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This account book (88 pages) contains information about a saloon owner's personal and professional expenses from January 1889-December 1890. Internal evidence suggests that this may have been the Leonard Brothers Saloon, located on Edmond Street in St. Joseph, Missouri.

This account book (88 pages) contains information about a saloon owner's personal and professional expenses from January 1889-December 1890.

The owner recorded daily accounts of cash, stocked goods, and expenses on facing pages. He purchased beer from the Anheuser-Bush Brewing Association, the August Nunning Brewing Company, the St. Joseph Brewing Company, the M. K. Goetz Brewing Company, and other suppliers. He also bought whiskey, rye, gin, cider, soda water, and cigars. Business-related expenses included electric lighting, foods, insurance, licenses, and laborers, such as a watchman and a "colored man" (p. 33). Personal expenses included groceries, shoes, medical care, opera and theater tickets, a "hired girl," streetcar passes, membership dues, and taxes.

This journal contains Samuel Lightfoot's notes about surveys he conducted in southeastern Pennsylvania in the mid-18th century. An account book, dated primarily in the 1780s, is laid into the volume.

This journal (around 200 pages) contains Samuel Lightfoot's notes about surveys he conducted in southeastern Pennsylvania in the mid-18th century. An account book (30 pages), dated primarily in the late 1780s, is laid into the volume.

Samuel Lightfoot recorded information about surveys he conducted in Berks, Chester, Lancaster, and Lehigh Counties, Pennsylvania, from June 8, 1739-December 2, 1757. A 73-page section covering September 1743-March 1753 is missing. Lightfoot made detailed notes about his work, including the names of his customers and property owners and the boundaries of surveyed tracts.

The first 2 pages of the small account book pertain to "Outstanding Debts Due To Samuel Lightfoot," with a list of names and monetary amounts. The remaining 28 pages concern an anonymous author's personal finances from June 3, 1786-September 13, 1788. The accounts consist of brief notes about individual transactions, which often involved farm labor, such as haying or threshing, and the sale of potatoes. At least one laborer was a woman. A memorandum on the back of the volume concerns the sale of a tract of land by David Davis to George Davis. The account book also has a note laid inside it, indicating the extent of a lot of land owned by Thomas Lloyd.

The San Antonio, Texas family photograph album contains approximately 115 photographs of a family taken in and around San Antonio, Texas from ca. 1910-1930.

The San Antonio, Texas family photograph album contains approximately 115 photographs of a family taken in and around San Antonio, Texas from ca. 1910-1930. The photographs vary in size and a few include handwritten notations on the front or back. These notations mention first names (Art, Uncle Ed, and Allan) and the address of one of the frequently appearing houses, 624 E Guenther St, San Antonio, Texas. The images show a family over a period of approximately a decade, featuring Allan throughout his childhood. Allan can be seen with multiple dogs, cats, and chickens, swimming, in a baseball uniform, and with his family. One photo is of particular interest; Allan, as a toddler, is holding a rifle and is standing with two men in baseball uniforms and military gear at a military encampment. Also noteworthy, a small portion of the photographs have a "Fox Tone Picture," stamp on the back. Some photographs are loose throughout the album and others are housed in folders between pages.

The album is 18.5 x 14 cm with black cloth covers.

This cashbook contains accounts with various individuals from May-December 1818, as well as additional accounts dated January-August, year unknown.

This cashbook contains an anonymous author's accounts with various individuals from May-December 1818, as well as additional accounts that follow and are dated January-August, year unknown. The first few pages have been removed and some pages of accounts are partially torn or missing.

The financial accounts take up about 27 pages; they concern incoming shipments of a variety of merchandise (such as butter, oats, lumber, candles, fur, iron, beef, and spyglasses) as well as financial transactions with various persons. The author usually reconciled accounts of debits and credits at the end of each month. The "proprietors" of the city of Sandusky, Ohio, are occasionally mentioned, and one account pertains to a subscription for a road to Columbus, Ohio.

The later pages have brief pencil notes about historical topics in a different hand from the person who kept the accounts. One page has a list of North American wars from King William's War to the Civil War and a list of seven North American colleges.

The San Francisco (Calif.) autograph album contains manuscript inscriptions, portrait photographs, photographs of western scenes, pictures of statues, and reproductions of popular paintings.

The San Francisco (Calif.) autograph album (20cm x 13cm, 180 pages) contains around 125 photographs and prints, as well as manuscript inscriptions. Some of the inscriptions, dated at San Francisco between 1860 and 1888, include brief quotations and uplifting messages, along with the contributor's signature. A few small dried plant specimens are laid into the album. The brown leather cover has a floral design, the word "Autographs," and an illustration of a quill and book inlaid in gold.

The majority of the album's photographic prints are studio portraits of women and, less frequently, men; pencil captions identify many individuals, such as John S. Hittell, an early author of Yosemite guidebooks, and Benjamin P. Avery, miner, journalist, and diplomat. Some photographs are associated with inscriptions and autographs. A number of images are missing. Images include reproductions of popular paintings, and pictures of statues, primarily busts. A number of the paintings are attributed to David Dalhoff Neal.

Of note are views of Yosemite National Park, likely commercially produced stereograph halves; a photograph of a group of men participating in "Hydraulic Washing" in Yuba County, California, published as a stereograph by Lawrence and Houseworth; a view of tourists under giant Redwood trees; the upended tree stump in Mammoth Tree Grove (Calaveras County, California). One view and one portrait carrying the blind-stamp of photographer Carleton E. Watkins and several other views are similar to known Watkins images; at least one (Crystal Lake House) compares to a stereo by Alfred A Hart.

A small number of images are from Europe, showing cathedrals, the view from Trinità dei Monti in Rome, and a view of a waterfall below a village. The majority of the inscriptions are in English, with several in German.

This photograph album contains pictures of mountain scenery and street scenes in British Columbia and Alberta; of rubble and refugee camps taken in San Francisco after the 1906 earthquake; of people relaxing near Long Beach, California; and pictures taken during a hunting trip near Oracle, Arizona.

This photograph album (18cm x 25cm) contains 99 photographic prints taken in British Columbia, Alberta, California, and Arizona in the early 20th century. The album's covers are brown pebbled leather, and the title "Photographs" is stamped in gold on the front cover. Most items have manuscript captions.

A majority of the photographs are scenic views of mountain ranges, lakes, forests, and glaciers in British Columbia and Alberta, including pictures taken in Banff, Alberta; in the Canadian Rockies; and in the Selkirk Mountains. This section of the album also contains views of the British Columbia Parliament Buildings in Victoria, and street scenes in Victoria and Vancouver, British Columbia; a large totem pole is visible in one of the pictures of Victoria. A second group of photographs shows scenes of rubble and refugee tent camps in San Francisco following the 1906 earthquake.

The third group of items consists of photographs taken in and near Long Beach and Los Angeles, California. Groups of tourists are evident in several of these pictures, and some focus on pairs of male travelers. Pictured locales include Eastlake Park in Los Angeles, an orange grove in Redlands, California, and "Follows Camp." These are followed by photographs of desert scenes near Oracle, Arizona, where a group of hunters, including at least one woman, occupied a semi-permanent tent. The photographer captured images of natural scenery such as large cacti, balance rocks, and a box canyon. The final items are a group portrait of young men, identified by a manuscript caption on a note laid into the album; an unidentified mountainous scene; and an outdoor portrait of a girl.

The San Francisco Earthquake photograph album contains 48 photographs showing the aftermath of the 1906 earthquake in San Francisco.

The San Francisco Earthquake photograph album contains 48 photographs showing the aftermath of the 1906 earthquake in San Francisco. The album (27 x 18 cm) has pebbled black cloth covers and includes a laid in handwritten table of contents. Images include views of ruins of City Hall, the Crosby Building, the Granada Hotel, and Grace Church; temporary tent and tin-shack housing; a tent camp in Golden Gate Park; people cooking on the street using makeshift stoves; views showing the devastation of Russian Hill, North Beach, Chinatown, and Telegraph Hill; a group of men playing checkers in the street; a hospital tent; a crowd lining up in front of a tent with the sign, "W.C.T.U. Free Reading Room"; a young African American girl sitting beside a tent with an infant in a box beside her; and an African American man sitting in a tin shack with the sign, "Show Maker."

The Schlegelmilch family cottage photograph album contains 107 photographs related to the Schlegelmilch family vacation home on a wooded island or point (likely on a lake in Wisconsin) including views of natural scenery, Schlegelmilch family members and cottage guests, and various recreational activities taken during the late 1890s to 1920.

The Schlegelmilch family cottage photograph album contains 107 photographs related to the Schlegelmilch family vacation home on a wooded island or point (likely on a lake in Wisconsin) including views of natural scenery, Schlegelmilch family members and cottage guests, and various recreational activities taken during the late 1890s to 1920. The album (18 x 27 cm) is half bound in tan leather with four rivets along the edge. Images of interest include scenic views of the lake, cottage exterior, and surrounding forested area; views of cottage visitors boating, gathering on the veranda and indoors for meals, swimming, using rifles for target practice, fishing, picnicking, and taking part in outdoor excursions; a posed portrait of people holding musical instruments, a fishing net, and a megaphone; photographs of boats including small steamboats or lake ferries, a sailboat, and a large canoe holding 13 passengers; interior views of the cottage during winter; and two photographs of Native Americans including a family sitting outside of a wigwam shelter and a group portrait dated 1901 showing two people sitting in a wallpapered interior with a beaded bandolier bag hanging from the wall behind and a small animal pelt on the shelf.

Cottage visitors identified by handwritten captions include: Agnes Barland, Mable Welke, Isabel Rutherford, Gordon Barland, H. F. Schlegelmilch, L. Schlegelmilch, Jennie Dunnigan, and Lillian Dunnigan.

The Schooner Dart Journal documents the voyage of an American privateering vessel under the command of Master Thorndike Symonds from July 16, 1812, to August 8, 1812. The schooner departed from Salem, Massachusetts, and stopped at Cape Sable Island, Nova Scotia, before ranging along the Maine, New Hampshire, and Massachusetts coasts in search of British prizes. The journal's author notes wind and weather conditions, places passed, and encounters with other ships, which were principally American privateers, merchant vessels, and fishermen.

• Nancy out of Portsmouth, New Hampshire
• Wild Robin out of Boston, Massachusetts
• Regulator out of Salem, Massachusetts

Notes about the various ships' homeports and purposes provide insight into the maritime activity in the region. On July 23, three crewmembers from the Dart were placed aboard the brig George. On July 25, upon encountering the schooner Five Sisters, previously captured by the Maidstone, the Dart took on her prize master and prisoners and sent aboard a new prize master and three crewmembers to take the captured vessel to Salem. The entry for July 25 also notes that the Regulator captured a fishing schooner within sight of the Dart, but the Maidstone had already taken it. News about English cruisers driving ashore American privateers in the region of St. Andrews was recorded on July 30.

The journal's passages also illuminate some of privateers' daily operations, including brief comments on food and drink, examining ships' paperwork, taking stock of water and arms onboard, and hiring pilots to aid navigation.

Thorndike Symonds signed the final page of the journal on August 12, 1812, swearing before Salem's collector William W. Oliver that it was a "full, just and true account of all the transactions on board said privateer during her late Cruise."

A note written on March 22, 1895, by A. F. Hitchings, Deputy Collector, appears on the last page, stating the Dart's tonnage, Thorndike Symonds' command, and the schooner's owners. Hitchings' stamp also appears on the front cover.

The Schuylkill Arsenal photograph album is a 26.5 x 35 cm photograph album with a black leather cover. The album contains 12 18 x 23 cm albumen prints, all of which depict various buildings and streets at Schuylkill Arsenal. Also present in many of the photos are various unidentified individuals, presumably most are Arsenal workers but also women and children.

The Schuylkill Arsenal photograph album is a 26.5 x 35 cm photograph album with a black leather cover. The album contains 12 unattributed 18 x 23 cm albumen prints, all of which depict various buildings and streets at Schuylkill Arsenal. Also present in many of the photos are various unidentified individuals, presumably most are Arsenal workers but there are also women and children. There may have been a 13th photograph within the album at one point, no longer extant; the back of each photograph is numbered sequentially in pencil, skipping number 8.

Nothing within the actual album gives a precise date for the photographs, but three of the photographs (3, 6, and 8) were in possession of a Richard P. Barr (the 1920 Census shows a 58 year old Richard P. Barr living in Philadelphia working as a "foreman" at the "arsenal") and were used in Frank H. Taylor's 1913 publicationPhiladelphia in the Civil War , which states that the photographs date from 1862. According to Taylor's publication, the eighth photograph in the album depicts "Old Bill" the white warhorse used by General George G. Meade. This has not been confirmed, and is certainly not Meade's famous horse Old Baldy.

The last page of the album has four items related to the Trout family of Philadelphia. The demise of Clinton J. Trout (died on December 14, 1909), his wife Mary E. Trout (died on March 1, 1907), and their son Warner F. W. Trout (died on September 21, 1909) is documented. The connection between the Trout family and the Schuylkill Arsenal is unknown.