Collections

The Abraham Lincoln assassination book illustrations collection consists of 300 photographic reproductions likely produced during the 1960s of various 19th-century photographs, paintings, illustrations, maps, diagrams, posters, and ephemera related to the assassination of Abraham Lincoln.

The Abraham Lincoln assassination book illustrations collection consists of 300 photographic reproductions likely produced during the 1960s of various 19th-century photographs, paintings, illustrations, maps, diagrams, posters, and ephemera related to the assassination of Abraham Lincoln.

The collection provides a thorough pictorial history of Lincoln's assassination and its aftermath using photographic reproductions of select period sources. The reproductions are contained in three volumes that have been grouped into five thematic sections: "Assassination" and "Flight and Capture" (Volume 1); "Trial and Execution" and "The Funeral" (Volume 2); and "Funeral at Springfield" (Volume 3). Each thematic section is introduced with a typed index that identifies images and their original sources, which are often listed in abbreviated forms. Image sources that are cited include the Library of Congress (LC), National Park Service (NPS), Chicago Historical Society (CHS), National Archives (NA), New-York Historical Society (NYHS), Lincoln National Life Foundation (LNLF), Illinois State Historical Library (ISHS), Leslie's Illustrated, Harper's Weekly, Claude Simmons (C.S.), and more. While the subject and source of each image are noted, but there is no accompanying text or narrative concerning the events. This collection appears to have been assembled in relation to the prospective publication of an illustrated book on the topic, possibly during the 1960s as a centennial piece. Many of the photographs have chapter and page notations on the back, though there are no specific references to the author or the intended title of the prospective book.

The indexes for each thematic section are as follows:

• Second Inauguration - LC
• Mary Lincoln - LC
• Abraham Lincoln - LC
• Major Henry Rathbone - NPS
• Clara Harris - LC
• Lincoln Closed Coach - CHS
• Points in Downtown Washington - LC
• Ford's Theater from the South - ISHL
• Ford's from the North - ISHL
• Star Saloon Next to Ford's - NPS
• Simulated Night View
• Playbill April 14, 1865 - NPS
• Laura Keene - LC
• Dress Circle - NPS
• Orchestra and Parquette - NPS
• Interior Plan - NPS
• Box 7 and 8 - US Signal Corps
• Box, Orchestra, Dress and Family Circles - ISHL
• Stage and Box - Ford Museum
• Full Stage - NPS
• Diagram of Stage - From Pitman
• Stage with Explanatory Key
• Setee Used in Box - NPS
• Chair in Which Lincoln Sat - NPS
• Plan of Box - From Harper's Weekly, 4-29-65
• Doors Leading to Box - F. Leslie's Ill. News. 5-13-65
• Stick Used to Bar Door - NPS
• Seating Arrangement in Box - NPS
• Booth's Knife and Dagger - NPS
• John Wilkes Booth - NA
• The Deringer - NPS
• Berghaus Sketch from F. Leslie's I.N. 4-29-65
• Treasury Guards Flag - NPS
• Berghaus Sketch - F. Leslie's I.N. 5-6-65
• Booth's Spur - NPS
• Booth's Boot - NPS
• Berghaus Sketch - F. Leslie's I.N. 5-20-65
• Dr. Charles Leale - LC
• "Borne by Loving Hands" Bersch Painting - NPS
• Simulated Night View of Petersen House
• Room Where the President Died - NPS
• Front Parlor - NPS
• Back Parlor - NPS
• Plan of the Petersen House
• Plan with Key
• Contemporary Sketch - F. Leslie's I.N. 5-20-65
• The Alexander Ritchie Painting - LC
• Contemporary Sketch - F. Leslie's I.N. 4-29-65
• Enlargement from the Bachelder Painting - Brown U.
• Diagram of the Wound - from Eisenschiml
• Seringer with Probe, Bone and Ball - NPS
• The William Seward House - NPS
• Attack on Seward by Paine - from Hawley
• Secretary of State William Seward - LC
• Lewis Paine (Powell) - LC
• Frederick H. Seward - NA
• Paine's Revolver and Dagger - NPS
• Paine (LC) and Sketch from Harper's Weekly
• House Where Lincoln Died Present Day - NPS
• Ford's Theater Years Later - NPS
• William Clark, Occupant of the Rear Bedroom - NPS
• Corp. James Tanner - NYHS
• Secretary of the Navy Gideon Welles - NPS
• Secretary of [W]ar Edwin M. Stanton - LC
• The Rev. P. D. Gurley - LC
• Surgeon General J. K. Barnes - NA
• Journalist friend Noah Brooks - ISHL
• Close Friend Dr. Alonzo Henry - ISHL
• Robert Lincoln - ISHL
• Edwin Booth - NA
• John T. Ford - NPS
• Dr. Charles A. Leale - Nat. Lib. Medicine
• Kirkwood House - C.S.
• John Nicolay, Lincoln, John Hay - NPS
• The Fatal Deringer - NPS

• Rear of Ford's - NPS
• Escape from Theatre - NPS
• Area Behind Ford's - NPS
• Assumed Flight Through City - NPS
• Anacostia Bridge - NPS
• Distant View - LC
• Flight to Garrett's Farm - NPS
• Surratt House, Surrattsville - NPS
• Road from Surrattsville - NPS
• Dr. Mudd's House - NPS
• Bedroom at Dr. Mudd's, Dr. Mudd
• Path to Zekiah Swamp - C.S.
• St. Mary's Bryantown - C.S.
• Samuel Cox Residence - NPS
• Bryantown Hotel - NPS
• Thomas Jones - NPS
• Thomas Jones House - NPS
• Old Brawner House, Pt. Tobacco - NPS
• Pages from Booth's Diary - NPS
• Believed Departure Place Potomac - C.S.
• Dents Meadow - NPS
• Crossing the Potomac - Baker's Book
• Mrs. Quesenberry's House - NPS
• Dr. Stewart's Home - C.S.
• Remains of Dock, Port Conway - C.S.
• The William Lucas Cabin - NPS
• Historical Marker - C.S.
• A Controversial Poster - NPS
• Col. Baker, Lt. Baker, L. C. Conger - NYHS
• Lt. E. P. Doherty - NPS
• Col. Lafayette Baker - NA
• Boston Corbett, Lt. Doherty - NA
• Boston Corbett - LC
• Garrett's House - NPS
• Goldman Inn, Bowling Green - C.S.
• Highly Imaginative Sketch
• Contemporary Sketch - NPS
• Plan of Garrett's Yard - NPS
• Removal of Booth from Barn - CHS
• As above - from Frank Leslie's Ill. Mag.
• Booth's Death - from Baker's Book
• Booth's Guns Found in Barn - NPS
• Booth's Revolver - NPS
• Booth's Compass - NPS
• Keys Found on His Body - NPS
• Pictures on His Body - NPS
• " " " "
• " " " "
• Returning With Booth's Body - NPS
• Post-mortem on the Montauk - NPS
• Surious Burial - from F. Leslies Ill. Mag
• Burial of Booth - from Baker's Book
• Paine's Pickaxe - NPS
• Arrest of Paine at Mrs. Surratt's - NPS
• Boston Corbett - Boston U.

• Old Capitol Prison - NPS
• Monitor "Saugus" - NA
• Transferring the Prisoners - F. Leslie's I.N. 5-26-65
• Arrival at the Old Penitentiary - NPS
• Cell Block - Harper's Weekly 7-8-65
• Paine Hooded - F. Leslie's 5-27-65
• Lewis Paine - LC
• George Atzerodt - LC
• David Herold - LC
• Sam Arnold - LC
• Michael O'Luaghlin - LC
• Edmond Spangler - LC
• Dr. Samuel Mudd - NPS
• Mary Surratt - LC
• Sketch Surratt House - NPS
• Mrs. Surratt's House - LC
• Floor Plan Courtroom - from Pitman
• The Conspirators - LC
• Scene at the Trial - Harpers W. 6-10-65
• The Courtroom - LC
• The Military Commission - LC
• The Commission sketch - NPS
• Some Members of the Commission - NA
• " " " - NA
• " " " - NA
• Judge Joseph Holt - NA
• Reverdy Johnson - NA
• Maj. Gen. Thomas Ewing, Jr. - LC
• Attorneys John Clampitt, William E. Doster
• Benn Pitman - LC
• Louis Wiechmann - NPS
• Booth's Note for Andrew Johnson - NPS
• Spangler's Rope - NPS
• Howard's Livery Stable - LC
• Incriminating Picture from Surratt House - NPS
• Senator James Lane - NA
• Senator Preston King - NA
• President Andrew Johnson - NA
• Anna Surratt - NA
• Remodeled Old Penetentiary - C.S.
• Father Jacob A. Walter - NA
• Prison Scenes from Old Print
• Before the Execution - LC
• The Graves - LC
• Awaiting the Prisoners - LC
• Reading the Orders - LC
• Adjusting the Nooses - LC
• Final Scene - LC
• Mary Surratt Plaque - from Confederate Museum
• Mary Surratt's Grave - C.S.
• Fort Jefferson Dry Tortugas - NA
• Tunnel at Fort Jefferson - NPS
• Dr. Mudd Plaque at Fort Jefferson - NPS
• Old and New Gravestones for Dr. Mudd - C.S.
• Spangler's Grave at St. Peter's - C.S.
• Booth's Grave, Greenmount Cemetery, Baltimore
• John Wilkes Booth - Mus. City of New York
• John Surratt as a Papal Guard - LC
• Joh[n] Surratt - LC
• Returning John Surratt for Trial - Harper's W. 2-19-67
• David Herold. an early photo - NA

• Abraham Lincoln - LC
• The White House - LC
• The Capitol - LC
• The East Room - NPS
• Services in the East Room - Harper's W. 5-6-65
• Pass Funeral Service Contemporary sketch
• Draped Treasury Building - NYHS
• The Casket - F. Leslie's I.N. 5-13-65
• Washington Hearse - LC
• The Procession - F. Leslie's I.N. 5-6-65
• " "
• The Procession Forming - NPS
• " " - LC
• Turning Into Pennsylvania Ave. - Harper's W. 5-6-65
• The Procession - London Illustrated News
• Route of the Funeral Train - LNLF
• Willie Lincoln - ISHL
• The Funeral Coach - NPS
• Interior of Car - NPS
• At Harrisburg - ISHL
• The State House Harrisburg - CHS
• Train at Harrisburg - LNLF
• The Train at Philadelphia - ISHL
• The Philadelphia Hearse - LNLF
• Independence Hall - from Peterson
• Philadelphia - ISHL
• Philadelphia Scene - ISHL
• The Philadelphia Hearse - CHS
• Scenes at Philadelphia - NA
• " "
• Portion of Train in Railroad Yards - LNLF
• Crossing the Ferry to New York - from Valentine
• Arrival in New York - from Valentine
• The Procession Forming New York - NYHS
• " " " "
• New York City Hall - LNLF
• At the City Hall - LNLF
• The Body at City Hall - ISHL
• New York Procession - ISHL
• " " " "
• The New York Hearse - LC
• Death Certificate - NPS
• Scene at New York - NYHS
• Scenes in New York - from Valentine
• " " " " "
• Notice of Ceremony Lincoln, Illinois - ISHL
• The Arch at Sing Sing - NPS
• After the Procession at Albany - Albany Institute
• Buffalo Hearse - Buffalo & Erie Co. Hist. Soc.
• Procession at Buffalo " " " " "
• " " " " " " " "
• Monument Park Cleveland - CHS
• At Cleveland - CHS
• Scene at Cleveland Contemporary sketch
• Cleveland - LNLF
• Cleveland - LNLF
• Monument Park - LNLF
• At the State House Columbus ISHL
• Procession at Columbus - LNLF
• Funeral Arch Indianapolis - LNLF
• Hearse and Horses Indianapolis - LNLF
• Hearse and Casket Indianapolis - LNLF
• Hearse and Casket Indianapolis - LNLF
• Stop at Michigan City - LNLF
• Typical Smalltown Depot - ISHL
• Train at Chicago Illinois Cent. RR
• Removal of Coffin Chicago Cont. Sketch
• The Chicago Arch - LC
• Chicago Procession - Harper's Weekly 5-27-65
• Entering the City Hall - CHS
• The People at City Hall - CHS
• The Catafalque in City Hall - Harper's W. 5-20-65
• Chicago & Alton Locomotive No. 57. - ISHL
• Railroad Timetable, Chicago to Springfield - ISHL
• Notice of Observance Ilion
• Memorial Paradeat San Francisco - Soc. of Calif. Pioneers
• Memorial Service at Bloomington - CHS
• Services in London, England - London Ill. News May 1865

• The Chicago Delegation - ISHL
• Lincoln Herndon Law Office - Georg Studio
• Illinois State House - ISHL
• The Unused Tomb - ISHL
• Draped Lincoln Home - ISHL
• Draped Lincoln Parlor - ISHL
• Official Pass - ISHL
• Just Completed Catafalque - ISHL
• Second View Catafalque - ISHL
• Filing Into State House - ISHL
• Waiting to Enter - ISHL
• Across from the State House - ISHL
• Filing Past the Catafalque - Harper's Weekly 5-27-65
• Front of Lincoln Home - NPS
• "Old Bob" - ISHL
• Draped House and Horse
• Order of Procession to Oak Ridge - ISHL
• The Borrowed St. Louis Hearse - ISHL
• The Forming Procession - LNLF
• Route of the Procession
• Plan of Oak Ridge - ISHL
• The Gate at Oak Ridge - ISHL
• General View of Oak Ridge - ISHL
• Awaiting the Procession - NYHS
• The Temporary Tomb - ISHL
• The Services - ISHL
• Contemporary Sketch
• Directors of the Monument Association - ISHL
• Closeup of the Vault - ISHL
• Interior of the Temporary Tomb - ISHL
• The Present Tomb - Ill. Inf. Ser.
• Exterior of Present Tomb - Georg Studio
• Mary Todd Lincoln - NPS
• Thomas (Tad) Lincoln - ISHL
• Bishop Simpson - ISHL
• Interior of Catacomb as left by Thieves (From John Carroll Power)
• Funeral Procession Entering Oak Ridge Cemetery - NYHS

These photograph albums contain pictures of scenery, people, and buildings in the Adirondack Region of northern New York and in Washington, D.C.

These photograph albums (19cm x 30cm) contain 49 pictures of scenery, people, and buildings in the Adirondack Region of northern New York. Labeled photographs show buildings, animals, and scenery in and around Ilion, New York; Clifton, New York; Oxbow, New York; Chippewa Bay, New York; the Grass River; the Oswegatchie River; and Washington, D.C. Houses and other buildings shown include a home on "Preston Isle" in Chippewa Bay, the "Old Morris House" (a colonial stone house), an abandoned iron furnace, the White House, and the United States Capitol. Photographs of construction equipment are also present. Of the individuals and groups pictured, only Jack Moffett, a young boy, is identified. Photographs of note include pictures of an encampment, the exterior of a log cabin decorated with pine boughs, game and fish, and replicas of the ships Niña, Pinta, and Santa Maria. Two photographs indicate the photographer's interest in capturing motion: one shows the Empire State Express at full speed and another shows a woman throwing water, captured at a shutter speed of 1/50 second. The albums have black or blue binding with "Photographs" embossed in gold on the covers.

This photograph album contains photographs of scenery in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. Several photographs feature tourists or members of the photographer's traveling party, and others were taken onboard the steamer Queen.

This photograph album (25cm x 19cm) contains 87 photographic prints depicting scenes in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. The photographs, all of which have captions, were taken during visits to four geographic areas: Muir Glacier (21 photographs); Tacoma, Washington, and Helena, Montana (8 items); Yosemite National Park (48 items); and the Yosemite Valley and Arizona (10 items). Most photographs show natural scenery such as mountains, rock formations, waterfalls, and geysers, and some are pictures of hotels. Many show tourists climbing or viewing natural formations and scenery, and some show members of the photographer's party posing for portraits.

The album has two identical prints of a group of amateur photographers holding box cameras onboard the Queen, which is shown in several other photographs. Views of buildings in Sitka, Alaska; Tacoma, Washington; Helena, Montana; and Yosemite National Park are also included. One photograph shows a woman modeling a Chilkat blanket and totem pole cane, and another shows a "Tamed Bear" standing on a raised platform. Also of note is a picture of a train, taken as the photographer's party disbanded near Chicago. The volume is a quarter-bound album with a title stamped on the cover in gold: "Photographs."

The Alaska collection consists of three letters written by an Alaskan fisherman to his brother describing life in Alaska during the late 19th century.

The Alaska collection consists of three letters written by an Alaskan fisherman to his brother describing life in Alaska during the late 19th century. The author, who signed himself "Will," wrote the three letters to his brother Sam, from Fort Wrangle, Alaska (now Wrangell). Will's letters relate to life in Alaska during the early days of its settlement, with a particular focus on employment and on local Indians. Will, who owned a boat and fished for salmon, described his work and provided a picture of his life in the sparsely settled country. He focused on several aspects of life in Alaska, including the natural terrain and his encounters with local Indians, whom he believed to be immoral: "[in] some cases when the squaws are broke they are mighty glad to put in a night with a fellow & get two bits or some beans & bacon in the morning" (February 16, 1889). Will also repeatedly discussed the salmon industry and employment, including his occupation assisting the local marshal.

The Alaska Gold Rush photograph album contains approximately 300 photographic prints. Most photographs show scenery, people, and settlements in Alaska around the turn of the 20th century, as well as a small group of scenes from San Francisco, California.

The Alaska Gold Rush photograph album (25cm x 30cm, 92 pages) contains approximately 300 photographic prints. Around 280 prints, including around 270 mounted onto the album's pages and around 10 loose items laid into the volume, show settlements, natural scenery, and people in Alaska from 1898-1902. Settlements such as St. Michael, Dutch Harbor, and Dawson are shown, as are native settlements, tents, and log cabins; a few interior shots are present. Some of the buildings and people pictured were associated with the North American Transportation & Trading Company. Subjects include: United States military personnel, indigenous Alaskans, men and women (sometimes in heavy winter dress), landscape views, glaciers, native animals and other natural scenery, and military and civilian boats.

Most of the photographs are black-and-white prints, though the album also includes a small number of cyanotypes. Items of note include a small panorama (p. 14), a photograph taken at the "dawn of the century" (p. 7), and pictures of a totem pole (p. 77), an early telegraph pole (p. 81), and a hands-free pie-eating contest (p. 85). A partial manuscript list of captions, roughly contemporary with the photographs, is laid into the volume. The final four pages of the album contain small photographic prints of scenes from San Francisco, California, with a focus on missions and other architecture. Penciled captions accompany many of the album's prints, though many are difficult to read. The album has post binding with screw posts.

This album contains pressed algae specimens and a photograph of Fort Jefferson, Florida. Possibly compiled and owned by someone named Stuart.

This album (24cm x 24cm) contains 305 algae specimens collected around the mid-1860s, comprised of 294 items pressed onto 10cm x 6cm cards and 11 items pressed onto larger cards. Only one specimen is identified. The smaller cards are mounted six to a page and the larger cards are laid into the volume between pages of specimens. Numerous types of algae are represented, in a multitude of colors. The bottom cards on the first two facing pages spell the name "Stuart," which is also stamped in gilt on the front cover. The album is bound in brown leather and cloth with the title "Algae from Fort Jefferson, 'Tortugas,' Florida" is stamped on the back cover and "Album" stamped on the spine. A photograph of Florida's Fort Jefferson is pasted onto the first page as a frontispiece.

This volume contains accounts for the steamer Alice C. Price from March 1856 to January 1857, documenting expenses for ship upkeep, labor and wages, food, marketing, cartage, wharfage, freight, among others. The account book also includes documentation of passengers and various bills, with some summaries of costs for passage and meals "down" and "up" for unspecified trips. While very few places were named, "Pope's Creek," "Bluff's Point," and "Cone" [e.g. Coan] appear, situating the steamer in the Potomac River and Chesapeake Bay. The volume has a "Robert Bell Bookseller and Stationer, Alexandria, Va." label on the inside front cover.

This volume contains accounts for the steamer Alice C. Price from March 1856 to January 1857, documenting expenses for ship upkeep, labor and wages, food, marketing, cartage, wharfage, freight, among others. The account book also includes documentation of passengers and various bills, with some summaries of costs for passage and meals "down" and "up" for unspecified trips. While very few places were named, "Pope's Creek," "Bluff's Point," and "Cone" [e.g. Coan] appear, situating the steamer in the Potomac River and Chesapeake Bay. The volume has a "Robert Bell Bookseller and Stationer, Alexandria, Va." label on the inside front cover.

This photograph album contains 57 photographs of the Jinan Station of the American Presbyterian Shantung Mission from ca. 1923 to 1928. Much of the images show the Murray High School for Girls and its students.

This photograph album 57 photographs of the Jinan Station of the American Presbyterian Shantung Mission from ca. 1923 to 1928. Many of the images show the Murray High School for Girls and its students. Young girls are shown in the school yard being led through routines and stretches, in class portraits, on a riverboat, and likely participating in May Day celebrations dancing around a maypole. The girls are shown wearing two-piece qipao uniforms with a white blouse and black skirts or trousers. In several photographs students can be seen waving the first national flag of the Republic of China. Two images include a stamp on the back that reads, "Dr. Evalena S. C. Fleming, American Presbyterian Mission, Tsinanfu North China." Dr. Fleming was an amateur photographer and likely the owner of the album. The accordion style album also contains five loose photographs in a mylar sleeve.

The album is 18.25 x 12 cm with decorative cloth covers.

The American Tour photograph album contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago.

The American Tour photograph album (24 x 18 cm) contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago. The photographic narrative follows a trip from Southampton, England, across the Atlantic to New York City; Richmond, Virginia; Chicago, Ill.; the Niagara region; Saratoga, New York; the Hudson River valley; and finally New York City and Coney Island, New York. Images from the trans-Atlantic trip include the dock at Southampton, the Steamship SS Paris at sea; the Sandy Hook pilot boat; views of the Statue of Liberty; and steerage passengers on an ocean liner. Several images of Richmond, Va., and rural homes in Amelia County, Va. appear. One view showing a three adults and one child on a wagon "leaving Sherwood" may be of the travelers. Numerous views of the Columbian Exposition grounds in Chicago are at the center of the album. Photographs of Niagara Falls and the Niagara River include an image of Clifford Calverley crossing the river on a tightrope. Other images include barges on both the Saint Lawrence Seaway and Hudson River; boating and scenery at Lake George; and ice houses and sailboats along the Hudson River. Photographs of New York City depict Wall Street; Brighton Beach and Coney Island; the Statue of Liberty; and Jersey City Ferry Boat "Orange." The album's half-bound brown cloth cover is stamped in gilt "American Tour. 1893."

The Amherst, Massachusetts photograph album contains 13 photoprints taken in and around North Amherst, Mass., including images of churches, the post office, and parks. Also includes an image of the Amherst College campus and a photograph of a railroad bridge.

The Amherst, Massachusetts photograph album (18 x 26 cm) contains 13 photoprints taken in and around North Amherst, Mass., including images of churches, the post office, and parks. Also includes an image of the Amherst College campus and a photograph of a railroad bridge.

The album cover has black textured paper over boards, with gold printed title "Photographs," bound with string. Housed in a pale blue cardboard box.

An anonymous author dedicated this 44cm x 29cm volume, "A Missionary's Fate. A Prophecy," to Miss Minnie Jenks, in or after 1868. It includes seven pages of neatly written, rhyming, narrative poetry accompanied by five ink and watercolor illustrations. This xenophobic cautionary poem and illustrations trace a young woman's fatal transatlantic Christian missionary expedition. She departs the United States intending to convert and teach Assamese people, but she is instead transported to Africa where her solitary missionary efforts result in her murder and cannibalization. The illustrations include her seaside departure, the missionary standing on a stump and singing to (racist caricatures of) African men, cannibalism, African men trying on the woman's clothing, and a scene of grief back in the United States.

An anonymous author dedicated this 44cm x 29cm volume, "A Missionary's Fate. A Prophecy," to Miss Minnie Jenks, in or after 1868. It includes seven pages of neatly written, rhyming, narrative poetry accompanied by five ink and watercolor illustrations. This xenophobic cautionary poem and illustrations trace a young woman's fatal transatlantic Christian missionary expedition. She departs the United States intending to convert and teach Assamese people, but she is instead transported to Africa where her solitary missionary efforts result in her murder and cannibalization. The poem ends with her grief-stricken family members weeping and fainting back home, and a concluding moral.

The illustrations include a dock scene, with passengers boarding a ship, persons on the dock waving farewell, and sailors at work on deck. Another shows the missionary woman standing on a stump with a hymn book (sheet music for "In the Sweet Bye and Bye" visible) and singing to a group of African men. The artist portrayed them as racist caricatures, and the men are holding knives, testing their edges, and sharpening teeth with an iron file. The following image depicts the woman on the ground with the men eating or carrying off her bones and severed parts of her body. Next, the men are trying on the woman's clothing; a chief is wearing her bonnet and carrying her parasol and purse/bag, another man is putting on her shoes, and another wears her skirt. The concluding artwork is a parlor scene back in the United States, wherein family and friends received a postal parcel containing a piece of the missionary's dress, her hymn book, a lock of her hair, and a shoestring. The people are shown weeping into handkerchiefs, one of them fainted and one holding the lock of hair.

A transcription of the seventh, final page of the poem--and the moral of the tale--is: "Oh gentle maid, on good intent, / Who would in 'Missions' lead the van, / Take warning from this maid, who went / Afar to free from Ignorance' ban. / Do all the good that here you can / Where you may have a little ease; / 'Home Missions' try on some one man - / Or two or more, if so you please, - / But do not try the Asamese."

This 108-page orderly book belonged to Major General Amos Hall, who commanded a New York militia unit near Buffalo, New York, during the War of 1812. The volume contains general orders and communications between Hall and other commanding officers stationed in western New York between December 24, 1813, and April 10, 1814. Two newspaper articles, published as late as 1893, are pasted on the book's final pages. The orderly book is accompanied by 4 copies of 2 reports of the United States House of Representatives in the 1840s, concerning financial claims John R. Williams made for property lost during the Niagara campaign of the War of 1812. Also included are a belt and attached buckle.

This 108-page orderly book belonged to Major General Amos Hall, who commanded a New York militia unit near Buffalo, New York, during the War of 1812. The volume contains general orders and communications between Hall and other commanding officers stationed in western New York between December 24, 1813, and April 10, 1814. Two newspaper articles, published as late as 1893, are pasted on the book's final pages. The orderly book is accompanied by 4 copies of 2 reports of the United States House of Representatives in the 1840s, concerning financial claims John R. Williams made for property lost during the Niagara campaign of the War of 1812. Also included are a belt and attached buckle.

The Orderly Book contains copies of general orders and correspondence issued daily between December 24, 1813, and December 29, 1813 (pp. 1-20), as well as orders and correspondence issued less regularly between January 10, 1814, and April 10, 1814 (pp. 20-108). Entries are composed in a number of different hands. Most orders were issued at American headquarters in Batavia, Buffalo, and Williamsville, New York, and from other unnamed posts in the Niagara region. The first order pertains to Hall's assumption of command of troops assembled near Buffalo. Throughout the following months, he issued and received orders about several aspects of the campaign in western New York, such as troop movements, troop numbers, and developments in the war. Other topics include the transfer of prisoners of war (January 10, 1814, pp. 40-41) and the hire of local Native Americans (December 27, 1813, pp. 11-12).

A copy of Amos Hall's certificate of membership in the Society of the Cincinnati is laid into the volume (July 4, 1786), and 2 newspaper clippings are pasted on its final pages: "In Olden Times. Robert Sutcliff's Travels in the Genesee Country" (Stephen B. Ayers, Post-Express, February 28, 1893) and "Interesting Sketch of Gen. Amos Hall" (Myron S. Hall, the Journal, undated).

The Government Publications series is comprised of 2 copies each of 2 printed reports issued by the United States House of Representatives, concerning claims John R. Williams made against the United States government for property destroyed by the British Army in December 1813 (Report No. 102, February 7, 1845) and for land near Detroit, Michigan (Report No. 5, December 20, 1847).

The Realia item is a belt with its original buckle still attached. The buckle depicts a grenade over the number "100," and originally belonged to a member of the British Army's 100th Regiment of Foot grenadiers.

The Andrews' Raid scrapbook and telegraph ledger contains newspaper clippings dating from 1887 that recount the story of Andrews' Raid written by William Pittenger. Other clippings, almost all of which focus on the United States Army, are also included in the scrapbook. The majority of these clippings are glued onto the page, but some are loose. This scrapbook, whose compiler is unknown, was originally used as a telegraph ledger book for the Baltimore and Ohio Railroad, and more than half of the volume still has these records visible.

The Andrews' Raid scrapbook and telegraph ledger contains newspaper clippings dating from 1887 that recount the story of Andrews' Raid written by William Pittenger, a Union soldier who survived the raid and was awarded the Medal of Honor. Other clippings, almost all of which focus on the United States Army, are also included in the scrapbook. Most of these are Civil War related but they include some Indian Wars material as well, including an account of Sitting Bull and Running Bear's raid on Fort Buford on August 20, 1868. The majority of these clippings are glued onto the page, but some are loose. This scrapbook, whose compiler is unknown, was originally used as a telegraph ledger book for the Baltimore and Ohio Railroad, and more than half of the volume still has these records visible.

This bound manuscript contains the text of a sermon delivered in Lancaster, Pennsylvania, in December 1783, about a desirable political future of the United States from a Christian point of view.

This bound manuscript contains the text of a sermon delivered in Lancaster, Pennsylvania, in December 1783, about a desirable political future of the United States from a Christian point of view. The 31-page volume, entitled "An Exhortation to Peace under the American Revolution, addressed to the Inhabitants of Lancaster in the State of Pennsylvania, December 11, 1783," is divided into several sections, each copied by a distinct, clear hand and signed, though the text runs unbroken throughout the book. The first page of the address indicates that it is based on Jeremiah 24:7, and it begins by examining the situation of the Jews in ancient Babylon, and comparing that to the situation that led to the American colonies' fight for independence. From there, the sermon continues to expound upon religious and political themes, encouraging a "cordial union among the members of each particular state, as well as among the United States in general" and arguing that a Christian ethos would serve as a strong foundation for the new nation. The treatise weaves together themes of Christian faith and contemporary politics to create a vision of a positive future for the United States.

This volume contains the double-entry bookkeeping records of a merchant based in Ann Arbor, Michigan, in 1849. The unidentified merchant sold a variety of goods to customers in and around Ann Arbor, Pittsfield, Whitmore Lake, Webster, and Hamburg, Michigan.

This volume (8" x 12", 145 pages) contains the double-entry bookkeeping records of a merchant based in Ann Arbor, Michigan, in 1849. The unidentified merchant sold a variety of goods to customers in and around Ann Arbor, Pittsfield, Whitmore Lake, Webster, and Hamburg, Michigan. Most pages contain running accounts for specific individuals, with debits and credits noted in two columns. Notes along the margins of many pages indicate the customer's specific location in eastern Washtenaw County or southern Livingston County.

Though the merchant most often recorded sales of "sundries," the accounts occasionally specify items such as hats, shoes, coffee, ribbon, a broom, and sugar. Occasionally, he paid for errors made in previous bills. Customers paid in cash or in kind, most frequently with foodstuffs or items of clothing and sometimes with more unusual items, including a horse and buggy (p. 14). One note concerns a boarder named Carpenter who moved into a home in late August 1849 (p. 97). Though the merchant most frequently dealt with men, the ledger documents accounts with a few women and several firms. A fragment from a letter to Charles W. Butler concerning unsold land, dated January 19, 1833, in Ann Arbor, Michigan, is laid into the volume between pages 144 and 145.

The Ann Arbor (Mich.) rent receipt ledger contains a landlord's financial records pertaining to domestic and commercial properties leased from 1887-1892.

The Ann Arbor (Mich.) rent receipt ledger contains 40 pages of financial accounts pertaining to domestic and commercial properties leased between May 1887 and January 1892. Most entries list the amount of rent due on a weekly, monthly, or quarterly basis, and record payments in cash or (rarely) in labor or trade. Tenets frequently leased properties in the "Buchoz Block" on Detroit Street. The landlord also rented rooms in the E. W. Morgan House on the northeast corner of Huron Street and Fifth Street (now Fifth Avenue). The ledger also records land rented for a marble shop and a lumber yard, as well as lots for pasture.

Images of the interior of University Hall at the University of Michigan, the Frieze Memorial Organ, and an unidentified house, probably in Ann Arbor, Mich.

Two circular negatives, 1.1 inches in diameter (with modern prints). One photo shows the interior of University Hall at the University of Michigan, taken from floor level and showing the Frieze Memorial Organ, the other shows an unidentified house, probably in Ann Arbor.

Anonymous photographs of various locations around Ann Arbor, Mich., particularly the University of Michigan campus.

Photographs of football game action taken from the Ferry Field stands; a photograph of an Ann Arbor street following a winter storm in 1906; photos of University of Michigan buildings; and photo of students sitting at counter of Elmer Stofflet's restaurant on State Street.

Diary of a seamstress and housewife living in Western Michigan.

Diary of a seamstress and housewife living in Western Michigan. She describes her daily chores, sewing work, and baking. She also discusses family events, including the death of her husband.

This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

Major points of the route serve as headings within the volume, being visually differentiated from the main text by calligraphic headings. Observations on town layouts and architecture—including rough estimations of population count—provide a developmental snapshot of the region as perceived by the writer. Also mentioned is the construction on the Mt. Pleasant Prison at Sing Sing [Sing Sing Prison, Ossining, New York] and the quarry of white marble used by the builders.

The writer's travel by road was apparently not as easy as their travel by canal. After turning off the Ridge Road at Hartland, New York, descriptions of the woodland seem to indicate a host of obstructions in the form of mudholes, ruts, and stumps (p. 22). Apart from the entries on towns and landscapes, the writer noted a hotel landlord in Victor, New York, who kept two wolves, two small deer, and a fox in his yard (p. 16).

Yellowed imprints of larger leaves placed into the volume can be found on later pages, but only the smallest have lasted to the present day.

The Architecture Militaire is a single manuscript volume that provides instructions for the construction of a fortified building in the shape of a star. The volume consists primarily of prose description, but also includes a series of 16 illustrative plates showcasing detailed architectural drawings.

The Architecture Militaire is a single manuscript volume that provides instructions for the construction of a fortified building in the shape of a star. The volume consists primarily of prose description, but also includes a series of 16 illustrative plates showcasing detailed architectural drawings. The drawings are signed "A Toulouse chez Baour." The book has 12 chapters about construction methods, including lists of potential problems with suggested remedies. The volume includes discussions and critiques of existing construction methods, including those of the ancient French, the Dutch, the Comte de Pagan, Vauban, and others (chapter 11). The final chapter, entitled "Idee generalle de l'attaque d'une place et de la maniere de fortifier un camp," contains equations relevant to fort construction. The final section of the book consists of detailed ink drawings similar, but not identical to, those found in Samuel Marolois's Fortification ou Architecture Militaire Tant Offensive que Deffensive. These show different aspects of construction relevant to the text and include one page illustrating various military paraphernalia.

This volume is an English translation of a French account of military affairs during the Seven Years' War, primarily from 1756-1757 on the border between New York and Canada.

The full title of this manuscript reads, "A Relation of the different Military Operations since the Year 1755 & amongst others taking of Fort St. George in No. America--From a French Manuscript taken upon the Surrender of Louisberg in 1758." Containing 28 pages of writing, this volume is an English translation of a French account of military affairs during the Seven Years' War, primarily from 1756-1757 on the border between New York and Canada.

The account begins with a short reflection on the English Fort St. George [Fort William Henry], the strategic advantages gained by the French upon gaining control of it, and English losses during the war. The narrative continues with detailed descriptions of French military actions from January 21, 1757, with the Battle on Snowshoes near Fort Carillon and Fort St. Frédéric, through an attempt on Fort William Henry in March 1757. The account highlights French command, Native American military participation, and the strategic focus on forts, watercraft, and communication lines.

The section entitled "Advantages gain'd over the English in July 1756" details reconnaissance efforts concerning the English Fort St. George [Fort William Henry] and Fort Lydius [Fort Edward], naval engagements, and military encounters with British forces.

The manuscript continues with "An Account of the Taking Fort St. George--(or Fort William Henry," from the engagement's commencement in late July 1757 to the English surrender on August 9. Copies of the articles of capitulation, correspondence between Louis-Joseph de Montcalm and the British commander of the Fort, George Monro (ca. 1700-1757), and intercepted British correspondence are included. In his letters Montcalm uses his inability to "restrain the Savages" as a plea for the fort's surrender. The author mentions French attempts to counter Native American "Fury," a reference to cannibalism, and Native American military support of both English and French troops.

A copy of an unattributed letter from Quebec, from August 17, 1757, describes "particulars relating to the Government of this Country, which is the Theater, and Primum, Mobile of the War." This letter details naval operations around Quebec and Louisbourg, as well as the state of local provisions, troops, and morale.

The "Account of the Damage our fleet sustain'd from the Gale of Wind and the yet Greater, sustain'd by the English Squadron" describes operations against Isle Royale [Cape Breton Island], English timidity in regards to the French fleet, and the damage both navies suffered during a heavy storm. This account likely references the 1757 Louisbourg expedition and the fleet under Francis Holburne's (1704-1771) command that was damaged in a storm on September 24. This account also reflects on Native American warfare, noting incidents of scalping.

The volume closes with a "List of the French Ships of War under Mr. du Bois de la Mothe," referencing the ships under the command of Emmanuel-Auguste de Cahideuc, Comte DuBois de la Motte (1683-1764). The list includes the names of the ships, number of guns, and commanders.

This arithmetic copybook was compiled by an anonymous student in the nineteenth century. It includes rules and examples for addition, subtraction, multiplication, and division, as well as practical examples relating to money and weights and measures.

The Arizona photograph album contains 70 images taken by an unknown photographer showing scenes from Flagstaff, Arizona Territory, and the surrounding area.

The Arizona photograph album contains 70 images taken by an unidentified photographer showing scenes from Flagstaff, Arizona Territory, and the surrounding area. The album (21 x 31 cm) has black pebbled cloth covers and a leather spine. Images of interest include views of men visiting cliff dwellings near Flagstaff; a group visiting the Grand Canyon by carriage and horseback; past the John Hance house and trail; scenic shots of the Grand Canyon taken from the Grand View Hotel; trailside cooking; and a wagon breakdown on the return trip. Additional photographs show Timothy Riordan, president of the Arizona Lumber & Timber Company, and his family at the rustic Thomas' Hotel in Oak Creek Canyon; an excursion to the lava beds including amateur photographer Father Daniel McGillicuddy of Worcester, Massachusetts, who is shown setting up his camera among the rocks; 11 views of the 1902 Fourth of July celebrations in Flagstaff, with masked participants, horse-drawn floats, soldiers in formation, and the former homes of Michael and Timothy Riordan decked out in bunting. Also present are photographs of the home of Frederick Sisson, a manager with the Arizona Lumber & Timber Company, including views of a porch or interior decorated with Native American rugs, pottery, textiles, baskets, and animal skins.

This volume, which may have belonged to a Scottish teacher, contains pencil drawings of everyday objects and notes related to instruction in art and geography.

This volume, which may have belonged to a Scottish teacher, has pebbled covers, with the title "Sketch Book" stamped in gold on the front. The first section, "Specimen course for Second Year Higher Grade," contains 6 pages of pencil drawings. The subjects include books, plants, household items, a shoe, a water tank, an umbrella, a broom, a basket, and a hand. The final page of drawings includes the note: "Complete course with interiors & outdoor work."

The second part of the volume is a 2-page chart titled "Geography. Scheme of Work," with tables of geographical subjects for students at various levels. Each month's course included the study of a country or geographical region, a "practical" subject, and a "physical" subject. The areas represented are primarily European nations; British colonies such as South Africa, Australia, New Zealand, Canada, and India; North and South America; Asia, and Pacific islands. The teacher offered practical instruction in navigational concepts, the use and creation of maps, and surveying, and offered instruction on various geological topics such as the Earth's atmosphere, climate, and physical features such as volcanoes and glaciers.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914. The album (18.5 x 27 cm) is bound in hand-painted varnished leather on paper boards with wood overlay. Images of particular interest include views of horseback riding on the beach, strolling on the boardwalk, and riding in rolling chairs and a pony-drawn cart. Atlantic City is seen largely as a backdrop to family activities. Additional photographs show the young girl sledding and with toys and friends at home. Also includes a photograph of Eleanor R. and Frederick D. Countiss and their daughter, Henrietta, in a studio portrait.

The At Peace Street photograph album contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The At Peace Street photograph album (16 x 23 cm) contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The album has brown burlap covers with inscribed title "At Peace Street," bound with string, and is housed in a gray wrapper with dark brown cloth spine.

This journal contains entries about an unidentified woman's daily and weekly activities while living at the Cony Academy boarding house.

This 22-page journal contains entries about an unidentified woman's daily and weekly activities while living at the Cony Academy boarding house and attending the Cony Female Academy in Augusta, Maine, 1852-1853.

The journal contains information about the author's daily and weekly activities, such as learning music, sewing, reading, writing, reading, visiting friends, and attending lectures at the lyceum (including one on race). She also commented on other students, economic concerns, child care, Christmas, the weather, sermons, a eulogy for Daniel Webster, friends departing for California, the illness and death of [Sylvester] Judd, and her concerns that the school might close. She offered some insights into her own personality, lamenting her self-described lack of a strong intellect and her desire to be a better writer. Her diary includes references to Milton and Miss Ingraham, who were associated with the school.

The paper cover of the journal is adorned with an image of a rooster and a chicken (from "Alonzo Gaubert, Bookseller, Stationer, Periodical Agent, and Ink Manufacturer").

This volume contains extracted log entries from the Barque Autumn's whaling voyage from Stonington, Connecticut, to the Indian Ocean and South Pacific between 1845 and 1849. Captain Edwin Augustus Perry commanded the vessel. This abstract log provides a condensed version of the official log, only documenting days the crew saw or captured whales. The volume contains 48 pencil drawings of whales and whaling scenes.

This volume contains extracted log entries from the Barque Autumn's whaling voyage from Stonington, Connecticut, to the Indian Ocean and South Pacific between 1845 and 1849. Captain Edwin Augustus Perry commanded the vessel. This abstract log provides a condensed version of the official log, only documenting days the crew saw or captured whales. The coverless volume contains 24 handwritten pages with 48 pencil drawings depicting whales and whaling scenes. The author of the log is unidentified, but a laid-in slip of paper contains a written statement of recommendation for promotion of second officer Zelotes Leonard Almy from Master Edwin A. Perry. The bottom half of the last page contains financial records and notes from Mr. Almy dated 1866.

Leaving from Stonington, Connecticut on November 12, 1845, the Barque Autumn sailed south around the eastern coast of South America. After making port in Rio de Janerio in March 1846, they sailed east toward the Indian Ocean reaching the Cape of Good Hope toward the end of April 1846. By November 1846 the Autumn had sailed off the southern coast of Australia and toward New Zealand. In 1847 and 1848, the Autumn sailed across the Pacific Ocean along the equator. The log concludes off the coast of Chile.

The top of each right hand page begins with the header "Remarks on board the Barque Autumn"; later in the log this header is supplemented by " E. A. Perry Master." A typical entry appears in the following format:

[Day of the Week]

[Month, Day, Year]

[These twenty-four hours commences with…]

[…So ends the day. Latitude and Longitude coordinates]

[Sketch if applicable]

The abstract's entries follow the standard content for whaling logs, documenting wind direction, weather conditions, ship location, and crew activities. The entries include type of whales spotted, number of whales, number of whaleboats lowered, and whether or not the crew succeeded in capturing whales. The whales tended to evade capture on account of adverse weather conditions or lack of daylight. Entries made note of where and when they made port or dropped anchor. The Autumn encountered other whaling vessels and recorded their point of origin, destination, and the amount of whale products onboard. Toward the end of the expedition, the vessel stopped to trade and replenish supplies.

Besides the inherent challenges of whaling, Captain Perry faced setbacks, such as steering into a coral reef in Matavai Bay and dealing with a fire in the cargo hold set by two crewmembers during repairs (entry dated February 27, 1847). Desertions were a recurring issue, two crewmembers deserted on August 31, 1846, and by January 7, 1848, the entire crew had deserted.

The volume contains 62 entries from November 1845 to May 1849, and are broken down as follows:

• November 12

• January 3 and 28
• March 1
• April 14
• May 30
• June 5, 6, and 15
• July 1 and 15
• August 1, 6, and 31
• October 25
• November 18
• December 1, 11, 24, and 29

• February 27
• April 22
• May 2, 7, 12-14, 23, 25, 28, 29, and 31
• July 11, 17, and 26
• August 8
• September 1, 19, and 21
• October 4, 6, 7, 10, and 26
• November 15
• December one undated entry

• January 7 and 27
• March 29
• April 15
• May 6
• June 27
• July 29
• August 8
• September 10
• December 4 and 8

• January 6 and 16
• February 14
• March 24
• May 2

The 48 pencil drawings illustrate the success or failure to capture whales. The illustrations depicting a whale belly up with the head and tail above water meant that a whale was spotted or pursued, but evaded capture. Entries accompanied by a drawing showing the whale's entire body meant that a whale was captured and killed. The sketches demonstrate artistic skill in the shading of the whales and ocean waves and in panoramic whaling scenes. One illustration of interest, on page 20, depicts a whale's tail slamming down upon a whaleboat, capsizing the vessel and sending six crewmen into the ocean. The crewmembers shirts are spot colored in brown ink.

Vessels mentioned by name include:

• Spoke with Ship Ansel Gibbs (December 1, 1846).
• Spoke with Ship from New Bedford (May 7, 1847).
• Spoke with the Ship Marialah of Fairhaven (March 1, 1846).

Other entries of interest include:

• "saw plenty of wright whales but we did not lower for we did not want them" (November 18, 1846)
• "not liking the harbour we took our anchor put to sea we ware bound to pitcairns island to get potatoes when on the night of the 28th the land about 60 miles off our lee quarter six tahitian natives stole a boat and runaway it being dark they where soon out of sight we stood on diferant tacks until morning the boat not being in sight and thinking it a wild goose chase to follow them we hauled our wind to the northward" (October 26, 1847).

The Beauties of The Sea photograph album contains five small commercial photographs of scenes on Nantucket along with four alternating sheets of decoratively arranged pressed algae.

The Beauties of The Sea photograph album (12 x 14 cm ) contains five small commercial photographs of scenes on Nantucket (The Old Windmill; Brant Point Light; Harbor and Sailboats; the Town Crier; and Bank and Methodist Church) glued into small album along with four alternating sheets of decoratively arranged pressed algae. The photographs are possibly by Henry S. Wyer. The album's faded green paper covers are tied with gold tasseled string with a wash drawing and inscribed title "Beauties of The Sea" in ink. Album is housed in light green folder.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

The text largely corresponds with Corner's adaptation, albeit with abbreviated or simplified stage directions. The text appears to have been written by one hand, with a pencil annotation at the end of the volume in a second hand, crediting the performance of this play to "some of the girls that go to Miss Lacy's School."

Although the location of Miss Lacy's School is unclear, the spelling within may indicate contemporary American rather than British expectations. The roles are for a merchant, the Beast, the merchant's daughters, Beauty, and a beneficent fairy with four attendants.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

The text largely corresponds with Corner's adaptation, albeit with abbreviated or simplified stage directions. The text appears to have been written by one hand, with a pencil annotation at the end of the volume in a second hand, crediting the performance of this play to "some of the girls that go to Miss Lacy's School."

Although the location of Miss Lacy's School is unclear, the spelling within may indicate contemporary American rather than British expectations. The roles are for a merchant, the Beast, the merchant's daughters, Beauty, and a beneficent fairy with four attendants.

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey.

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and approximately 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey, including a mix of people, buildings, farm animals, and scenic shots. Descriptive captions are written on some of the photographs.

The second page of the album features members of the Blairstown High School Class of 1915 while the third page features views of what is likely Rutgers University. Page 11 includes an aerial view of a parade for the 150th anniversary of Rutgers. Pages in the back of the album include a photograph of women cross-dressing while "looking for a dear," images of a new car, medieval reenactors, and a group of people dressed as "Bandits." Nine loose photographs of Washington, D.C., soldiers boarding a train during World War I, and snapshots of people are contained in an envelope within the ablum.

The Blanding-Carpenter papers contain the incoming and outgoing correspondence of the families of Noah Blanding of Attleboro, Massachusetts, and James Blanding of Rehoboth, Massachusetts. Correspondents include friends and family members from Massachusetts, Rhode Island, and New York.

The Blanding-Carpenter papers contain 70 incoming and outgoing letters of the families of Noah Blanding of Attleboro, Massachusetts, and James Blanding of Rehoboth, Massachusetts. Correspondents include friends and family members from Massachusetts, Rhode Island, and New York.

Family and local news were frequent topics of conversation, as were illnesses and their treatments. Several friends reported news of acquaintances' teaching careers around New England. Others mentioned their travels, particularly within Massachusetts and Rhode Island, and some mentioned people who were considering a move to California during the Gold Rush. Though based in Bristol County, Massachusetts, each family received letters from a variety of locations, and several recipients spent time in Seekonk, Massachusetts; Providence, Rhode Island; and Brooklyn, New York. On one occasion, Nancy A. Blanding wrote her sister Elizabeth about a party she attended in Brooklyn (January 28, 1847). Childcare was also discussed; for example, Susannah Carpenter Blanding, then married to Nathaniel Arey (or Avrey), wrote about the growth of her children, and included a pattern for a child's stocking (September 12, 1852).

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. The photographs show city scenes and buildings, natural scenery, and travelers.

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain 213 pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. Each album is 29cm x 35cm with titles stamped in gold on the front covers. Most photographs are captioned.

The first volume, "Pennsylvania Tour 1891," contains 77 items, comprised of 15.5cm x 20cm prints pasted one to a page and 9cm x 12cm prints pasted three or four to a page. The first 7 pictures and the final picture were taken at Gettysburg, Pennsylvania, including views of battlefield monuments and a military cemetery. The photographer also traveled to Luray, Virginia; Baltimore, Maryland; Washington, D.C.; and Richmond, Virginia. A few shots are group portraits of male and female tourists, who posed once in a railroad car by a banner reading "Boston Mob," and many others are images of city streets and natural scenery, including a series taken in and around a natural bridge and Cedar Creek in Virginia. While visiting Washington, D.C., the compiler photographed landmarks such as the Washington Monument, United States Treasury, White House, and State, War, and Navy Building. Ferries, horse-drawn trolleys (running on tracks), trains, bridges, and railroad depots are visible in many photographs. Of note is an aerial photograph of the White House and surrounding buildings taken from the top of the Washington Monument and a group of 5 items showing African American children playing on a street in Luray, Virginia.

The second volume, "Across the Continent 1892," contains 136 photographs (9cm x 12cm each), usually pasted four to a page. Most items are views of buildings and natural scenery in locations such as Niagara Falls; Sioux City, Iowa; Denver, Colorado; San Francisco, California; Los Angeles, California; Seattle, Washington; and Duluth, Minnesota, as well as other towns in Colorado and California. The pictures show donkeys, town and city buildings, a cattle ranch, and rock formations, particularly in the Garden of the Gods; the photographer visited Seattle during a snowy winter. A number of photographs show a smelter in Denver, Colorado. One group of California photographs features orange trees. Other items of note are a "Spirit Picture" of two overlapped city scenes and a shot of Grover Cleveland's inauguration on March 4, 1893.

The Boston, Revere Beach & Lynn Railroad photograph album consists of 43 photographs taken in various locations in Massachusetts most likely along the Boston, Revere Beach & Lynn Railroad line.

The Boston, Revere Beach & Lynn Railroad photograph album consists of 43 photographs taken in various locations in Massachusetts most likely along the Boston, Revere Beach & Lynn Railroad line. The album (39 x 29 cm) is hardbound with a green cover. Images include views of urban street scenes in several Massachusetts towns, including Lynn; railroad passenger stations; a trolley car; street car tracks; the Bay State House in Worcester, Massachusetts; various storefronts; a locomotive with a plow attachment; numerous horse-drawn carriages; a sign stating "Railroad crossing. Look out for the engine while the bell rings."; a woman identified by a handwritten caption as "Louise" posing outside of a carriage stable; and what appears to be either two horse cars or two electric automobiles parked on a street.

The Boston to St. Louis travel diary recounts an arduous month-long journey between the two cities made by rail, steamboat, and stagecoach in the fall of 1837.

The Boston to St. Louis travel diary recounts an arduous month-long journey between the two cities made by rail, steamboat, and stagecoach in the fall of 1837. The anonymous author, a staunchly religious man, refused to travel on Sundays and attended Sunday religious services at Presbyterian churches throughout his travels, which took him through northern New York, down the Erie Canal, across lower Michigan and northern Illinois, and finally down the Mississippi River to St. Louis. The diarist wrote daily entries about frequent delays, bad weather, his route, the scenery, and various traveling companions, many of whom he knew. Though the initial leg from Boston to Rochester, New York, proceeded without difficulty, he became stranded in Cleveland and was frequently held back by poor, muddy roads as he proceeded by stagecoach from Detroit to Chicago. He finally reached St. Louis on November 28 and concluded the journal on November 30, a lonely and homesick Thanksgiving. Though the author's daily entries fully chronicle the hardships of travel in the early 19th century, they also provide interesting anecdotes and commentary, including encounters with wild animals along the road, and news of the murder of abolitionist minister Elijah Parish Lovejoy, which the diarist first heard about in Chicago, but also later in Alton, Illinois, where the murder made "abolitionism…more than ever the topic of conversation" (November 25). The final two pages of the volume consist of a table of distances, fares, and expenses incurred throughout the trip.

This volume contains meeting minutes pertaining to the administration of a school in Bradford, New Hampshire, in the early 19th century. Residents of District No. 4 discussed funding for building repairs, firewood, beginning dates of school sessions, and other administrative matters.

This volume (58 pages) contains meeting minutes pertaining to the administration of a school in Bradford, New Hampshire, from December 22, 1806-April 6, 1829. Residents of District No. 4 met semi-annually and annually to discuss issues such as building maintenance, the construction of a chimney, the supply of firewood, and the opening dates of school terms; some entries include associated costs. The attendees began each meeting by electing officers, who often remained consistent from year to year. At their meeting of April 3, 1809, attendees decreed that parents would be held responsible for any damage that their children did to the school. Later minutes refer to schoolmistresses' board. The volume also contains the copied text of a formal meeting notice dated February 18, 1828.

This diary records the sermon notes and spiritual reflections of an unnamed member of Boston's Brattle Street church between March 1772 and April 1775.

This diary records the sermon notes and spiritual reflections of an unnamed member of Boston's Brattle Street church between March 1772 and April 1775.

The diarist wrote each "Sabbath evening" as well as on occasions when s/he attended special Fast-day services or religious lectures. Entries also appear in the middle of a week when someone the diarist knew died suddenly. Other entries of note include those in which the writer was unable to attend worship because of "bruises I received by a fall from a Sley" [16 Jan. 1774] and because of a smallpox outbreak [26 March 1775].

A typical Sabbath entry opens with thanks to God for the favor to attend "his House," gives an account of who preached and from what text for both the morning and afternoon services, and offers a short reflection on or explanation of the sermon. The writer also examined his/her spiritual state and beseeched God for mercy and for his/her heart to be bent to God's will. Additionally, many entries feature anywhere from a few lines to the complete set of stanzas for hymns from English writers like Isaac Watts and the Wesley brothers.

The diarist mentioned hearing sermons from approximately twenty ministers over this three-year span, including Dr. Samuel Cooper, Dr. Charles Chauncy, Dr. Andrew Eliot, Mr. Joseph Howe, Mr. John Hunt, and Dr. Mather Byles, all of whom were ministers at some of the city's largest churches.

The Bremen, Germany photograph album contains 22 photographs of Heligoland and the Bremen region along the Weser River from 1935 to 1936.

The Bremen, Germany photograph album contains 22 photographs of Heligoland and the Bremen region along the Weser River from 1935 to 1936. Each photograph contains notation in German stating date, time, and location. Images show the Weserwehr (dam), Weserdeich (dike), Oberneuland, Wesermünde, the shoreline in Bremerhaven, and a fish auction at Fischereihafen (Bremerhaven). Also included are images of a trip to Heligoland; a steamer traveling to/from Roter Sand lighthouse, and views from the main island. The album ends with a family photograph.

The album is 10.5 x 7.5 cm with brown paper covers.

Breve Trattato di Geografia is a 55-page, 17th-century Italian work on celestial and terrestrial geography, including several maps and diagrams of the world. Assistant Curator of Maps Mary Pedley transcribed and translated the 2-page index that follows the text of the volume: Breve Trattato di Geografia Index .

Breve Trattato di Geografia is a 55-page, 17th-century Italian work on celestial and terrestrial geography, including several maps and diagrams of the world. The treatise is divided into four primary sections and, within them, individual chapters. Early chapters in the book mention the zodiac and celestial features, while later chapters focus on the world's landmasses and degrees of latitude and longitude. The latter half of the volume contains several hand-drawn maps that depict the contemporary view of the world on several scales and according to different projections. One map of the world shows North and South America and "Terra Australe Incognita," while another map of North and South America is labeled "Mexicana" and "Peruana," respectively. Azimuthal projections of Africa and Asia and of the northern hemisphere and a map of Italy showing the location of Rome are also included. Assistant Curator of Maps Mary Pedley transcribed and translated the 2-page index that follows the text of the volume: Breve Trattato di Geografia Index (.pdf).

The Brig Kitty logbook spans April 9 to August 19, 1785, detailing the merchant ship's voyage from the port of Piscataqua, likely near Portsmouth, New Hampshire, to the West Indies and back to the region near Cape Cod, Massachusetts. The bulk of the brig's daily entries are recorded in columns to notate the hour of the day, knots and half-knots for speed, the brig's course, the direction of the winds, and general remarks. Most of these remarks relate to weather, sea conditions, handling of sails, and latitude observations. The volume also includes a "Harbour Logg" kept from May 22 to July 22 at the "Lee Cayes [Cays]", recording the unloading of staves, boards, and shingles while the Kitty was at its destination in the West Indies, as well as molasses taken on board for the return voyage.

The Brig Kitty logbook spans April 9 to August 19, 1785, detailing the merchant ship's voyage from the port of Piscataqua, likely near Portsmouth, New Hampshire, to the West Indies and back to the region near Cape Cod, Massachusetts. The bulk of the brig's daily entries are recorded in columns to notate the hour of the day, knots and half-knots for speed, the brig's course, the direction of the winds, and general remarks. Most of these remarks relate to weather, sea conditions, handling of sails, and latitude observations, and the writer often used phonetic spellings. The log keeper also indicated when barrels of supplies were broached, like water, bread, beef, and pork, but also indicated when they observed other ships. Occasionally, they would speak with other captains, and the writer would record their port of departure and destination, principally ports in New England and the West Indies. The logbook documents land sightings and their distances from the ship. Some places named include Tobago, Rockley Bay, Grenada, Hispaniola, Cape Tiburon, Cape St. Nicholas, Acklins Island, Crooked Island, among others.

The volume includes a "Harbour Logg," kept from May 22 to July 22 at the "Lee Cayes [Cays]", recording the unloading of staves, boards, and shingles while the Kitty was at its destination, as well as molasses taken on board for the return voyage. Several entries also relate to routine shipboard activities, like mending sails, having a cooper come on board, sending a crew person ashore because of ill health, securing the hold, and watering the ship. A Captain Nott appears to have had control of the ship upon its return voyage. The entry for August 17th includes notes on taking depth soundings with brief remarks about sand samples.

The volume's cover is sailcloth. One edge of the cloth appears to be the selvage, where the cloth was finished to prevent unraveling, suggesting this may have been a repurposed remnant.

A loose receipt dated October 3, 1787, from Dover, New Hampshire, is laid into the volume, recording Benjamin Peirce's survey of pine boards and planks for widow Lydia Tibbits. The verso of an interior page includes several accounts, including one for Miss Plummer of Dover, dated September 19, 1785, for food items and other goods. The final two pages of the volume feature mathematical notations as well as financial accounts, seemingly related to room and board as well as some transactions relating to molasses and other items.

The Brown family photograph album contains approximately 100 photographs (mostly cyanotypes) showing the home, neighborhood, family members, and friends of Phildelphia textile manufacturer Crosby M. Brown (1857-1906) and his wife Addie O. Brown (1857-?).

The Brown family photograph album contains approximately 100 photographs (mostly cyanotypes) showing the home, neighborhood, family members, and friends of Phildelphia textile manufacturer Crosby M. Brown (1857-1906) and his wife Addie O. Brown (1857-?).

The album (31 x 26 cm) begins with the birth of May Marguerite Brown in October or November, 1888, and focuses on the subsequent visits of relatives and neighbors, including the Mayers, Crosby M. Wright, and Aunt Ellen Smedley. Images include family group portraits, exterior and interior views of the large family home at 63rd and Median Streets, winter scenes at nearby parks, and views of the neighboring homes of John Bell, Mr. Hess, and Jacob Jones. Other photographs depict Brown family visits to Ellen Smedley at "Bala" in Bryn Mawr (Pennsylvania), to Norwalk (Ohio), and a fishing trip to Waterville (New Hampshire). Also included are views of mill clerk F. A. Reinstein in his office, and industrial buildings from 33rd and Walnut Streets in Philadelphia (possibly the family textile mills).

This commonplace book, produced by an anonymous farmer from the Bucks County, Pennsylvania, region primarily contains passages relating to farming and husbandry. Along with farming accounts and documentation of livestock, agriculture, and dairy production, the commonplace book also features material on the Agricultural Society of Bath. Newspaper clippings comment on medicine, recipes, and farming. Illustrations of fences, sheep, floor plans, property drawings, and a detailed diagram of the "cropping plan" for 1826 appear in the volume.

The creator of the volume references European agricultural societies, data and agricultural systems, and popular agriculturalists, such as George Culley (1735-1813) and Charles de Lasteyrie (1759-1849). The volume provides detailed information on growing crops, managing soil, and tending to livestock.

The Buffalo Soldiers carte-de-visite album contains cartes-de-visite and tintype photographs of African American soldiers, civilian men and women. Some of the photographs were taken in Webster, Dakota Territory (now South Dakota).

The Buffalo Soldiers carte-de-visite album contains 16 cartes-de-visite and 7 tintype photographs taken circa 1870s and 1880s, now housed separately. Included are formal studio portraits of unidentified African American and Caucasian civilians and soldiers. Some individuals posed in pairs or groups. Many of the photographs, including some of the cartes-de-visite of African American soldiers, were taken in the Dakota Territory. The original album (12cm x 15cm) has covers bound in blue cloth; a metal shield is attached to the front cover.

This photograph album contains 10 albumen prints related to the Bunker Hill Monument in Charlestown, Massachusetts.

This souvenir photograph album (12cm x 18cm), which contains 10 albumen prints, is bound in blue pebbled book-cloth and has the title "Album Photographs[,] Bunker Hill Monument" stamped in gold on its cover. The first 2 pictures show the Bunker Hill Monument (a stone obelisk) and the statue of Colonel William Prescott, respectively. The remaining 8 photographs are aerial views of Charlestown and the surrounding area taken from the monument, showing residences, industrial buildings, the Charlestown Navy Yard, and the Charles and Mystic Rivers. Sailing ships are visible in many of the aerial views. The album belonged to Lucia K. Hathaway, who inscribed her name on its first page on November 15, 1884.

This photograph album contains tintype, carte-de-visite, and other portraits of various individuals taken in Burlingame, Kansas, and other locations in the late 19th century.

This photograph album (13.5cm x 17cm) contains 10 tintypes, 5 cartes-de-visite, and 4 additional studio portrait photographs of men and women. Some of the cartes-de-visite were taken in Burlingame, Kansas, and some may have been taken near "Dent Lake." One photomechanical print of Dora E. Hough may have been clipped from a published book or magazine. The photographs depict individuals and groups of young women and men, who are sometimes identified in captions. Captions are also present on many blank pages, though the photographs are no longer present. The volume has the title "Album" stamped in gold on its spine and additional stamped floral and decorative designs on its covers. The album, which is bound in brown leather, once had two metal clasps; only one remains.

This volume contains the financial records of an anonymous blacksmith from Bustleton, Pennsylvania, kept between January 8, 1851, and August 14, 1858. The records include customers' names, as well as the types of items purchased and the costs of individual goods and services.

This volume (193 pages) contains the financial records of an anonymous blacksmith from Bustleton, Pennsylvania, kept between January 8, 1851, and August 14, 1858. The records include customers' names, as well as the types of items purchased and the costs of individual goods and services. Most of the records relate to items made of iron, including bolts, spokes, and irons, and many reflect the construction of wagons or carriages and their component pieces, such as axles and seats. Some entries mention additional goods and services, which often related to wagon repair. Two frequent customers included Thomas Wistar (p. 119) and the Philadelphia County Prison (p. 108). In addition to these records, a note in the front of the volume records that the author "put the cow to pasture at Wm. White's July 31st 1854," and several entries at the back reflect small loans to various individuals. The volume also contains a recipe for black varnish.

The California and Washington holiday photograph album contains approximately 110 photographs related to an excursion on the West Coast made by an unidentified couple.

The California and Washington holiday photograph album contains approximately 110 photographs related to an excursion on the West Coast made by an unidentified couple. The album (18.5 cm x 29 cm) has black cloth covers and is tied with black string. Towards the beginning of the album there are 20 photographs of Native Americans (likely members of the Confederated Tribes of the Umatilla Indian Reservation) with tipis at an encampment and on horseback in full regalia during a parade in Walla Walla, Washington; a river view with paddle steamers; and two views of a parade with the marching band from the U.S. Indian School in Chemawa, Salem, Oregon. Subsequent images from further south along the Pacific coast include views of Golden Gate Park; Sutter Fort and the Capitol building in Sacramento, California; the outdoor organ from the Panama-Columbian Exposition in San Diego; Balboa Park; an early Loughead Model G seaplane on a dock with a sign offering passenger rides; and the Santa Barbara Mission and rocky coastline nearby. Also present are views of Multnomah Falls, Oregon, and giant redwoods. Towards the back end of the album are four photographs showing a parade on a suburban street with 5 women wearing uniform caps, possibly factory workers, sitting in an open automobile decorated with American flags and a sign on the back that reads "Doing our bit."

The California and Western Tour photograph album contains commercial and amateur photographs of scenes in Yosemite National Park, Yellowstone National Park, California, New Mexico, and other locales. The volume includes a group of photographs taken at the World's Columbian Exposition in Chicago, Illinois, in 1893.

This album (23cm x 30cm) contains 67 commercial and amateur prints of scenes in various locales, particularly in the western United States. The album is bound in red pebbled leather with small gold trim. Many of the photographs are commercial prints as large as 19cm x 24cm, with captions and negative numbers. Manuscript captions accompany some of the items, often with information about the size of natural features shown. Pictures of rock formations, waterfalls, rivers and lakes, and geysers are most common, along with shots of architectural landmarks and groups of tourists. Prominent photograph locations include Yosemite National Park (9 items), Garden of the Gods (4 items), New Mexico (3 items), the Columbia River (3 items), and Yellowstone National Park (20 items). The album has 2 pictures of Niagara Falls, one of which was taken in winter.

Though the album focuses on natural scenery, several photographs show various types of buildings, such as missions in California and New Mexico, hotels in California, the Lick observatory, a group of buildings at the Shasta Springs retreat, a railroad dining car interior, and the exterior of a Chinese restaurant in San Francisco, California. Scenes of horse-drawn carriages fording the Fire Hole River in Yellowstone National Park and passing through a tunnel cut into the trunk of a large tree in Yosemite National Park are present, as are other group photographs. One shows "Miss E. P. Gould" riding a horse, and another shows a group of men fishing on Yellowstone Lake. An 1888 portrait of John C. Frémont, his wife Jessie, and their daughter shows them standing in front of the "Fremont tree" in Redwood Grove. A final group of photographs consists of pictures of various buildings constructed for the 1893 World's Columbian Exposition in Chicago, Illinois.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906. The album begins with scenes of Colorado. These images show views from a railway through the Rocky Mountains and a trip to Garden of the Gods in Colorado Springs.

A majority of the photographs were taken in San Francisco, California. These photos date from May, 1906, just after the San Francisco earthquake and fire. Many of the images show refugee camps and temporary housing, displaced businesses, and damage on Van Ness Ave, which was used as a firebreak by the United States Army. The McKinley Parade, also known as Fiesta de Los Angeles is photographed as well. Other California scenes include Cliff House in San Francisco, an ostrich farm in Pasadena, vineyards, and orchards of olive trees, palm trees, and lemon trees.

The last portion of the album is of Long Island, New York State. These scenes include people on a boat in the water near Westhampton, people swimming in Jamaica Bay, and Apacuck Point.

The album is 18.5 x 14 cm with red cloth covers.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print views of various travel destinations in California in 1898.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print photographs of various travel destinations in California in 1898. Captions are written below each photograph.

This volume contains financial records, journal entries, planting lists, and other content related to a farmer and fur trader in the early 19th century.

This volume is comprised of financial records, journal entries, planting lists, and other content related to a farmer and fur trader in the early 19th century.

• Undated list of prices for animal skins, "Expences Coming to Pennsylvania," and "Expences at the quitting" (1 page)
• Chronological accounts (11 pages, February 1806-March 1806; September 1806-November 1806; and undated)
• Double-entry accounts (9 pages, February 1806-May 1806)

Several individuals, including Sidney Wells, Matthew Gibson, and Daniel Whipple, are represented in both chronological and double-entry records. Most entries pertain to skins from mink, muskrat, and martin, and to manual labor tasks such as cutting grubs, drawings logs, and rafting. Other accounts concern sundries, a knife, a watch, and "a Balance between Guns."

The volume contains 3 pages of notes and journal entries about the author's travels from Cambridge to towns in Pennsylvania (2 pages, February 1806-July 1806); and from Philadelphia, Pennsylvania, to Lansingburgh, New York, via New Jersey and New York City (1 page, August 1806). His notes refer to travel by land and water.

Two pages concern crops planted at Cambridge in May 1808, including potatoes, beans, cabbage, corn, peas, beets, and oats. The volume also has an 8-page list of names and numbers; drawings of a compass rose and geometric shapes; signatures of James Peters and Lydia M. Peters; a very rough sketch of an "apple machine" (apparently for coring or peeling and apple) below which is written the name "George Washington"; and page of manuscript sheet music for the "Duke of Halstein's March."

This collection is made up of letters that a soldier named Frank sent to his mother and siblings while training at Camp Devens, Massachusetts, in late 1917 and early 1918. He discussed his equipment, dental health, and other aspects of military life.

This collection is made up of 8 letters that a soldier named Frank sent to his mother and siblings while training at Camp Devens, Massachusetts, between December 8, 1917, and February 15, 1918. Frank mentioned physical conditioning, combat training, and outdoor cooking. He sometimes mentioned other soldiers, including another man from "Georgetown" who had taken to gambling. Frank noted when his friends were sent overseas or to different posts; he expected that he would go abroad around mid-February 1918. Frank's letter of February 8, 1918, contains a list of equipment he had received in preparation for overseas deployment. Though the military encouraged soldiers to travel home on weekends on account of food shortage, Frank regretted that he could not travel on account of that train fare. Several letters refer to Frank's dental problems and recommended treatment.

An anonymous United States Army sergeant wrote these 3 letters (18 pages) to his mother while serving at Camp Hancock, Georgia, between August and December 1917. "Herb," a member of Company D, 103rd Engineer Regiment, reported on his regiment's work laying pipes and about several aspects of military life.

An anonymous United States Army sergeant wrote these 3 letters (18 pages) to his mother while serving at Camp Hancock, Georgia, between August and December 1917. "Herb," a member of Company D, 103rd Engineer Regiment, reported on his regiment's work laying pipes and on several aspects of military life.

In each of his letters, "Herb" encouraged his mother not to worry about him, and he took pride in his work with the military and in his continuing advancement through the ranks; he was expecting a commission as lieutenant. He also mentioned some of his regiment's duties, which included laying pipes for newly constructed buildings at Camp Hancock and building temporary bridges for other units on bivouac assignments. Herb described other aspects of camp life, such as the comings and goings of other soldiers and his leisure activities, which included trips to nearby Augusta and football games. In two of his letters, he discussed the reorganization of the army's cavalry and artillery units, and in one letter, he mentioned English and French guest officers' instruction in trench warfare (November 11, 1917).

The Camp Lin-E-Kin photograph album (16 x 24 cm) contains 36 photographs of people and activities at a girls' camp in Maine.

The Camp Lin-E-Kin photograph album (16 x 24 cm) contains 36 photographs of people and activities at a girls' camp in Maine. Images depict varied activities: hiking, boating, dancing, and calisthenics. Of interest are numerous photographs of girls wearing costumes and a group wearing swimming outfits, an image of a cabin interior with girls writing letters and knitting, and two photographs of girls holding cameras. An envelope with 10 additional photographs is laid in the album.

The album has a black cloth cover tied with string; housed in a grey board wrap with blue cloth spine.

The Canadian Evangelist journal chronicles the daily activities of an anonymous Protestant evangelist during a nine-month missionary journey from Quebec to Scotland and England. Both in Canada and abroad, the author made frequent visits to schools, prisons, taverns, and churches of different Christian denominations.

The Canadian Evangelist journal (94 pages) chronicles the daily activities of an anonymous Protestant evangelist during a nine-month missionary journey from Quebec to Scotland and England. Both in Canada and abroad, the author made frequent visits to schools, prisons, taverns, and churches of different Christian denominations.

The diary begins on October 25, 1848, in Quebec, and the first entries reflect the author's everyday activities, which included visiting local residents and collecting funds for an unnamed society. On November 5, 1848, he embarked for Glasgow, Scotland, on the Erromango. During the voyage, he preached to sailors and passengers, conducted Sunday church services, and spent much of his leisure time writing and reading. After his arrival in late November, he visited local prisons, asylums, and schools; distributed religious tracts in taverns and barbershops; and attended temperance meetings, particularly in London. The schools he visited included Hebrew institutions. On Sundays, he attended Protestant religious services, and he also commented on Catholic in Montréal and London (May 25, 1849). In addition to corresponding with numerous religious leaders and members of the peerage, he also composed essays addressed to local newspaper editors. While in Britain, the author visited Greenock, Glasgow, and Edinburgh, Scotland, and Liverpool, Manchester, Stockport, Birmingham, London, Uxbridge, Bristol, Bath, and Brighton, England. The author sailed from Glasgow to Montréal in August 1849, and arrived on August 31. The final entries concern the author's daily activities in Montréal until October 24, 1849.

The Caribbean photograph album contains photographs of towns, scenery, and people in Jamaica, Saint Vincent, Barbados, and Trinidad.

This photograph album (19cm x 26cm) contains 77 photographs of towns, scenery, and people throughout the Caribbean. Most pictures are 14cm x 22cm, though a few are 10cm x 15cm, and many have lengthy captions with additional information about locales pictured; many are numbered. Captions include information about hotel rates, population figures, vegetation, geographic features, and local customs. The photographs show Jamaica (43 items), Barbados (13 items), Trinidad (12 items), local residents (4 items), Saint Vincent (3 items), and other scenes (2 items). The album has many views of city streets and towns taken from street level and from higher vantage points, as well as views of rivers in Saint Vincent and Jamaica and of Carlisle Bay, Barbados. Structures such as sugar plantation windmills, railroad stations, hotels, markets, a prison, and churches are visible in many pictures, as are residents and, less often, tourists. A group of 4 photographs at the end of the album show East Indian women who worked in Trinidad, and 3 photographs show members of the West Indian Regiment and its band, including 1 picture of the band playing in a gazebo. Harbor views show Royal Navy ships and other vessels. The album's covers have a hard cloth covering, and the pages are bound together with rope. One loose page has been removed from the volume.

This unattributed pocket ledger was likely kept by a man laboring as a carpenter, recording debts and credits related to his work from 1855 to 1864. The writer repaired items such as gates, doors, and boats. He also documented making doors, staining wood, sawing logs, getting in wood, drawing boards, working on houses, and framing buildings. Two pages at the end of the volume record his cash accounts in 1864, distinguishing between cash on hand, greenbacks, eastern bills, and scrip. Several other pages document hours worked on projects and various dimensions of wood for projects. Four outlines of what appears to be the end of a banister or other woodwork piece are drawn in pencil near the end of the volume. A list of woodworking tools and a carte-de-visite of a woman wearing a polka dot dress are stored in the back pocket of the volume.

This unattributed pocket ledger was likely kept by a man laboring as a carpenter, recording debts and credits related to his work from 1855 to 1864. The writer repaired items such as gates, doors, and boats. He also documented making doors, staining wood, sawing logs, getting in wood, drawing boards, working on houses, and framing buildings. Two pages at the end of the volume record his cash accounts in 1864, distinguishing between cash on hand, greenbacks, eastern bills, and scrip. Several other pages document hours worked on projects and various dimensions of wood for projects. Four outlines of what appears to be the end of a banister or other woodwork piece are drawn in pencil near the end of the volume. A list of woodworking tools and a carte-de-visite of a woman wearing a polka dot dress are stored in the back pocket of the volume.

This collection is made up of legal documents and memorandums pertaining to the chain of ownership of a 2,000 acre property. The tract was a part of the land allegedly granted to Jonathan Carver from the Naudowessie Indians during his 1766-1768 journey to present-day Wisconsin and Minnesota.

This collection (6 items) consists of legal documents and memorandums pertaining to the chain of ownership of a 2,000 acre property. The tract was a part of the land allegedly granted to Jonathan Carver from the Naudowessie Indians during his 1766-1768 journey to present-day Wisconsin and Minnesota.

The first 2 partially printed documents, numbered 188 and 189 and signed by John C. Fox, Simeon Avery, and Ezekiel Webb, each grant 1,000 acres of the Carver land to the bearer (February 6, 1796). The third item is an indenture to transfer the land from Benoni Adams to James W. Howard, both of New York City (September 12, 1796). In a document dated November 8, 1836, Seth Whalen of Milton, New York, granted Isaac Nash power of attorney for dealing with the same property. The final 2 items are manuscript memorandums listing the chain of ownership of these 2,000 acres and binding a group of Vermont residents to the Carver heirs for the sum of $200,000. The first memorandum includes small drawings of the tortoise and snake totems of the Naudowessie chiefs who allegedly granted the lands to Jonathan Carver.

This incomplete 312-page manuscript catechism contains a series of questions and answers about religious faith, including the doctrine of predestination, the creation of the world, Jesus Christ, and the form and contents of prayer. A marginal note by a different 18th or 19th century hand suggests that this is "perhaps the writing of N Chauncey Hatfield or Samuel Wh[illegible]."

This incomplete 312-page manuscript catechism contains a series of questions and answers about religious faith, including the doctrine of predestination, the creation of the world, Jesus Christ, and the form and contents of prayer. A marginal note by a different 18th- or 19th-century hand suggests that this is "perhaps the writing of N Chauncey Hatfield or Samuel Wh[illegible]."

The manuscript begins with a discussion of heaven and hell, and proceeds through additional topics, often accompanied by scriptural references. Each subject is part of a continuing question-and-answer process, often based on a previous answer, and many themes recur frequently. Several brief proverbs appear on the final page.

The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The volume (32 x 19 cm) has brown leather covers (front cover detached) and contains 176 pages, all of which bear pasted-in engravings that were clipped from various newspapers, magazines, journals, advertisements, etc. Two inscriptions are present on the inside of the front cover; one states “This book is the property of W. W. Everett - 76 Winter St. Norwood, Mass.” while the other reads “The book was made by Mrs. W. W. Everett’s aunt Helen, probably in the 1880s. WWE.” The volume appears to have originally served as some type of accounting ledger before being repurposed.

Notable individuals represented within the volume include Joseph Jefferson, Sarah Bernhardt, P. T. Barnum, Lillie Langtry, Genevieve Ward, J. H. Haverly, E. A. Sothern, Sol Smith Russell, Ada Gilman, James H. Wallick, Adelaide Neilson, Buffalo Bill, Mittens Willett, Henry Clay, Susan B. Anthony, Wendell Phillips, Henry Wadsworth Longfellow, Elizabeth Cady Stanton, and Louis Pasteur.

This volume contains 20 ink portraits of members of the New Jersey State Senate of 1876 and 4 illustrations of scenes from the senate's centennial session.

This volume (5.5" x 6.75") contains 20 ink portraits of members of the New Jersey State Senate of 1876 and 4 illustrations of scenes from the senate's centennial session. E. S. Ellis presented this book to William J. Sewell, president of the New Jersey Senate. The individual portraits of senate members are organized alphabetically by the county each senator represented; Sewell, who represented Camden County, is the only member not individually drawn. The 4 additional illustrations depict an eagle holding the shield of the United States, Sewell calling the senate to order, a member reading the minutes, and a composite portrait of five individuals representing major newspapers.

The July 1, 1874 kidnapping of four-year-old Charles Brewster "Charley" Ross from a sidewalk in front of the family home in the Germantown neighborhood of Philadelphia, Pennsylvania became the first nationally publicized kidnapping for ransom case in the United States. This collection contains six items: one letter, a manuscript reward advertisement, handwritten notes, a pencil sketch portrait of Charley, a manuscript account of experiences with the main suspects, and an undated newspaper clipping related to the continuing investigation of the child's abduction, ca. 1909.

The July 1, 1874, kidnapping of four-year-old Charles Brewster "Charley" Ross from a sidewalk in front of the family home in the Germantown neighborhood of Philadelphia, Pennsylvania became the first nationally publicized kidnapping for ransom case in the United States. This collection contains six items: a letter, a manuscript draft of a reward advertisement, handwritten notes, a pencil sketched portrait of Charley, a manusscript account of experiences with the main suspects, and an undated newspaper clipping-related to the continuing investigation of the child's abduction, ca. 1909.

The one Letter in the collection is from Charley Ross's father Christian K. Ross to Rev. Henry Whitney Cleveland, October 20, 1877; Philadelphia. 2 pages. In it, Mr. Ross states that he cannot help Cleveland publish a book as his time is spent searching for his missing son. Ross mentions the book he published on the case, lamenting that he published it using a subscription service as it limited its circulation.

Written on the verso of printed, illustrated stationery of the Haynes Hotel, Springfield, Massachusetts, the manuscript draft of a Reward Advertisement stipulates a $10,000 reward for the return of Charley Ross alive, promising not to seek out or discover the identity of the kidnappers. The page is headed "For Local Article."

Notes: Six pages of pencil notes on checkbook stubs, measuring approximately 9x4 inches. Dating from July 1, 1874, to an unknown point in 1909, the notes begin from the point of Charley's kidnapping, chronicling accounts of the case. First remarking that Christian Ross had "run down false clews [in a] vain attempt" to locate Charley, the unidentified writer continues with a sparse summary of the alleged kidnappers capture "at Fort Hamilton, L.I. [Long Island]" and Joseph Douglas's confession that "Mosher & I stole Charly [sic] Ross." The next entry, dated 1909, discusses one Wm. G. Eyster, whose claim to be the lost Charley Ross was rejected.

The notes conclude with a sketch of a man wearing glasses and a bow tie, with the caption "3 days to get it ready, $20,000," followed by what appears to be notes related to other kidnappings and reference to a "Jessy James."

Manuscript: On October 9, 1932, James H. Hall wrote a nine-page summary of George W. Murdock's recounting of his experiences with the main suspects in the Charles Brewster Ross kidnapping case, Bill Mosher and Joe Douglas, while his mother was in charge of the lighthouse in the Hudson River. Murdock recalled Mosher and Douglas attempting to sell them a boat, described the two men, and described encounters with detectives who searched their premises and read their mail. Hall speculated about the possible role of the boat in the kidnapping.

Newspaper Clipping: An undated clipping regarding one Mr. W.C. DeWitt, claiming to be the lost Charley Ross and giving a lecture, titled "The True Story of My Abduction."

Portrait: A pencil sketch of Charley with an inscription that reads,"at the time of his abduction. Then 4 yrs. and Walter, his 6-yr-old brother. Disappeared from the sidewalk, near their home. July 1, 1874."

This collection is comprised of 6 letters that Private Charles Miller wrote to his mother while serving with the Special Services Unit 649, an ambulance unit in the Convois Automobiles, in France during World War I. Miller discussed aspects of military life both before and after the Armistice.

This collection is made up of 6 letters that Private Charles Miller wrote to his mother while serving with the Special Services Unit 649, an ambulance unit in the Convois Automobiles, in France during World War I. Miller, who signed his letters "Chas.," discussed aspects of military life both before and after the Armistice, such as his quarters and his desire to join the regular army. He reported his excitement after hearing that Special Services Unit 649 would be receiving a commendation for bravery and occasionally commented on the war. During his time in France, he observed bombing raids and shelling, but believed "one would have to be terribly unlucky to get hit" (March 30, [1918]). After the war, Miller described his attempts to learn languages and anticipated his return to the United States. Miller's letter of April 27, 1918, is incomplete.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857, while serving aboard the mercantile clippers Charger from Boston to San Francisco and the Stag Hound from San Francisco to Hawaii and China. The Stag Hound carried 380 Chinese passengers from San Francisco to China, where it loaded a cargo of tea, silk, fancy matting, and other goods, to be returned to New York. Charley wrote about social matters, including descriptions of San Francisco, Hong Kong, Fuzhou, and the coasts of the Yangtze River, as well as shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857. He first served aboard the mercantile clipper Charger under the command of Captain Luther Hurd, travelling from Boston, Massachusetts, past Cape Horn, to San Francisco, California. He switched berths in San Francisco to the Stag Hound who carried Chinese passengers under Captain Peterson to Hawaii, Hong Kong, and Foochow (Fuzhou), via the Chang (Yangtze) River. They passed various places in the Philippines and South China Sea without stopping, and returned to New York with a cargo of tea, silk, fancy matting, and other goods. Charley wrote about social matters, including descriptions of ports like San Francisco, Hong Kong, and Fuzhou, and shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

Details about the labor of sailing are found throughout the diary, with regular notes about wind, weather, and sea conditions, land sightings, and occasional notations of latitude and longitude. Charley described the Charger as "a new one" (January 1), and several times noted that the ship was outpacing others. He commented on various shipboard tasks like cleaning the deck, handling and repairing sails, managing dwindling food and provisions, and catching sharks, fish, and porpoises to eat. Comments about the difficulty of the work and various demands appear regularly, as well as notes of various mishaps on board, damaging storms, and other dangers, like falls, sails gone awry, the hazards of Cape Horn (March 7), freshwater getting tainted (March 20), waterspouts (August 27), and suspected pirates (September 16). At least one crewmember died, seemingly of illness contracted prior to the voyage, and Charley wrote of his distress at how his body and burial were handled (July 17).

When he switched berths to the Stag Hound, travelling from San Francisco to Hawaii and Hong Kong, Charley wrote of the demands of manning an "outward bound ship":

"Everbody is in bad humor. The officers irritable. the crew more so. words pass between them. everything to do and nobody to do it. Bed clothes. sea boats. jackets. chests. and numerous other things of a sailors outfit tumbled together in confusion. chickens crowing. geese quacking turkeys gobbling. pigs squealing. these are the scenes and noises that must be endured by the outward bound" (May 15). Noting that "people on shore think that a sailors leads an idle life," he detailed the daily labor they typically performed (August 30).

Charley's depictions of shipboard life also reference issues of discipline and management of the crew. While on the Charger, he noted the captain distributing "a lot of tracts" to the crew (January 18 and February 8) and complained of officers making sailors work on the Sabbath (January 25). He wrote a detailed description of the Charger's officers on March 11, including physical and behavioral attributes, and noted that the rest of the crew consisted of 28 men from America, England, Ireland, Scotland, Holland, and Italy. He noted several physical fights and that crew members were imprisoned for matters like theft and violence (February 14 and May 8) or threatened to have their noses wrung by the captain for fighting (April 30). Charley recorded that the third mate confined "one of our boys who goes by the name of Jimmey Ducks" in the hencoop for "not feeding the fowls in the morning" (February 15). On another occasion, "the mate frightened one of the greenhorns nearly to death by hoisting him up to the royal mast head" when he cried when being asked to slush the mast (February 23). As provisions began to run out, Charley bemoaned that the sailors had to drink rainwater that was tainted by the ship's tar and paint, while "the officers can drink and use as much of the Boston water as they choose" and the steward "used two buckets of the good water to wash the cabin floor" (April 19). Upon landing in San Francisco, Charley noted that Captain Hurd was trying to convince the sailors to continue on with him on the next leg of the voyage by withholding wages from the crew, was struck by a passenger who accused him of "ill treatment to his sister," and that "Whenever our crew see him in the streets they are hooting him and throwing stones at him" (May 10-11).

Charley continued to note disciplinary issues when he transferred to the Stag Hound, including reminiscences about being imprisoned in Honolulu for refusing to work while on a whaling voyage aboard the Hobomok in 1852. Others' refusals to work and their punishment were documented (June 14), as well as efforts to manage unruly passengers (May 22). He noted that infighting and complaining "is the custom with sailors... When they cannot find fault with the officers or with the grub they must growl amoung themselves for pastime" (May 26). On the return voyage, Charley noted the "youngsters" were yelled at for being slow in their work (August 24).

The volume contains much detail about issues of race and ethnicity. He wrote about a man "that goes by the name of Jim Crow. he would make a horse smile to hear him singing comic songs and spouting Shakespere &c.," possibly an African American sailor (January 26). Charley made another reference to "James Crow" on February 28, participating in a demonstration by the sailors when their "advance was up" and they "assert[ed] our rights as sailors" and made an effigy that was hung and buried at sea. Charley called him a "courious genious. he makes sport for all hands in the ship. I don't know how we would get along without him" (February 28). Charley was pleased "to see my friend Crow" among those who switched berths to the Stag Hound (May 14). Charley commented on his singing and musical abilities (June 24, August 11), and he wrote about him in a poem (June 12), travelled ashore with him in Hong Kong (July 7), and remarked on his cure for toothaches (September 8).

Charley's entries also reflect on the individuals he encountered during his voyages, including a description of indigenous South Americans sailing catamarans to fish, some 20 miles from shore (February 5), and the multi-ethnic crew of the Stag Hound. On May 24, Charley described in detail the Stag Hound's Dutch captain and his wife, the Dutch first and second mates, the English third mate, American bosun and carpenter, and two Chinese stewards and two Chinese cooks. "Before the mast we have a sprinkling of all nations. It would puzzle a Philadelphia Lawyer to understand one half of them. I dont believe that there was one half of the confusion at the building of the tower of Bable as there is in our forecastle at meal times."

The bulk of his racial commentary revolves around the approximately 380 Chinese passengers who travelled aboard the Stag Hound to Hawaii and Hong Kong, of which he initially wrote disparaging comments (May 12). Some of Charley's entries reflect on Chinese shipboard experiences, such as gambling (May 20) and fighting (June 6), while others seem to indicate prejudiced behavior on the part of the Stag Hound's captain. He rationed Chinese passengers' allowance of water (May 22) and threatened violence against one English-speaking Chinese passenger for complaining (January 19). While approaching China, Charley noted the crew worked on cleaning guns due to "lots of pirates now in these seas, but we do not fear them so much as we do the passengers, for it is a common thing for them to try and take the vessel that they are in when they find that they are near to China" (June 25). He remarked on the Chinese Emperor, "said to be the brother of the Sun, and likewise the King of ten thousand islands" (June 29), the passengers praying for fair wind (July 1), and reacting with joy upon seeing the area near Hong Kong (July 5). He described Hong Kong, commenting on religion (July 6-7) and fears of Chinese boarding the ship at night to murder the crew (July 10). He noted passing the wreck of the Wild Duck and seeing Chinese junks painted "with large eyes on their bows so that they can see" (July 20), and he described places they passed while travelling up the Chang River under the guidance of a Chinese pilot and their arrival at Foochow (Fuzhou). He noted the work Chinese laborers undertook on the Stag Hound while at Fuzhou (July 24, 26, 27) and detailed his visit to a "pagoda" in the city (August 2).

Several references to women also appear in the diary. Charley remarked on the presence of the captain's wife aboard the Charger, noting her disdain for sailors (January 4, March 16). As the initial voyage to California wore on, Charley recorded a fight between the captain and his wife where she was threatened with violence if she spoke to the first mate (April 24). The captain's wife also accompanied the Stag Hound, and Charley described her and her scorn for the sailors as well (May 24). The captain's daughter was also aboard the Stag Hound, and Charley noted the purchase of a cat for her and her distress during a typhoon (July 27, September 7). He later noted the cat's disappearance and his suspicion that sailors disposed of it, "for a sailor would as soon see his Satanic Majesty on board of his ship as a cat for to him a cat is linked with superticion [sic]" (August 17).

Mentions of other ships throughout the volume reflect the international dynamics of sea travel and mercantilism. Charley noted ships from various American ports, Prussia, Brazil, England, and France. Upon arriving in Hong Kong, he observed French, English, and Portuguese men-of-war (July 6 and July 8), and named American ships by name while in Chinese ports. He recorded the goods taken on the Stag Hound in China, including opium, silver, fire crackers, tea, silk, and fancy matting.

In addition to his diary entries, Charley also documented his experiences with drawings. He included several pictures of Chinese junks and coastal views of the following locations:

• Cape Horn
• Tierra del Fuego
• South Farallon Islands
• Morotai Island
• "Wahoo" [O'ahu]
• Diamond Head
• "Cocowaner" island
• "Peico" island
• Balintang Islands
• Bashee Islands
• Batan Island
• Sabtang
• Goat Island
• "An Island in Hong Kong Harbor"
• "Great Lema Island"
• Pratas Islands
• "The last light of Hong Kong"
• "[Oaksu?] Islands"
• several views from along the River Chang
• Balabac Strait

Charley included clips of poetry and quotations, mostly relating to sailors and sea life. He copied a poem attributed to a crew member, "To the Albatross" (February 25), and others appear to be originals that he may have composed, such as one celebrating the passage past Cape Horn (March 7), another musing on the wide variances in a sailor's life (April 22), and one entitled "To the Stag Hound" (May 31). Other poems memorialize food poisoning (June 12), the death of a crewmate (July 17), and heading home for America (August 16). The final page of the volume includes a poem entitled "To Charley, by J.H.S." about their friendship and an amusing incident regarding cheese, seemingly written at their parting, and the lyrics to a song about a charcoal vendor.

A post-1886 newspaper clipping, "Boston Clippers," is pasted on the inside front cover and references the few remaining "splendid clippers which the discovery of gold in California and Australia produced," including the Charger .

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857, while serving aboard the mercantile clippers Charger from Boston to San Francisco and the Stag Hound from San Francisco to Hawaii and China. The Stag Hound carried 380 Chinese passengers from San Francisco to China, where it loaded a cargo of tea, silk, fancy matting, and other goods, to be returned to New York. Charley wrote about social matters, including descriptions of San Francisco, Hong Kong, Fuzhou, and the coasts of the Yangtze River, as well as shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857. He first served aboard the mercantile clipper Charger under the command of Captain Luther Hurd, travelling from Boston, Massachusetts, past Cape Horn, to San Francisco, California. He switched berths in San Francisco to the Stag Hound who carried Chinese passengers under Captain Peterson to Hawaii, Hong Kong, and Foochow (Fuzhou), via the Chang (Yangtze) River. They passed various places in the Philippines and South China Sea without stopping, and returned to New York with a cargo of tea, silk, fancy matting, and other goods. Charley wrote about social matters, including descriptions of ports like San Francisco, Hong Kong, and Fuzhou, and shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

Details about the labor of sailing are found throughout the diary, with regular notes about wind, weather, and sea conditions, land sightings, and occasional notations of latitude and longitude. Charley described the Charger as "a new one" (January 1), and several times noted that the ship was outpacing others. He commented on various shipboard tasks like cleaning the deck, handling and repairing sails, managing dwindling food and provisions, and catching sharks, fish, and porpoises to eat. Comments about the difficulty of the work and various demands appear regularly, as well as notes of various mishaps on board, damaging storms, and other dangers, like falls, sails gone awry, the hazards of Cape Horn (March 7), freshwater getting tainted (March 20), waterspouts (August 27), and suspected pirates (September 16). At least one crewmember died, seemingly of illness contracted prior to the voyage, and Charley wrote of his distress at how his body and burial were handled (July 17).

When he switched berths to the Stag Hound, travelling from San Francisco to Hawaii and Hong Kong, Charley wrote of the demands of manning an "outward bound ship":

"Everbody is in bad humor. The officers irritable. the crew more so. words pass between them. everything to do and nobody to do it. Bed clothes. sea boats. jackets. chests. and numerous other things of a sailors outfit tumbled together in confusion. chickens crowing. geese quacking turkeys gobbling. pigs squealing. these are the scenes and noises that must be endured by the outward bound" (May 15). Noting that "people on shore think that a sailors leads an idle life," he detailed the daily labor they typically performed (August 30).

Charley's depictions of shipboard life also reference issues of discipline and management of the crew. While on the Charger, he noted the captain distributing "a lot of tracts" to the crew (January 18 and February 8) and complained of officers making sailors work on the Sabbath (January 25). He wrote a detailed description of the Charger's officers on March 11, including physical and behavioral attributes, and noted that the rest of the crew consisted of 28 men from America, England, Ireland, Scotland, Holland, and Italy. He noted several physical fights and that crew members were imprisoned for matters like theft and violence (February 14 and May 8) or threatened to have their noses wrung by the captain for fighting (April 30). Charley recorded that the third mate confined "one of our boys who goes by the name of Jimmey Ducks" in the hencoop for "not feeding the fowls in the morning" (February 15). On another occasion, "the mate frightened one of the greenhorns nearly to death by hoisting him up to the royal mast head" when he cried when being asked to slush the mast (February 23). As provisions began to run out, Charley bemoaned that the sailors had to drink rainwater that was tainted by the ship's tar and paint, while "the officers can drink and use as much of the Boston water as they choose" and the steward "used two buckets of the good water to wash the cabin floor" (April 19). Upon landing in San Francisco, Charley noted that Captain Hurd was trying to convince the sailors to continue on with him on the next leg of the voyage by withholding wages from the crew, was struck by a passenger who accused him of "ill treatment to his sister," and that "Whenever our crew see him in the streets they are hooting him and throwing stones at him" (May 10-11).

Charley continued to note disciplinary issues when he transferred to the Stag Hound, including reminiscences about being imprisoned in Honolulu for refusing to work while on a whaling voyage aboard the Hobomok in 1852. Others' refusals to work and their punishment were documented (June 14), as well as efforts to manage unruly passengers (May 22). He noted that infighting and complaining "is the custom with sailors... When they cannot find fault with the officers or with the grub they must growl amoung themselves for pastime" (May 26). On the return voyage, Charley noted the "youngsters" were yelled at for being slow in their work (August 24).

The volume contains much detail about issues of race and ethnicity. He wrote about a man "that goes by the name of Jim Crow. he would make a horse smile to hear him singing comic songs and spouting Shakespere &c.," possibly an African American sailor (January 26). Charley made another reference to "James Crow" on February 28, participating in a demonstration by the sailors when their "advance was up" and they "assert[ed] our rights as sailors" and made an effigy that was hung and buried at sea. Charley called him a "courious genious. he makes sport for all hands in the ship. I don't know how we would get along without him" (February 28). Charley was pleased "to see my friend Crow" among those who switched berths to the Stag Hound (May 14). Charley commented on his singing and musical abilities (June 24, August 11), and he wrote about him in a poem (June 12), travelled ashore with him in Hong Kong (July 7), and remarked on his cure for toothaches (September 8).

Charley's entries also reflect on the individuals he encountered during his voyages, including a description of indigenous South Americans sailing catamarans to fish, some 20 miles from shore (February 5), and the multi-ethnic crew of the Stag Hound. On May 24, Charley described in detail the Stag Hound's Dutch captain and his wife, the Dutch first and second mates, the English third mate, American bosun and carpenter, and two Chinese stewards and two Chinese cooks. "Before the mast we have a sprinkling of all nations. It would puzzle a Philadelphia Lawyer to understand one half of them. I dont believe that there was one half of the confusion at the building of the tower of Bable as there is in our forecastle at meal times."

The bulk of his racial commentary revolves around the approximately 380 Chinese passengers who travelled aboard the Stag Hound to Hawaii and Hong Kong, of which he initially wrote disparaging comments (May 12). Some of Charley's entries reflect on Chinese shipboard experiences, such as gambling (May 20) and fighting (June 6), while others seem to indicate prejudiced behavior on the part of the Stag Hound's captain. He rationed Chinese passengers' allowance of water (May 22) and threatened violence against one English-speaking Chinese passenger for complaining (January 19). While approaching China, Charley noted the crew worked on cleaning guns due to "lots of pirates now in these seas, but we do not fear them so much as we do the passengers, for it is a common thing for them to try and take the vessel that they are in when they find that they are near to China" (June 25). He remarked on the Chinese Emperor, "said to be the brother of the Sun, and likewise the King of ten thousand islands" (June 29), the passengers praying for fair wind (July 1), and reacting with joy upon seeing the area near Hong Kong (July 5). He described Hong Kong, commenting on religion (July 6-7) and fears of Chinese boarding the ship at night to murder the crew (July 10). He noted passing the wreck of the Wild Duck and seeing Chinese junks painted "with large eyes on their bows so that they can see" (July 20), and he described places they passed while travelling up the Chang River under the guidance of a Chinese pilot and their arrival at Foochow (Fuzhou). He noted the work Chinese laborers undertook on the Stag Hound while at Fuzhou (July 24, 26, 27) and detailed his visit to a "pagoda" in the city (August 2).

Several references to women also appear in the diary. Charley remarked on the presence of the captain's wife aboard the Charger, noting her disdain for sailors (January 4, March 16). As the initial voyage to California wore on, Charley recorded a fight between the captain and his wife where she was threatened with violence if she spoke to the first mate (April 24). The captain's wife also accompanied the Stag Hound, and Charley described her and her scorn for the sailors as well (May 24). The captain's daughter was also aboard the Stag Hound, and Charley noted the purchase of a cat for her and her distress during a typhoon (July 27, September 7). He later noted the cat's disappearance and his suspicion that sailors disposed of it, "for a sailor would as soon see his Satanic Majesty on board of his ship as a cat for to him a cat is linked with superticion [sic]" (August 17).

Mentions of other ships throughout the volume reflect the international dynamics of sea travel and mercantilism. Charley noted ships from various American ports, Prussia, Brazil, England, and France. Upon arriving in Hong Kong, he observed French, English, and Portuguese men-of-war (July 6 and July 8), and named American ships by name while in Chinese ports. He recorded the goods taken on the Stag Hound in China, including opium, silver, fire crackers, tea, silk, and fancy matting.

In addition to his diary entries, Charley also documented his experiences with drawings. He included several pictures of Chinese junks and coastal views of the following locations:

• Cape Horn
• Tierra del Fuego
• South Farallon Islands
• Morotai Island
• "Wahoo" [O'ahu]
• Diamond Head
• "Cocowaner" island
• "Peico" island
• Balintang Islands
• Bashee Islands
• Batan Island
• Sabtang
• Goat Island
• "An Island in Hong Kong Harbor"
• "Great Lema Island"
• Pratas Islands
• "The last light of Hong Kong"
• "[Oaksu?] Islands"
• several views from along the River Chang
• Balabac Strait

Charley included clips of poetry and quotations, mostly relating to sailors and sea life. He copied a poem attributed to a crew member, "To the Albatross" (February 25), and others appear to be originals that he may have composed, such as one celebrating the passage past Cape Horn (March 7), another musing on the wide variances in a sailor's life (April 22), and one entitled "To the Stag Hound" (May 31). Other poems memorialize food poisoning (June 12), the death of a crewmate (July 17), and heading home for America (August 16). The final page of the volume includes a poem entitled "To Charley, by J.H.S." about their friendship and an amusing incident regarding cheese, seemingly written at their parting, and the lyrics to a song about a charcoal vendor.

A post-1886 newspaper clipping, "Boston Clippers," is pasted on the inside front cover and references the few remaining "splendid clippers which the discovery of gold in California and Australia produced," including the Charger .

This volume contains notes taken during a series of lectures on chemistry, primarily between January and April 1857. The notes cover a variety of topics, including the properties and uses of elements and brief remarks on organic chemistry and geology.

This volume contains notes taken during a series of lectures on chemistry, primarily between January 8 and April 7, 1857. Most of the lectures cover the properties and uses of elements, including ways in which they could be treated and places where they might be found. Several metals, such as lead and tin, are discussed, along with other elements such as arsenic and antimony. Other topics, such as chemical compounds, are also frequently mentioned, though the focus remains predominantly on particular elements. Though the volume contains primarily prose notes, some equations are included, often related to the formation of complex molecules and chemical reactions. Occasionally, specific applications or additional substances form the basis of a discussion, such as silver and its use in photography (No. 22, March 1857), nicotine (March 23, 1857), and citric acid (March 11, 1857). The final lectures, given throughout early April, cover topics in organic chemistry, including the formation of organic animal matter (April 1, 1857). Two entries relate to geology (April 7, 1857, and March 8, 1857). The volume holds additional inserted notes on similar chemical topics; these include notes dated October 7, 1856, and April 20, 1857.

The Chicago photograph album contains pictures of buildings, park landscapes, and people in Chicago, Illinois; Grand Rapids, Michigan; and Detroit, Michigan. Items include interior and exterior views of a Chicago home, portraits of small groups of individuals, views of gardens in John Ball Park (Grand Rapids, Michigan), and a photograph of a steamboat in the Detroit River.

The Chicago photograph album (14cm x 18cm) contains 24 photographic prints, each placed in a 9cm x 11.5cm window. The first item is an exterior view of a home located at 5828 Indiana Avenue in Chicago, Illinois, and the following eight items are interior views of parlors and a dining room; one shows a woman sewing. The album includes six photographs of John Ball Park in Grand Rapids, Michigan, with various garden scenes and a shot of two women in a small horse-drawn carriage, and one photograph of the steamer "The North Land" passing Belle Isle near Detroit, Michigan. One item features the Michigan Soldiers' Home in Grand Rapids, Michigan, and another shows a woman feeding a group of birds there. The remaining six items are informal group and individual portraits taken in Washington Park (Chicago, Illinois) (2 items), Palmer Park (Detroit, Michigan) (1 item), "Our Back Yard" (Chicago, Illinois) (1 item), and unidentified outdoor locales (2 items); two men posed by a bicycle in Washington Park. The album's cover is decorated with a colored floral pattern, with a gray geometric pattern near and covering the spine.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin. The album (26 x 32 cm) has black paper covers and a manuscript note inside the front cover that reads: "Tour of 1903." Chicago-related photographs include a commercial street view, the Chicago River, and Lincoln Park. The following 191 photographs were taken in various locations around Colorado, including 20 images of commercial streets, residential streets, and parks in Denver and Colorado Springs; an early motorized sightseeing bus on a Colorado Springs street; and scenic views documenting visits to the Garden of the Gods, Pikes Peak, and the Gunnison River.

Several photographs show the main building and a small cabin at Sprague's Ranch in Moraine Park, Colorado. The travelers, a party of two men and a woman, are shown fishing, posing beside their platform tents, and sightseeing with larger groups. Also shown is the dramatic scenery of Ouray, Colorado, with views of the mountains, the box canyon, Silver Plume mines, and street scenes which include a stagecoach and loaded burros. Following several photographs of hotels in Glenwood Springs, Colorado, and a view of the Grand Canyon of the Arkansas, there are three images that show streets in Milwaukee, including the Schlitz Brewery, as well as two additional images of Chicago street scenes.

The Children at play photograph album contains 55 photographs of young children playing outside from 1916 to 1928.

The Children at play photograph album contains 55 photographs of young children playing outside from 1916 to 1928. Images show children with parents and dogs, at the beach, and playing with toys including wagons, tricycles, and a pedal car.

The album is 15.5 x 9.75 cm with brown cloth covers.

This diary is an account of the daily life of a female student living in Chillicothe, Ohio.

This 45-page diary is an account of the daily life of an unidentified female student living in Chillicothe, Ohio, between 1865 and 1867. She wrote about attending school, studying, and writing compositions. She was a frequent churchgoer, often quoting or making notes on sermons and scripture. Her social activities included visiting friends, inviting friends to her house, and going for walks. Her most frequently mentioned friend was Allie Sanford. The diary includes brief references to the Civil War, prayer meetings, a "circus day," evening lectures, Sunday school, picking berries, riding, sleighing, and an unidentified man named "B--".

The beginning and end of the diary contain a list of students in different classes (1865), a schedule, poems, school grades, and "a cure for cholera" recipe.

This diary chronicles the author's sea voyage from New York to China in the spring of 1859, as well as his life in Shanghai between July 1859 and July 1860. At sea, he detailed the daily weather, scenery, and life onboard the ship, and in Shanghai he described his everyday life as a doctor and shared numerous observations on the effects of foreign trade on the country, local missionary efforts, and military conflict between the British and Chinese.

This diary (289 pages) chronicles the author's sea voyage from New York to China in the spring of 1859, as well as his life in Shanghai between July 1859 and July 1860. The first entry, dated February 28, 1859, opens with the author embarking for China on the N. B. Palmer, an American clipper under a Captain Frisbie. Over the next several months, he recorded daily observations of the weather and of life onboard the ship, including the captain's occasional harsh treatment of the crew. In addition to recording daily measurements of latitude and longitude, he occasionally described the scenery as the ship rounded the Cape of Good Hope and made its way to China by way of Indonesia. After a brief stop on Java in mid-May, the ship proceeded to Hong Kong, where it arrived on June 11 to discharge its cargo. During his brief time in Hong Kong, the author noted several aspects of local life, including the influence of foreign missionaries. On June 27, the N. B. Palmer departed Hong Kong bound for Shanghai, which it reached on July 4 amid Independence Day celebrations. Once in Shanghai, the diarist recorded his impressions of the city and incidents from his medical career, which included administering vaccinations as well as caring for the sick. The diary contains many references to political affairs and to the local efforts of foreign missionaries; much of the political focus is on the influence of Great Britain, particularly after the escalation of the Second Opium War. In addition to political commentary and descriptions of his daily life as a doctor, the diarist occasionally expressed his hope that Christianity would eventually win over the locals. The author remained in Shanghai until at least July 21, 1860, the date of his final entry. Two items laid into the volume include an undated note of thanks for the doctor's services (pp. 58-59) and a sheet of paper containing two Chinese characters (pp. 90-91).

This collection contains 7 items related to clothing drives and fundraising efforts organized by the New York City-based Chinese Women's Association to help Chinese war refugees during the early stages of the Second Sino-Japanese War. These include letters and postcards requesting monetary and in-kind donations, as well as reprints of related newspaper articles.

This collection contains 7 items related to clothing drives and fundraising efforts organized by the New York City-based Chinese Women's Association to help Chinese war refugees during the early stages of the Second Sino-Japanese War (1937-1945). In two printed form letters, the association stressed the urgency of the situation in China, requested assistance from "China's sympathizers in America," and specifically referenced the necessity of food and clothing (November 1, 1937 and undated). Three undated postcards, two of which are addressed to Mrs. C. C. Morrison of Granville, Ohio, have preprinted messages asking for pledge to boycott Japanese products (1 item) and for donations of clothing and medical supplies (2 items). Two additional items contain reprints of three newspaper articles about the association's fundraising efforts; these include "Racial Group Breaks Precedent" (The New York Times, April 11, 1937), "Hope for China Seen in Women" (North Shore Daily Journal, January 12, 1938), and "Church Service League Will Aid China Refugees" (North Shore Daily Journal, January 12, 1938).

This approximately 160-page volume contains working records of one or more traveling chair, desk, bench, and pew salesmen in Pennsylvania, New York, New Jersey, Connecticut, and elsewhere in the Northeast between 1889 and 1892. A previous owner identified the business as the Richmond Furniture Company of Indiana, but this has not been verified. Each page includes the name or names of a client, prospect, or contact; names of existing or planned buildings; seating needs; costs; a record of communications; and other notes.

This approximately 160-page volume contains working records of one or more traveling chair, desk, bench, and pew salesmen in Pennsylvania, New York, New Jersey, Connecticut, and elsewhere in the Northeast between 1889 and 1892. A previous owner identified the business as the Richmond Furniture Company of Indiana, but this has not been verified. Each page includes the name or names of a client, prospect, or contact; names of existing or planned buildings; seating needs; costs; a record of communications; and other notes.

The volume begins with a 3,000-seat music hall at 57th Street and 7th Avenue, New York City—the Carnegie Hall. The most frequent clientele were churches, synagogues, and proprietors or developers of musical or theater venues. Record of a new City Hall in Syracuse, New York, the Hall for Jewish Society in Philadelphia, and an opera house in Poughkeepsie are other examples. Some entries document the sending of circulars and sale catalogs.

Pencil accounting for grocery and other purchases in 1911 are scattered throughout the volume.

This approximately 160-page volume contains working records of one or more traveling chair, desk, bench, and pew salesmen in Pennsylvania, New York, New Jersey, Connecticut, and elsewhere in the Northeast between 1889 and 1892. A previous owner identified the business as the Richmond Furniture Company of Indiana, but this has not been verified. Each page includes the name or names of a client, prospect, or contact; names of existing or planned buildings; seating needs; costs; a record of communications; and other notes.

This approximately 160-page volume contains working records of one or more traveling chair, desk, bench, and pew salesmen in Pennsylvania, New York, New Jersey, Connecticut, and elsewhere in the Northeast between 1889 and 1892. A previous owner identified the business as the Richmond Furniture Company of Indiana, but this has not been verified. Each page includes the name or names of a client, prospect, or contact; names of existing or planned buildings; seating needs; costs; a record of communications; and other notes.

The volume begins with a 3,000-seat music hall at 57th Street and 7th Avenue, New York City—the Carnegie Hall. The most frequent clientele were churches, synagogues, and proprietors or developers of musical or theater venues. Record of a new City Hall in Syracuse, New York, the Hall for Jewish Society in Philadelphia, and an opera house in Poughkeepsie are other examples. Some entries document the sending of circulars and sale catalogs.

Pencil accounting for grocery and other purchases in 1911 are scattered throughout the volume.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The album (21 x 27 cm) is half bound in black leather and has a detached front cover.

City scenes include views of townhouses on a city block in winter; a woman entering a carriage beyond a decorative wrought iron fence; a well-dressed couple in a two-wheeled carriage; an infant in a wicker baby buggy; a housekeeper or servant standing at a side door; and women and a young girl standing on a city street in elegant winter capes, muffs and hats. One woman stands on a snowy sidewalk holding a Kodak Brownie camera in her gloved hands. Five photographs show well-furnished formal interiors.

Rural scenes include views of a log house on a wooded lake whose well-furnished interior includes bookshelves, Native American baskets and textiles, snowshoes, a wolfskin rug, a desk, a chaise, and a piano. Men and women are shown with guns and gamebirds, fishing from a dock and in a rowboat, and partaking in an elaborate outdoor tea party. One photograph shows a Native American man sitting on the cabin steps. Nature views include images of logs in a flooded river, streams, a small wooded island, and a spotted fawn.

The City of Boston Public Celebration July 4th, 1918, photograph album contains 81 photographs documenting Fourth of July celebrations that took place in Boston, Massachusetts, in 1918.

The City of Boston Public Celebration July 4th, 1918, photograph album contains 81 photographs documenting Fourth of July celebrations that took place in Boston, Massachusetts, in 1918.

The album (39 x 28.5 cm) is sting-bound and has gray cloth covers with "Photographs" stamped in gold on the front and black paper pages. The first page contains a handwritten label that reads "City of Boston July 4th, 1918." Most but not all images include handwritten captions. The album's contents are grouped into three sections marked by handwritten labels: “Patriotic Exercises,” “Sports and Pastimes,” and “The Parade in the Evening."

"Patriotic Exercises" begins on pg. 3 and contains 19 photographs. Images include several views showing Boston mayor Andrew James Peters overseeing flag raising exercises performed by uniformed U.S. Army soldiers on Boston Common; views of a floating stage at Frog Pond; three photographs of speakers at the Old State House including Rabbi Abraham Nowak, Mayor Peters, and Walter A. Whelan; and two photographs related to a speech by Judge Joseph J. Murley at Wood Park Island.

“Sports and Pastimes” begins on pg. 43 and contains 35 photographs. Images include numerous views of swimming and boat races held at the Charles River Basin; views showing a baseball game, brass band performance, and parading Naval Battalion at Wood Island Park; views of the “Italian populace,” “Italian societies,” and others at North End Park; views showing the distribution of ice cream at the Charles River Gym and Prince Street Playground; views of athletic competitions taking place at Boston Common including foot races and tug of war; and a view of bathers at City Point.

"The Parade in the Evening" begins on pg. 115 and contains 27 photographs. All of these images showcase participants in a parade procession and include views of U.S. Army troops and the 10th Massachusetts State Guard, various ethnic groups (including Latvians, Italians, Portuguese, Albanians, Chinese, Greeks, and Armenians), a coordinated group of children in formation as a "living flag," and the Mission Church Band.

The Civil War Battlefields photograph album contains pictures of broken wooded landscapes and military cemeteries.

The Civil War Battlefields photograph album (17cm x 29cm) contains 34 pictures of broken wooded landscapes, Arlington National Cemetery in Virginia, and views of a river, likely the Potomac. Each numbered print is mounted in a 11.5cm x 16.5 cm window, framed by a thin gold border with decorations at the corners. Most images are views of wooded landscapes, many showing evidence of possible military activity and earthworks, taken in unidentified flat and hilly regions. Streams, small wooden buildings, and fences are sometimes visible. The album begins with a camping scene, presumably a self-portrait of the album's unidentified compiler in the field. Another view shows a group of three posed on a house's porch. Two photographs show a three-story domed public building, adjacent to what appears to be a war monument. Four pictures show Arlington National Cemetery, one including a plaque with lines from Theodore O'Hara's poem "Bivouac of the Dead." Of particular note is a group portrait of seven African American schoolchildren with their young teacher, taken inside a crude schoolhouse; the following picture shows the exterior of two wooden buildings, possibly in the same unknown location.

The Clarke family photograph album contains photographic prints taken during trips to New England, New York, and other locales from 1898-1902. The photographs show natural scenery, buildings of interest, soldiers, and family members.

The Clarke family photograph album (25cm x 32cm) contains 240 photographic prints, including cyanotypes, taken during trips to New England, New York, and other locales from 1898-1902. Of the prints, 232 are pasted onto the album's pages (usually four to a page) and eight are laid in; each mounted photograph has a caption, sometimes humorous. The title "Photographs" is stamped in gold on the album's brown leather cover.

The photographs depict buildings, street scenes, and natural scenery in places such as Marshfield, Vermont; Weirs, New Hampshire; Halifax, Nova Scotia; Lynn, Massachusetts; Catskill, New York; and Washington, D.C. The compiler noted places of interest in the family's history, such as Erastus Burnham's grave and the Burnham family farm in Marshfield, Vermont. Some interior views of private residences and schoolhouses are included, as are photographs of prominent locations such as the Vermont State House, the United States Capitol, Independence Hall, the Lee family home in Arlington, Virginia, "Rip Van Winkle's house," and the New York City skyline. Sailing ships, the paddlewheel steamer Mount Washington, and the battleships Indiana and Massachusetts are also pictured.

The photographer attended parades featuring elephants from the Forepaugh-Sells Brothers' Circus, celebrating the 50th anniversary of Lynn, Massachusetts, and the welcoming of United States soldiers as they returned from Cuba after the Spanish-American war. Group portraits include men, women and young schoolchildren. Women are shown riding bicycles, playing the piano, and wearing costumes such as a soldier's jacket and a puritan's dress. One picture, entitled "Dr. Jekyll and Mr. Hyde," is a double exposure of a woman in different poses.

This collection is made up of a letter book, stenographer's notes, and scrapbook pertaining to the trials of Clark W. Hatch of Boston, Massachusetts. Hatch was accused of murdering his uncle, Henry Hatch of Kit Carson County, Colorado, and, later, of defrauding his employer, the Travelers Insurance Company.

This collection is made up of a letter book, stenographer's notes, and scrapbook pertaining to the trials of Clark W. Hatch of Boston, Massachusetts. Hatch was accused of murdering his uncle, Henry Hatch of Kit Carson County, Colorado, and, later, of defrauding his employer, the Travelers Insurance Company.

The letter book (102 pages) contains correspondence regarding Hatch's arrest and trial for the murder of his uncle, Henry Hatch. Most items are copies of letters by William J. Lewis, an acquaintance of Clark W. Hatch. Lewis requested information from officials involved in the case, including a local sheriff, and on at least one occasion provided information on Hatch's movements around the time of the murder (September 5, 1889). Lewis also affirmed his loyalty to Hatch and urged the accused to maintain a calm demeanor, lest he raise suspicions about the funding of his legal assistance (March 3, 1890). The letter book also includes letters from Hatch and other parties interested in the case; some of these are pasted onto the letter book's pages.

H. C. Hollister, the official stenographer for Clark W. Hatch's initial trial under Judge Lewis C. Greene in Burlington, Colorado, in May 1889, composed typed copies of witnesses' testimonies (189 pages). Witnesses included Henry Hatch's acquaintances, the boys who discovered his body, and several people who had seen Henry Hatch or Clark Hatch around the time of the murder. Clark W. Hatch and his father-in-law, Orrin Poppleton, also testified. The testimonies provide details about Henry Hatch's life, Clark W. Hatch's life and occupation, and their mutual histories.

A 70-page scrapbook contains newspaper clippings about Clark W. Hatch's murder trials and his later legal difficulties. Most clippings are from the Burlington Blade, the Burlington Boomerang, and the Rocky Mountain News. The editors of the Burlington papers wrote about the case and its background, and shared their stances regarding Hatch's guilt. The scrapbook also contains recapitulations of Hatch's arrests and trials. Later clippings detail a late investigation into the forgery charges against Clark W. Hatch. The final clipping, dated May 1891, pertains to Hatch's disappearance.

This collection is made up of over 40 printed reports, manuscript letters, and manuscript notes related to Clements R. Markham, a British geographer who traveled in South America and India in the mid-19th century. Among other subjects, the material concerns Markham's attempt to cultivate cinchona plants in India, as well as the Amazon basin and rainforest.

This collection is made up of over 40 printed reports, manuscript letters, and manuscript notes related to Clements R. Markham, a British geographer who traveled in South America and India in the mid-19th century. Among other subjects, the manuscripts concern Markham's attempt to cultivate cinchona plants in India, and it contains notes on the Amazon basin and rainforest.

The bulk of the collection pertains to Markham's work with Great Britain's India Office in the 1860s, including a lengthy printed report and supplementary memoranda about his efforts to introduce the cinchona plant, native to Peru, to India. Other reports and memoranda concern Indian coffee plantations, cotton production, oyster fisheries, and irrigation projects. The volume also includes descriptions of the Suez region, Abyssinia, and Bombay. Manuscript notes and translations in the back of the volume largely pertain to South America, including letters to Markham from an acquaintance in Lima, Peru, and notes on the missionary work of Antonio Machoni. Other manuscripts concern the Amazon region, cocoa plantations, the Napo River, and an Arctic expedition. The documents are calendared and indexed.

This collection contains correspondence and printed advertisements related to the operation of the Clifton Springs Sanitarium in and around the year 1892.

This collection contains 3 letters and 8 printed advertisements related to the operation of the Clifton Springs Sanitarium in and around the year 1892. In 2 manuscript letters to Mrs. M. E. Donaldson of Charlestown, Ohio, superintendent Dr. Henry Foster, responded to queries about the sanitarium's services, prices, and room availability. "The Sanitarium" sent a similar printed letter to Mrs. S. E. Greenleaf, originally accompanied by advertising circulars. A pair of printed circulars provide room prices, discuss the composition of the sanitarium's healing waters, and mention the institution's commitment to prayer and religious devotion. Each has an illustration of the sanitarium's main building. Other items are 2 dinner menus, a newspaper article about "A Mid-summer Week at Clifton Springs," 2 blank bath tickets with prices for various water-based therapies, and a pamphlet about the history of the sanitarium, with endorsements from former patients.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia. The album (18 x 28 cm) is half bound in black leather. Images of particular interest include photographs related to diplomatic functions, such as views of the British and Spanish consulates, interiors of the American consulates in Barranquilla and Cartagena, two portraits of the British Consul and family, and a series of portraits of the large family of the Spanish Consul, "Familia Zubiria Stevenson." Other images of note include photographs of a bullfight, the tomb and former home of Rafael Núñez, street and architectural views, churches, thatched huts, local inhabitants including mule drivers and cemetery workers, guns at the Baluarte de San Javier, soldiers in formation, and harbor views including views of passanger sternwheel ferry Alicia and a clipper ship. Some photographs have handwritten captions in Spanish.

The Colonial Parson's notebook is a small bound volume of sermon and prayer notes kept by a New England minister from 1713 to 1714 and in 1741.

The Colonial Parson's notebook is a small bound volume (approximately 3.5"x4", 62 pages) of sermon and prayer notes kept by a New England minister from 1713 to 1714 and in 1741. Several of the notes were written in "East Windsor," [Connecticut]. The volume opens with thoughts about Thanksgiving Day 1713, and continues with a large number of short reflections, often accompanied by relevant Biblical verses. One of the notes is addressed "To young persons" [1741], and another is about church news. A later note mentions several people who wished to "Joyn with this Church," including an African American named "Job Elswth" [1741].

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included.

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included. Some of the attractions mentioned include:

• Manufactures and Liberal Arts Building, in particular exhibits on Japan, Italy, France, Russia, Germany, and Austria
• United States Government Building
• Fisheries Building
• Children's Building
• Art Galleries
• Horticultural Building
• Agricultural Building
• Dairy Building
• Machinery Hall, with a brief aside about "industrial education" for African Americans
• Krupp Gun Pavilion
• Electricity Building
• Forestry Building
• Shoe and Leather Building
• Anthropology Building
• Administration Building
• Transportation Building
• Choral Hall
• Music Hall
• Woman's Building
• Convent of La Rábida
• Columbus' Caravel
• Foreign Government Buildings

This photograph album contains 19th-century carte-de-visite, photomechanical print, and tintype portraits of residents of Kent and Oakland Counties, Michigan.

This photograph album (14cm x 11cm) contains 18 cartes-de-visite, 4 halftone photomechanical prints, and 2 tintypes, which are portraits of residents of Kent and Oakland Counties, Michigan, taken during the 19th century. Most of the items are studio portraits of men, women, children, and infants. The halftone photomechanical prints are montages, including one portrait of a woman placed behind a drawn window. A number of the subjects are identified. A decorative design is embossed on the album's brown leather cover, and the title "Album" is stamped in gold on its spine; the volume also has a metal clasp.

This commonplace book contains 21 poems, 1 pressed flower, and 4 pages of manuscript music. Items originally laid in the volume, a map of United States Army encampments near Corpus Christi, Texas, and a drawing of a Spanish house in St. Augustine, Florida, are housed separately. Many of the poems relate to romance, and 3 are attributed to Johann Wolfgang von Goethe.

This commonplace book contains 21 poems, 1 pressed flower, and 4 pages of manuscript music. Most poems are 1-2 pages in length, and the longest is 4.5 pages. Five poems are accompanied by epigraphs, including one in Greek from Aeschylus's Oresteia, one from a Latin elegy by Sextus Propertius, and one from Chaucer's Anelida and Arcite. The book is divided into three sections, with 56 blank pages separating the first two sections, and 1 page separating the final two sections.

The first section (24 pages) contains 12 poems, three of which were inspired by the poetry of Johann Wolfgang von Goethe (1749-1832). Subjects include nature, knights of "A hundred Years ago," and love. The second section (22 pages), entitled "Poems under various dynasties," has 9 poems about a man's love, grief, loss, and longing for his beloved. The third section (4 pages) consists of manuscript sheet music for 3 songs

The book came with two illustrated items. Two manuscript maps were drawn on the same page by Ann Maine Wells: a view of the "Camp of the Army of Occupation, Texas," near Corpus Christi, Texas; and a portion of the Texas Gulf Coast shoreline from the Rio Grande to Corpus Christi. The second item is an ink drawing by W. H. B. of an "Old house at St. Augustine" built of coquina stone and plaster (1857).

• First section
  • "Little Mosses, Golden Mosses"
  • "Daiduchus" (with German epigraph from Goethe’s poem "An den Mond")
  • "At the Ford"
  • "A Hundred Years Ago"
  • Untitled ("O foolish flowers!...")
  • Untitled ("It is over; let me rest...")
  • "From Goethe"
  • "Evening" (with note: "On Lake Horicon")
  • Untitled ("Yesterday is dead!...")
  • Untitled ("I drew it to its full soft length...")
  • "From Goethe"
  • "From Goethe (Book of Zuleikha)" (with Greek epigraph from Aeschylus's Prometheus Bound)
• Second section: Poems Under Various Dynasties
  • Untitled ("Ours is a simple tale of love...")
  • Untitled ("Thou art my morning and my evening star...")
  • Untitled ("Evening shades are falling...")
  • Untitled ("Winter's in love with the springtime...")
  • Untitled ("I have a little darling, a winsome little pet...")
  • Untitled ("Oh gentle, uncomplaining face...") (with Greek epigraph from Aeschylus's Libation Bearers)
  • Untitled ("Dear, forgive me if I weep...") (with Latin epigraph from Propertius's Elegiarum)
  • Untitled ("Without a word, without a sign...") (with penciled epigraph from Chaucer's Anelida and Arcite)
  • Untitled ("Ah, the fearless little heart...")
• Third section
  • "Melody" (with lyrics)
  • "Nevermore" (without lyrics)
  • "Would thou wert here!" (without lyrics)

This manuscript is a student's condensed transcription of Charles Morton's Compendium Physicae. It lacks the mnemonic verses and diagrams found in Morton's work.

This volume is a 68 page student transcription of Charles Morton's Compendium Physicae. Previous catalogers tentatively identified the student as Nathaniel Chauncey (1681-1756).

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889.

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889. The loosely bound, 32-page volume opens with an inscription from William Cullen Bryant's poem "The Painted Cup," (p. 1) and also includes a copy of "Of a'the Airts the wind can blaw…," a poem by Robert Burns (p. 3). Of particular interest is a cheerful and humorous narrative poem composed by a woman staying with several female friends under the watchful eye of a chaperone, Aunt Margaret, and a male "protector," Rob. The poem, entitled "Camping Out," describes each of the six members of the camping party and includes a few of their adventures as well as a hint of nostalgia (pp. 19-25; p. 10). The book also contains a series of short cheers associated with prestigious colleges, including Princeton and Yale (p. 12), and, two ink drawings of three male friends: Newton Shepard, William S. Church, and F. B. Foster. One drawing, a tree labeled "Log Cabin" and adorned by an owl (p. 5), appears to be a detail of a larger image of a log cabin labeled "Eagle Point" (p. 32). The book also contains a number of autographs collected from camp visitors from around the country.

The Connecticut Woman's travel diary recounts the author's social activities during several weeks spent mingling with high society in New York City; Washington, D. C.; Aiken, South Carolina; and Charleston, South Carolina.

The Connecticut Woman's travel diary (56 pages) recounts the author's social activities during several weeks spent mingling with high society in New York City; Washington, D. C.; Aiken, South Carolina; and Charleston, South Carolina. Throughout her trip, she spent much of her time at balls and meeting with acquaintances and notable figures, among them Attorney General Charles R. Devens, a daughter or daughter-in-law of Zachary Taylor, and Admiral William Rogers Taylor. While in the capital, the author and her traveling companion, Isabella, made a trip to the White House to meet Mrs. Rutherford B. Hayes (p. 3). Though the diarist focused on social prestige and social customs, she reported her brief impressions of Forts "Sumpter" and Moultrie in Charleston (pp. 38-39).

The Cook family photograph album contains carte-de-visite and tintype studio portraits of members of the Cook, Augusbury, and Zoller families of Cedar Rapids, Iowa; Boone, Iowa; and Watertown, New York.

The Cook family photograph album (15cm x 12cm) contains 16 cartes-de-visite, 6 tintype prints, and 2 card photographs. The pictures are studio portraits of members of the Cook, Augsbury, and Zoller families taken in Cedar Rapids, Iowa; Boone, Iowa; and Watertown, New York, in the late 19th century. Most photographs feature women, infants, and young children, and a list of captains identifies each person pictured. One card photograph shows a daguerreotype studio portrait of a young girl. The album's brown leather cover is stamped with decorative designs, some in gold. One of the volume's two original metal clasps is still affixed to the back cover.

The Corning-Southwick photograph album contains cartes-de-visite and tintypes of infants and young children. Several people pictured were members of the Corning and Southwick families.

The Corning-Southwick photograph album (13cm x 9cm) contains 15 cartes-de-visite and 3 tintype photographs, primarily of babies and young children. Many of the children pictured were members of the Martin, Corning, Gardner, and Southwick families. Two lithographs of a young girl putting on a boot and a young boy posing by a basket full of apples are also present. Included is a carte-de-visite showing the wedding of Charles Sherwood and Lavina Warren Stratton (Mr. and Mrs. Tom Thumb). The album has a decorative hard cover and a metal clasp.

The Cornwell family carte-de-visite album contains studio portraits of members of the Cornwell, Otis, and Harroun families, who were related by marriage. Members of the various families lived in Minnesota and New York in the late 19th century.

The Cornwell family carte-de-visite album (13cm x 10cm) contains 46 formal studio portraits of members of the Cornwell, Otis, and Harroun families, including 40 cartes-de-visite, 6 tintypes, plus 2 lithographs. Most portraits are of young adults and grown men and women, though pictures of younger children and an infant are also present. One picture shows a woman holding an open book, and another shows a group of women knitting. The lithographs depict a woman tucking a child into bed while thinking of a soldier and Mary with the infant Jesus. The volume's red leather cover has a tooled geometric design and a floral design is carved into the sides of its pages.

This item is a bound collection of espionage correspondence from Paris, 1780, that describes the locations and numbers of French and Spanish ships in Gibraltar, New York, Canada, and the West Indies.

This volume is a bound collection of espionage correspondence from Paris, 1780. The 37 reports (65 pages) describe the locations and numbers of French and Spanish ships in Gibraltar, New York, Canada, and the West Indies. Many entries discuss the number of troops stationed at various ports, the conditions of the crew ("They are badly manned and sickly, especially the Spanish who also find it difficult to recruit their navy" p.40), and the outcomes of engagements ("The French had suffered greatly, most of the ship's masts being damaged...100 men have been killed and at least 1,200 wounded" (p.47). The author often provides logistical information such as lists of ships and crew sizes, as well as the names of the ships' captains.

The Cross-Country photograph album contains photographs taken in various locations throughout the United States, including travel photographs of scenery and buildings in Washington, Colorado, Louisiana, and Massachusetts, among other states, and family photographs taken in New Hampshire, Massachusetts, and elsewhere.

The Cross-Country photograph album (26cm x 32cm, 59 pages) contains around 340 photographs taken throughout the United States between 1896 and 1907, including 15 cyanotypes and 10 panoramas. The items represent numerous printing processes in a variety of sizes. Some have captions, often providing information about the place and the date. Several reference the Gill family. The album has the title "Photographs" printed in gold on its front cover and its pages are bound with a thick string.

Many of the photographs are casual group portraits of men, women, children, and family dogs taken outdoors, often in front of large houses and cottages; some of the same individuals are present in multiple pictures. Included are a portrait of an African American woman holding a Caucasian infant (p. 1), two young boys in dress military uniforms with a collection of toy soldiers (p. 3), and a wedding party (p. 46). Some men and women are pictured golfing at Bass Rocks in Gloucester, Massachusetts. Most of the remaining images are views of landscapes, city streets, buildings, and natural scenery in locations such as Spokane, Washington; Tacoma, Washington; Lake Coeur d'Alene, Idaho; Pikes Peak, Colorado; New Orleans, Louisiana; Hampton, New Hampshire; Boston, Massachusetts; Gloucester, Massachusetts; Beacon Falls, Connecticut; and Washington, D.C. Included are a small number of commercial photographs of the area around Pikes Peak in Colorado including views by William H. Jackson. City views often feature prominent buildings and other landmarks. Other photographs show the rocky coast of New England, harbors, sailing vessels of various sizes, and large homes. Of note are a group portrait of Spokane Native Americans (p.14); views of the Tacoma waterfront (p.15); the New England coast, with aspects of the Gloucester fishing industry including a view of salted cod laid out to dry (p.24-29); pictures of Victorian home interiors (p. 20, 34, 47, 55, 56); and panoramic landscape views taken near Spokane (p. 47, 48). The album includes one print and a hand-colored collotype of the home of Senator George Turner in Spokane, Washington (inside front cover).

The Crum-Ely family photograph album contains studio portrait photographs of individuals and groups living in Ohio. There are 28 cabinet photographs and 14 cartes de visite, and many pages include hand-written identifications of the subjects in the photographs.

The Crum-Ely family album (27.25 x 21.5cm) is a 34 page maroon plush velvet album containing 42 studio portrait photographs of individuals and groups living in Ohio and other Midwestern states. The people featured include members of the Crum, Ely, Folck, Matthias, Greer, Gilbert, and Riddle families. There are 28 cabinet photographs and 14 cartes de visite, and many pages include hand-written identifications of the subjects in the photographs.

The photographs were taken in West Unity, Bryan, Wauseon and Fayette, Ohio. There are also portraits from Osage Mission, Kansas and Bowman, Missouri.

Of note is the portrait of two women and a dark skinned man serving them.

There is a humorous occupational portrait of "Ed and Griffin" as tailors.

The Cuba photograph album contains 40 photographs of buildings, monuments, and other sights in Havana, Cuba, taken by an unidentified American tourist around 1901.

The Cuba photograph album contains 40 photographs of buildings, monuments, and other sights in Havana, Cuba, taken by an unidentified American tourist around 1901.

The album (14 x 18 cm) has grey cloth covers and is in fragile condition, with some early pages possibly missing. All 40 photographs are in good condition and include detailed inscribed captions. Most images are of major buildings and monuments such as the Cathedral Havana, Tacon Market, and Morro Castle.

• The wall where Spanish soldiers executed eight medical students falsely accused of desecrating a cemetery in 1871.
• Hotel Inglaterra (still in operation) with the empty pedestal in front where a statue of Queen Isabella II of Spain stood until 1899.
• The remains of the USS Maine, sunk in Havana Harbor in 1898 during the Spanish-American War.
• Tourists looking through the fence at General Fitzhugh Lee’s Marianao headquarters where he served as a commander of occupation forces from January 1899 until November 1900. Gen. Lee was a popular consul general in Havana from 1895 until the Spanish-American War broke out in April 1898, and he was the last American to leave Cuba. During the war, he trained a group of volunteer soldiers in Jacksonville, Florida, but never saw combat. He was appointed commander of occupation forces in the Havana District and returned to Cuba on January 1st, 1899, the day the Spanish evacuated the island

The Cummington (Mass.) Country Store and Tavern account book contains financial records related to a general store in Cummington, Massachusetts, and to the personal finances a local resident. The store accounts record the purchase of household goods and foodstuffs, and many of the personal accounts reflect the costs of boarding draft animals and note the fees associated with the local school.

This 339-page account book holds approximately 300 pages of financial records related to a general store in Cummington, Massachusetts, and to the personal finances of a local resident. Pages 1-184 document the general store's financial affairs between 1817 and 1819, and reflect the prices of household supplies and foodstuffs. The accounts are organized chronologically and document individual purchases by date. Several members of the Bryant family, including William Cullen Bryant's brother Austin, purchased goods from the store. One entry reflects a $31.71 credit awarded to Almyra Packard for "Labour in the Factory" (p. 109). Pages 185-297, as well as several pages thereafter, consist of personal accounts kept between 1820 and 1866, many of which concern the costs of boarding horses and other draft animals. Several accounts mention cotton and gingham, and many regard the finances of the local school.