Collections

This volume contains the financial records of an anonymous blacksmith from Bustleton, Pennsylvania, kept between January 8, 1851, and August 14, 1858. The records include customers' names, as well as the types of items purchased and the costs of individual goods and services.

This volume (193 pages) contains the financial records of an anonymous blacksmith from Bustleton, Pennsylvania, kept between January 8, 1851, and August 14, 1858. The records include customers' names, as well as the types of items purchased and the costs of individual goods and services. Most of the records relate to items made of iron, including bolts, spokes, and irons, and many reflect the construction of wagons or carriages and their component pieces, such as axles and seats. Some entries mention additional goods and services, which often related to wagon repair. Two frequent customers included Thomas Wistar (p. 119) and the Philadelphia County Prison (p. 108). In addition to these records, a note in the front of the volume records that the author "put the cow to pasture at Wm. White's July 31st 1854," and several entries at the back reflect small loans to various individuals. The volume also contains a recipe for black varnish.

The California and Washington holiday photograph album contains approximately 110 photographs related to an excursion on the West Coast made by an unidentified couple.

The California and Washington holiday photograph album contains approximately 110 photographs related to an excursion on the West Coast made by an unidentified couple. The album (18.5 cm x 29 cm) has black cloth covers and is tied with black string. Towards the beginning of the album there are 20 photographs of Native Americans (likely members of the Confederated Tribes of the Umatilla Indian Reservation) with tipis at an encampment and on horseback in full regalia during a parade in Walla Walla, Washington; a river view with paddle steamers; and two views of a parade with the marching band from the U.S. Indian School in Chemawa, Salem, Oregon. Subsequent images from further south along the Pacific coast include views of Golden Gate Park; Sutter Fort and the Capitol building in Sacramento, California; the outdoor organ from the Panama-Columbian Exposition in San Diego; Balboa Park; an early Loughead Model G seaplane on a dock with a sign offering passenger rides; and the Santa Barbara Mission and rocky coastline nearby. Also present are views of Multnomah Falls, Oregon, and giant redwoods. Towards the back end of the album are four photographs showing a parade on a suburban street with 5 women wearing uniform caps, possibly factory workers, sitting in an open automobile decorated with American flags and a sign on the back that reads "Doing our bit."

The California and Western Tour photograph album contains commercial and amateur photographs of scenes in Yosemite National Park, Yellowstone National Park, California, New Mexico, and other locales. The volume includes a group of photographs taken at the World's Columbian Exposition in Chicago, Illinois, in 1893.

This album (23cm x 30cm) contains 67 commercial and amateur prints of scenes in various locales, particularly in the western United States. The album is bound in red pebbled leather with small gold trim. Many of the photographs are commercial prints as large as 19cm x 24cm, with captions and negative numbers. Manuscript captions accompany some of the items, often with information about the size of natural features shown. Pictures of rock formations, waterfalls, rivers and lakes, and geysers are most common, along with shots of architectural landmarks and groups of tourists. Prominent photograph locations include Yosemite National Park (9 items), Garden of the Gods (4 items), New Mexico (3 items), the Columbia River (3 items), and Yellowstone National Park (20 items). The album has 2 pictures of Niagara Falls, one of which was taken in winter.

Though the album focuses on natural scenery, several photographs show various types of buildings, such as missions in California and New Mexico, hotels in California, the Lick observatory, a group of buildings at the Shasta Springs retreat, a railroad dining car interior, and the exterior of a Chinese restaurant in San Francisco, California. Scenes of horse-drawn carriages fording the Fire Hole River in Yellowstone National Park and passing through a tunnel cut into the trunk of a large tree in Yosemite National Park are present, as are other group photographs. One shows "Miss E. P. Gould" riding a horse, and another shows a group of men fishing on Yellowstone Lake. An 1888 portrait of John C. Frémont, his wife Jessie, and their daughter shows them standing in front of the "Fremont tree" in Redwood Grove. A final group of photographs consists of pictures of various buildings constructed for the 1893 World's Columbian Exposition in Chicago, Illinois.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906.

The California, Colorado, and Long Island vacation photograph album consists of 65 snapshot photographs from 1904 to 1906. The album begins with scenes of Colorado. These images show views from a railway through the Rocky Mountains and a trip to Garden of the Gods in Colorado Springs.

A majority of the photographs were taken in San Francisco, California. These photos date from May, 1906, just after the San Francisco earthquake and fire. Many of the images show refugee camps and temporary housing, displaced businesses, and damage on Van Ness Ave, which was used as a firebreak by the United States Army. The McKinley Parade, also known as Fiesta de Los Angeles is photographed as well. Other California scenes include Cliff House in San Francisco, an ostrich farm in Pasadena, vineyards, and orchards of olive trees, palm trees, and lemon trees.

The last portion of the album is of Long Island, New York State. These scenes include people on a boat in the water near Westhampton, people swimming in Jamaica Bay, and Apacuck Point.

The album is 18.5 x 14 cm with red cloth covers.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print views of various travel destinations in California in 1898.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print photographs of various travel destinations in California in 1898. Captions are written below each photograph.

This volume contains financial records, journal entries, planting lists, and other content related to a farmer and fur trader in the early 19th century.

This volume is comprised of financial records, journal entries, planting lists, and other content related to a farmer and fur trader in the early 19th century.

• Undated list of prices for animal skins, "Expences Coming to Pennsylvania," and "Expences at the quitting" (1 page)
• Chronological accounts (11 pages, February 1806-March 1806; September 1806-November 1806; and undated)
• Double-entry accounts (9 pages, February 1806-May 1806)

Several individuals, including Sidney Wells, Matthew Gibson, and Daniel Whipple, are represented in both chronological and double-entry records. Most entries pertain to skins from mink, muskrat, and martin, and to manual labor tasks such as cutting grubs, drawings logs, and rafting. Other accounts concern sundries, a knife, a watch, and "a Balance between Guns."

The volume contains 3 pages of notes and journal entries about the author's travels from Cambridge to towns in Pennsylvania (2 pages, February 1806-July 1806); and from Philadelphia, Pennsylvania, to Lansingburgh, New York, via New Jersey and New York City (1 page, August 1806). His notes refer to travel by land and water.

Two pages concern crops planted at Cambridge in May 1808, including potatoes, beans, cabbage, corn, peas, beets, and oats. The volume also has an 8-page list of names and numbers; drawings of a compass rose and geometric shapes; signatures of James Peters and Lydia M. Peters; a very rough sketch of an "apple machine" (apparently for coring or peeling and apple) below which is written the name "George Washington"; and page of manuscript sheet music for the "Duke of Halstein's March."

This collection is made up of letters that a soldier named Frank sent to his mother and siblings while training at Camp Devens, Massachusetts, in late 1917 and early 1918. He discussed his equipment, dental health, and other aspects of military life.

This collection is made up of 8 letters that a soldier named Frank sent to his mother and siblings while training at Camp Devens, Massachusetts, between December 8, 1917, and February 15, 1918. Frank mentioned physical conditioning, combat training, and outdoor cooking. He sometimes mentioned other soldiers, including another man from "Georgetown" who had taken to gambling. Frank noted when his friends were sent overseas or to different posts; he expected that he would go abroad around mid-February 1918. Frank's letter of February 8, 1918, contains a list of equipment he had received in preparation for overseas deployment. Though the military encouraged soldiers to travel home on weekends on account of food shortage, Frank regretted that he could not travel on account of that train fare. Several letters refer to Frank's dental problems and recommended treatment.

An anonymous United States Army sergeant wrote these 3 letters (18 pages) to his mother while serving at Camp Hancock, Georgia, between August and December 1917. "Herb," a member of Company D, 103rd Engineer Regiment, reported on his regiment's work laying pipes and about several aspects of military life.

An anonymous United States Army sergeant wrote these 3 letters (18 pages) to his mother while serving at Camp Hancock, Georgia, between August and December 1917. "Herb," a member of Company D, 103rd Engineer Regiment, reported on his regiment's work laying pipes and on several aspects of military life.

In each of his letters, "Herb" encouraged his mother not to worry about him, and he took pride in his work with the military and in his continuing advancement through the ranks; he was expecting a commission as lieutenant. He also mentioned some of his regiment's duties, which included laying pipes for newly constructed buildings at Camp Hancock and building temporary bridges for other units on bivouac assignments. Herb described other aspects of camp life, such as the comings and goings of other soldiers and his leisure activities, which included trips to nearby Augusta and football games. In two of his letters, he discussed the reorganization of the army's cavalry and artillery units, and in one letter, he mentioned English and French guest officers' instruction in trench warfare (November 11, 1917).

The Camp Lin-E-Kin photograph album (16 x 24 cm) contains 36 photographs of people and activities at a girls' camp in Maine.

The Camp Lin-E-Kin photograph album (16 x 24 cm) contains 36 photographs of people and activities at a girls' camp in Maine. Images depict varied activities: hiking, boating, dancing, and calisthenics. Of interest are numerous photographs of girls wearing costumes and a group wearing swimming outfits, an image of a cabin interior with girls writing letters and knitting, and two photographs of girls holding cameras. An envelope with 10 additional photographs is laid in the album.

The album has a black cloth cover tied with string; housed in a grey board wrap with blue cloth spine.

The Canadian Evangelist journal chronicles the daily activities of an anonymous Protestant evangelist during a nine-month missionary journey from Quebec to Scotland and England. Both in Canada and abroad, the author made frequent visits to schools, prisons, taverns, and churches of different Christian denominations.

The Canadian Evangelist journal (94 pages) chronicles the daily activities of an anonymous Protestant evangelist during a nine-month missionary journey from Quebec to Scotland and England. Both in Canada and abroad, the author made frequent visits to schools, prisons, taverns, and churches of different Christian denominations.

The diary begins on October 25, 1848, in Quebec, and the first entries reflect the author's everyday activities, which included visiting local residents and collecting funds for an unnamed society. On November 5, 1848, he embarked for Glasgow, Scotland, on the Erromango. During the voyage, he preached to sailors and passengers, conducted Sunday church services, and spent much of his leisure time writing and reading. After his arrival in late November, he visited local prisons, asylums, and schools; distributed religious tracts in taverns and barbershops; and attended temperance meetings, particularly in London. The schools he visited included Hebrew institutions. On Sundays, he attended Protestant religious services, and he also commented on Catholic in Montréal and London (May 25, 1849). In addition to corresponding with numerous religious leaders and members of the peerage, he also composed essays addressed to local newspaper editors. While in Britain, the author visited Greenock, Glasgow, and Edinburgh, Scotland, and Liverpool, Manchester, Stockport, Birmingham, London, Uxbridge, Bristol, Bath, and Brighton, England. The author sailed from Glasgow to Montréal in August 1849, and arrived on August 31. The final entries concern the author's daily activities in Montréal until October 24, 1849.

The Caribbean photograph album contains photographs of towns, scenery, and people in Jamaica, Saint Vincent, Barbados, and Trinidad.

This photograph album (19cm x 26cm) contains 77 photographs of towns, scenery, and people throughout the Caribbean. Most pictures are 14cm x 22cm, though a few are 10cm x 15cm, and many have lengthy captions with additional information about locales pictured; many are numbered. Captions include information about hotel rates, population figures, vegetation, geographic features, and local customs. The photographs show Jamaica (43 items), Barbados (13 items), Trinidad (12 items), local residents (4 items), Saint Vincent (3 items), and other scenes (2 items). The album has many views of city streets and towns taken from street level and from higher vantage points, as well as views of rivers in Saint Vincent and Jamaica and of Carlisle Bay, Barbados. Structures such as sugar plantation windmills, railroad stations, hotels, markets, a prison, and churches are visible in many pictures, as are residents and, less often, tourists. A group of 4 photographs at the end of the album show East Indian women who worked in Trinidad, and 3 photographs show members of the West Indian Regiment and its band, including 1 picture of the band playing in a gazebo. Harbor views show Royal Navy ships and other vessels. The album's covers have a hard cloth covering, and the pages are bound together with rope. One loose page has been removed from the volume.

This unattributed pocket ledger was likely kept by a man laboring as a carpenter, recording debts and credits related to his work from 1855 to 1864. The writer repaired items such as gates, doors, and boats. He also documented making doors, staining wood, sawing logs, getting in wood, drawing boards, working on houses, and framing buildings. Two pages at the end of the volume record his cash accounts in 1864, distinguishing between cash on hand, greenbacks, eastern bills, and scrip. Several other pages document hours worked on projects and various dimensions of wood for projects. Four outlines of what appears to be the end of a banister or other woodwork piece are drawn in pencil near the end of the volume. A list of woodworking tools and a carte-de-visite of a woman wearing a polka dot dress are stored in the back pocket of the volume.

This unattributed pocket ledger was likely kept by a man laboring as a carpenter, recording debts and credits related to his work from 1855 to 1864. The writer repaired items such as gates, doors, and boats. He also documented making doors, staining wood, sawing logs, getting in wood, drawing boards, working on houses, and framing buildings. Two pages at the end of the volume record his cash accounts in 1864, distinguishing between cash on hand, greenbacks, eastern bills, and scrip. Several other pages document hours worked on projects and various dimensions of wood for projects. Four outlines of what appears to be the end of a banister or other woodwork piece are drawn in pencil near the end of the volume. A list of woodworking tools and a carte-de-visite of a woman wearing a polka dot dress are stored in the back pocket of the volume.

This collection is made up of legal documents and memorandums pertaining to the chain of ownership of a 2,000 acre property. The tract was a part of the land allegedly granted to Jonathan Carver from the Naudowessie Indians during his 1766-1768 journey to present-day Wisconsin and Minnesota.

This collection (6 items) consists of legal documents and memorandums pertaining to the chain of ownership of a 2,000 acre property. The tract was a part of the land allegedly granted to Jonathan Carver from the Naudowessie Indians during his 1766-1768 journey to present-day Wisconsin and Minnesota.

The first 2 partially printed documents, numbered 188 and 189 and signed by John C. Fox, Simeon Avery, and Ezekiel Webb, each grant 1,000 acres of the Carver land to the bearer (February 6, 1796). The third item is an indenture to transfer the land from Benoni Adams to James W. Howard, both of New York City (September 12, 1796). In a document dated November 8, 1836, Seth Whalen of Milton, New York, granted Isaac Nash power of attorney for dealing with the same property. The final 2 items are manuscript memorandums listing the chain of ownership of these 2,000 acres and binding a group of Vermont residents to the Carver heirs for the sum of $200,000. The first memorandum includes small drawings of the tortoise and snake totems of the Naudowessie chiefs who allegedly granted the lands to Jonathan Carver.

This incomplete 312-page manuscript catechism contains a series of questions and answers about religious faith, including the doctrine of predestination, the creation of the world, Jesus Christ, and the form and contents of prayer. A marginal note by a different 18th or 19th century hand suggests that this is "perhaps the writing of N Chauncey Hatfield or Samuel Wh[illegible]."

This incomplete 312-page manuscript catechism contains a series of questions and answers about religious faith, including the doctrine of predestination, the creation of the world, Jesus Christ, and the form and contents of prayer. A marginal note by a different 18th- or 19th-century hand suggests that this is "perhaps the writing of N Chauncey Hatfield or Samuel Wh[illegible]."

The manuscript begins with a discussion of heaven and hell, and proceeds through additional topics, often accompanied by scriptural references. Each subject is part of a continuing question-and-answer process, often based on a previous answer, and many themes recur frequently. Several brief proverbs appear on the final page.

The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The volume (32 x 19 cm) has brown leather covers (front cover detached) and contains 176 pages, all of which bear pasted-in engravings that were clipped from various newspapers, magazines, journals, advertisements, etc. Two inscriptions are present on the inside of the front cover; one states “This book is the property of W. W. Everett - 76 Winter St. Norwood, Mass.” while the other reads “The book was made by Mrs. W. W. Everett’s aunt Helen, probably in the 1880s. WWE.” The volume appears to have originally served as some type of accounting ledger before being repurposed.

Notable individuals represented within the volume include Joseph Jefferson, Sarah Bernhardt, P. T. Barnum, Lillie Langtry, Genevieve Ward, J. H. Haverly, E. A. Sothern, Sol Smith Russell, Ada Gilman, James H. Wallick, Adelaide Neilson, Buffalo Bill, Mittens Willett, Henry Clay, Susan B. Anthony, Wendell Phillips, Henry Wadsworth Longfellow, Elizabeth Cady Stanton, and Louis Pasteur.

This volume contains 20 ink portraits of members of the New Jersey State Senate of 1876 and 4 illustrations of scenes from the senate's centennial session.

This volume (5.5" x 6.75") contains 20 ink portraits of members of the New Jersey State Senate of 1876 and 4 illustrations of scenes from the senate's centennial session. E. S. Ellis presented this book to William J. Sewell, president of the New Jersey Senate. The individual portraits of senate members are organized alphabetically by the county each senator represented; Sewell, who represented Camden County, is the only member not individually drawn. The 4 additional illustrations depict an eagle holding the shield of the United States, Sewell calling the senate to order, a member reading the minutes, and a composite portrait of five individuals representing major newspapers.

The July 1, 1874 kidnapping of four-year-old Charles Brewster "Charley" Ross from a sidewalk in front of the family home in the Germantown neighborhood of Philadelphia, Pennsylvania became the first nationally publicized kidnapping for ransom case in the United States. This collection contains six items: one letter, a manuscript reward advertisement, handwritten notes, a pencil sketch portrait of Charley, a manuscript account of experiences with the main suspects, and an undated newspaper clipping related to the continuing investigation of the child's abduction, ca. 1909.

The July 1, 1874, kidnapping of four-year-old Charles Brewster "Charley" Ross from a sidewalk in front of the family home in the Germantown neighborhood of Philadelphia, Pennsylvania became the first nationally publicized kidnapping for ransom case in the United States. This collection contains six items: a letter, a manuscript draft of a reward advertisement, handwritten notes, a pencil sketched portrait of Charley, a manusscript account of experiences with the main suspects, and an undated newspaper clipping-related to the continuing investigation of the child's abduction, ca. 1909.

The one Letter in the collection is from Charley Ross's father Christian K. Ross to Rev. Henry Whitney Cleveland, October 20, 1877; Philadelphia. 2 pages. In it, Mr. Ross states that he cannot help Cleveland publish a book as his time is spent searching for his missing son. Ross mentions the book he published on the case, lamenting that he published it using a subscription service as it limited its circulation.

Written on the verso of printed, illustrated stationery of the Haynes Hotel, Springfield, Massachusetts, the manuscript draft of a Reward Advertisement stipulates a $10,000 reward for the return of Charley Ross alive, promising not to seek out or discover the identity of the kidnappers. The page is headed "For Local Article."

Notes: Six pages of pencil notes on checkbook stubs, measuring approximately 9x4 inches. Dating from July 1, 1874, to an unknown point in 1909, the notes begin from the point of Charley's kidnapping, chronicling accounts of the case. First remarking that Christian Ross had "run down false clews [in a] vain attempt" to locate Charley, the unidentified writer continues with a sparse summary of the alleged kidnappers capture "at Fort Hamilton, L.I. [Long Island]" and Joseph Douglas's confession that "Mosher & I stole Charly [sic] Ross." The next entry, dated 1909, discusses one Wm. G. Eyster, whose claim to be the lost Charley Ross was rejected.

The notes conclude with a sketch of a man wearing glasses and a bow tie, with the caption "3 days to get it ready, $20,000," followed by what appears to be notes related to other kidnappings and reference to a "Jessy James."

Manuscript: On October 9, 1932, James H. Hall wrote a nine-page summary of George W. Murdock's recounting of his experiences with the main suspects in the Charles Brewster Ross kidnapping case, Bill Mosher and Joe Douglas, while his mother was in charge of the lighthouse in the Hudson River. Murdock recalled Mosher and Douglas attempting to sell them a boat, described the two men, and described encounters with detectives who searched their premises and read their mail. Hall speculated about the possible role of the boat in the kidnapping.

Newspaper Clipping: An undated clipping regarding one Mr. W.C. DeWitt, claiming to be the lost Charley Ross and giving a lecture, titled "The True Story of My Abduction."

Portrait: A pencil sketch of Charley with an inscription that reads,"at the time of his abduction. Then 4 yrs. and Walter, his 6-yr-old brother. Disappeared from the sidewalk, near their home. July 1, 1874."

This collection is comprised of 6 letters that Private Charles Miller wrote to his mother while serving with the Special Services Unit 649, an ambulance unit in the Convois Automobiles, in France during World War I. Miller discussed aspects of military life both before and after the Armistice.

This collection is made up of 6 letters that Private Charles Miller wrote to his mother while serving with the Special Services Unit 649, an ambulance unit in the Convois Automobiles, in France during World War I. Miller, who signed his letters "Chas.," discussed aspects of military life both before and after the Armistice, such as his quarters and his desire to join the regular army. He reported his excitement after hearing that Special Services Unit 649 would be receiving a commendation for bravery and occasionally commented on the war. During his time in France, he observed bombing raids and shelling, but believed "one would have to be terribly unlucky to get hit" (March 30, [1918]). After the war, Miller described his attempts to learn languages and anticipated his return to the United States. Miller's letter of April 27, 1918, is incomplete.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857, while serving aboard the mercantile clippers Charger from Boston to San Francisco and the Stag Hound from San Francisco to Hawaii and China. The Stag Hound carried 380 Chinese passengers from San Francisco to China, where it loaded a cargo of tea, silk, fancy matting, and other goods, to be returned to New York. Charley wrote about social matters, including descriptions of San Francisco, Hong Kong, Fuzhou, and the coasts of the Yangtze River, as well as shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857. He first served aboard the mercantile clipper Charger under the command of Captain Luther Hurd, travelling from Boston, Massachusetts, past Cape Horn, to San Francisco, California. He switched berths in San Francisco to the Stag Hound who carried Chinese passengers under Captain Peterson to Hawaii, Hong Kong, and Foochow (Fuzhou), via the Chang (Yangtze) River. They passed various places in the Philippines and South China Sea without stopping, and returned to New York with a cargo of tea, silk, fancy matting, and other goods. Charley wrote about social matters, including descriptions of ports like San Francisco, Hong Kong, and Fuzhou, and shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

Details about the labor of sailing are found throughout the diary, with regular notes about wind, weather, and sea conditions, land sightings, and occasional notations of latitude and longitude. Charley described the Charger as "a new one" (January 1), and several times noted that the ship was outpacing others. He commented on various shipboard tasks like cleaning the deck, handling and repairing sails, managing dwindling food and provisions, and catching sharks, fish, and porpoises to eat. Comments about the difficulty of the work and various demands appear regularly, as well as notes of various mishaps on board, damaging storms, and other dangers, like falls, sails gone awry, the hazards of Cape Horn (March 7), freshwater getting tainted (March 20), waterspouts (August 27), and suspected pirates (September 16). At least one crewmember died, seemingly of illness contracted prior to the voyage, and Charley wrote of his distress at how his body and burial were handled (July 17).

When he switched berths to the Stag Hound, travelling from San Francisco to Hawaii and Hong Kong, Charley wrote of the demands of manning an "outward bound ship":

"Everbody is in bad humor. The officers irritable. the crew more so. words pass between them. everything to do and nobody to do it. Bed clothes. sea boats. jackets. chests. and numerous other things of a sailors outfit tumbled together in confusion. chickens crowing. geese quacking turkeys gobbling. pigs squealing. these are the scenes and noises that must be endured by the outward bound" (May 15). Noting that "people on shore think that a sailors leads an idle life," he detailed the daily labor they typically performed (August 30).

Charley's depictions of shipboard life also reference issues of discipline and management of the crew. While on the Charger, he noted the captain distributing "a lot of tracts" to the crew (January 18 and February 8) and complained of officers making sailors work on the Sabbath (January 25). He wrote a detailed description of the Charger's officers on March 11, including physical and behavioral attributes, and noted that the rest of the crew consisted of 28 men from America, England, Ireland, Scotland, Holland, and Italy. He noted several physical fights and that crew members were imprisoned for matters like theft and violence (February 14 and May 8) or threatened to have their noses wrung by the captain for fighting (April 30). Charley recorded that the third mate confined "one of our boys who goes by the name of Jimmey Ducks" in the hencoop for "not feeding the fowls in the morning" (February 15). On another occasion, "the mate frightened one of the greenhorns nearly to death by hoisting him up to the royal mast head" when he cried when being asked to slush the mast (February 23). As provisions began to run out, Charley bemoaned that the sailors had to drink rainwater that was tainted by the ship's tar and paint, while "the officers can drink and use as much of the Boston water as they choose" and the steward "used two buckets of the good water to wash the cabin floor" (April 19). Upon landing in San Francisco, Charley noted that Captain Hurd was trying to convince the sailors to continue on with him on the next leg of the voyage by withholding wages from the crew, was struck by a passenger who accused him of "ill treatment to his sister," and that "Whenever our crew see him in the streets they are hooting him and throwing stones at him" (May 10-11).

Charley continued to note disciplinary issues when he transferred to the Stag Hound, including reminiscences about being imprisoned in Honolulu for refusing to work while on a whaling voyage aboard the Hobomok in 1852. Others' refusals to work and their punishment were documented (June 14), as well as efforts to manage unruly passengers (May 22). He noted that infighting and complaining "is the custom with sailors... When they cannot find fault with the officers or with the grub they must growl amoung themselves for pastime" (May 26). On the return voyage, Charley noted the "youngsters" were yelled at for being slow in their work (August 24).

The volume contains much detail about issues of race and ethnicity. He wrote about a man "that goes by the name of Jim Crow. he would make a horse smile to hear him singing comic songs and spouting Shakespere &c.," possibly an African American sailor (January 26). Charley made another reference to "James Crow" on February 28, participating in a demonstration by the sailors when their "advance was up" and they "assert[ed] our rights as sailors" and made an effigy that was hung and buried at sea. Charley called him a "courious genious. he makes sport for all hands in the ship. I don't know how we would get along without him" (February 28). Charley was pleased "to see my friend Crow" among those who switched berths to the Stag Hound (May 14). Charley commented on his singing and musical abilities (June 24, August 11), and he wrote about him in a poem (June 12), travelled ashore with him in Hong Kong (July 7), and remarked on his cure for toothaches (September 8).

Charley's entries also reflect on the individuals he encountered during his voyages, including a description of indigenous South Americans sailing catamarans to fish, some 20 miles from shore (February 5), and the multi-ethnic crew of the Stag Hound. On May 24, Charley described in detail the Stag Hound's Dutch captain and his wife, the Dutch first and second mates, the English third mate, American bosun and carpenter, and two Chinese stewards and two Chinese cooks. "Before the mast we have a sprinkling of all nations. It would puzzle a Philadelphia Lawyer to understand one half of them. I dont believe that there was one half of the confusion at the building of the tower of Bable as there is in our forecastle at meal times."

The bulk of his racial commentary revolves around the approximately 380 Chinese passengers who travelled aboard the Stag Hound to Hawaii and Hong Kong, of which he initially wrote disparaging comments (May 12). Some of Charley's entries reflect on Chinese shipboard experiences, such as gambling (May 20) and fighting (June 6), while others seem to indicate prejudiced behavior on the part of the Stag Hound's captain. He rationed Chinese passengers' allowance of water (May 22) and threatened violence against one English-speaking Chinese passenger for complaining (January 19). While approaching China, Charley noted the crew worked on cleaning guns due to "lots of pirates now in these seas, but we do not fear them so much as we do the passengers, for it is a common thing for them to try and take the vessel that they are in when they find that they are near to China" (June 25). He remarked on the Chinese Emperor, "said to be the brother of the Sun, and likewise the King of ten thousand islands" (June 29), the passengers praying for fair wind (July 1), and reacting with joy upon seeing the area near Hong Kong (July 5). He described Hong Kong, commenting on religion (July 6-7) and fears of Chinese boarding the ship at night to murder the crew (July 10). He noted passing the wreck of the Wild Duck and seeing Chinese junks painted "with large eyes on their bows so that they can see" (July 20), and he described places they passed while travelling up the Chang River under the guidance of a Chinese pilot and their arrival at Foochow (Fuzhou). He noted the work Chinese laborers undertook on the Stag Hound while at Fuzhou (July 24, 26, 27) and detailed his visit to a "pagoda" in the city (August 2).

Several references to women also appear in the diary. Charley remarked on the presence of the captain's wife aboard the Charger, noting her disdain for sailors (January 4, March 16). As the initial voyage to California wore on, Charley recorded a fight between the captain and his wife where she was threatened with violence if she spoke to the first mate (April 24). The captain's wife also accompanied the Stag Hound, and Charley described her and her scorn for the sailors as well (May 24). The captain's daughter was also aboard the Stag Hound, and Charley noted the purchase of a cat for her and her distress during a typhoon (July 27, September 7). He later noted the cat's disappearance and his suspicion that sailors disposed of it, "for a sailor would as soon see his Satanic Majesty on board of his ship as a cat for to him a cat is linked with superticion [sic]" (August 17).

Mentions of other ships throughout the volume reflect the international dynamics of sea travel and mercantilism. Charley noted ships from various American ports, Prussia, Brazil, England, and France. Upon arriving in Hong Kong, he observed French, English, and Portuguese men-of-war (July 6 and July 8), and named American ships by name while in Chinese ports. He recorded the goods taken on the Stag Hound in China, including opium, silver, fire crackers, tea, silk, and fancy matting.

In addition to his diary entries, Charley also documented his experiences with drawings. He included several pictures of Chinese junks and coastal views of the following locations:

• Cape Horn
• Tierra del Fuego
• South Farallon Islands
• Morotai Island
• "Wahoo" [O'ahu]
• Diamond Head
• "Cocowaner" island
• "Peico" island
• Balintang Islands
• Bashee Islands
• Batan Island
• Sabtang
• Goat Island
• "An Island in Hong Kong Harbor"
• "Great Lema Island"
• Pratas Islands
• "The last light of Hong Kong"
• "[Oaksu?] Islands"
• several views from along the River Chang
• Balabac Strait

Charley included clips of poetry and quotations, mostly relating to sailors and sea life. He copied a poem attributed to a crew member, "To the Albatross" (February 25), and others appear to be originals that he may have composed, such as one celebrating the passage past Cape Horn (March 7), another musing on the wide variances in a sailor's life (April 22), and one entitled "To the Stag Hound" (May 31). Other poems memorialize food poisoning (June 12), the death of a crewmate (July 17), and heading home for America (August 16). The final page of the volume includes a poem entitled "To Charley, by J.H.S." about their friendship and an amusing incident regarding cheese, seemingly written at their parting, and the lyrics to a song about a charcoal vendor.

A post-1886 newspaper clipping, "Boston Clippers," is pasted on the inside front cover and references the few remaining "splendid clippers which the discovery of gold in California and Australia produced," including the Charger .

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857, while serving aboard the mercantile clippers Charger from Boston to San Francisco and the Stag Hound from San Francisco to Hawaii and China. The Stag Hound carried 380 Chinese passengers from San Francisco to China, where it loaded a cargo of tea, silk, fancy matting, and other goods, to be returned to New York. Charley wrote about social matters, including descriptions of San Francisco, Hong Kong, Fuzhou, and the coasts of the Yangtze River, as well as shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857. He first served aboard the mercantile clipper Charger under the command of Captain Luther Hurd, travelling from Boston, Massachusetts, past Cape Horn, to San Francisco, California. He switched berths in San Francisco to the Stag Hound who carried Chinese passengers under Captain Peterson to Hawaii, Hong Kong, and Foochow (Fuzhou), via the Chang (Yangtze) River. They passed various places in the Philippines and South China Sea without stopping, and returned to New York with a cargo of tea, silk, fancy matting, and other goods. Charley wrote about social matters, including descriptions of ports like San Francisco, Hong Kong, and Fuzhou, and shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

Details about the labor of sailing are found throughout the diary, with regular notes about wind, weather, and sea conditions, land sightings, and occasional notations of latitude and longitude. Charley described the Charger as "a new one" (January 1), and several times noted that the ship was outpacing others. He commented on various shipboard tasks like cleaning the deck, handling and repairing sails, managing dwindling food and provisions, and catching sharks, fish, and porpoises to eat. Comments about the difficulty of the work and various demands appear regularly, as well as notes of various mishaps on board, damaging storms, and other dangers, like falls, sails gone awry, the hazards of Cape Horn (March 7), freshwater getting tainted (March 20), waterspouts (August 27), and suspected pirates (September 16). At least one crewmember died, seemingly of illness contracted prior to the voyage, and Charley wrote of his distress at how his body and burial were handled (July 17).

When he switched berths to the Stag Hound, travelling from San Francisco to Hawaii and Hong Kong, Charley wrote of the demands of manning an "outward bound ship":

"Everbody is in bad humor. The officers irritable. the crew more so. words pass between them. everything to do and nobody to do it. Bed clothes. sea boats. jackets. chests. and numerous other things of a sailors outfit tumbled together in confusion. chickens crowing. geese quacking turkeys gobbling. pigs squealing. these are the scenes and noises that must be endured by the outward bound" (May 15). Noting that "people on shore think that a sailors leads an idle life," he detailed the daily labor they typically performed (August 30).

Charley's depictions of shipboard life also reference issues of discipline and management of the crew. While on the Charger, he noted the captain distributing "a lot of tracts" to the crew (January 18 and February 8) and complained of officers making sailors work on the Sabbath (January 25). He wrote a detailed description of the Charger's officers on March 11, including physical and behavioral attributes, and noted that the rest of the crew consisted of 28 men from America, England, Ireland, Scotland, Holland, and Italy. He noted several physical fights and that crew members were imprisoned for matters like theft and violence (February 14 and May 8) or threatened to have their noses wrung by the captain for fighting (April 30). Charley recorded that the third mate confined "one of our boys who goes by the name of Jimmey Ducks" in the hencoop for "not feeding the fowls in the morning" (February 15). On another occasion, "the mate frightened one of the greenhorns nearly to death by hoisting him up to the royal mast head" when he cried when being asked to slush the mast (February 23). As provisions began to run out, Charley bemoaned that the sailors had to drink rainwater that was tainted by the ship's tar and paint, while "the officers can drink and use as much of the Boston water as they choose" and the steward "used two buckets of the good water to wash the cabin floor" (April 19). Upon landing in San Francisco, Charley noted that Captain Hurd was trying to convince the sailors to continue on with him on the next leg of the voyage by withholding wages from the crew, was struck by a passenger who accused him of "ill treatment to his sister," and that "Whenever our crew see him in the streets they are hooting him and throwing stones at him" (May 10-11).

Charley continued to note disciplinary issues when he transferred to the Stag Hound, including reminiscences about being imprisoned in Honolulu for refusing to work while on a whaling voyage aboard the Hobomok in 1852. Others' refusals to work and their punishment were documented (June 14), as well as efforts to manage unruly passengers (May 22). He noted that infighting and complaining "is the custom with sailors... When they cannot find fault with the officers or with the grub they must growl amoung themselves for pastime" (May 26). On the return voyage, Charley noted the "youngsters" were yelled at for being slow in their work (August 24).

The volume contains much detail about issues of race and ethnicity. He wrote about a man "that goes by the name of Jim Crow. he would make a horse smile to hear him singing comic songs and spouting Shakespere &c.," possibly an African American sailor (January 26). Charley made another reference to "James Crow" on February 28, participating in a demonstration by the sailors when their "advance was up" and they "assert[ed] our rights as sailors" and made an effigy that was hung and buried at sea. Charley called him a "courious genious. he makes sport for all hands in the ship. I don't know how we would get along without him" (February 28). Charley was pleased "to see my friend Crow" among those who switched berths to the Stag Hound (May 14). Charley commented on his singing and musical abilities (June 24, August 11), and he wrote about him in a poem (June 12), travelled ashore with him in Hong Kong (July 7), and remarked on his cure for toothaches (September 8).

Charley's entries also reflect on the individuals he encountered during his voyages, including a description of indigenous South Americans sailing catamarans to fish, some 20 miles from shore (February 5), and the multi-ethnic crew of the Stag Hound. On May 24, Charley described in detail the Stag Hound's Dutch captain and his wife, the Dutch first and second mates, the English third mate, American bosun and carpenter, and two Chinese stewards and two Chinese cooks. "Before the mast we have a sprinkling of all nations. It would puzzle a Philadelphia Lawyer to understand one half of them. I dont believe that there was one half of the confusion at the building of the tower of Bable as there is in our forecastle at meal times."

The bulk of his racial commentary revolves around the approximately 380 Chinese passengers who travelled aboard the Stag Hound to Hawaii and Hong Kong, of which he initially wrote disparaging comments (May 12). Some of Charley's entries reflect on Chinese shipboard experiences, such as gambling (May 20) and fighting (June 6), while others seem to indicate prejudiced behavior on the part of the Stag Hound's captain. He rationed Chinese passengers' allowance of water (May 22) and threatened violence against one English-speaking Chinese passenger for complaining (January 19). While approaching China, Charley noted the crew worked on cleaning guns due to "lots of pirates now in these seas, but we do not fear them so much as we do the passengers, for it is a common thing for them to try and take the vessel that they are in when they find that they are near to China" (June 25). He remarked on the Chinese Emperor, "said to be the brother of the Sun, and likewise the King of ten thousand islands" (June 29), the passengers praying for fair wind (July 1), and reacting with joy upon seeing the area near Hong Kong (July 5). He described Hong Kong, commenting on religion (July 6-7) and fears of Chinese boarding the ship at night to murder the crew (July 10). He noted passing the wreck of the Wild Duck and seeing Chinese junks painted "with large eyes on their bows so that they can see" (July 20), and he described places they passed while travelling up the Chang River under the guidance of a Chinese pilot and their arrival at Foochow (Fuzhou). He noted the work Chinese laborers undertook on the Stag Hound while at Fuzhou (July 24, 26, 27) and detailed his visit to a "pagoda" in the city (August 2).

Several references to women also appear in the diary. Charley remarked on the presence of the captain's wife aboard the Charger, noting her disdain for sailors (January 4, March 16). As the initial voyage to California wore on, Charley recorded a fight between the captain and his wife where she was threatened with violence if she spoke to the first mate (April 24). The captain's wife also accompanied the Stag Hound, and Charley described her and her scorn for the sailors as well (May 24). The captain's daughter was also aboard the Stag Hound, and Charley noted the purchase of a cat for her and her distress during a typhoon (July 27, September 7). He later noted the cat's disappearance and his suspicion that sailors disposed of it, "for a sailor would as soon see his Satanic Majesty on board of his ship as a cat for to him a cat is linked with superticion [sic]" (August 17).

Mentions of other ships throughout the volume reflect the international dynamics of sea travel and mercantilism. Charley noted ships from various American ports, Prussia, Brazil, England, and France. Upon arriving in Hong Kong, he observed French, English, and Portuguese men-of-war (July 6 and July 8), and named American ships by name while in Chinese ports. He recorded the goods taken on the Stag Hound in China, including opium, silver, fire crackers, tea, silk, and fancy matting.

In addition to his diary entries, Charley also documented his experiences with drawings. He included several pictures of Chinese junks and coastal views of the following locations:

• Cape Horn
• Tierra del Fuego
• South Farallon Islands
• Morotai Island
• "Wahoo" [O'ahu]
• Diamond Head
• "Cocowaner" island
• "Peico" island
• Balintang Islands
• Bashee Islands
• Batan Island
• Sabtang
• Goat Island
• "An Island in Hong Kong Harbor"
• "Great Lema Island"
• Pratas Islands
• "The last light of Hong Kong"
• "[Oaksu?] Islands"
• several views from along the River Chang
• Balabac Strait

Charley included clips of poetry and quotations, mostly relating to sailors and sea life. He copied a poem attributed to a crew member, "To the Albatross" (February 25), and others appear to be originals that he may have composed, such as one celebrating the passage past Cape Horn (March 7), another musing on the wide variances in a sailor's life (April 22), and one entitled "To the Stag Hound" (May 31). Other poems memorialize food poisoning (June 12), the death of a crewmate (July 17), and heading home for America (August 16). The final page of the volume includes a poem entitled "To Charley, by J.H.S." about their friendship and an amusing incident regarding cheese, seemingly written at their parting, and the lyrics to a song about a charcoal vendor.

A post-1886 newspaper clipping, "Boston Clippers," is pasted on the inside front cover and references the few remaining "splendid clippers which the discovery of gold in California and Australia produced," including the Charger .

This volume contains notes taken during a series of lectures on chemistry, primarily between January and April 1857. The notes cover a variety of topics, including the properties and uses of elements and brief remarks on organic chemistry and geology.

This volume contains notes taken during a series of lectures on chemistry, primarily between January 8 and April 7, 1857. Most of the lectures cover the properties and uses of elements, including ways in which they could be treated and places where they might be found. Several metals, such as lead and tin, are discussed, along with other elements such as arsenic and antimony. Other topics, such as chemical compounds, are also frequently mentioned, though the focus remains predominantly on particular elements. Though the volume contains primarily prose notes, some equations are included, often related to the formation of complex molecules and chemical reactions. Occasionally, specific applications or additional substances form the basis of a discussion, such as silver and its use in photography (No. 22, March 1857), nicotine (March 23, 1857), and citric acid (March 11, 1857). The final lectures, given throughout early April, cover topics in organic chemistry, including the formation of organic animal matter (April 1, 1857). Two entries relate to geology (April 7, 1857, and March 8, 1857). The volume holds additional inserted notes on similar chemical topics; these include notes dated October 7, 1856, and April 20, 1857.

The Chicago photograph album contains pictures of buildings, park landscapes, and people in Chicago, Illinois; Grand Rapids, Michigan; and Detroit, Michigan. Items include interior and exterior views of a Chicago home, portraits of small groups of individuals, views of gardens in John Ball Park (Grand Rapids, Michigan), and a photograph of a steamboat in the Detroit River.

The Chicago photograph album (14cm x 18cm) contains 24 photographic prints, each placed in a 9cm x 11.5cm window. The first item is an exterior view of a home located at 5828 Indiana Avenue in Chicago, Illinois, and the following eight items are interior views of parlors and a dining room; one shows a woman sewing. The album includes six photographs of John Ball Park in Grand Rapids, Michigan, with various garden scenes and a shot of two women in a small horse-drawn carriage, and one photograph of the steamer "The North Land" passing Belle Isle near Detroit, Michigan. One item features the Michigan Soldiers' Home in Grand Rapids, Michigan, and another shows a woman feeding a group of birds there. The remaining six items are informal group and individual portraits taken in Washington Park (Chicago, Illinois) (2 items), Palmer Park (Detroit, Michigan) (1 item), "Our Back Yard" (Chicago, Illinois) (1 item), and unidentified outdoor locales (2 items); two men posed by a bicycle in Washington Park. The album's cover is decorated with a colored floral pattern, with a gray geometric pattern near and covering the spine.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin. The album (26 x 32 cm) has black paper covers and a manuscript note inside the front cover that reads: "Tour of 1903." Chicago-related photographs include a commercial street view, the Chicago River, and Lincoln Park. The following 191 photographs were taken in various locations around Colorado, including 20 images of commercial streets, residential streets, and parks in Denver and Colorado Springs; an early motorized sightseeing bus on a Colorado Springs street; and scenic views documenting visits to the Garden of the Gods, Pikes Peak, and the Gunnison River.

Several photographs show the main building and a small cabin at Sprague's Ranch in Moraine Park, Colorado. The travelers, a party of two men and a woman, are shown fishing, posing beside their platform tents, and sightseeing with larger groups. Also shown is the dramatic scenery of Ouray, Colorado, with views of the mountains, the box canyon, Silver Plume mines, and street scenes which include a stagecoach and loaded burros. Following several photographs of hotels in Glenwood Springs, Colorado, and a view of the Grand Canyon of the Arkansas, there are three images that show streets in Milwaukee, including the Schlitz Brewery, as well as two additional images of Chicago street scenes.

The Children at play photograph album contains 55 photographs of young children playing outside from 1916 to 1928.

The Children at play photograph album contains 55 photographs of young children playing outside from 1916 to 1928. Images show children with parents and dogs, at the beach, and playing with toys including wagons, tricycles, and a pedal car.

The album is 15.5 x 9.75 cm with brown cloth covers.

This diary is an account of the daily life of a female student living in Chillicothe, Ohio.

This 45-page diary is an account of the daily life of an unidentified female student living in Chillicothe, Ohio, between 1865 and 1867. She wrote about attending school, studying, and writing compositions. She was a frequent churchgoer, often quoting or making notes on sermons and scripture. Her social activities included visiting friends, inviting friends to her house, and going for walks. Her most frequently mentioned friend was Allie Sanford. The diary includes brief references to the Civil War, prayer meetings, a "circus day," evening lectures, Sunday school, picking berries, riding, sleighing, and an unidentified man named "B--".

The beginning and end of the diary contain a list of students in different classes (1865), a schedule, poems, school grades, and "a cure for cholera" recipe.

This diary chronicles the author's sea voyage from New York to China in the spring of 1859, as well as his life in Shanghai between July 1859 and July 1860. At sea, he detailed the daily weather, scenery, and life onboard the ship, and in Shanghai he described his everyday life as a doctor and shared numerous observations on the effects of foreign trade on the country, local missionary efforts, and military conflict between the British and Chinese.

This diary (289 pages) chronicles the author's sea voyage from New York to China in the spring of 1859, as well as his life in Shanghai between July 1859 and July 1860. The first entry, dated February 28, 1859, opens with the author embarking for China on the N. B. Palmer, an American clipper under a Captain Frisbie. Over the next several months, he recorded daily observations of the weather and of life onboard the ship, including the captain's occasional harsh treatment of the crew. In addition to recording daily measurements of latitude and longitude, he occasionally described the scenery as the ship rounded the Cape of Good Hope and made its way to China by way of Indonesia. After a brief stop on Java in mid-May, the ship proceeded to Hong Kong, where it arrived on June 11 to discharge its cargo. During his brief time in Hong Kong, the author noted several aspects of local life, including the influence of foreign missionaries. On June 27, the N. B. Palmer departed Hong Kong bound for Shanghai, which it reached on July 4 amid Independence Day celebrations. Once in Shanghai, the diarist recorded his impressions of the city and incidents from his medical career, which included administering vaccinations as well as caring for the sick. The diary contains many references to political affairs and to the local efforts of foreign missionaries; much of the political focus is on the influence of Great Britain, particularly after the escalation of the Second Opium War. In addition to political commentary and descriptions of his daily life as a doctor, the diarist occasionally expressed his hope that Christianity would eventually win over the locals. The author remained in Shanghai until at least July 21, 1860, the date of his final entry. Two items laid into the volume include an undated note of thanks for the doctor's services (pp. 58-59) and a sheet of paper containing two Chinese characters (pp. 90-91).

This collection contains 7 items related to clothing drives and fundraising efforts organized by the New York City-based Chinese Women's Association to help Chinese war refugees during the early stages of the Second Sino-Japanese War. These include letters and postcards requesting monetary and in-kind donations, as well as reprints of related newspaper articles.

This collection contains 7 items related to clothing drives and fundraising efforts organized by the New York City-based Chinese Women's Association to help Chinese war refugees during the early stages of the Second Sino-Japanese War (1937-1945). In two printed form letters, the association stressed the urgency of the situation in China, requested assistance from "China's sympathizers in America," and specifically referenced the necessity of food and clothing (November 1, 1937 and undated). Three undated postcards, two of which are addressed to Mrs. C. C. Morrison of Granville, Ohio, have preprinted messages asking for pledge to boycott Japanese products (1 item) and for donations of clothing and medical supplies (2 items). Two additional items contain reprints of three newspaper articles about the association's fundraising efforts; these include "Racial Group Breaks Precedent" (The New York Times, April 11, 1937), "Hope for China Seen in Women" (North Shore Daily Journal, January 12, 1938), and "Church Service League Will Aid China Refugees" (North Shore Daily Journal, January 12, 1938).

This approximately 160-page volume contains working records of one or more traveling chair, desk, bench, and pew salesmen in Pennsylvania, New York, New Jersey, Connecticut, and elsewhere in the Northeast between 1889 and 1892. A previous owner identified the business as the Richmond Furniture Company of Indiana, but this has not been verified. Each page includes the name or names of a client, prospect, or contact; names of existing or planned buildings; seating needs; costs; a record of communications; and other notes.

This approximately 160-page volume contains working records of one or more traveling chair, desk, bench, and pew salesmen in Pennsylvania, New York, New Jersey, Connecticut, and elsewhere in the Northeast between 1889 and 1892. A previous owner identified the business as the Richmond Furniture Company of Indiana, but this has not been verified. Each page includes the name or names of a client, prospect, or contact; names of existing or planned buildings; seating needs; costs; a record of communications; and other notes.

The volume begins with a 3,000-seat music hall at 57th Street and 7th Avenue, New York City—the Carnegie Hall. The most frequent clientele were churches, synagogues, and proprietors or developers of musical or theater venues. Record of a new City Hall in Syracuse, New York, the Hall for Jewish Society in Philadelphia, and an opera house in Poughkeepsie are other examples. Some entries document the sending of circulars and sale catalogs.

Pencil accounting for grocery and other purchases in 1911 are scattered throughout the volume.

This approximately 160-page volume contains working records of one or more traveling chair, desk, bench, and pew salesmen in Pennsylvania, New York, New Jersey, Connecticut, and elsewhere in the Northeast between 1889 and 1892. A previous owner identified the business as the Richmond Furniture Company of Indiana, but this has not been verified. Each page includes the name or names of a client, prospect, or contact; names of existing or planned buildings; seating needs; costs; a record of communications; and other notes.

This approximately 160-page volume contains working records of one or more traveling chair, desk, bench, and pew salesmen in Pennsylvania, New York, New Jersey, Connecticut, and elsewhere in the Northeast between 1889 and 1892. A previous owner identified the business as the Richmond Furniture Company of Indiana, but this has not been verified. Each page includes the name or names of a client, prospect, or contact; names of existing or planned buildings; seating needs; costs; a record of communications; and other notes.

The volume begins with a 3,000-seat music hall at 57th Street and 7th Avenue, New York City—the Carnegie Hall. The most frequent clientele were churches, synagogues, and proprietors or developers of musical or theater venues. Record of a new City Hall in Syracuse, New York, the Hall for Jewish Society in Philadelphia, and an opera house in Poughkeepsie are other examples. Some entries document the sending of circulars and sale catalogs.

Pencil accounting for grocery and other purchases in 1911 are scattered throughout the volume.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The album (21 x 27 cm) is half bound in black leather and has a detached front cover.

City scenes include views of townhouses on a city block in winter; a woman entering a carriage beyond a decorative wrought iron fence; a well-dressed couple in a two-wheeled carriage; an infant in a wicker baby buggy; a housekeeper or servant standing at a side door; and women and a young girl standing on a city street in elegant winter capes, muffs and hats. One woman stands on a snowy sidewalk holding a Kodak Brownie camera in her gloved hands. Five photographs show well-furnished formal interiors.

Rural scenes include views of a log house on a wooded lake whose well-furnished interior includes bookshelves, Native American baskets and textiles, snowshoes, a wolfskin rug, a desk, a chaise, and a piano. Men and women are shown with guns and gamebirds, fishing from a dock and in a rowboat, and partaking in an elaborate outdoor tea party. One photograph shows a Native American man sitting on the cabin steps. Nature views include images of logs in a flooded river, streams, a small wooded island, and a spotted fawn.

The City of Boston Public Celebration July 4th, 1918, photograph album contains 81 photographs documenting Fourth of July celebrations that took place in Boston, Massachusetts, in 1918.

The City of Boston Public Celebration July 4th, 1918, photograph album contains 81 photographs documenting Fourth of July celebrations that took place in Boston, Massachusetts, in 1918.

The album (39 x 28.5 cm) is sting-bound and has gray cloth covers with "Photographs" stamped in gold on the front and black paper pages. The first page contains a handwritten label that reads "City of Boston July 4th, 1918." Most but not all images include handwritten captions. The album's contents are grouped into three sections marked by handwritten labels: “Patriotic Exercises,” “Sports and Pastimes,” and “The Parade in the Evening."

"Patriotic Exercises" begins on pg. 3 and contains 19 photographs. Images include several views showing Boston mayor Andrew James Peters overseeing flag raising exercises performed by uniformed U.S. Army soldiers on Boston Common; views of a floating stage at Frog Pond; three photographs of speakers at the Old State House including Rabbi Abraham Nowak, Mayor Peters, and Walter A. Whelan; and two photographs related to a speech by Judge Joseph J. Murley at Wood Park Island.

“Sports and Pastimes” begins on pg. 43 and contains 35 photographs. Images include numerous views of swimming and boat races held at the Charles River Basin; views showing a baseball game, brass band performance, and parading Naval Battalion at Wood Island Park; views of the “Italian populace,” “Italian societies,” and others at North End Park; views showing the distribution of ice cream at the Charles River Gym and Prince Street Playground; views of athletic competitions taking place at Boston Common including foot races and tug of war; and a view of bathers at City Point.

"The Parade in the Evening" begins on pg. 115 and contains 27 photographs. All of these images showcase participants in a parade procession and include views of U.S. Army troops and the 10th Massachusetts State Guard, various ethnic groups (including Latvians, Italians, Portuguese, Albanians, Chinese, Greeks, and Armenians), a coordinated group of children in formation as a "living flag," and the Mission Church Band.

This collection consists of 7 documents and printed items relating to the steamship City of Glasgow and its voyages between Liverpool and Philadelphia between 1850 and 1852, including advertising materials, receipts, and a passenger manifest.

This collection consists of seven documents and printed items relating to the steamship City of Glasgow and its voyages between Liverpool and Philadelphia between 1850 and 1852, including advertising materials, receipts, and a passenger manifest.

The documents in the collection include three partially printed receipts signed by the Philadelphia agent Thomas Richardson for freight payments. There is also a manifest of the passengers who sailed on the ship in August 1852, listing their names, age, sex, occupation, country of origin and "Country of which it is their intention to become inhabitants," number of packages or baggage, and number of passengers who died during the voyage. The passengers are separated into those sailing via cabin or steerage, and they range in age from infants to 70 years old. Countries of origin include Ireland, England, the United States, France, Germany, Scotland, Switzerland, and Belgium. Final destinations for immigrants include the United States, Canada, and Peru. A variety of occupations are represented, such as farmers, merchants and shipping agents, engineers, weavers, millwrights, and skilled tradesmen like a glass cutter, blacksmith, jeweler, galvanizer, and more. A British vocalist, Thomas Bishop, and Boston artist John Pope (1821-1880) are listed as cabin passengers.

Advertising materials include a November [1850] printed circular sent to William D. Lewis for an upcoming event to "celebrate the arrival of the Steamer 'City of Glasgow,' the first of the new line of Steamships established to ply between this port and Liverpool." There is also an illustrated printed broadside produced by the Richardson Brothers & Co. in 1851 to advertise the Liverpool and Philadelphia Steam Ship Company and the Pennsylvania Steam Ship Company's "Steam Communication Monthly from Liverpool to New York, Baltimore, Pittsburg, Cincinnati, Charleston, Havana, &c., By Way of Philadelphia." The City of Glasgow is listed as one of their four ships, with notes about ship tonnage, departure dates, rates of passage, rates of freight, and additional information about securing railroad tickets to American cities. Printed on yellow paper, the broadside features a decorative border and an engraving of a steamship.

A colored engraving of the City of Glasgow sailing down the Delaware River, clipped from Gleason's Pictorial Drawing Room Companion, is also present.

The Civil War Battlefields photograph album contains pictures of broken wooded landscapes and military cemeteries.

The Civil War Battlefields photograph album (17cm x 29cm) contains 34 pictures of broken wooded landscapes, Arlington National Cemetery in Virginia, and views of a river, likely the Potomac. Each numbered print is mounted in a 11.5cm x 16.5 cm window, framed by a thin gold border with decorations at the corners. Most images are views of wooded landscapes, many showing evidence of possible military activity and earthworks, taken in unidentified flat and hilly regions. Streams, small wooden buildings, and fences are sometimes visible. The album begins with a camping scene, presumably a self-portrait of the album's unidentified compiler in the field. Another view shows a group of three posed on a house's porch. Two photographs show a three-story domed public building, adjacent to what appears to be a war monument. Four pictures show Arlington National Cemetery, one including a plaque with lines from Theodore O'Hara's poem "Bivouac of the Dead." Of particular note is a group portrait of seven African American schoolchildren with their young teacher, taken inside a crude schoolhouse; the following picture shows the exterior of two wooden buildings, possibly in the same unknown location.

The Clarke family photograph album contains photographic prints taken during trips to New England, New York, and other locales from 1898-1902. The photographs show natural scenery, buildings of interest, soldiers, and family members.

The Clarke family photograph album (25cm x 32cm) contains 240 photographic prints, including cyanotypes, taken during trips to New England, New York, and other locales from 1898-1902. Of the prints, 232 are pasted onto the album's pages (usually four to a page) and eight are laid in; each mounted photograph has a caption, sometimes humorous. The title "Photographs" is stamped in gold on the album's brown leather cover.

The photographs depict buildings, street scenes, and natural scenery in places such as Marshfield, Vermont; Weirs, New Hampshire; Halifax, Nova Scotia; Lynn, Massachusetts; Catskill, New York; and Washington, D.C. The compiler noted places of interest in the family's history, such as Erastus Burnham's grave and the Burnham family farm in Marshfield, Vermont. Some interior views of private residences and schoolhouses are included, as are photographs of prominent locations such as the Vermont State House, the United States Capitol, Independence Hall, the Lee family home in Arlington, Virginia, "Rip Van Winkle's house," and the New York City skyline. Sailing ships, the paddlewheel steamer Mount Washington, and the battleships Indiana and Massachusetts are also pictured.

The photographer attended parades featuring elephants from the Forepaugh-Sells Brothers' Circus, celebrating the 50th anniversary of Lynn, Massachusetts, and the welcoming of United States soldiers as they returned from Cuba after the Spanish-American war. Group portraits include men, women and young schoolchildren. Women are shown riding bicycles, playing the piano, and wearing costumes such as a soldier's jacket and a puritan's dress. One picture, entitled "Dr. Jekyll and Mr. Hyde," is a double exposure of a woman in different poses.

This collection is made up of a letter book, stenographer's notes, and scrapbook pertaining to the trials of Clark W. Hatch of Boston, Massachusetts. Hatch was accused of murdering his uncle, Henry Hatch of Kit Carson County, Colorado, and, later, of defrauding his employer, the Travelers Insurance Company.

This collection is made up of a letter book, stenographer's notes, and scrapbook pertaining to the trials of Clark W. Hatch of Boston, Massachusetts. Hatch was accused of murdering his uncle, Henry Hatch of Kit Carson County, Colorado, and, later, of defrauding his employer, the Travelers Insurance Company.

The letter book (102 pages) contains correspondence regarding Hatch's arrest and trial for the murder of his uncle, Henry Hatch. Most items are copies of letters by William J. Lewis, an acquaintance of Clark W. Hatch. Lewis requested information from officials involved in the case, including a local sheriff, and on at least one occasion provided information on Hatch's movements around the time of the murder (September 5, 1889). Lewis also affirmed his loyalty to Hatch and urged the accused to maintain a calm demeanor, lest he raise suspicions about the funding of his legal assistance (March 3, 1890). The letter book also includes letters from Hatch and other parties interested in the case; some of these are pasted onto the letter book's pages.

H. C. Hollister, the official stenographer for Clark W. Hatch's initial trial under Judge Lewis C. Greene in Burlington, Colorado, in May 1889, composed typed copies of witnesses' testimonies (189 pages). Witnesses included Henry Hatch's acquaintances, the boys who discovered his body, and several people who had seen Henry Hatch or Clark Hatch around the time of the murder. Clark W. Hatch and his father-in-law, Orrin Poppleton, also testified. The testimonies provide details about Henry Hatch's life, Clark W. Hatch's life and occupation, and their mutual histories.

A 70-page scrapbook contains newspaper clippings about Clark W. Hatch's murder trials and his later legal difficulties. Most clippings are from the Burlington Blade, the Burlington Boomerang, and the Rocky Mountain News. The editors of the Burlington papers wrote about the case and its background, and shared their stances regarding Hatch's guilt. The scrapbook also contains recapitulations of Hatch's arrests and trials. Later clippings detail a late investigation into the forgery charges against Clark W. Hatch. The final clipping, dated May 1891, pertains to Hatch's disappearance.

This collection is made up of over 40 printed reports, manuscript letters, and manuscript notes related to Clements R. Markham, a British geographer who traveled in South America and India in the mid-19th century. Among other subjects, the material concerns Markham's attempt to cultivate cinchona plants in India, as well as the Amazon basin and rainforest.

This collection is made up of over 40 printed reports, manuscript letters, and manuscript notes related to Clements R. Markham, a British geographer who traveled in South America and India in the mid-19th century. Among other subjects, the manuscripts concern Markham's attempt to cultivate cinchona plants in India, and it contains notes on the Amazon basin and rainforest.

The bulk of the collection pertains to Markham's work with Great Britain's India Office in the 1860s, including a lengthy printed report and supplementary memoranda about his efforts to introduce the cinchona plant, native to Peru, to India. Other reports and memoranda concern Indian coffee plantations, cotton production, oyster fisheries, and irrigation projects. The volume also includes descriptions of the Suez region, Abyssinia, and Bombay. Manuscript notes and translations in the back of the volume largely pertain to South America, including letters to Markham from an acquaintance in Lima, Peru, and notes on the missionary work of Antonio Machoni. Other manuscripts concern the Amazon region, cocoa plantations, the Napo River, and an Arctic expedition. The documents are calendared and indexed.

This collection contains correspondence and printed advertisements related to the operation of the Clifton Springs Sanitarium in and around the year 1892.

This collection contains 3 letters and 8 printed advertisements related to the operation of the Clifton Springs Sanitarium in and around the year 1892. In 2 manuscript letters to Mrs. M. E. Donaldson of Charlestown, Ohio, superintendent Dr. Henry Foster, responded to queries about the sanitarium's services, prices, and room availability. "The Sanitarium" sent a similar printed letter to Mrs. S. E. Greenleaf, originally accompanied by advertising circulars. A pair of printed circulars provide room prices, discuss the composition of the sanitarium's healing waters, and mention the institution's commitment to prayer and religious devotion. Each has an illustration of the sanitarium's main building. Other items are 2 dinner menus, a newspaper article about "A Mid-summer Week at Clifton Springs," 2 blank bath tickets with prices for various water-based therapies, and a pamphlet about the history of the sanitarium, with endorsements from former patients.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia. The album (18 x 28 cm) is half bound in black leather. Images of particular interest include photographs related to diplomatic functions, such as views of the British and Spanish consulates, interiors of the American consulates in Barranquilla and Cartagena, two portraits of the British Consul and family, and a series of portraits of the large family of the Spanish Consul, "Familia Zubiria Stevenson." Other images of note include photographs of a bullfight, the tomb and former home of Rafael Núñez, street and architectural views, churches, thatched huts, local inhabitants including mule drivers and cemetery workers, guns at the Baluarte de San Javier, soldiers in formation, and harbor views including views of passanger sternwheel ferry Alicia and a clipper ship. Some photographs have handwritten captions in Spanish.

The Colonial Parson's notebook is a small bound volume of sermon and prayer notes kept by a New England minister from 1713 to 1714 and in 1741.

The Colonial Parson's notebook is a small bound volume (approximately 3.5"x4", 62 pages) of sermon and prayer notes kept by a New England minister from 1713 to 1714 and in 1741. Several of the notes were written in "East Windsor," [Connecticut]. The volume opens with thoughts about Thanksgiving Day 1713, and continues with a large number of short reflections, often accompanied by relevant Biblical verses. One of the notes is addressed "To young persons" [1741], and another is about church news. A later note mentions several people who wished to "Joyn with this Church," including an African American named "Job Elswth" [1741].

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included.

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included. Some of the attractions mentioned include:

• Manufactures and Liberal Arts Building, in particular exhibits on Japan, Italy, France, Russia, Germany, and Austria
• United States Government Building
• Fisheries Building
• Children's Building
• Art Galleries
• Horticultural Building
• Agricultural Building
• Dairy Building
• Machinery Hall, with a brief aside about "industrial education" for African Americans
• Krupp Gun Pavilion
• Electricity Building
• Forestry Building
• Shoe and Leather Building
• Anthropology Building
• Administration Building
• Transportation Building
• Choral Hall
• Music Hall
• Woman's Building
• Convent of La Rábida
• Columbus' Caravel
• Foreign Government Buildings

This photograph album contains 19th-century carte-de-visite, photomechanical print, and tintype portraits of residents of Kent and Oakland Counties, Michigan.

This photograph album (14cm x 11cm) contains 18 cartes-de-visite, 4 halftone photomechanical prints, and 2 tintypes, which are portraits of residents of Kent and Oakland Counties, Michigan, taken during the 19th century. Most of the items are studio portraits of men, women, children, and infants. The halftone photomechanical prints are montages, including one portrait of a woman placed behind a drawn window. A number of the subjects are identified. A decorative design is embossed on the album's brown leather cover, and the title "Album" is stamped in gold on its spine; the volume also has a metal clasp.

This commonplace book contains 21 poems, 1 pressed flower, and 4 pages of manuscript music. Items originally laid in the volume, a map of United States Army encampments near Corpus Christi, Texas, and a drawing of a Spanish house in St. Augustine, Florida, are housed separately. Many of the poems relate to romance, and 3 are attributed to Johann Wolfgang von Goethe.

This commonplace book contains 21 poems, 1 pressed flower, and 4 pages of manuscript music. Most poems are 1-2 pages in length, and the longest is 4.5 pages. Five poems are accompanied by epigraphs, including one in Greek from Aeschylus's Oresteia, one from a Latin elegy by Sextus Propertius, and one from Chaucer's Anelida and Arcite. The book is divided into three sections, with 56 blank pages separating the first two sections, and 1 page separating the final two sections.

The first section (24 pages) contains 12 poems, three of which were inspired by the poetry of Johann Wolfgang von Goethe (1749-1832). Subjects include nature, knights of "A hundred Years ago," and love. The second section (22 pages), entitled "Poems under various dynasties," has 9 poems about a man's love, grief, loss, and longing for his beloved. The third section (4 pages) consists of manuscript sheet music for 3 songs

The book came with two illustrated items. Two manuscript maps were drawn on the same page by Ann Maine Wells: a view of the "Camp of the Army of Occupation, Texas," near Corpus Christi, Texas; and a portion of the Texas Gulf Coast shoreline from the Rio Grande to Corpus Christi. The second item is an ink drawing by W. H. B. of an "Old house at St. Augustine" built of coquina stone and plaster (1857).

• First section
  • "Little Mosses, Golden Mosses"
  • "Daiduchus" (with German epigraph from Goethe’s poem "An den Mond")
  • "At the Ford"
  • "A Hundred Years Ago"
  • Untitled ("O foolish flowers!...")
  • Untitled ("It is over; let me rest...")
  • "From Goethe"
  • "Evening" (with note: "On Lake Horicon")
  • Untitled ("Yesterday is dead!...")
  • Untitled ("I drew it to its full soft length...")
  • "From Goethe"
  • "From Goethe (Book of Zuleikha)" (with Greek epigraph from Aeschylus's Prometheus Bound)
• Second section: Poems Under Various Dynasties
  • Untitled ("Ours is a simple tale of love...")
  • Untitled ("Thou art my morning and my evening star...")
  • Untitled ("Evening shades are falling...")
  • Untitled ("Winter's in love with the springtime...")
  • Untitled ("I have a little darling, a winsome little pet...")
  • Untitled ("Oh gentle, uncomplaining face...") (with Greek epigraph from Aeschylus's Libation Bearers)
  • Untitled ("Dear, forgive me if I weep...") (with Latin epigraph from Propertius's Elegiarum)
  • Untitled ("Without a word, without a sign...") (with penciled epigraph from Chaucer's Anelida and Arcite)
  • Untitled ("Ah, the fearless little heart...")
• Third section
  • "Melody" (with lyrics)
  • "Nevermore" (without lyrics)
  • "Would thou wert here!" (without lyrics)

This manuscript is a student's condensed transcription of Charles Morton's Compendium Physicae. It lacks the mnemonic verses and diagrams found in Morton's work.

This volume is a 68 page student transcription of Charles Morton's Compendium Physicae. Previous catalogers tentatively identified the student as Nathaniel Chauncey (1681-1756).

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889.

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889. The loosely bound, 32-page volume opens with an inscription from William Cullen Bryant's poem "The Painted Cup," (p. 1) and also includes a copy of "Of a'the Airts the wind can blaw…," a poem by Robert Burns (p. 3). Of particular interest is a cheerful and humorous narrative poem composed by a woman staying with several female friends under the watchful eye of a chaperone, Aunt Margaret, and a male "protector," Rob. The poem, entitled "Camping Out," describes each of the six members of the camping party and includes a few of their adventures as well as a hint of nostalgia (pp. 19-25; p. 10). The book also contains a series of short cheers associated with prestigious colleges, including Princeton and Yale (p. 12), and, two ink drawings of three male friends: Newton Shepard, William S. Church, and F. B. Foster. One drawing, a tree labeled "Log Cabin" and adorned by an owl (p. 5), appears to be a detail of a larger image of a log cabin labeled "Eagle Point" (p. 32). The book also contains a number of autographs collected from camp visitors from around the country.

The Connecticut Woman's travel diary recounts the author's social activities during several weeks spent mingling with high society in New York City; Washington, D. C.; Aiken, South Carolina; and Charleston, South Carolina.

The Connecticut Woman's travel diary (56 pages) recounts the author's social activities during several weeks spent mingling with high society in New York City; Washington, D. C.; Aiken, South Carolina; and Charleston, South Carolina. Throughout her trip, she spent much of her time at balls and meeting with acquaintances and notable figures, among them Attorney General Charles R. Devens, a daughter or daughter-in-law of Zachary Taylor, and Admiral William Rogers Taylor. While in the capital, the author and her traveling companion, Isabella, made a trip to the White House to meet Mrs. Rutherford B. Hayes (p. 3). Though the diarist focused on social prestige and social customs, she reported her brief impressions of Forts "Sumpter" and Moultrie in Charleston (pp. 38-39).

The Cook family photograph album contains carte-de-visite and tintype studio portraits of members of the Cook, Augusbury, and Zoller families of Cedar Rapids, Iowa; Boone, Iowa; and Watertown, New York.

The Cook family photograph album (15cm x 12cm) contains 16 cartes-de-visite, 6 tintype prints, and 2 card photographs. The pictures are studio portraits of members of the Cook, Augsbury, and Zoller families taken in Cedar Rapids, Iowa; Boone, Iowa; and Watertown, New York, in the late 19th century. Most photographs feature women, infants, and young children, and a list of captains identifies each person pictured. One card photograph shows a daguerreotype studio portrait of a young girl. The album's brown leather cover is stamped with decorative designs, some in gold. One of the volume's two original metal clasps is still affixed to the back cover.

The Corning-Southwick photograph album contains cartes-de-visite and tintypes of infants and young children. Several people pictured were members of the Corning and Southwick families.

The Corning-Southwick photograph album (13cm x 9cm) contains 15 cartes-de-visite and 3 tintype photographs, primarily of babies and young children. Many of the children pictured were members of the Martin, Corning, Gardner, and Southwick families. Two lithographs of a young girl putting on a boot and a young boy posing by a basket full of apples are also present. Included is a carte-de-visite showing the wedding of Charles Sherwood and Lavina Warren Stratton (Mr. and Mrs. Tom Thumb). The album has a decorative hard cover and a metal clasp.

The Cornwell family carte-de-visite album contains studio portraits of members of the Cornwell, Otis, and Harroun families, who were related by marriage. Members of the various families lived in Minnesota and New York in the late 19th century.

The Cornwell family carte-de-visite album (13cm x 10cm) contains 46 formal studio portraits of members of the Cornwell, Otis, and Harroun families, including 40 cartes-de-visite, 6 tintypes, plus 2 lithographs. Most portraits are of young adults and grown men and women, though pictures of younger children and an infant are also present. One picture shows a woman holding an open book, and another shows a group of women knitting. The lithographs depict a woman tucking a child into bed while thinking of a soldier and Mary with the infant Jesus. The volume's red leather cover has a tooled geometric design and a floral design is carved into the sides of its pages.

This item is a bound collection of espionage correspondence from Paris, 1780, that describes the locations and numbers of French and Spanish ships in Gibraltar, New York, Canada, and the West Indies.

This volume is a bound collection of espionage correspondence from Paris, 1780. The 37 reports (65 pages) describe the locations and numbers of French and Spanish ships in Gibraltar, New York, Canada, and the West Indies. Many entries discuss the number of troops stationed at various ports, the conditions of the crew ("They are badly manned and sickly, especially the Spanish who also find it difficult to recruit their navy" p.40), and the outcomes of engagements ("The French had suffered greatly, most of the ship's masts being damaged...100 men have been killed and at least 1,200 wounded" (p.47). The author often provides logistical information such as lists of ships and crew sizes, as well as the names of the ships' captains.