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The Boston, Plymouth, and New Bedford photograph album contains 24 images of scenes in Boston, Plymouth, and New Bedford in Massachusetts as well as one cyanotype postcard of a young woman.

The Boston, Plymouth, and New Bedford photograph album contains 24 images of scenes in Boston, Plymouth, and New Bedford in Massachusetts as well as one cyanotype postcard of a young woman.

The album (16 x 19.5 cm) has leather covers with the word “Photographs” stamped on the front in gold. A loose card is included that provides explanatory information and corresponding page numbers for each photograph in the album. Most of the photographs are outdoor scenes with groups of people. Images of note include views of Park Street in Boston looking towards the capitol building, the 1867 suspension bridge, Ether Monument and Washington Monument in the Boston Public Gardens, the Boston Public Waterworks from Beacon Street in Chestnut Hill, a fisherman, an old whaling ship in New Bedford, Plymouth-area monuments, cemeteries, and downtown, and two people in a carriage in front of the Egypt Train Depot in Scituate, Massachusetts. Also present is a cyanotype postcard of a young woman sitting and reading with “Miss Mary E. Black/Eggemoggin, Maine” written on the back.

The Hudson Valley African Americans photograph album contains 25 photographic portraits and 1 silhouette portrait of African Americans in New York State’s Hudson Valley region.

The Hudson Valley African Americans photograph album contains 25 photographic portraits and 1 silhouette portrait of African Americans in New York State’s Hudson Valley region.

The album (25.5 x 22 cm) has red and orange velvet covers with silver adornments and clasp while the pages are faux wood boards. Contents include 10 cabinet cards, 5 tintypes, 8 cartes de visite, 1 real photo postcard, 1 snapshot, and 1 silhouette. All or most subjects appear to be African American and include men, women, and children of a variety of ages. The silhouette shows a man in profile wearing a bowler hat smoking a cigar.

Images of particular note include portraits of an older man with a long beard, an older woman wearing black mourning clothing, a younger woman posing next to what appears to be some type of doll or taxidermied animal, a portrait of a woman taken by Pirie MacDonald on pg. 11 (produced at some point prior to MacDonald's decision to exclusively photograph men), and two carte de visite copies of a portrait of a bearded man with lighter skin.