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The European Tour, Yosemite, and Minnesota photograph album contains pictures of scenes in various European countries, reproductions of famous paintings, portraits of prominent Europeans, and comic strips. Many of the visual items are engravings and colored illustrations.

The European Tour, Yosemite, and Minnesota photograph album (27cm x 34cm) contains around 780 photographs, engravings, and illustrations of scenes, people, architecture and artwork from various European countries, Great Britain, and the United States. Newspaper clippings and comic strips appear at the end. Most of the photographs appear to be commercially produced prints of the type made for tourists, and many of the illustrations are in series related to a particular place. The images range in size from full page to smaller items pasted in as many as 11 or 12 to a page. Original covers are missing.

Countries represented in the photographs include present-day Turkey, Greece, Italy, Germany, France, and Great Britain around the 1870s. Bird's-eye views, street scenes, landmarks such as religious buildings and ancient structures (particularly in Athens and Rome), famous paintings and sculptures, bas reliefs, and other works of art predominate. Of interest are a group of pictures showing traditional Neapolitan funeral costume, and a photograph of Mount Vesuvius erupting in 1872. Portraits of local ethnic "types" in traditional dress, political and religious leaders, and royalty are also present. The engravings and other illustrations, sometimes colored, often depict similar scenes and landmarks.

The final pages contain photographs taken in present-day Yosemite National Park and Minnesota, a newspaper clipping showing a "dynamiter in [a] Los Angeles police station," electrical equipment related to the New York City Subway, and a group portrait of firefighters in Watertown, New York. A group of newspaper clippings of the comic strip "Sambo and his Funny Noises" are pasted on top of European views. The comic strip, by William F. Marriner, ran from 1905-1914 and chronicled the misadventures of "Sambo," later "Samuel Johnson," a racist stereotype caricature of an African American boy.

The Family travel photograph album contains approximately 335 photographs depicting the travels of an unidentified family to various locations in California, New Jersey, New York, Virginia, Washington, and British Columbia.

The The Family travel photograph album contains approximately 335 photographs depicting the travels of an unidentified family to various locations in California, New Jersey, New York, Virginia, Washington, and British Columbia. The album (19 x 28 cm) is partially disbound and has green burlap covers. Images include family snapshots primarily taken in Oakland, California (89 photographs in total), and East Orange, New Jersey (73 photographs in total); views of sights in Richmond (Virginia), Victoria (British Columbia), including many home interiors and exteriors, nurses and infants, family groups, and children in cribs and posed with dolls; photographs of parks and scenic views of Oakland; views of the battleships Vermont and St. Louis off the coast of Old Point Comfort, Virginia; and a street and waterfront view of New York City. Other photographs of interest include a light-hearted image of five women with their faces bursting through sheets of newspaper; views from locations in Virginia (Roanoke, Richmond, East Radford, Norfolk, and Jamestown), New York (Manhattan, Brooklyn, Schenectady, and Staten Island), Washington (Seattle and Big Lake), and California (Berkeley and Santa Catalina); White Fleet admiral Robley D. Evans in a carriage; and four real photograph postcards showing night views of San Francisco illuminated to welcome the Great White Fleet, May 6-17, 1908. Most photographs include manuscript captions indicating location and date.

The Gerta Gage family photograph album contains cabinet card portraits of men, women, and children taken in various Michigan cities around the mid-1880s to mid-1890s. Some of the pictured individuals posed in groups or with animals, and two men wore Shriners uniforms. The album likely belonged to Gerta Gage, of Big Rapids, Michigan.

The Gerta Gage family photograph album (22cm x 29cm) contains 80 cabinet card photographs of men, women, and children, few of whom are identified. The studio portraits were taken in Michigan towns and cities such as Muskegon, Big Rapids, Petoskey, Jackson, Allegan, Ovid, and Traverse City, as well as in other locales such as Milwaukee, Wisconsin; Decatur, Illinois; and Chicago, Illinois. Two men posed in Shriners hats, a few posed with dogs, and one man, photographed by A. S. Green of St. Thomas, Ontario, blew cigar smoke while having his picture taken. Though most items are individual portraits, some subjects posed in groups of two to four; one image is a group portrait of seven men. The volume's padded covers are bound in blue and yellow cloth. "Gerta Gage" and "Gerta Gage Big Rapids Michigan" are engraved on the album's large metal clasp. The pages of the album are decorated to resemble wood.

This notebook contains a brief essay on Henry James and contemporary literature, a list of courses taken at Harvard University, and the text of a funeral sermon.

This notebook contains a brief essay on Henry James and contemporary literature, a list of courses taken at Harvard University, and the text of a funeral sermon.

The literary critique, dated July 15, 1884 at Wayne Junction, Philadelphia, focuses on Daisy Miller: An International Episode and includes a list of contemporary works. The author stated his negative opinions and expressed surprise at critics' positive reviews. On December 8, 1895, the author revisited the essay after re-reading the works of James and reported a "less savage" attitude toward the author.

The notebook also contains an annotated, 2-page funeral sermon, a list of Harvard courses and professors, and 3 names and addresses.

The Historical views of Malden album contains approximately 200 items including photographs, reproductions, prints, newspaper clippings, and maps related to the history of Malden, Massachusetts.

The Historical views of Malden album contains approximately 200 items including photographs, reproductions, prints, newspaper clippings, and maps related to the history of Malden, Massachusetts. The album (26 x 31 cm) is largely disbound with black cloth covers. Many items are loose.

Items of interest include images of street scenes, commercial buildings, schools, houses, gravestones, plaques, monuments relating to the history of Malden (with particular attention paid to the homes of the Winship, Sprague, and Waite families), and several group portraits of Malden students including "Malden High School Cadets" in uniform holding bayoneted rifles and the Centre Grammar School graduating class of 1883 at their school desks. Also present are images of interior and exterior views of city hall (festooned for the 250th anniversary in 1899), and Massachusetts Governor Curtis Guild dedicating Bell Rock around 1905.

Two maps showing Malden in 1852 and 1856 as well as a laid-in negative photostat showing "Sales at auction of the pews in Malden Meeting House, January 13th, 1803" replete with names and prices are also included

The HMS Braak Salvage collection contains correspondence, documents, and a log book related to the Ocean Wrecking Company's efforts to salvage the ship and its rumored treasure in 1888 and 1889.

The HMS Braak Salvage collection contains correspondence, documents, and a log book related to the Ocean Wrecking Company's efforts to salvage the ship and its rumored treasure in 1888 and 1889.

• A letter from S. H. Copperage of Shelby City, Kentucky, offering to the Braak salvage expedition an instrument by which one "can Locate Lost Gold & Silver that has bin berud for Hunderd of years" (July 24, 1888)
• A handwritten note certifying an investor's financial payout should the Braak yield $10 million in treasure (July 30, 1888)
• A typed letter from James Kane to [Charles A.] Adams, offering Adams command of an 1889 mission to salvage the Braak (October 3, 1888)
• A pamphlet published by the Ocean Wrecking Company providing a brief history of the Braak and of the company's recent efforts to salvage the wreck (1889)
• Four pages of the Boston Sunday Advertiser (December 30, 1928)
• Three pages of pencil notes about the history of the Braak (undated)
• A newspaper clipping regarding the grounding of the Oregon in 1900 (undated; the same article appeared in other American newspapers between September 3 and 5, 1900)
• A newspaper clipping presenting the history of the Braak, printed after the announcement of the Ocean Wrecking Company's efforts (undated; a note on the item indicates that the article may have appeared in the Philadelphia News and a matching article appeared in the Trenton Evening Times on July 9, 1888.)
• Manuscript "Copy of Bearings furnished by Mr. McCracken…who was alongside of the 'Braak' when she sank" (undated)
• 85-page logbook chronicling the steamer City of Long Branch's attempt to find the wreck of the Braak (July 31, 1888-September 24, 1888). In addition to providing daily updates on the ship's position, water depth, and activities onboard the ship, the volume frequently refers to specific dives and other efforts to locate the wreck. Later entries often include information on the financial state of the Ocean Wrecking Company's expedition, and the back of the volume contains a list of the City of Long Branch's specifications, as well as a list of crewmembers and their salaries.

This collection is primarily made up of typescripts of letters that Dr. James M. Holloway wrote to his wife Anne while serving as a Confederate Army surgeon during the Civil War. Additional materials include typescripts on 19th-century medicine and clippings including full-color illustrations, from The Philadelphia Inquirer (1959-1961).

This collection (0.25 linear feet) is made up of typescripts related to Dr. James M. Holloway's service as a Confederate Army surgeon during the Civil War, typescripts related to 19th-century medicine, and illustrated newspaper clippings related to United States Army uniforms, national coats of arms, and Philadelphia, Pennsylvania, during the Civil War.

The bulk of the collection consists of Typescripts, including approximately 121 letters that Holloway wrote to his wife Anne on January 7, 1861, and from July 25, 1861-September 5, 1864. His earliest letters recount his experiences as a surgeon with the 18th Mississippi Infantry Regiment in Virginia, including his treatment of the wounded from the Battle of Ball's Bluff. Holloway, who took pride in his medical career, occasionally described specific patients, including amputees, a woman whose head had become detached from her body, and a dead soldier he dissected. He continued to write about his medical work after being promoted to the command of the hospitals of Richmond, Virginia, in 1862, and also discussed other aspects of his life there, such as the cost of food and other goods. Holloway expressed his devotion to the Confederate cause, and his early letters refer to his commitment to Christianity, which he maintained throughout the remainder of his correspondence. Some of Holloway's letters refer to the movements of Union and Confederate troops in Virginia and the western theater, the possibility of European intervention, specific battles, and the general progress of the war. By the fall of 1864, he feared that Richmond would be cut off from the rest of the Confederacy. In one late letter (written after the Emancipation Proclamation), he advised his wife to sell a female slave.

Holloway wrote 3 letters to his wife in May 1865, expressing his fear that the North would seek retribution from Southerners; he also reported that Beverly Tucker's home had been searched as a result of his suspected connection to the Lincoln assassination. In August and October 1865, Holloway wrote 3 letters to his wife from Louisville, Kentucky, primarily about local churches. Holloway's Civil War correspondence is followed by typescripts of his presidential address to the Tri-State Medical Society (or Mississippi Valley Medical Association) regarding current medical and surgical advancements and the increasing popularity of homeopathy (1882), a partial article about the history of medical education in the South (undated), and an obituary for Samuel Wilcox Warren (January 1878). He wrote 2 additional letters from Amsterdam, Netherlands, and Berlin, Germany, in September 1898, regarding his observations of local hospitals and medical procedures.

The Printed Items series (4 items) contains 3 full-color inserts from issues of The Philadelphia Inquirer, including photographs of toy soldiers wearing historical United States Army uniforms (July 5, 1959); a map of Civil War-era Philadelphia showing the locations of military camps and hospitals (July 5, 1959); a photograph of the coat of arms of the United Kingdom (February 7, 1960); and an editorial commemorating the centennial of the Star of the West incident (January 9, 1961).

This collection contains material related to John W. Echols, who served as supreme president of the American Protective Association in the mid-1890s. Included are letters of recommendation, personal correspondence, a speech draft, printed circulars, and other items.

This collection contains 16 items related to John W. Echols, who served as supreme president of the American Protective Association in the mid-1890s. Included are letters of recommendation, personal correspondence, a speech draft, printed circulars, and other items.

The Correspondence series (10 items) contains 9 letters and 1 telegram. Echols received 2 letters from friends, one of whom shared an anecdote about meeting Henry Ward Beecher, and a telegram from Mark Hanna, chairman of the Republican National Committee. Echols also wrote a draft letter to Cornelius Newton Bliss, Secretary of the Interior, about his desire for Dr. George DuBose to retain his current office. Five letters of recommendation for Echols (all dated November 1890) are addressed to Pennsylvania Governor Robert E. Pattison, concerning Echols's candidacy for the office of state attorney general. The final item in the series is a typed letter that Echols received from James Sargent, in which he shared his wish for an American victory during the Spanish-American War and anticipated the continued success of the American Protective Association (May 9, 1898).

The Speech series (1 item) contains a typewritten draft of a speech by Echols entitled "National Destiny," with manuscript annotations. The speech, which Echols delivered on July 4, 1892, lauds the sacrifices of Civil War soldiers and calls for United States citizens to remain vigilant about protecting their country. The speech includes an excerpt from Joseph Rodman Drake's poem "The American Flag," and concludes with lines from "The Star Spangled Banner."

The Printed Items series (5 items) is comprised of 2 printed American Protective Association (APA) circulars, a copy of the APA Supreme Council's constitution, and 2 newspaper clippings. The circulars, distributed to APA chapters in August and October 1896, discuss the upcoming presidential election, call for the complete separation of church and state within the United States, restate the organization's core principles, and urge voters to check their congressional representatives' voting records. The second circular also discusses Democratic presidential candidate William Jennings Bryan. One newspaper clipping relates to United States Senator Patrick Walsh; the other is an obituary for John W. Echols.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The collection contains a total of 33 boxes and is loosely organized by topical groupings. The following list references individual boxes and the general nature of their contents.

• 10 x 12.5 cm glass negatives of views of Ann Arbor, Michigan, ca. early 1900s taken by an unidentified photographer. Includes views of several University of Michigan buildings, hospitals, fraternity houses, and private residences.

• Sixteen 8 x 10 cm cardboard-mounted slides showing posters for upcoming films and local product advertisements intended for use in movie theater intermissions. Producers include Excelsior Illustrating Co., Inc. and Photo Repro Co., Inc. Identified films include High Steppers (1926); The Blind Goddess (1926); Without Mercy (1926); Chickie (1925); Stop, Look and Listen (1926); West Point (1927); Pals First (1926); Ella Cinders (1926); Paying the Price (1927); The Avalanche (1919); and Turn to the Right (1922).
• Ten 7.5 x 7.5 cm slides documenting damage caused by the 1906 San Francisco earthquake (two of the slides are broken).

• 10 x 12.5 cm glass negatives including scenic views of fields, woods and towns, Canterbury Cathedral, ships in harbor, New York City streets, Coney Island beaches, street merchants, and children interacting with dogs (often humorously). All or some the images were produced by photographer William S. Pearsall in 1906 or earlier.

• Twenty-two 8 x 10 cm cardboard-mounted slides (some damaged) showing motion picture posters intended for display during movie theater intermissions with play dates handwritten in space at bottom. Dates listed range from 1918 to 1929. Identified films include The Devils Circus (1926); The Love of Sunya (1927); The Bridge of San Luis Rey (1929); Mademoiselle Modiste (1926); Classified (1925); Chang (1927); The Demi-Bride (1927); The Swell-Head (1927); Steele of the Royal Mounted (1925); The Voice of the City (1929); His Supreme Moment (1925); Monte Carlo (1926); An Old Fashioned Boy (1920); Lovers in Quarantine (1925); Riders of the Dawn (1920); Paid Back (1922); The Breaking Point (1921); and Gypsy Blood (also named Carmen - 1918 in Germany, 1921 in U.S.A.)
• Seven 8 x 10 cm hand-colored slides showing scenes from the popular book The Bad Boy and His Pa by George W. Peck produced by the Chicago Projecting Co. in 1904. Tableaux are carefully staged and elaborately tinted.

• Includes 8 x 10 cm slides showing scenes from The Bad Boy and His Pa by the Chicago Projecting Co. Other identified films include Babe Comes Home (1927); Figures Don't Lie (1927); and The Danger Girl (1916).

• Twenty-six 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. One item of particular note includes a notice to female patrons that they do not need to remove their hats if they are seated in the women’s section. Identified films include The Taxi Dancer (1927); Square Crooks (1928); The City Gone Wild (1927); Too Much Money (1926); The First Night (1927); Broadway Nights (1927); Rainbow Riley (1926); The Wizard (1927); Vamping Venus (1928); The People vs. Nancy Preston (1925); Lovely Mary (1926); Rookies (1927); The Swan (1925); The Cohens and Kellys (1926); His People (1925); and My Official Wife (1926).

• Twenty-three 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. Identified films include The Phantom Police (1926); The Testing Block (1920); The Brute Master (1920); The Cowboy Ace (1921); The Song and Dance Man (1926); His Brother's Keeper (1921); Private Izzy Murphy (1926); The Wanderer (1925); Eve's Leaves (1926); Good and Naughty (1926); It's The Old Army Game (1926); Vanishing Trails (serial, 1920); Don't Shoot (1922); The Whirlwhind of Youth (1927); The Shield of Honor (1927); Across to Singapore (1928); Naughty But Nice (1927); The Barrier (1926); For The Love of Mike (1927); The Dark Angel (1925); Keeping Up With Lizzie (1921); and Top O' The Morning (1922).
• Seven 8 x 10 cm slides (mostly duplicates) related to the Yale “Pageant of America” series showing damage in the aftermath of World War I.
• One 8 x 10 cm slide showing an ancient Egyptian tablet depicting battle.

• Twenty 8 x 10 cm slides documenting various activities in the town of Fitchburg, Massachusetts, around the turn of the 20th-century, including a hot-air balloon excursion and a fire engine race, along with other local scenes.
• Thirty-nine 8 x 10 cm slides showing scenic views (some hand-colored) in New Jersey and New York between 1896 and 1907. Most are attributed to Dr. J. T. Morehouse, but other noted contributors include the Charles Beseler Co., Dr. Ferdinand G. Kneer, William Archibald, and George W. Lamoreux. Items of particular interest include an aerial view of lower Manhattan; a map of New Jersey showing holdings of Esso; and a hand-colored view of a high railroad bridge in Portage, New York.

• Twenty 8 x 10 cm slides by Ann Arbor photographer George R. Swain documenting select manuscripts and maps from the William L. Clements Library.
• One 10 x 12.5 cm glass negative view of the Clements Library exterior.
• Seven 8 x 10 cm slides of outdoor scenes in Alaska and California from around 1900.
• Two 8 x 10 cm copy negatives of elaborate unidentified interiors.

• Six 8 x 10 cm slides of scenes in California and British Columbia. Includes view of a redwood logging train.
• Ten 8 x 10 cm glass negatives of scenes in British Columbia, mountain views, and photos of maps.
• Four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library.
• Nine 8 x 10 cm slides showing people and places (notably Firle Place) in the United Kingdom during the 1920s.

• Six 8 x 10 cm slides by Ann Arbor photographer George R. Swain showing exterior and interior views of the William L. Clements Library in the 1940s.
• Twenty-four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library. Includes an image of materials from the Thomas Gage papers stored in one their original document chests.

• Five 8 x 10 cm slides showing unidentified locations (possibly in Alaska) produced by the Seattle, Washington studio of Asahel Curtis.
• Four 8 x 10 cm slide reproductions of paintings.
• Three 8 x 10 cm slides of miscellaneous content.

• 8 x 10 cm glass negatives documenting a 1728 French translation of an earlier memoir by Jerome Lobo regarding attempts to convert Ethiopians to Christianity. An enclosed note says slides were for “a Prestor [sic] John talk.”

• 8 x 10 cm slides from an extensive educational series on lumbering processes and techniques produced ca. 1910. Images detail the production of railroad ties, including loggers’ methods of shaping each piece with their axes, and the proper method of stacking ties. Most of these views appear to be from Michigan’s lower peninsula, but one slide is from Wyoming in 1910.

• 8 x 10 cm slides showing various stages in logging operations and mill processes in states from Maine to California. Includes one hand-colored view of a mill pond in Virginia and a map of the U.S. that renders the size of each state relative to its timber resources.

• 8 x 10 cm slides showing production stages for treenails and stulls. Also includes images of various types of mill saws in marketing photos as well as working mills.

• 8 x 10 cm slides primarily related to pulp production with views showing logging sites, stages of the milling process, and specific machinery used. Includes images showing both ox-drawn and wooden-wheeled logging wagons.

• 8 x 10 cm slides showing portable mills set up near logging sites and log flumes in various stages of construction and operation. Several images of elaborate flume constructions are present.

• 8 x 10 cm slides related to fir logging, possibly in Sitka, Alaska. Also present are a couple views showing treenail production.

• 8 x 10 cm slides showing locust logging, log loaders, and lumber yards.

• 8 x 10 cm slides showing different types of log loaders as well as maps of the U.S. highlighting population and timber resources.

• 8 x 10 cm slides related to the Lidgerwood (written as “Ledgerwood” on slide labels) logging system which made extensive use of winches and pulleys. The Lidgerwood Company was instrumental in building the Panama Canal and later developed machinery for the logging industry. Also present are more images of log loaders and diagrams/photos of mill machinery.

• 8 x 10 cm slides related to the Lidgerwood system as well as views of logging and mill operations in several states.

• 8 x 10 cm slides showing pull boats towing log rafts and various logging and milling operations.

• 8 x 10 cm slides showing finished lumber products being shipped by boat, rail, and wagon as well as images related to shingle production.

• 8 x 10 cm slides showing steps in the production of shingles, stulls, and poles as well as steps in paper production, including micro views of linen and cotton paper fibers.

• Twenty-eight 8 x 10 cm slides showing stages in paper production as well as views of portable mills and flumes, especially flume dumps.
• Ten 10 x 12.5 cm glass negatives by unidentified photographer ca. 1902 related to estate in Berlin, Maryland nicknamed “Anchuha.” Includes snapshots of house and family members.

• Despite the separate accession number, these lumbering slides appear to be from the same educational series contained in other boxes. The topics covered by the 8 x 10 cm slides in this box include agricultural use of logged spaces, large mill operations, redwood logging, steam tractors, splash dams and charcoal kilns.

• 8 x 10 cm slides covering log jams, barrel staves and cooperage, flumes, big tree logging, and maps of national forests. Non-Michigan locations also represented. Includes color slide by Asahel Curtis showing Douglas fir timbers on railroad car.

• 8 x 10 cm slides showing pole roads, agricultural use of logged land, large mills, machinery used in distillation and cooperage, logging of wide range of individual tree species. Non-Michigan locations also represented.

• 8 x 10 cm slides showing tramways, pull boats, portable mills, geared locomotives, and skidways as well as a graph comparing regional production. Nine shattered slides are present.

• 8 x 10 cm slides showing gasoline and steam skidders, lumber yards, motor trucks, and Arizona tree species. One image of particular interest shows an early Kelly truck with a full load of logs and an African American driver.

• Eight 8 x 10 cm glass negative copies of photos showing scenes in Alaska, including the Muir Glacier.
• Four 8 x 10 cm slide views of British Columbia, possibly from a Canadian Pacific Railroad car.
• Three 12.5 x 18 cm glass negative self-portraits by Charles P. Steinmetz, ca. 1904/5.
• One 12.5 x 18 cm glass negative titled “Girl on Bicycle”

The Leonidas, Michigan photograph album (14.5 x 17.75 cm) contains fifteen snapshot views of Leonidas, a settlement in St. Joseph County, Michigan. The photographs focus on streets, buildings, and roads.

The Leonidas, Michigan photograph album (14.5 x 17.75 cm) contains fifteen snapshot views of Leonidas, a settlement in St. Joseph County, Michigan. The photographs show views of streets, a train depot and train, a paint shop, a cemetery, residences, and a group of four individuals in a carriage drawn by two horses.