and N.Z. Referee. The Australia volume contains full issues of The Sun, Punch, Table Talk, The Leader, and The Australasian. The New Zealand album also contains images of native Maoris and others in Maori costume.

The Frank J. Hecker papers are primarily made up of official letters and documents pertaining to his service during and following the Spanish-American war (1898-1899) as Chief of the Division of Transportation, Quartermaster's Department, and as a member of the Isthmian Canal Commission (1904). The collection also contains scrapbooks and newspaper clippings related to his work in these capacities, plus miscellaneous photographs, printed items, and ephemera.

The Frank J. Hecker papers are primarily made up of official letters and documents pertaining to his service during and following the Spanish-American War (1898-1899) as Chief of the Division of Transportation, Quartermaster's Department, and as a member of the Isthmian Canal Commission (1904). The collection also contains newspaper clippings related to his work in these capacities and miscellaneous photographs, printed items, and ephemera.

Frank Hecker's correspondence and documents begin in June 1898, as he began to manage the purchase of transport ships. Correspondents include Hecker, Russell Alexander Alger (Secretary of War), Charles Patrick Eagan (Commissary General of Subsistence), George D. Meiklejohn, Nelson A. Miles (Commander, U.S. Army), William Giles Harding Carter, and many representatives of companies in business with the government. The letters are all official, mostly regarding the purchase and charter of ships; the inspection of ships; and the procurement of laborers, construction materials, and equipment throughout the campaigns in Cuba, Puerto Rico, and elsewhere.

The letters and documents include Frank Hecker's appointment as Chief of the Division of Transportation within the Quartermaster Department; J. M. Ceballas and Company's report of expenses for the transportation of prisoners of war from Santiago de Cuba to Spanish ports, September 1898; correspondence regarding proposed stations for U.S. troops in Cuba and the construction of railways and piers; and other communications respecting transportation, supplies, and storage.

Frank Hecker's two letter books consist of retained copies of his official War Department letters to governmental and military personnel and various businesses. This correspondence contains additional detailed information on the purchase, charter, and maintenance of transport ships and equipment, as well as administrative and financial decisions related to them.

From 1899 to 1903, the collection's correspondence and documents follow up on Hecker's work during the Spanish-American War. Among these are legal documents regarding the John C. Calhoun v. Atlantic Transport Company case (including Hecker's testimony before the Supreme Court, New York County). John Calhoun brought suit with the transport company for commission related to the sale of several vessels to the U.S. government during the war. The correspondence and documents also include one small, undated, Spanish-American War-era notebook, marked "Col. F.J. Hecker. U.S. Vols." Each of approximately 50 pages in this volume contains a ship's name, owning company, tonnage, size, speed, claimed capacity, and cost of charter.

The correspondence and documents dated 1904ff. begin with President Theodore Roosevelt's appointment of Col. Hecker to the (second) Isthmian Canal Commission and a letter specifying the responsibilities of the Commission. The bulk of this material is made up of the proceedings of the Isthmian Canal Commission. The proceedings (meetings 1-49, 53-55, 60) consist of minutes and resolutions, awarded contracts, financial distributions, subcommittee appointments, and other administrative paperwork. Hecker's letter of resignation to Theodore Roosevelt (November 11, 1904) is present, as is the President's letter of acceptance and a series of letters to Hecker, lamenting his decision to leave the commission. Several of them (particularly Russell Alger's of December 1, 1904, and George W. Davis' of January 17, 1905) suggest that Hecker's resignation was in part the result of confusion and turmoil caused by the allegations made against him by the newspapers.

The collection also includes two scrapbooks with content largely related to Frank Hecker's unsuccessful run for Congress (Detroit, Michigan) in 1892, his service on the Isthmian Canal Commission (1904ff.), and the World War I service of his son Christian Henry Hecker, in the 338th Infantry. Other materials include loose clippings from Detroit and New York newspapers with content concerning Hecker's resignation from the Isthmian Canal board. Please see the detailed box and folder listing for a complete list of photographs, printed items, and ephemera.

Warren F. Perkins, Jr. ("Frank") wrote 36 letters to his parents in Providence, Rhode Island, while traveling and working in Canada, the Midwest, and New York from 1904-1906. He commented on his life and work in Chicago; Saint Louis; Topeka; and Kokomo, Indiana, and also discussed his travels to the 1904 Louisiana Purchase Exposition in St. Louis and his work on a houseboat in and around the state of New York.

Warren F. Perkins, Jr. ("Frank") wrote 36 letters and postcards to his parents in Providence, Rhode Island, while traveling and working in Canada, the Midwest, and New York from February 21, 1904-July 15, 1906. In his first letter, Perkins discussed his attempts to find work in Chicago and the strike-related violence he witnessed there (February 21, 1904). In August and September 1904, he traveled to Toronto and Niagara Falls before settling in Saint Louis, Missouri, where he first stayed at "Camp Lewis," a tent city. While living in Saint Louis, Perkins and his companions occasionally visited the Louisiana Purchase Exposition and traveled to the surrounding area. He complained about inflated prices resulting from the exposition, described his accommodations, and discussed his series of blue-collar jobs. His letter of October 16, 1904, contains a sketch of his boarding house.

In November 1904, Perkins left for Topeka, Kansas, where he considered further travel to Omaha, Nebraska (November 28, 1904). By December, he had returned to Chicago, where he again reported on labor disputes, striking workers, and a contentious mayoral election in early 1905. In May 1905, Perkins wrote to his family from Kokomo, Indiana; he drew a map of Kokomo in his letter of May 30, 1905. A final group of 7 letters pertains to his time working on a houseboat in upstate New York and around New York City in June and July 1906. He described the boat and commented on his experiences on the Erie Canal, on the Hudson River, and in New York City. Perkins reached Connecticut by the time he wrote his final letter on July 15, 1906.

This collection contains correspondence, legal documents, financial records, and other material related to the family of Frederick Kislingbury, who died during Adolphus Greely's expedition to the Arctic in the early 1880s. The majority of the material pertains to disputes over Kislingbury's estate, the custody of his children, and his sons' later lives.

This collection contains correspondence, legal documents, financial records, and other material related to the family of Frederick Kislingbury, who died during Adolphus Greely's expedition to the Arctic in the early 1880s. The majority of the material pertains to disputes over his estate, the custody of his children, and his sons' later lives.

The Correspondence and Documents series (around 500 items) comprises the bulk of the collection. Before embarking on Adolphus Greely's Lady Franklin Bay Expedition in August 1881, Frederick Kislingbury signed several personal checks, received postcards from the Army Mutual Aid Association, and corresponded with acquaintances about his finances. On August 17, 1881, he wrote a letter to his sons about his upcoming voyage, and he marked the expedition's proposed landing point on a printed map of the Arctic regions. Soon after his father's departure, Harry H. G. Kislingbury received letters and legal documents regarding a package that his father had sent to him before leaving for the Arctic. Several other letters pertain directly to the expedition. In a letter to Kislingbury dated January 20, 1882, Adolphus Greeley criticized Greely's sleeping habits during his "enforced stay with this command" and discussed the circumstances that led to Kislingbury's initial dismissal for insubordination in 1881. A copied letter from Captain W. M. Beebe about the Neptune's attempted rescue mission (July 17, 1882) and a printed letter confirming the failure of the 1883 relief expedition (September 14, 1883) are also present.

The bulk of the series is made up of incoming letters, legal documents, and financial records to Charles Lamartine Clark, a Detroit resident who served as Kislingbury's estate executor. The material primarily concerns the estate's finances and the custody of Kislingbury's sons. Clark often corresponded with the Army Mutual Aid Association, and the collection has a copy of its 4th annual report (1883). John P. Kislingbury and William H. Kislingbury, Frederick Kislingbury's brothers, wrote to Clark from Rochester, New York. They argued over custody of the Kislingbury children, their brother's funeral and burial, and his financial affairs, though their later correspondence was more cordial toward Clark. Clark also owned an account book covering Kislingbury's relationship with Riggs & Co. from 1881-1884. Some items from 1885 concern a pension that the United States Congress awarded to his sons and related efforts to certify their ages.

After 1885, Harry H. G. Kislingbury wrote letters to Clark about his experiences at the Michigan Military Academy in Orchard Lake, Michigan. Clark also received letters about Harry's conduct from the school's superintendent. Harry later wrote about his life in San Francisco, California, and Flagstaff, Arizona, in the late 1880s.

Wheeler Kislingbury wrote several lengthy personal letters to Charles L. Clark in 1913 and 1914, mentioning his life in San Francisco, California, expressing regret over his uncles' actions following his father's death, and discussing the possibility of publishing his father's diary. Additionally, one letter describes an encounter with Adolphus Greely in which the officer refused to talk to Wheeler after discovering that he was Frederick Kislingbury's son (May 7, 1913). Douglas E. L. Kislingbury wrote a brief personal letter to Clark from Indianapolis, Indiana, in 1917, and Wheeler wrote 2 letters to Clark's wife from Winslow, Arizona, in 1919.

Henry H. G. Kislingbury kept a Diary (100 pages) while traveling from New York to San Francisco onboard the St. Mark between December 6, 1886, and April 22, 1887. Kislingbury wrote about the ship's crew, the weather, the scenery, and the captain's family, who were passengers on the voyage.

The Cass School (Detroit, Mich.) and Michigan Military Academy Papers pertain to the education of two of Frederick Kislingbury's sons. Two report cards from the Cass School in Detroit, Michigan, provide information on Walter Kislingbury's academic progress in 1883. The remaining 25 loose items are report cards and receipts concerning Harry H. G. Kislingbury's academic progress, conduct, and finances during his time at the Michigan Military Academy, 1884-1886. He also kept an account book while attending the school.

The Photographs series (5 items) contains portraits of Charles L. Clark, his wife Georgina Frazer Clark, and a group portrait of Clark with Walter Frederick Kislingbury and Wheeler Kislingbury. Frederick Kislingbury carried the carte-de-visite of Charles L. Clark during the Greely expedition.

A manuscript Menu lists the meals consumed by the Greely expedition on each day of the week.

The Printed Items series is comprised of 2 items: a copy of the Sunday Morning Herald with an article about Frederick Kislingbury's death (July 20, 1884) and Harry H. G. Kislingbury's copy of Emory Upton's Infantry Tactics Double and Single Rank. Adapted to American Topography and Improved Fire-Arms (Revised edition, 1884).

The Frederick Gilbert Bourne collection is made up of correspondence, photographs, printed items, and ephemera related to Bourne, president of the Singer Manufacturing Company and commodore of the New York Yacht Club, and to his son-in-law, Ralph Strassburger, who served as consul general to Romania, Bulgaria, and Serbia in 1913.

The Frederick Gilbert Bourne collection is made up of 73 letters, 11 telegrams, 9 photographs, 1 photograph album, 17 invitations and pieces of ephemera, and 22 printed items related to Bourne and to his son-in-law, Ralph Strassburger.

The Correspondence series (84 items) comprises the bulk of the collection, and is arranged by author and recipient. Bourne composed 45 letters to his daughter May and her husband, Ralph Beaver Strassburger, offering financial advice and sharing news of his social and leisure activities near his Long Island home and during his vacations on Jekyll Island, Georgia. These vacations often included hunting trips and yachting excursions. Several letters composed in 1912 and 1913 reflect Strassburger's time as a diplomat in Eastern Europe, with content respecting his father-in-law's efforts to secure him a reassignment following a local cholera outbreak. Bourne commented on the 1912 presidential election and controversial office appointments made by the outgoing Taft administration.

Incoming correspondence to Frederick Gilbert Bourne documents the social lives of his wealthy friends and family members in the early 20th century. Additional correspondence includes personal letters addressed to Ralph and May Strassburger and to Mrs. Emma Bourne from various acquaintances. The telegrams (11) contain messages between members of the Bourne family, most related to travel arrangements.

The Photographs series includes 9 individual photographs and one photograph album. Nine silver gelatin prints and real photo postcards depict Frederick Gilbert Bourne; "The Towers" on Dark Island, New York; and Indian Neck Hall, Bourne's estate in Oakdale, Long Island, New York (including 1 panoramic photo). The photo album, ca. 1904-1914, contains over 100 images of yachts and automobiles, as well as scenes from Jekyll Island, Georgia, and the leisure activities of wealthy Americans (including sailing races).

The Printed Items and Ephemera series includes 6 visiting/calling cards, a menu, 10 invitations, 7 picture postcards, 13 newspaper and magazine clippings, a magazine, and a book. The calling cards and invitations pertain to the activities of Frederick and Emma Bourne; the postcards depict the Bourne's estates and other buildings; and the clippings, magazine, and book concern Frederick Bourne (including yachting articles from The Rider and Driver and The Illustrated Sporting News). One of the calling cards is personally addressed to Bourne by J. Pierpont Morgan. The book is Henry H. Klein's Dynastic America and Those Who Own It (1921). The series also contains a reproduction of a document commending Bourne's lengthy service with the Singer Manufacturing Company (March 7, 1906) and a composite image of Frederick Bourne working in various occupations.

The Media series is comprised of 6 compact discs containing digital images of the Frederick G. Bourne family, the Jekyll Island Club, and Airy Hall Plantation, the South Carolina plantation owned by Robert George Elbert, another of Bourne's sons-in-law. The series also includes a VHS tape with filmed views of Bourne's estates and of Ralph Strassburger's home, transferred from a 28 millimeter reel from 1918.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Geiger family papers are primarily made up of correspondence written or received by Henry and Mildred Palmer Geiger, who lived in Galena, Illinois, and Sheldon, Iowa, during the late 19th and early 20th centuries. The collection includes letters that the couple wrote to each other during their courtship and letters that Henry received from his wife, siblings, parents, and children while he served with the Illinois National Guard during the Spanish-American War and with the American Expeditionary Forces during World War I.

The Geiger family papers are primarily made up of correspondence written or received by Henry and Mildred Palmer Geiger, who lived in Galena, Illinois, and Sheldon, Iowa, during the late 19th and early 20th centuries. The collection includes letters that the couple wrote to each other during their courtship and letters that Henry received from his wife, siblings, parents, and children while he served with the Illinois National Guard during the Spanish-American War and with the American Expeditionary Forces during World War I.

The Correspondence series comprises the bulk of the collection. Henry Geiger wrote over 100 letters to Mildred Palmer between 1890 and 1894, during their courtship. Though he lived in Galena, Illinois, he frequently spent time in Chicago and Scales Mound, Illinois, while serving with the 6th Illinois National Guard. His letters, often lighthearted, provide details about their relationship and social lives and, to a lesser extent, describe his military service, which included duty in Chicago during the 1894 Pullman Strike. During the summer of 1893, he discussed his experiences at the World's Columbian Exhibition in Chicago. He visited national pavilions, rode the Ferris wheel, and went on other excursions. The collection holds only a few of Mildred's responses before their marriage.

Henry Geiger received around 30 letters while serving in Company M of the 6th Illinois National Guard Regiment during the Spanish-American War. His siblings, parents, and other family members provided news from Galena, Illinois, and occasionally commented on the progress of the conflict. Henry served at Camp Alger and in Puerto Rico in the summer of 1898, and he wrote 1 letter during his service (August 21, 1898). His sister "Eda" enclosed a small woven United States flag in her letter of August 13, 1898. Henry also received around 35 letters from his wife and children when he was serving in various units during World War I; they discussed family news, the war, education, and their separation. Henry's brothers occasionally wrote about their careers.

In addition to Henry and Mildred's family letters, the collection contains 6 letters addressed to Effie Fowler, a schoolteacher who lived in Slater, Missouri, from 1905-1906 , including one letter of recommendation and other personal correspondence.

The Travel Manuscripts series is comprised of two sets of travel notes made while the unidentified authors visited Ceylon, Sumatra, Java, and Japan (6 index cards) and Israel (2 copies, 2 pages each).

The Financial records are receipts, accounts, and a check related to the financial affairs of the Geiger family and to Mrs. Lucy C. Wing of Marshall, Missouri. A small account book holding 2 pages of Wing's partially printed accounts is also included.

The Printed Items series consists of 4 newspaper clippings and an advertisement. Among the clippings are a recipe and an obituary for Mary Katherine Weinsheimer, Henry Geiger's mother. The advertisement in German announces Anna Heise's performance in Die Verfolgte Unschuld on May 3, 1930, in Philadelphia.