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The Vanderpool religious journal contains religious diary entries from three authors over the course of 52 years.

The Vanderpool religious journal contains religious diary entries from three authors over the course of 52 years. The journalists began their portions of the volume with brief biographical introductions, and offered numerous musings on their relationships to religion. The first, and most prolific, writer began his biographical note with an account of his conversion, and on August 14, 1833, started his daily diary entries, which focused on the impact of religion on his life. After August 31, entries became more sporadic until a final note on January 1, 1841.

The second portion of the journal is dated November 14, 1866, and contains a brief autobiographical note about the author, likely C. W. Vanderpool, including indications of strong religious convictions. A loose paper inserted into this section of the volume indicates that the book was a gift to C. W. Vanderpool from his mother, Helen Elmira Vanderpool, of Buffalo, New York.

The third body of material in the journal consists of two pages written in January 1885 by a member of the Young Men's Christian Association, and relates primarily to attendance at several religious meetings and other events. This section of the volume concludes on January 30, 1885.

The journal also contains "Exertations from the following texts," which is a list of Bible verses and brief lines taken from them.

The Vermont and Connecticut photograph album contains approximately 60 photographs primarily showing scenes from Brattleboro, Vermont, and New London, Connecticut.

The Vermont and Connecticut photograph album contains approximately 60 photographs primarily showing scenes from Brattleboro, Vermont, and New London, Connecticut. The album (23 x 25 cm) has black cloth boards and is tied with a white cord. Brattleboro-related images include views of the arrival of a train carrying Spanish American War veterans, parade floats in the Brattleboro Fair, the town hall, Main Street, and the former studio of photographer Caleb L. Howe at the corner of Main and Elliot Street with a sign reading "Howe Photographer." New London-related images include views of Ocean Beach and the Soldiers and Sailors Monument. Also included are photographs of the interior and exterior of a house at "35 Western Ave.", other waterfront scenes, steamboats, and a mill in Hinsdale, New Hapmshire. Of particular note are two photographs of an acrobat performing on an outdoor stage. Many of the photographs are faded, with details partially or wholly obscured.

This collection consists of 35 copies of government records kept between 1820 to 1833 by Vermont "selectmen and civil authority" figures regarding the nomination and approval of individuals for tavern keepers, inn keepers, and keepers of houses of public entertainment, predominantly in Rutland County, likely as a precursor to secure licenses. Many of the documents include the names of individuals approved to run the establishments, details about the government officials and bodies who granted permission, and various fees. Predominantly administrative in nature, they do include occasional statements reflecting on social norms and expectations, like reflections on nominees who "will Keep orderly Houses and accommodate the Public" (March 1, 1824) or that the individual is allowed to "Retail Spirits" (April 23, 1833). Named places include Pawlet, Castleton, Shrewsbury, Tinmouth, Rutland, Clarendon, Orwell, Benson, Sudbury, Pittsfield, Sherburne, Parkerstown, Pittsford, Brandon, Benson, Poultney, Ira, and Danby.

This collection consists of 35 copies of government records kept between 1820 to 1833 by Vermont "selectmen and civil authority" figures regarding the nomination and approval of individuals for tavern keepers, inn keepers, and keepers of houses of public entertainment, predominantly in Rutland County, likely as a precursor to secure licenses. Many of the documents include the names of individuals approved to run the establishments, details about the government officials and bodies who granted permission, and various fees. Predominantly administrative in nature, they do include occasional statements reflecting on social norms and expectations, like reflections on nominees who "will Keep orderly Houses and accommodate the Public" (March 1, 1824) or that the individual is allowed to "Retail Spirits" (April 23, 1833). Named places include Pawlet, Castleton, Shrewsbury, Tinmouth, Rutland, Clarendon, Orwell, Benson, Sudbury, Pittsfield, Sherburne, Parkerstown, Pittsford, Brandon, Benson, Poultney, Ira, and Danby.

This collection consists of 35 copies of government records kept between 1820 to 1833 by Vermont "selectmen and civil authority" figures regarding the nomination and approval of individuals for tavern keepers, inn keepers, and keepers of houses of public entertainment, predominantly in Rutland County, likely as a precursor to secure licenses. Many of the documents include the names of individuals approved to run the establishments, details about the government officials and bodies who granted permission, and various fees. Predominantly administrative in nature, they do include occasional statements reflecting on social norms and expectations, like reflections on nominees who "will Keep orderly Houses and accommodate the Public" (March 1, 1824) or that the individual is allowed to "Retail Spirits" (April 23, 1833). Named places include Pawlet, Castleton, Shrewsbury, Tinmouth, Rutland, Clarendon, Orwell, Benson, Sudbury, Pittsfield, Sherburne, Parkerstown, Pittsford, Brandon, Benson, Poultney, Ira, and Danby.

This collection consists of 35 copies of government records kept between 1820 to 1833 by Vermont "selectmen and civil authority" figures regarding the nomination and approval of individuals for tavern keepers, inn keepers, and keepers of houses of public entertainment, predominantly in Rutland County, likely as a precursor to secure licenses. Many of the documents include the names of individuals approved to run the establishments, details about the government officials and bodies who granted permission, and various fees. Predominantly administrative in nature, they do include occasional statements reflecting on social norms and expectations, like reflections on nominees who "will Keep orderly Houses and accommodate the Public" (March 1, 1824) or that the individual is allowed to "Retail Spirits" (April 23, 1833). Named places include Pawlet, Castleton, Shrewsbury, Tinmouth, Rutland, Clarendon, Orwell, Benson, Sudbury, Pittsfield, Sherburne, Parkerstown, Pittsford, Brandon, Benson, Poultney, Ira, and Danby.

The Virginia and Tennessee Railroad Trip photograph album includes pictures of railroad cars, tracks, and travelers taken in the 1890s, as well as pictures of trackside scenes in Tennessee and pictures of people enjoying recreational activities on a beach.

The Virginia and Tennessee Railroad Trip album contains 296 photographs taken along a railroad line in Tennessee and on an unidentified beach in the 1890s. Each item is a Kodak No. 2 circular print, mounted onto the pages in groups of 6; two are pasted on top of other pictures. The photographs are numbered 577-863. The volume has leather covers with the title "Photographs" stamped in gold on the front.

Most of the album's images are scenes from a railroad trip in Tennessee, beginning with views of the Hotel Roanoke in Roanoke, Virginia, and including pictures of passengers, tracks, trackside scenery, depots, and small towns. The album also contains pictures of people walking along a beach, displaying captured fish, preparing to launch a rowboat, and shooting small birds. Additional groups of items show a large Victorian house, people disembarking from a boat, and bathers diving into a large partially covered swimming area.

The Virginia, Georgia, and Maryland carte-de-visite album contains carte-de-visite and tintype studio portraits of men, women, and children taken around the 1870s-1880s. Most of the tintypes are hand-tinted.

This album (13cm x9cm) contains 16 carte-de-visite and 13 tintype photographs taken in Virginia, Georgia, and Maryland circa 1870s-1880s. Most items are individual portraits, with three exceptions: a carte-de-visite of two women, a tintype of a woman holding an infant, and a tintype family photograph of six people, mostly children. The majority of the tintypes and at least two of the cartes-de-visite have hand coloring. One photograph of an infant is identified as Estelle Simcoe. The volume's brown cover has a raised geometric design, and the title "Album" is stamped in gold on the spine.

The Virginia, New York, and Massachusetts photograph album contains approximately 195 photographs depicting the travels and leisure activities of an unidentified Brooklyn-based family in various locations in Virginia, New York, and Massachusetts.

The Virginia, New York, and Massachusetts photograph album contains approximately 195 photographs depicting the travels and leisure activities of an unidentified Brooklyn-based family in various locations in Virginia, New York, and Massachusetts. The album (28 x 40 cm) has black cloth covers, with the front cover being detached. Images of interest include a series of photographs documenting an 1898 trip to Richmond, Virginia, including views of the Capitol, City Hall, St. John's Church, and other landmarks. Also present are 17 photographs showing Fort Monroe, Virginia, with an additional 11 images showing Old Point Comfort hotels, docks, a street view of Phoebus, Virginia, and waterfront views of the Hampton Roads region. New York-related photographs include views of carriage-driving and horseback riding at the Brooklyn Riding & Driving Club, and a summer home at Lake Mahopac, with views of people sailing, swimming, taking carriage rides on country roads, and women golfing. Massachusetts-related photographs include 12 images taken in Boston during 1899 including views of the Public Library and Faneuil Hall and three street views of Commonwealth Avenue.

This visiting card specimen book contains 48 printer's sample cards pasted into the volume, including "hidden name" examples with movable die-cut flaps and other devices.

This visiting card specimen book contains 48 printer's sample cards pasted into the volume, including "hidden name" examples with movable die-cut flaps and other devices. Predominant visual themes are flowers, birds, hands, children, and cherubs. Others include a dog holding a guitar, a quill pen, a G.A.R card, and an "Imp Card" showing a devil holding a sign to read "I AM ___ WHO THE [DEVIL] ARE YOU."

A "Gold Escort" card has the text "I beg the blissful felicity of being honored with your gracious condescension to the extent of allowing your humble servant to escort you to your leafy bower this balmy eve. Say yes, fair lady!"

The Wabash (Ind.) family photograph albums contain tintype and carte-de-visite studio portraits of men, women, and children in Indiana, Ohio, and Pennsylvania in the 19th century.

The Wabash (Ind.) family photograph albums (both 14cm x 10cm) contain tintype and carte-de-visite studio portraits of men, women, and children in Indiana, Ohio, and Pennsylvania in the 19th century. The first volume contains 19 tintypes and five cartes-de-visite, and the second volume contains 16 tintypes and nine cartes-de-visite; an index of subjects in included at the back of the second album. Some of the tintypes have raised decorated borders on their cardstock frames, and many include hand coloring. Most items are individual portraits, though some men and women posed in pairs. One man appears in a Masonic sash and apron. Each album has a brown leather cover with a raised geometric design and floral patterns stamped in gold.

This volume contains excerpts from Walley Chamberlain Oulton's 1812 play The Sleep Walker, or, Which is the Lady?, as well as excerpts from the works of Shakespeare and other sources.

This volume (28 pages) contains excerpts from Walley Chamberlain Oulton's 1812 play The Sleep Walker, or, Which is the Lady?, as well as excerpts from other works. Pages 1-7, 16-19, and 25-28 contain excerpts from The Sleep Walker; pages 8-15 and 20-24 contain copied excerpts from other sources, most frequently Shakespeare's plays. The lines from Oulton's play vary only slightly from an 1813 published version; one notable difference is a lengthier concluding monologue by the character Somno. The other excerpts are written under the names of prominent English actors from the early 19th century, including members of the Kemble and Siddons families. The volume has the bookplate of Erastus Tefft, which has an engraving of a Native American gazing at a European settlement.