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The Same-sex affection and gender studies photograph collection contains approximately 150 examples of photographs that illustrate closeness between subjects of the same sex as well as aspects of non-traditional gender presentation.

The collection includes photographic examples in multiple formats with real photo postcards, tintypes, cabinet cards, cartes de visite, and small format mounted photos being the most numerous. 145 images are contained in Box 1 of the collection while an additional 5 photographs on larger format card mounts are stored in Box 2. Images mainly consist of portraits of men posing familiarly with other men, women posing familiarly with other women, and portraits of groups and individuals engaged in cross-dressing. Due to the subjective nature of assessing these images combined with historical differences in what was considered socially acceptable displays of affection and the general lack of verifiable context, many of these photographs remain open to a variety of interpretations.

Numerous photographs show same-sex duos and larger groups holding hands, placing their hands on each other, leaning on each other, or demonstrating affection in some other observable way. Most subjects are unidentified, though occasionally individuals have been identified through the presence of inscriptions. In some cases, individuals pictured together have been confirmed to be relatives.

Numerous photographs of male and female individuals and groups engaged in cross-dressing are also present. In many instances, the cross-dressing most likely occurred for humorous reasons.

• Postcard showing two men embracing with the printed caption "We're looking for girls at Lansing, Mich."
• Real photo postcard bearing a studio group portrait of two men, one of whom appears to have an unbuckled belt.
• Cabinet card studio group portrait by Beardsley of Charlotte, Michigan, showing two men, one of whom holds a guitar, whose arms appear to align behind them in a manner that suggests they may have been holding hands.
• Two different group portraits of the same female couple identified through inscriptions as "Agnes Davis" and "Anna Wickerham."
• 1940s group portrait of four men included in a souvenir packet for “Swing Rendezvous,” a New York City-based lesbian/gay bar.
• Real photo postcard bearing a portrait of an unidentified man wearing women's clothing, including a dress, flower-laden hat, and beaded necklace.
• Postcard showing a man wearing women's clothing sat on a bench with the printed caption "The Male is late!"
• Outdoor portrait of two women dressed in men's clothing captioned "A pair of Peaches."
• Real photo postcard captioned "Four of a kind" showing two cross-dressed male-female couples sitting together, with the women sat in the men's laps.
• Series of four images showing a woman posing in World War I-era soldier's uniform.

Photographs collected by Sam Sturgis and Hazel Proctor of Ann Arbor, Michigan; including businesses, street scenes, buildings, people, and activities in Ann Arbor, Brighton, Chelsea, Dexter, Dixboro, Manchester, Saline, and Ypsilanti, Michigan. (Copy negatives and copy prints.)

The Sam Sturgis collection consists of photographic prints and copy negatives of Washtenaw and Livingston County life from the 1860s through the 1970s. Collected by Ann Arbor photographer Sam Sturgis and Ypsilanti banker Hazel Proctor from a variety of known and unknown sources, the collection represents many aspects of life in Ann Arbor, Brighton, Chelsea, Dexter, Dixboro, Manchester, Saline and Ypsilanti. Main subject categories include churches, schools, businesses, buildings, University of Michigan buildings, staff, students and campus life, streets, panoramic views, rivers, recreation and family life, including residences, men, women, and children. Evolving modes of transportation, such as railroads, interurban streetcars, automobiles, and airplanes are also depicted.

Prints and negatives are divided into two parallel series, with negative use restricted to Bentley staff for preservation and security purposes. Each series is arranged alphabetically by city or town and, within each geographical grouping, in the order in which Sturgis collected the items. Sturgis began donating his collection to the Bentley in 1966, and, as items continue to be received, numbering is continued within each geographical grouping, in the original collecting and numbering order established by Sturgis. While some numbers were originally intended by Sturgis to designate the origins of the item, if known, this information has also been added to the item description under the heading "source" to facilitate patron and staff use. The Bentley does not hold a complete set of prints and negatives. Information on the current availability of both prints and negatives is included in each item listing.

Each photograph has a unique identifying number. The "Sturgis Number" consists of a one or two-letter series code, followed by a numerical number with decimal or alphanumeric number, such as AA 267.21 or AA 35A. the collection is arranged by city as follows

City	Sturgis Code	Number of Images
Ann Arbor	AA	ca. 1500
Brighton	BB	148
Chelsea	C	156
Chelsea-Manchester	CM	119
Dexter	D	124
Dixboro	DI	45
Manchester	M	123
Saline	S	57
Ypsilanti	Y	150

An item list of all photographs with description, date (if known), source and photographer, if known, follows the summary contents list on page three of the introduction.

Information on whether the photograph has been published and therefore has further information provided elsewhere is also included in each item description. Unless otherwise noted, all photographs listed as "published" have been published in a series by the Ann Arbor Federal Savings Bank (AAFSB), with editorial supervision by Sam Sturgis and Hazel Proctor. Availability of the respective print and negative concludes each item entry.

The following books, published by the AAFSB in the early 1970s, are annotated with Sturgis' photograph numbers and may be used as a partial guide to the collection. While two copies of each publication are available for consultation in the reading room, only one of each set has annotations. Descriptive captions in these publications as well as the annotated numbers may differ from actual photograph numbers and other information about the photographs. Any reference to these annotations should be verified with the item lists and vice versa to assure accuracy because of occasional inconsistencies. The AAFSB publications with Bentley call numbers are listed as follows:

1. Proctor, Hazel. Old Ann Arbor Town. 1974. Copy 1 annotated. EC 2 A216.5 P964
2. Sam Sturgis. Memories of Old Ann Arbor Town, 1967. Copies 1 and 2 annotated. EC 2 A613.5 S935
3. Proctor, Hazel. Old Brighton Village. 1974. Copy 1 annotated. EC 2 B856.3 P964
4. Proctor, Hazel. Old Chelsea Village. 1972. Copy 2 annotated. EC2 C516.5 P964
5. Proctor, Hazel. Old Dexter Village. 1973. Copy 1 annotated. EC 2 D526.5 P964
6. Proctor, Hazel. Old Manchester Village. 1974. Copy 2 annotated. EC 2 M268.5 P964
7. Proctor, Hazel. Old Saline Village. 1975. Copy 1 annotated. EC 2 S165.5 P964
8. Proctor, Hazel. Old Ypsilanti Town. 1974. Copy 2 annotated. EC 2 Y86.5 P964

This collection consists of physician and doctor Samuel C. Allison's patient accounts from 1863 to 1892 in Punxsutawney, Pennsylvania, with short notes on the reason for patients' visits, medicines, and the costs of Allison's services.

This collection consists of physician and doctor Samuel C. Allison's patient accounts from 1863 to 1893 in Punxsutawney, Pennsylvania, with short notes on the reason for patients' visits, medicines, and the costs of Allison's services.

The first volume spans from 1863 to 1865; the second from 1870 to 1875; and the third from 1876-1893. Health matters addressed include fractures, obstetrics, sexually transmitted diseases, venesection, teeth extractions (dental), pediatrics, vaccinations, and more. Some goods were given instead of cash, such as fruits and vegetables, meat and eggs, sugar and molasses, potatoes, butter, and other foodstuffs. On occasion, patrons paid with other goods like a clock, a pair of gloves, or other items. The account books contain several recipes for medicines written in the back, and the third volume contains seventeen pages of accounts seemingly from a jewelry store, noting purchases of watches, rings, chains, clocks and other furniture.

A partially printed certificate from the Common Schools of Pennsylvania made out to Samuel C. Allison from April 1, 1858, is laid into the third volume, certifying he passed his exams in orthography, reading, writing, arithmetic, geography, English grammar, algebra, physiology, and the art of teaching.

This collection consists of the correspondence, diaries, writings, documents, sermon notes, and other items produced by or related to Samuel D. Bates, a Free Will Baptist preacher and educator in Ohio in the mid-nineteenth century. The correspondence spans from 1847 to 1892 and includes letters to and from his wife Lodeemy Brockett. Documents in the collection reflect S. D. Bates' engagement with religious groups and schools, featuring teacher's reports, subscription lists, financial records, and more. Several manuscript writings are also present, including essays and two editions of his 1850 manuscript newspaper, "The Human Elevater." Three volumes and 16 fragments of Samuel D. Bates's diaries span from 1850 to 1857, and two volumes of autobiographical writings are also present. Several hundred sermon notes date from 1851 to mid-1870s, with some numbered by Bates and annotated about different locations where they were delivered.

This collection consists of the correspondence, diaries, writings, documents, sermon notes, and other items produced by or related to Samuel D. Bates, a Free Will Baptist preacher and educator in Ohio in the mid-nineteenth century, as well as material relating to his son, Harley A. Bates, and his spouse Harriette (Hattie) E. Rice. The correspondence spans from 1847 to 1899, with the bulk dating from 1849 to 1892 for Samuel D. Bates and from 1889 to 1899 for Harley A. Bates. The personal correspondence reflects family dynamics, courtship, events in Marion and Hillsdale, Ohio, and matters relating to college fraternities due to Hattie Rice's heavy involvement in that field.

Documents in the collection reflect Samuel D. Bates's engagement with religious groups and schools, featuring teacher's reports, subscription lists, financial records, and more. Various financial and estate documents as well as certificates and other items provide additional insight into the family's affairs. Several manuscript writings are also present, including essays and two editions of Samuel D. Bates's 1850 manuscript newspaper, "The Human Elevater." Three volumes and 16 fragments of Samuel D. Bates's diaries span from 1850 to 1857, and two volumes of his autobiographical writings are also present.

Several hundred of Samuel D. Bates's sermon notes date from 1851 to mid-1870s, with some numbered by Bates and annotated about different locations where they were delivered.

Invitations, printed materials, and ephemeral materials further reflect on the family's social and intellectual life. Printed items include items such as funeral notices, the program for Samuel D. Bates's memorial service, newspaper clippings, among others.

The Samuel F. Smith collection contains material related to the author of the poem "My Country, 'Tis of Thee" ("America"), including holograph manuscripts of the lyrics, correspondence, and photographs.

The Samuel F. Smith collection contains material related to the author of "My Country, 'Tis of Thee" ("America"). Many items pertain to the song, such as holograph copies of the lyrics signed by the author and a facsimile of its first printed version. Other items include handwritten copies of the poem "The Eve of Decoration Day" and the hymn "The Morning Light is Breaking," along with a letter to D.A. Wilbur in which Smith expressed doubts about the legitimacy of what Wilbur believed to be an original copy of "The Morning Light is Breaking" (January 4, 1895).

The collection also has several personal letters that Smith wrote near the end of his life, a brief autobiographical statement, a prose work entitled "The Prayer," a statement about the Harvard College Class of 1829, and several portraits, including one bearing Smith's autograph. Also included is a printed program from a "Testimonial Benefit Tendered to Rev. S. F. Smith, D. D.," held on April 3, 1895, as well as a published volume, Poems of Home and Country, once owned by J. F. C. Hyde. See the Detailed Box and Folder Listing for a complete inventory.

The Samuel May, Jr., collection contains letters and other items related to Samuel May, Jr., of Leicester, Massachusetts. Most items pertain to anti-slavery activists' Fourth of July celebrations in Framingham, Massachusetts, in 1857 and 1858.

This collection is comprised of 6 letters and 3 other items related to Samuel May, Jr., of Leicester, Massachusetts. Most items pertain to the Massachusetts Anti-Slavery Society's Fourth of July celebrations in Framingham, Massachusetts, in 1857 and 1858, including 5 letters from May to Ginery Twichell (1811-1883), president of the Boston and Worcester Railroad, and a clipping from The Liberator. The collection also includes a pamphlet about May's life. See the Detailed Box and Folder Listing for more information.

This collection contains correspondence and other materials related to the family of Samuel Prioleau Ravenel and his wife, Margaretta Fleming Parker Ravenel. Many of the letters concern life in Philadelphia, Pennsylvania, and Charleston, South Carolina, before, during, and after the Civil War (particularly during Reconstruction). Other items pertain to family news, European travel, and other subjects.

This collection is made up of correspondence, photographs, and other materials related to the family of Samuel Prioleau Ravenel and his wife Margaretta Fleming Parker Ravenel. Many of the letters concern life in Philadelphia, Pennsylvania, and Charleston, South Carolina, before, during, and after the Civil War.

The Correspondence series (215 items) comprises the bulk of the collection. Many of the earliest items are incoming personal letters to Clarissa Walton and Thomas Fleming from friends, their son. These and other early items largely pertain to everyday life and social activities in Philadelphia, Pennsylvania, and Charleston, South Carolina. The series includes a group of letters that Thomas and Margaretta Fleming Parker wrote to the Flemings, his in-laws and her parents, about life in Charleston in 1861; Margaretta occasionally referred to the war. James McCarter wrote two letters from Charleston in June 1862 about the flight of civilians from the city and other effects of the war.

Ravenel family correspondence begins in the late 1850s with letters that Samuel Prioleau Ravenel received from a correspondent in Philadelphia; at the time, he lived in Pendleton, South Carolina. Ravenel began to correspond with Margaretta Parker in 1862, and they discussed their courtship, plans to marry, and daily lives until 1865. In letters to Margaretta and, in the late 1860s, to his father, Daniel, Samuel Prioleau Ravenel often wrote about Reconstruction policies, freedmen, and other political topics. Daniel Ravenel wrote to his son and his daughter-in-law about life in Charleston.

Samuel Prioleau and Margaretta Ravenel spent much of the late 1860s in Switzerland and in Paris, France, which Margaretta described in letters to her mother Clarissa Walton Fleming. Fleming responded with news from home, including comments about the 1868 presidential election and her life in Philadelphia. Throughout the 1870s, Samuel and Margaretta corresponded with their families about Charleston socialites and family news from South Carolina and their home in Highlands, North Carolina. They often discussed the births and growth of their children. A group of letters written in 1902 concerns the death of Samuel Prioleau Ravenel. Additional items from the early 20th century concern the Ravenel family's interest in a sugar mill and other topics.

The Photographs series (5 items) contains carte-de-visite portraits of S. Prioleau Ravenel in a military overcoat (1 item), Arthur Parker (1 item), and a woman, tentatively identified as Margaretta Ravenel or "Annie" (2 items), as well as a cabinet card photograph of three men around a table, taken in Mexico.

The Printed Items series (7 items) includes copies of a Supplement to Charleston Mercury (November 30, 1867), the Charleston Daily Courier-Extra (December 3, 1867), and The Charleston Mercury (May 2, 1868). Also included are a page from The Tri-Weekly Courier (December 9, 1867), a playbill for a production of Ten Nights in a Barroom at the Wardman Park theatre (April 23, 1929), a newspaper clipping containing a copy of "Mother Shipton's Prophecy" (undated), a calling card for "Miss Loat" of Balham Hill (undated); and a single book: Mason Smith Family Letters, 1860-1868, edited by Daniel E. Huger Smith, Alice R. Huger Smith, and Arney R. Childs (Columbia, S.C.: University of South Carolina Press, 1950).

This volume is made up of Dr. Samuel Watson Bragg's entries regarding his obstetrics practice in Burlington and Lincoln, Maine, 1879-1909. Each entry may include the name of the mother (sometimes listed by their husbands' names, i.e. "Mrs. Rev. John Todd"), the date, the sex of the child, complications or ease of labor and delivery, notes on premature birth, whether or not the child was the woman's first or not, whether or not ether or instruments were used during the birthing process, and other information. The weight of the child was occasionally documented. Dr. Bragg also noted purposeful or accidental abortions and miscarriages, and in some cases the deaths of mothers. A photograph of Dr. Bragg in front of his office, apparently with his daughter, is pasted into the inside cover of the volume.

This volume is made up of Dr. Samuel Watson Bragg's entries regarding his obstetrics practice in Burlington and Lincoln, Maine, 1879-1909. Each entry may include the name of the mother (sometimes listed by their husbands' names, i.e. "Mrs. Rev. John Todd"), the date, the sex of the child, complications or ease of labor and delivery, notes on premature birth, whether or not the child was the woman's first, whether or not ether or instruments were used during the birthing process, and other information. The weight of the child was occasionally documented. Dr. Bragg also noted purposeful or accidental abortions and miscarriages, and in some cases the deaths of mothers. A photograph of Dr. Bragg in front of his office, apparently with his daughter, is pasted into the inside cover of the volume.

One entry respects the birth of child at seven months, who, the doctor wrote, had been "marked" because of the mother's assistance in killing a woodchuck early in the pregnancy. The child had a hole "to its brains" at the same location where the mother had struck the woodchuck with a pick (entry 20).