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Collection

Charles F. Tew papers, 1837-1905

1.25 linear feet

Online
The Charles F. Tew papers contain letters and documents related to Union officer Charles Tew and his family. The letters document Tew's early career in the navy, his Civil War service, and his family's post-war activities.

The Charles F. Tew papers contain letters and documents related to Union officer Charles Tew and his family (1837-1905). The 1985 series is comprised of 448 letters, 2 diaries, 19 military documents (including orders, supply notes, commissions, and furloughs), 1 roll call notebook, 1 subpoena, 9 financial records (receipts), 3 printed items, and 11 items of ephemera.

The letters begin in 1841, during Tew's early career in the United States Navy, and were written to and from Tew, his mother, and his brother. Tew's letters detail his experiences as a young sailor aboard the Columbus, and include descriptions of ship life. In one letter, Tew complained to his mother that they begin scrubbing the deck early in the morning, and that "if you go below the mate will lick you with out mercy…I am sick of a sailor's life" (September 16, 1841). Several letters deal with his attempts to obtain a discharge. He explained to his mother that if he is not released from service he will simply run away again: "I will never consent to stay here five years on any account whatever I had rather they would throw me overboard with a forty two pound shot tied to my neck" (January 17, 1842). Soon after, the navy agreed to discharge Tew.

Most of the 1850-1860 items are incoming letters to Tew from friends and family, dealing with daily life, town gossip and scandals (such as an illegitimate birth (January 9 and 10, 1851)), firefighting, and cockfighting. Of note is a letter discussing "spirit rappings" (February 22, 1850), and a letter about newly instated fugitive slave laws (November 28, 1850).

The Civil War letters begin on November 5, 1861, when Tew wrote that he and his regiment had reached Annapolis, Maryland. The majority of the letters from this period are from Tew to his wife and family, with some letters addressed to either Tew or Amelia from other friends and family members. The letters indicate that, though Tew missed his family greatly, he was proud of his service for his country: "I am winning an inheritance for my children, and for them a name and a country that they may never be ashamed of" (November 28, 1861). Tew often exhibited frustration at the men who did not enlist, as he believed their reluctance to join the cause only lengthened the war. Tew suggested that their civilian pay should be cut in order to encourage them to enlist (November 21, 1863). Though the series does not include Amelia's letters to Tew, his responses indicate that she was often frustrated by his absence. Tew's letters contain vivid descriptions of army and officer life, battles and expeditions, and his illnesses and injuries. Tew described his part in the capture of New Bern and the ensuing skirmishes (March 16, 1862), Drewry's Bluff (May 22, 1864), Cold Harbor (June 5, 1864), and the siege of Petersburg (June 12-August 11, 1864). Tew wrote that many of his men had grown hard and accustomed to battle: "They are without fear as you may say, heardened to the sight of blood…O Wife you know not what it is to meat death face to face, yet I fear it not…" (April 9, [1862]). Beyond the battlefield, Tew discussed his impressions of and dealings with Southern civilians. He described commandeering houses and burning the homes of those who gave information to the Confederate Army (June 15, 1862). He noted the capture of several Confederate prisoners, mentioning that he wished he could have killed them in revenge for the death of Union soldiers (July 30, 1862). African Americans and slaves are also a frequent topic of discussion, and Tew claimed that, though the people in Maryland have slaves do all of their work, "they cannot be as happy as we are at home with our wives and daughters to do our work so neat for us" (November 1861). Tew occasionally discussed his views of African American troops.

Tew resigned from the service in August 1864, but reenlisted in 1865, to the consternation of his wife. In a letter from March 18, 1865, Tew defended his actions, claiming that he was not a bad husband, nor was he deserting his family. After his reenlistement, Tew felt unwelcome in his new regiment (March 23, 1865). The letters from this period contain a discussion of Lincoln's assassination (April 26, 1865), as well as a first-hand account of the execution of the assassination conspirators (July 10, 1865).

After the war, the series consists primarily of family letters, including several from Charles F. Tew, Jr (1877-1880), who traveled around the United States working odd jobs, including painting, piano tuning, and picking cotton, until he died suddenly in Colorado of an illness. His last letter is dated February 21, 1880, and is followed by a payment for transporting his body back to Massachusetts, and a letter from the hospital containing information on his death (May 17, 1880). Family letters, written primarily by Amelia, Charles, and their children, continue through the next few decades, providing accounts of late 19th century family life. Topics include illnesses, romances and marriages (accounts of Mabel Tew's wedding are provided in letters from January 8 and 15, 1888), work, births, vacations, and general family events.

Also included in the series are several printed documents, including a navy broadside (1837); a pamphlet providing "Instructions for Officers on outpost and patrol duty" (March 25, 1862); and a subpoena to appear at a court martial for men who had gone AWOL (October 19, 1865). Also present are three bound volumes: Tew's roll call notebook for the 2nd Massachusetts Regiment (1862-1865), and two diaries from 1862 and 1865 that contain occasional brief entries.

The 2015 series consists of approximately 250 items, primarily Civil War-era military documents and returns related to ordnance, camp equipage, and clothing. Other military documents concern details, furloughs, and passes for Tew and members of his companies. Application materials for pensions, disability, and other matters area also included. The series also features seven letters from 1849 relating to Charles F. Tew's travels to California to participate in gold mining. Ten letters from Amelia M. Tew to her mother in the mid-1850s detail her young and growing family. These are accompanied by various other family letters, documents, and receipts from 1809 to 1902.

The series also includes several photographs, ephemera, and two essays. One, "An Incident at New Berne, N.C." relates to a Civil War battle in which Tew commanded. The other, "My Childhood Days in the First Third of the Century," is a partial memoir written by a mother for her child. Two autograph albums, one from ca. 1833-1836 and ca. 1874-1878, are at the end of the series.

Collection

Charles Gillette Peters photograph collection, circa 1895-1930

1 envelope

Battle Creek (Michigan) resident, U.S. Railway Postal Service employee, and Spanish-American War veteran. Includes portraits, one of which shows Peters in military uniform.

The collection includes portraits, one of which shows Peters in military uniform.

Collection

Charles H. F. Daigneault and Ren W. Philbrick drawing book, 1901-1905 (bulk 1904)

1 volume

Charles H. F. Daigneault, a teenager in Hudson, New Hampshire, filled this pre-printed account ledger with pencil, pen, and ink drawings between 1904 and 1905 (mostly dated February 1904). The volume had been used sparsely by Ren W. Philbrick as early as 1901; between 1903 and 1905, Ren and possibly other Philbricks contributed a small number of drawings. Daigneault's illustrations feature the Philbricks' "Deer Field Farm," the Hudson schoolhouse, vehicles and transportation, caricatures and anthropomorphic animals, decorative patterns, clothing (uniforms, stockings, garters, shoes, hats, etc.), people and faces, Masonic symbolism and imagery, astrological and horoscope content, mystical and occult symbolism, sideshow performers, museum objects and oddities, American Civil War scenes, historical and mythological torture devices, the use of torture by religious groups, and much else.

Charles H. F. Daigneault, a teenager in Hudson, New Hampshire, filled this pre-printed account ledger with pencil, pen, and ink drawings between 1904 and 1905 (mostly dated February 1904). The volume had been used sparsely by Ren W. Philbrick as early as 1901; between 1903 and 1905, Ren and possibly other Philbricks contributed a small number of drawings.

Daigneault's drawings feature the Philbricks' "Deer Field Farm," the Hudson schoolhouse, vehicles and transportation, caricatures and anthropomorphic animals, decorative patterns, clothing (uniforms, stockings, garters, shoes, hats, etc.), people and faces, Masonic symbolism and imagery, astrological and horoscope content, mystical and occult symbolism, sideshow performers, museum objects and oddities, American Civil War scenes, historical and mythological torture devices, the use of torture by religious groups, and much else.

Charles Dagneault drew pictures of vehicles and transportation, including a view of an electric railroad car full of passengers (page 57), a train engine and part of a coal car with a man shoveling coal (page 69), a rough drawing of a ship looking vaguely like the Merrimack (page 67), a whaling ship beside a whale (page 130), and a U.S. Navy ship (page 66). Daigneault also contributed drawings of horse drawn fire engines, which he labeled "Philbrick Fire Dep. 1904"/"Boston Fire Engine No. 4" (page 49), "Philbrick Fire Dep."/"Chemical No. 1" (page 53), and "Philbrick Fire Dep." (with a row of firefighter helmets and buckets, page 55). In addition to the fire engines, Daigneault made a drawing of fire company hats/helmets, titled "Styles Fire Dept U.S.A." and labeled by years 1811-1850; 1850-1860; 1860; and "First in America Penna"/"Hibernia Philla" (page 88).

Caricatures, full length portraits, busts, faces, limbs, feet, hands, and profiles of humans and anthropomorphic animals are found throughout the volume. Among the caricatures are an "American Schoolteacher" (page 64), "Jewish Junk dealer" (page 58), a cricket player (page 46), and military and police figures. Daigneault drew a number of women's legs in stockings, heeled shoes, and garters. He drew a buttocks in the shape of an upside-down heart with an eye in the middle (page 52) as well as a group of seven overlapping profiles of faces, marked "The Know-alls" (page 59).

The most prevalent imagery in the volume is Masonic symbolism, decorative and sigil-like illustrations, occult and mystical content, horoscope content, and related visuals. Squares and compasses, Eyes of Providence, crosses and cross pattée, five-eight pointed stars, a Masonic owl, ornate swords, hearts, and more. Many of these are doodled onto pages, but others are the subjects of drawings. A few of the latter include:

  • Slightly curved sword with a loopguard and small tassel. Marked "NEVER DRAW me without Cause or Sheath me in Dishonor Sword owned By C. H. F. Daigneault New, Hampshire N H 1904" (page 48)
  • An ornate sword with a loopguard and quillion over crossed dirk and hand-axe. The sword and hand-axe bear a symbol of a cross atop a sun cross atop a heart. Marked "C. H. F. D 1904 -- Feb --" (page 52)
  • An owl decorated with Masonic symbols, "HOOT-HOOT, HOOT" (page 62)
  • A page containing a variety of text and images pertinent to Freemasonry. "3. Points." The name "Peter. Denn" is underlined with a sword and followed by the three points/dots (top dot filled, lower dots not filled). List including "Malice & Revenge" and "Vibration." Other text includes "Moses -- [eye drawing] -- was (a (murderer --" and "Call off your dogs." Drawing of three steps/degrees and a "Holy Bible F.A.M. (Chart)" book atop a podium; sword on top of the book; cross bookmark; E-W arrow and skull and crossbones beside a candelabra with three candles. At the bottom of the page is the text "Apprentice" "Led To the Light" "IV.K.D." (page 100)
  • A page containing a variety of text and images pertinent to Freemasonry. "4. Points." Drawing of a goat with square and compass, a triangle with an eye in the middle labeled "DONT LOSE ME CHARLEY." Arm with square and compass, holding a snake. Two hearts. "The Bluff and Poker Game." Marked "C H. F D 1904." "5.P." "What is the Sharpest Lance of a F.A.M." followed by a triangle made up of nine dots. At the bottom of page is a drawing of a Chi Rho cross. Above it the words "Phallic worship" and beside "S.P.O.R.", "I.H.S.", "K.M.", "Past Meridian", "P.G.M.", and "C.H.F.D." (page 101)

The volume contains two sections of numbered illustrations. One is a gallery of sideshow performers and oddities/curiosity museum objects and animals (pages 110-119) and the other is a gallery of mystical, occult, historical, and mythological religious practices/symbols, many of them violent, including torture devices (pages 134-139).

Numbered gallery of illustrations (1): Sideshow performers and oddities/curiosity museum objects and animals--many of which are noted "musee," "C. H. Daigneault museum," or "Bunker Hill museum."

  • Unnamed "Simesse [Siamese] Twins" (men connected at the chest area, page 110)
  • Millie Christine McCoy (Carolina Twins, page 111)
  • "Sir Taemoto" shown reclining with very large feet (page 111)
  • "Tivery Skelington / dean Barton / Born France" of a very thin man wearing a French military helmet and epaulettes and carrying a sword (page 112)
  • "Elephant Boy" / "Born In England" (page 113)
  • An animal that appears to be a bipedal anteater with a rat-like tail and sharp teeth beside a tree; a man running away in the background. "France / woods / Distroyed / Houses / People / Village." (page 113)
  • "The Warf Twins 1620" (two seated figures connected at the shoulder or neck, page 114)
  • Two-headed calf with the label "2-Headed Calf / Thomas Jefferson / C. H. Daigneault museum / Bunker Hill / museum / 1875" (page 114)
  • Two mermaids facing each other, with the label "Mermaides / Ollalu)=olu= / at C. H. D. museum 1875" (page 115)
  • Raccoon, with the label "Largest -- Racoon Ever / Caught / at Bunkehill museum / owned By C.H.D. / Proptier" (page 115)
  • "A Fine Turtle -- From U.S.S. / old Kersarge" with a drawing of a turtle; on its shell is the text "at C.H.D / Museum / -(1859)- / 1875" (page 116)
  • Cannonball broken in half with the year "1861" written on it; "-1875- / First. Second Shell Fired / Into Fort Sumpter / Presented To C H. F. D / Museum" (page 116)
  • Long straight pipe, with the text "1875 musee / -Chinese pipes-" (page 116)
  • "Musee / Fat Woman / <-580 Pounds- / Madme Waldon," a woman wearing a crown and holding a mirror, wearing a dress, with a heart tattoo on her arm (or heart on an armband) (page 117)
  • A horse standing on its rear legs, "alive / Born without Fore legs." To the left is a small drawing of a walled tent "CHFD / W.F." on the roof; with text "Show Run / Union / Haymarket / Square / (C H F. D) / W. (Bill Friend)" (page 118)
  • Drawing of a very tall thin man with a tall, pointed hat and carrying what looks like a sheathed sword. In a word bubble the man says, "See all In this Book -- PAY 5c For the Boyes BANK". Next to him is a standing sword swallower, with a sword mostly ingested (page 119)
  • Not part of this numbered sequence of drawings, but related content: "Rooster / Born with / 5 Legs - / at / Roxton / Pond / Canada / East." "C H F D / $5.00" (page 128)

Numbered gallery of illustrations (2): Mystical, occult, historical, and mythological religious scenes and practices:

  • Elaborate drawing of Moses standing in front an altar, around which are four winged human angels with trumpets. A six-pointed star marked "VENUS" shines down on the altar. The altar has a lit menorah on it, beside skull and crossbones. The symbols on the altar include a snake, a royal crown, crossed shepherd staffs, crescent moon and six-pointed stars, a manicule pointing at a sun and triangle. The Moses figure is wearing a garment covered in similar symbols and is reading a scroll with similar symbols on it. The Moses figure is standing on a snake. "Law / Giver / Moses / In / 7th veil / of The / Temple". The title of the drawing appears to be "No. 3. anchent mode worship / Seeing 4 Holy Angles-" "C H F. D 1904" (page 134)
  • Kneeling man at an altar, holding up a sun toward a large sun shining down on him. A pot on the altar emits smoke. The title of the drawing appears to be "2d. Religious worship -- of world" or "worship of The Sun / The Dural Sign." Two rebuses are present on the page. (page 135)
  • Drawing of two priest-like figures standing over a person laying on an altar. One carries a staff with a dragon, serpent, or chicken head and wings on it. The other carries a sword dripping with blood and the heart he has cut from the person laying on the altar. The altar has a serpent, six-pointed stars, crescent moons, and other symbols on it. "No 4 / Religion / Mexico / Virgin / Mexico / Temple" (page 136)
  • Drawing of a wicker man and moon. "No. 5. / Religion / The Wicker / Man / Yew-Tree / Moon / In Line / Druids / in / England / Inocent / Virgins / Boyes / men / &c / Burned / In / Wicker / Man" (page 137)
  • Drawing of a disemboweled man nailed upside-down on a board/rack. "No 6" "The Inquisition / The State Inquisition / & Religions." To the right is a drawing of a person being on a spit over a fire, being turned by an unseen figure. "No. 7. The Zoroaster order." Cross pattée. (page 138)
  • "Mans Humanity." Drawing of two men in hats, one heating lead over a furnace and the other pouring "hot lead" onto the body of a tied victim. "No 8 Inquisition." A cross pattée. Below is a drawing of a person hung by their thumbs with a weight tied to their ankles "No. 9. Inquisition" "Thumbs Torture." Beside is an eye of Providence and a cross pattée with an arrow pointing to the rope/thumbs. To the right is a drawing of an iron maiden and a person about to be placed into it. The bottom of the iron maiden has a rotating blade, and a tunnel below has drawings of rectangles and triangles marked "chop up." (page 139)

Other selected content includes:

  • A Punch or Rumpelstiltskin type figure with a tall, pointed hat and a devil on his nose, holding a baby in its arms (page 42)
  • Drawing of a bird with a long and segmented neck, stork-like legs, and a raptor beak: "A HARTEPOCHNIA of MYTH AGE" (page 109). Another drawing of the same bird, standing by eggs that are being stalked by a rat, has a speech bubble reading "Say Rats" (page 92)
  • Crescent moon and six-pointed star "(Kismet) means Fate." Beneath is a full length drawing of a man wearing a fez (which has a crescent moon and six-pointed star on it), what looks like a Hussar pelisse (with sword and six pointed star on it), sword and gun through waist belts, carrying a spear, with garter socks, a kilt-looking bottom and lettings bearing a flower (page 104)
  • Horoscopes by "Prof. Daigneault" for members of the Philbrick family, with additional notes on clairvoyancy/mesmerism/hypnotism (pages 122-127)
  • Recipe for pickled cucumbers [pickles] (page 127)

Collection

Charles H. Foster collection, 1898-1967

3 linear feet

This collection is made up of correspondence, military records, photographs, newsletters, scrapbooks, and other items pertaining to the military career of Charles H. Foster, who served in the United States Navy from 1898-1934.

The Charles H. Foster collection consists of correspondence, military records, photographs, newsletters, scrapbooks, and other items pertaining to the military career of Charles H. Foster, who served in the United States Navy from 1898-1934.

The collection's correspondence (144 items) primarily relates to Foster's naval service after 1902. Letters, memorandums, orders, and reports concern his ship assignments and work at the Naval Gun Factory (Washington Navy Yard) during World War I. One group of letters from the early 1920s relates to the acquisition of dependent's pay for Foster's mother. A series of World War II-era documents respect Foster's fitness for active duty. After World War II, he received letters from military acquaintances and veterans of the Spanish-American War.

Charles H. Foster's 1918-1919 diary concerns his travel on the Huron between the United States and France. Notes, newspaper clippings, and a telegram laid into the volume regard deaths, the military, and historical inquiries.

The papers include 4 of Charles H. Foster's scrapbooks, which contain materials related to the USTS Alliance's 1897-1898 training mission; naval ships, personnel, and theatrical and musical programs and performances; the Mexican Revolution and Mexican politics in the mid-1910s; and naval equipment, camps, and weapons tests.

Sixty-three photographs depict U.S. Navy sailors and vessels. One group of pictures show scenes from the Huron's voyage between France and the United States during World War I. The collection also features photographic postcards sent by Charles H. Foster and others from Mexico, the Philippines, Japan, Germany, and Borneo.

Financial records, legal documents, and service records primarily pertain to Charles H. Foster, with a focus on his time on the USS West Virginia in the 1920s and his mother's financial dependency. Documents, blueprints, photographs, and other items relate to devices patented by Charles H. Foster and others. Two service ribbons appear in the collection, mounted onto a wallet printed with "United States Battle Fleet, Sydney, 1925," which also contains a travel pass and membership card for Charles H. Foster.

The collection includes 429 typescripts about early American history, the Civil War, South Carolina Confederate soldiers, the Spanish-American War, aviation, and the US Navy. Rosters of American Navy ships and personnel include information on Union vessels during the Civil War; casualties from the 1898 USS Maine explosion; USTS Alliance naval apprentices in 1898; USS West Virginia officers in 1926; and the names and addresses of members in several naval veterans' associations.

A "Personal Log" by Royal Emerson Foster relates to his service on the SSAC Bedford in early 1919, with descriptions and illustrations of naval equipment, ship construction, signaling, personnel, and other subjects. The navy publication Rules to Prevent Collisions of Vessels also appears in the Log.

US Naval Ex. Apprentices Association materials include copies of Trade Winds, the association's newsletter, from 1939-1964. The newsletters are accompanied by a list of Alliance apprentices in 1898. A copy of Rocks and Shoals, a publication for former crewmen of the USS Memphis, is also present. Other printed works include military publications about equipment and procedures, a handbook on medicine, the Mariner's Pocketbook, A History of Guantanamo Bay, newspaper clippings, a souvenir book from the US Naval Training Station in Newport, Rhode Island, a death announcement, and a map of Arlington National Cemetery.

Notes, reports, and a bound volume concern the history of the Foster, Yates, and Lindstrom families.

Collection

Charles Horton Cooley papers, 1872-1930

7 linear feet (in 9 boxes) — 1 oversize folder — 2 portraits

Professor of sociology at University of Michigan. Papers contain correspondence, including letters, 1881-1884, written to his family while traveling in Europe, and correspondence with his parents, Mary E. and Thomas M. Cooley, and his wife, Elsie Jones Cooley; addresses, notes, essays, book reviews, notes and material for sociology courses; student notebook, 1893-1894, on lectures given by John Dewey; diary of a trip through the Smokey Mountains in 1883; and journals detailing his personal thoughts and tracing the evolution of his ideas on sociology and democracy; and photographs.

The Charles Horton Cooley papers consist of correspondence, journals, Cooley's notes for lectures, student notebooks, various writings by Cooley, articles about Cooley and reviews of his books and photographs. The papers, particularly the correspondence, reveal much about Cooley's personal and family life. The journals and lecture notes provide insight into the development of Cooley's ideas and his place in the field of sociology. Though the collection includes only a small amount of correspondence with other leading sociologists, the journals and lecture notes record Cooley's comments on and critiques of the theories and methods in the developing discipline.

Collection

Charles Joseph Dyer papers, 1888-1937

4 linear feet

The Dyer Papers contain approximately 1,000 letters written by Bostonian Charles J. Dyer while living in Europe as an aspiring singer, along with photographs, documents and newspaper clippings.

The Dyer Papers contain approximately 1,000 letters written by Bostonian Charles J. Dyer while living in Europe as an aspiring singer, along with photographs, documents, newspaper clippings, and sheet music. Nearly every week, Dyer wrote to his parents in long, descriptive letters, and the collection appears to be a nearly complete record of his days as a music student. His letters create an intimate running commentary on expatriate life, music, and travel.

Collection

Charles Moore papers, 1901-1940

1.3 linear feet

Chairman of the National Commission of Fine Arts. Reminiscences, 1889-1909, relating in part to his activities as clerk of the U.S. Senate Committee on the District of Columbia, and including his impressions of U.S. Senators and prominent architects and artists; scrapbook of postcards depicting European scenes and art work; scrapbooks of correspondence and clippings, 1921-1922, largely concerning his biography of architect, Daniel H. Burnham; correspondence with friends, artists, editors, learned societies; articles, addresses, miscellaneous papers, and photographs.

The Moore collections include reminiscences, 1889-1909, relating in part to his activities as clerk of the U.S. Senate Committee on the District of Columbia, and including his impressions of U.S. Senators and prominent architects and artists; scrapbook of postcards depicting European scenes and art work; scrapbooks of correspondence and clippings, 1921-1922, largely concerning his biography of architect, Daniel H. Burnham; correspondence with friends, artists, editors, learned societies; articles, addresses, miscellaneous papers, and photographs. The collection has been arranged into the following series: Correspondence; Manuscripts of addresses and articles; Diary / Reminiscences; Other materials; Daniel Burnham materials; and Visual Materials.

Additional Charles Moore papers are located at the Library of Congress and the Detroit Institute of Art.