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This collection is made up of 5 Christian sermons concerning the links between evidence and faith, the divine origin of Christianity, the role of Christ in providing salvation, the omniscience of God, and Holy Communion.

This collection is made up of 5 Christian sermons (70 pages) concerning religious subjects. The sermons were written between June 10, 1798, and January 1828, and each is based on a Bible verse: 1 John 5:10, John 20:29, 1 John 2:1-2, Luke 22:19, and Psalms 139:9-10. The first two sermons concern aspects of faith, including the role of evidence in creating and maintaining belief and the importance of believing in Christianity's divine origin. The third sermon focuses on salvation and on Jesus Christ's role as an advocate. The fourth sermon is a lengthy discussion of Holy Communion, and the fifth sermon relates to God's omniscience and, to a lesser extent, morality.

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide social commentary especially on race, ethnicity, gender, and class.

This nineteenth-century album contains 46 once-bound pen-and-ink caricatures on heavy card stock, each card with or formerly with metal eyelets on one short edge. A pencil inscription at the back of the volume reads, "Mr. Albert L. Briggs, Providence, RI," and internal references to Providence, Rhode Island, further suggests that either Briggs or another local resident may have produced the artwork. The figures represented in the volume vary widely and some are more sympathetic or more disparaging than others. The illustrator relied heavily on exaggerated features, stereotypes, and jokes directed at people's physical appearance to provide especially social commentary on race, ethnicity, gender, and class.

At least seven of the illustrations relate to women, including drawings referring to women's rights and various women's roles as mothers, performers, physicians, and cooks. One, labelled "What is home without a mother," may be a reference to a song by the same name published in 1854, and it features a woman with a monstrous face. Another titled "HANNAH LONG" depicts a woman peddling "Quaker Bitters" (probably the Providence, Rhode Island, patent medicine by that name) and may be referring to Hannah Longshore (1819-1901), who graduated from the first class of the Women's Medical College of Pennsylvania in 1851.

Many of the caricatures focus on impoverished or working class people, showing individuals in tattered clothing or in lower-paying professions such as a farmer, a shoeshine, and a seeming gravedigger. A number of illustrations depict men in various stages of intoxication or alcoholism. Forms of social disorder are highlighted in caricatures of a convict and of a knife-wielding murderer labelled "THE MAN THAT KILLED JOHN GILPIN." Commentary on physical and mental disability are also represented, in drawings of a mentally ill man labelled "Luny" and a man with unaligned eyes and feet labelled "On exhibition."

Other caricatures reflect racial, ethnic, and religious stereotypes. Two racist caricatures depict African Americans, including one of a Black Congressman and one of an Uncle Remus character. Another caricature depicts a recent immigrant, while two are anti-Semitic (those labeled "The Torturer" and "NAME IT"). Two figures depict high religious figures, from Catholic or Orthodox Christian churches; one wears a robe, a fur-brimmed mitre, and snowshoes. The word "KAMSCHASA" is written near the bottom of the robe, likely referring to the Kamchatka peninsula in Russia.

Other caricatures highlight people based on their height, weight, profession (such as a king, a knight, an editor, a lecturer), or social posturing. For example, attitudes like dignity, contentment, nosiness, and bashfulness are spotlighted. Others appear more innocuous, such as illustrations of someone reading the morning newspaper and another of someone taking "Rush's Pills," but underlying subtexts for many of the images likely have additional meaning.

The Railroad building in Québec photograph album contains 154 photographs that document a survey team operating in various remote locations in the Canadian province of Québec from May 1906 to September 1909 during the construction of the National Transcontinental Railway.

The Railroad building in Québec photograph album contains 154 photographs that document a survey team operating in various remote locations in the Canadian province of Québec from May 1906 to September 1909 during the construction of the National Transcontinental Railway.

The album (18 x 29.5 cm) has brown leather covers with "Photographs" stamped in gold on the front. Most images are dated and are arranged in roughly chronological order from May 1906 to September 1909, but there is no identification of people or places. The presence of surveying equipment in several images and the coverage of many different places on the railway’s route indicate a traveling survey team as the likely source of the photographs. The group seems to have been present at all stages of the project, from clearing the land to laying the track bed to building overpasses.

Contents consist of images of worker encampments and log cabin villages, landscapes, scenes from Québec City’s tricentennial in July 1908, railway workers and women in camp, trestle construction, unidentified towns in various stages of development, and two portraits of Native Americans. Also of interest are numerous images featuring surveying tools and equipment as well as cameras.

The Railroad construction photograph album contains approximately 300 photographs taken by an unidentified railroad engineer showing construction projects on the White River Railway, Gordon & Fort Smith Railway, Wabash Southern Railraod, and the Chicago, Burlington & Quincy Railway in Northern Arkansas, southern Illinois, and Missouri.

The Railroad construction photograph album contains approximately 300 photographs taken by an unidentified railroad engineer showing construction projects on the White River Railway, Gordon & Fort Smith Railway, Wabash Southern Railraod, and the Chicago, Burlington & Quincy Railway in Northern Arkansas, southern Illinois, and Missouri.

The album (18.5 x 28 cm) has black cloth covers, and many of the photographs have manuscript captions. Photographs of interest include images of engineers' and contractors' camps on the Antoine River in Arkansas and the Big Muddy River near Zeigler, Illinois, including interiors and exteriors of tent offices and living quarters; work parties (one of which includes a Japanese man identified as "K. Okora") relaxing and eating in camp, using survey equipment, building concrete piers, operating grading machinery, unloading equipment, laying track, and repairing bridges and tunnels, including sections damaged by flooding. Also of note is a photograph labeled "G. M. Callaway on his speeder, 1907," showing a man riding a Fairbanks velocipede railroad handcar. Several family photographs are also present, showing the unidentified engineer who created the album and his wife in their tent "home" at Antoine River, Arkansas, and with their young child at home in Chicago. Additional photographs include street views from Carthage and Kansas City in Missouri as well as Chicago and Benton in Illinois. Also present are three images of Wabash Southern Railway maps that are affixed to the inside of the back cover.

Railroad employees identified in photographs include: R.C. Larimore, Geo. Gentry, J. F. Reidnaar, Ernest Cameron, K. Okora, Carlos Dunn, Don Bradley, Braun, Wherry, Humber, Guy Hardin, Jno. P. Sanderson, Dick Armstrong, H. W. Perstrup, Geo. N. Lampley, Roy Watson, W. R. Smith, H. Rohmer, S. L. Morrow, F. Hammond, and C. L. Moorman.

This log book documents the voyage of the merchant brig Swiftsure from Boston, Massachusetts, to India by way of Mauritius, and back to Boston, between November 1817 and January 1819. Ralph I. Linzee was the ship's captain for the voyage.

This log book documents the voyage of the merchant brig Swiftsure from Boston, Massachusetts, to India by way of Mauritius, and back to Boston, between November 1817 and January 1819. Ralph I. Linzee was the ship's captain for the voyage. The volume is approximately 180 pages, has a hand-stitched heavy linen cover, and includes the handwriting of multiple unidentified bookkeepers.

The log begins on November 26, 1817, just before the Swiftsure's departure for Calcutta, India, by way of Port Louis, Mauritius. The daily entries record information on the ship's course, prevailing winds, weather, distances traveled, unusual incidents, and (occasionally) crewmembers' behavior or illnesses. The writers frequently described the sails used for navigation. On one occasion, the ship's steward had a physical altercation with Captain Linzee (March 16, 1818), and several entries from November 1818 detail a pox that afflicted the ship's cook, Lewis Wilson. The Swiftsure returned to Boston around January 20, 1819, bearing cotton, cowhides, silk, and other goods. The log's final entry is dated January 27, 1819. Supplementary information within the volume includes lists of articles received from the ship's chandler (foods, sails, and ammunition) and accounts of cordage and food for the crew.

The Randel family photograph album (15.5 x 17.25 cm) contains 45 snapshot photographs taken in New York and New Jersey. The album depicts many members of the Randel family, including members of the related Hawks, Slocum, Fort, Potter, and Wood families. These photographs focus on individuals, leisure, travel, and bodies of water in the area.

The Randel family photograph album (15.5 x 17.25 cm) contains 45 snapshot photographs taken in New York and New Jersey. The album depicts many members of the Randel family, including members of the related Hawks, Slocum, Fort, Potter, and Wood families. These photographs focus on individuals, leisure, travel, and bodies of water in the area. Each photograph is numbered to an unknown index; some include notes on how and when the photograph was taken and who is in the photo.

The album has photographs taken in multiple cities in New York state, including Oneida, Hoosick, Easton, Schuylerville, Narrowsburg, and Brooklyn. Various photos were also taken in the New Jersey cities of Jersey City and Eagle Rock.

The Raymond family travel and portrait photograph album contains approximately 315 items (including photographic prints and illustrated postcards) related to the family, acquaintances, and travels of Francis J. Raymond, Jr., of St. Louis, Missouri.

The Raymond family travel and portrait photograph album contains approximately 315 items (including photographic prints and illustrated postcards) related to the family, acquaintances, and travels of Francis J. Raymond, Jr., of St. Louis, Missouri. The album (25 x 34 cm) has black cloth pages and is largely disbound. The majority of photographs have printed or typewritten captions. Many images are posed individual and group portraits of men, women, and children wearing fashionable clothing in a variety of settings, including on porches, patios, indoors, and beside trains. Several photographs appear to have been taken at the Antler Hotel in Colorado Springs, Colorado, over a number of years, including images taken of a children's party on the hotel lawn replete with a group of Native American performers wearing war bonnets and carrying drums. Francis Raymond, Jr., is also shown visiting Charles L. Raymond and family in Detroit, as well as the Keelyn family and other friends in Los Angeles and Riverside, California. Other images show a golf outing; numerous cats and other animals; attractions in Colorado Springs, including the Cheyenne Mountain Lodge; scenes from Hawaii, including colored commercial prints of Mt. Muana Loa and a portrait of "Phillip Abdul" playing a ukelele on a Honolulu beach; several photographic silhouettes; a beach scene at Northport Point, Michigan; and a cottage at Topinbee, Michigan. Laid in images include two photographs of children's parties in 1917 and 1919, and two family groups from the same period.

The Rehoboth Beach, Mountain Island, Norfolk photograph album contains 56 cyanotypes, 70 snapshots, and 1 lithograph depicting people and various locations along the eastern coast of the United States.

The Rehoboth Beach, Mountain Island, Norfolk photograph album contains 56 cyanotypes, 70 snapshots, and 1 lithograph depicting people and various locations along the eastern coast of the United States.

The album (14.5 x 18 cm) has brown cloth covers with “Photographs” embossed on the front. Images of note include numerous outdoor shots and studio portraits of women and children, a cyanotype of three women sitting on a set of carriage wheels captioned "I like Ruth best of all," a cyanotype of two women sitting on a dock with the inscription "Yacht. Rare. ‘Island Heights’ July 27th 1901," an African American man with a horse, and a trip to Rehoboth Beach, Delaware, in the summer of 1900. Other photographs of interest include pictures of the Lewes family who were the owners of Rehoboth Beach, the Norfolk Conservatory in the City Park, an 1899 trip by four women to Mountain Island, North Carolina, La Fayette Square in Baltimore, and a picture of a young man and woman with a caption suggesting they had recently been engaged.

This 34-page, pocket-size Revolutionary War diary was kept from August to September 1776 by an unidentified American soldier, likely a private from Pennsylvania. The diarist and his unit travelled through Philadelphia and along the New Jersey coast. Places named include Trenton, Princeton, Kingston, New Brunswick, the Raritan River, Perth Amboy, Elizabeth, Newark, Newark Bay, Bergenfield, Paulus Hook, and Kingsbridge. The author wrote of camp life, lodgings, food, occasional interactions with civilians, and military encounters. He appears to have been in the vicinity of New York, New York, in the early stages of the New York campaign. Later entries at the back of the volume predominantly relate to financial transactions and travel costs.

This 34-page, pocket-size Revolutionary War diary was kept from August to September 1776 by an unidentified American soldier, likely from Pennsylvania. References to the captain of his unit indicate the writer was likely at a lower rank, possibly a private. The volume measures approximately 4 inches by 3.25 inches, and phonetic spelling appears throughout.

The diarist and his unit travelled through Philadelphia and along the New Jersey coast. Places named include Trenton, Princeton, Kingston, New Brunswick, the Raritan River, Perth Amboy, Elizabeth, Newark, Newark Bay, Bergenfield, Paulus Hook, and Kingsbridge. He recorded where and how they traveled, noting trips on boats, wagons, and foot. He commented on distances, the scenery, time spent waiting, road conditions, and other irritations, like mosquitoes at Paulus Hook (pages 16 and 20). At times he described where they spent the night and efforts to secure lodging. In Perth Amboy, he noted that rooms were plentiful as many of the residents, especially women and children, had evacuated (page 7), and in Newark a "gentlewoman" offered food and lodging (pages 12-13). They encamped in a hay loft in Philadelphia (page 2), an orchard near Bergenfield (page 18), and in a barn near Trenton (page 25). He commented on getting drinks at taverns, eating rations, and hunting. At times he specified the types of food available (pigeon, dumplings, boiled beef, bread, butter, partridge, squirrel, etc.). Other camp details provided include the preaching of sermons (pages 20-21), washing of clothes (page 24), and the burial of a soldier (page 24).

The writer also noted several interactions with civilians. He described a dispute with a woman about paying ferry fees (page 3), the residents of Amboy opposing the idea of removing to Newark (page 10), and thousands in Elizabeth trying to learn if an alarm was false (pages 11-12).

The diarist wrote about military and combat activities. He noted working on breastworks along the river near Perth Amboy, parading at them, and maintaining sentries, all in sight of British troops. He mentioned a British man-of-war firing on Perth Amboy (pages 8-9) and responding to a false alarm of British troops arriving at Elizabeth (pages 11-12). His unit encountered fighting near Bergenfield, where he described British men-of-war firing, as well as an engagement near Kingsbridge (pages 15 and 18). He noted a "sham fight" between "Yankeys" and "Jerseys" and encountering some four hundred of "Lee's men" waiting to cross at the York ferry, possibly referring to Major General Charles Lee (1732-1782) (page 22). He appears to have been in the vicinity of the city of New York in the early stages of the New York campaign. He described seeing "Dead mens Bones" in the area and witnessing the sale of Colonel Caleb Parry's clothing, including his hat that was bloodied by his fatal head wound received during the Battle of Long Island (pages 23-24).

Several entries reflect on misbehavior. He described the theft of a coat in Perth Amboy, a search of the men, and its discovery in a sergeant's knapsack (page 13), as well as a large group of soldiers' attempt to desert near Bergenfield (page 16).

The diarist returned to Philadelphia before travelling home, arriving on September 17, 1776.

The last several pages of the volume appear to have been written at a later date. One set of entries relates to a trip, possibly for the delivery of goods, noting distances travelled, expenses, and the care of horses and wagons. The final page is dated March 27, 1777, and seems to document expenses for a trip to Cumberland with a [Rachel?] Davis and the receipt of money from John Davis. Other passages in this section further relate to financial transactions, such as a promissory note to John John and receipts for goods such as wool and cheese, many with Evan Thomas. Two other entries possibly refer to the diarist's further military service, with one entry recording a march to Trenton on August 9, 1780, with a return home "the 3 of September following," and another referring to "Gowing to camp" seemingly dated in 1793. One entry provides a location of upper Merion Township, Montgomery County, and another seems to be a poem or lyrics, possibly signed by George Davis.

The diary was kept in a slim green cardboard box addressed to Nellie C. Davis of Wichita, Kansas, with the pencil inscription "Grandfather's Diary."

This volume contains excerpts from correspondence, reports, and treatises concerning the relationships between the United States, Great Britain, France, and Spain during the Revolutionary War era. Two of the five excerpts originated from letters written by Silas Deane, an American agent in France; the other three narrate Benjamin Franklin's dealings with the French court, report on the British Army's finances, and analyze available options for amphibious military action. A later owner added brief biographical notes on the key Americans referenced within the volume.

This volume (117 pages) contains excerpts from correspondence, reports, and treatises concerning the relationships between the United States, Great Britain, France, and Spain during the Revolutionary War era. The first two segments (pp. 1-8 and pp. 9-33) are extracts of "intercepted letters" from Silas Deane to Brigadier General Samuel Holden Parsons (May 14, 1781) and Robert Morris (June 10, 1781) concerning diplomatic relations between the United States and the three major Continental powers (England, France, and Spain). Deane concentrated on the possible motives of France in assisting the American rebellion, noted the historical animosity between France and Great Britain, and shared his suspicion that France merely wished to see Great Britain's power diminished. He also questioned Spain's supposed neutrality and urged Parsons and Morris to consider reconciliation with Britain. The second letter focuses heavily on economic arguments, while the first primarily considers international politics and power relations.

The next excerpt is a third-person account of "Doctor Franklin's representations to the Court of France" (pp. 34-37), which recounts the American response to a recent French proposal. The summarized response cites the United States government's continuing desire to achieve full independence from Great Britain and its reluctance to accept the presence of large international military forces on its soil. Franklin also discussed French loans to the United States and reported his responses as the wishes of the United States Congress. The fourth, and lengthiest, excerpt, entitled "Extracts from the seventh report of the Commissioners of Public Accounts" (pp. 38-82), reflects the finances of British forces in North America from January 1, 1776-December 31, 1781. The report, issued on June 18, 1782, and later published, discusses funding for "extraordinary services of the Army" and notes specific amounts of money owed and supplies used during the Revolution.

The final essay, entitled "On Conjunct Expeditions" (pp. 83-114), discusses Great Britain's naval strength and posits a possible strategy for amphibious warfare combining infantry and naval forces. The treatise mentions several previous battles and examples and considers the drawbacks and benefits of these tactics. The essays are followed by brief biographies of Silas Deane, Samuel Holden Parsons, Robert Morris, and Benjamin Franklin, adapted from A Universal Biographical Dictionary, Hartford. S. Andrews & Son, 1856 (pp. 115-117).