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The Society for the Prevention of Cruelty to Disabled Hats is a humorous handwritten and illustrated booklet related to a fictional organization dedicated to the protection of various styles of hats.

The Society for the Prevention of Cruelty to Disabled Hats is a humorous handwritten and illustrated booklet related to a fictional organization dedicated to the protection of various styles of hats.

The volume (11 x 7 cm) is a small notebook with a sticker on the front cover of an American top hat. Inside of the front cover the name and originating date of the society are presented. The following pages display a declaration from the society’s “board” before delving into 60 watercolor and ink illustrations of different types of hats, each of which is provided a name. The inside of the back cover contains lists of the society's “board members” and “inspectors.” Also of note is an illustration of a firefighting wagon.

The South Dakota photograph album contains approximately 110 photographs showing scenes in and around Chamberlain, South Dakota.

The South Dakota photograph album contains approximately 110 photographs showing scenes in and around Chamberlain, South Dakota. The album (26 x 33 cm) has black cloth covers and most images have manuscript captions. Four loose photographs inside the front cover include an image of a storefront of the "Lanphere Land Company"; a man with several girls on a parade float with the sign "The Master-Builder"; a building being constructed; and a view of Chamberlain replete with tipi encampments and grazing horses in the foreground. Subsequent images of interest include street views of Chamberlain, landscape views, shacks representing mining claims, the interior and exterior of a tent restaurant, railroad trains and bridges, picnickers, teams of surveyors and railroad workers, and buildings of the "Chamberlain Indian School."

The Southern tour collection contains photographs from a traveling party's visit to several locations in the southern United States, including Civil War battlefields, in March 1885, as well as a printed booklet containing sketches of people and various locales.

The collection contains 19 card photographs (13 x 21 cm). Many of these photographs show groups of men at "Magnolia," at the site of the Battle of Seven Pines (Fair Oaks), by a New Orleans train depot, and at Castillo de San Marcos in Saint Augustine, Florida; in one photograph, several men are picking strawberries. Other images show a wooded area in Mississippi, relics on a battlefield, Fort Sumter, and Fort Moultrie near Charleston, S.C. The booklet, entitled "Taylor, His Sketch Book, 1885," contains reprinted drawings of men and women (often with captions which are occasionally humorous), and of buildings in Saint Augustine, Florida. Some of the drawings depict African Americans. The card mounted photographs are bound in a red leather wrapper with the title "136 March 13-28 1885" in gold on the cover.

The Southwest automobile camping photograph album contains 46 photographs of an auto camping trip to Arizona and New Mexico in 1928.

The Southwest automobile camping photograph album contains 46 photographs of an auto camping trip to Arizona and New Mexico in 1928. Each photograph includes notation naming location, individuals, and some dates. Multiple photographs are missing. The first portion of the album shows various locations in Arizona including the Sentinel (Arizona), Gillespie Dam, San Xavier Mission and Grotto, Casa Grande Ruins, Wickenburg Mountains, Granite Dells, Hopi Point and Powell Memorial at the Grand Canyon, Painted Desert, and Canyon Lake. Locations in New Mexico include Elephant Butte Dam, Hot Springs, and Raton Pass. Auto camps shown include "Stumble Inn," (Tucson, Arizona), Rowe's Well Camp (near the Grand Canyon), and Texas Home Camp (Hot Springs, New Mexico). The last image is of the Oklahoma State Capitol.

Many captions name William and Mattie Mulholland in the photographs. Also included is one loose photograph of poodles from "Baby Doll Kennels," in Erie, Pennsylvania.

The album is 20.5 x 13.5 cm with black artificial leather covers.

The Southwestern automobile travel photograph album (14.5 x 20.25 cm) contains 102 snapshots, most of which document an automobile trip in the United States and Mexico. The images feature bullfighting, camping, fishing and picnicking.

The Southwestern automobile travel photograph album (14.5 x 20.25 cm) contains 102 snapshots, most of which document an automobile trip in the United States and Mexico. The images feature bullfighting, camping, fishing and picnicking. Also included are images of hot springs and a fence made entirely of antlers.

The Souvenir of Orlando, Florida photograph album contains 42 photographs of the southeastern United States from ca. 1940 to 1950.

The Souvenir of Orlando, Florida photograph album contains 42 photographs of the southeastern United States from ca. 1940 to 1950. Photographs show steamboat tours of New Orleans (Louisiana), a replica tourist attraction of Native American trading posts, a harbor, construction, laborers harvesting crops, and a parade.

The album is 16.5 x 12.75 cm with brown artificial leather covers. "Snapshots / Souvenir of Orlando, Fla." is stamped on the front cover in silver.

The Springfield Cabinet-maker's daybook records the author's daily production of chairs and other wooden items from 1825-1826.

The Springfield Cabinet-maker's daybook has 97 pages of records dated at "Springfield" from January 6, 1825-November 16, 1826. The author recorded his production and repair of various wooden items, especially furniture such as chairs, tables, and bedsteads, and also rocking chairs and stools. Some individual transactions concern many chairs sold at one time. Some entries record other labors, most frequently varnishing and painting. Though most records pertain to the owner's work for others, some mention payments he received in food items, labor, wood, and other goods and services. The daybook entries are followed by 2 pages of notes about boarders and laborers, dated 1825-1834.

An unnamed employee maintained this account book between 1889 and 1890 for a company producing handstamps, embossing stamps, and stencils. The volume includes the date, name of the patron, fees, and an occasional note about services. Frequently, the finished product for the client is stamped next to the entry.

An unnamed employee maintained this account book between 1889 and 1890 for a company producing handstamps, embossing stamps, and stencils. The volume includes the date, name of the patron, fees, and an occasional note about services. Frequently, the finished product for the client is stamped next to the entry.

The stamps predominantly represent names or symbols of businesses from across the United States, with many from the shoe and clothing industries. Other stamps described the quality of company's wares or noted patents, while some stamps were for individual names. One stamp advertised the one hundredth performance of the play "Oolah" on Broadway (p. 57). While many of the stamps feature graphic typography and embellishments, several stamps include images, such as feet in shoes (p. 54, 101), a dove (p. 73), a belt (p. 91), an American flag (p. 100) and eagle (p. 108), a crown (p. 100), four-leaf clovers (p. 104), a ship (p. 107), and a cow (p. 109). At least one stamp includes backward lettering (p. 101). Several embossed stamps were done on other paper and pasted into the volume or done directly on the paper in the volume.

This diary (around 130 pages) recounts the author's travels from New York to England and France from October 1830-March 1831. He commented on architecture, history, and politics. The attribution of the volume is based on the author's reference to his father, "W. Steele" (page 102).

This diary (around 130 pages) recounts the author's travels from New York to England and France from October 1830-March 1831. He commented on architecture, history, and politics. The attribution of the volume is based on the author's reference to his father, "W. Steele" (page 102).

The author left New York for Europe on October 24, 1830, for health reasons, and composed brief daily notes about his sea voyage until November 17. He resumed his account in Manchester, England, on December 8, 1830, and wrote regular diary entries until March 5, 1831. While in England, he traveled by stagecoach from Manchester to London, visiting Birmingham, Stratford-upon-Avon, and Oxford along the way. The author described the scenery (with a focus on architecture) and history of the places he visited. He drew a detailed plan of Kenilworth Castle (page 19). While in London, he discussed the formation of a new Parliamentary government and noted the pollution visible from his window.

The diarist sailed to Boulogne, France, and then to Paris shortly thereafter. While in Paris, he described several prominent buildings, such as the Palais-Royal and the Notre Dame cathedral, and recorded notes about the history of the city and its buildings. He visited the Marquis de Lafayette at one of his weekly soirées, noting that printed versions of the Declaration of Independence, Washington's Farewell Address, Trumbull's picture of Congress, the Death of Wolfe, and an image of Bunker Hill were suspended in his chambers (page 69).

Steele described an operation performed on his throat by Baron Guillaume Dupuytren (pages 89-90). He frequently wrote about his social life and correspondence with acquaintances in the United States. Several entries from mid-February 1831 concern riots in Paris, which resulted in mob violence against the church of Saint-Germain l'Auxerrois. He later recorded some personal thoughts about the possible progression of French politics following the unrest.

This handmade account book contains financial accounts for the Stephentown (N.Y.) school district library, including fines imposed on individuals for late returns of books, as well as damages. This volume was repurposed later by William Wallace Elliot as a penmanship exercise book.

This handmade account book contains financial accounts of the Stephentown (N.Y.) school district library, including fines imposed on individuals for late returns of books, as well as damages. This volume was repurposed at a later date by William Wallace Elliot as a penmanship exercise book.

The final page is a "Register of damages to books." The cover is made from a scrap of a paper ream wrapper. Sections used by William for penmanship exercise feature repeated phrases and quoted passages.