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The Architecture Militaire is a single manuscript volume that provides instructions for the construction of a fortified building in the shape of a star. The volume consists primarily of prose description, but also includes a series of 16 illustrative plates showcasing detailed architectural drawings.

The Architecture Militaire is a single manuscript volume that provides instructions for the construction of a fortified building in the shape of a star. The volume consists primarily of prose description, but also includes a series of 16 illustrative plates showcasing detailed architectural drawings. The drawings are signed "A Toulouse chez Baour." The book has 12 chapters about construction methods, including lists of potential problems with suggested remedies. The volume includes discussions and critiques of existing construction methods, including those of the ancient French, the Dutch, the Comte de Pagan, Vauban, and others (chapter 11). The final chapter, entitled "Idee generalle de l'attaque d'une place et de la maniere de fortifier un camp," contains equations relevant to fort construction. The final section of the book consists of detailed ink drawings similar, but not identical to, those found in Samuel Marolois's Fortification ou Architecture Militaire Tant Offensive que Deffensive. These show different aspects of construction relevant to the text and include one page illustrating various military paraphernalia.

This volume is an English translation of a French account of military affairs during the Seven Years' War, primarily from 1756-1757 on the border between New York and Canada.

The full title of this manuscript reads, "A Relation of the different Military Operations since the Year 1755 & amongst others taking of Fort St. George in No. America--From a French Manuscript taken upon the Surrender of Louisberg in 1758." Containing 28 pages of writing, this volume is an English translation of a French account of military affairs during the Seven Years' War, primarily from 1756-1757 on the border between New York and Canada.

The account begins with a short reflection on the English Fort St. George [Fort William Henry], the strategic advantages gained by the French upon gaining control of it, and English losses during the war. The narrative continues with detailed descriptions of French military actions from January 21, 1757, with the Battle on Snowshoes near Fort Carillon and Fort St. Frédéric, through an attempt on Fort William Henry in March 1757. The account highlights French command, Native American military participation, and the strategic focus on forts, watercraft, and communication lines.

The section entitled "Advantages gain'd over the English in July 1756" details reconnaissance efforts concerning the English Fort St. George [Fort William Henry] and Fort Lydius [Fort Edward], naval engagements, and military encounters with British forces.

The manuscript continues with "An Account of the Taking Fort St. George--(or Fort William Henry," from the engagement's commencement in late July 1757 to the English surrender on August 9. Copies of the articles of capitulation, correspondence between Louis-Joseph de Montcalm and the British commander of the Fort, George Monro (ca. 1700-1757), and intercepted British correspondence are included. In his letters Montcalm uses his inability to "restrain the Savages" as a plea for the fort's surrender. The author mentions French attempts to counter Native American "Fury," a reference to cannibalism, and Native American military support of both English and French troops.

A copy of an unattributed letter from Quebec, from August 17, 1757, describes "particulars relating to the Government of this Country, which is the Theater, and Primum, Mobile of the War." This letter details naval operations around Quebec and Louisbourg, as well as the state of local provisions, troops, and morale.

The "Account of the Damage our fleet sustain'd from the Gale of Wind and the yet Greater, sustain'd by the English Squadron" describes operations against Isle Royale [Cape Breton Island], English timidity in regards to the French fleet, and the damage both navies suffered during a heavy storm. This account likely references the 1757 Louisbourg expedition and the fleet under Francis Holburne's (1704-1771) command that was damaged in a storm on September 24. This account also reflects on Native American warfare, noting incidents of scalping.

The volume closes with a "List of the French Ships of War under Mr. du Bois de la Mothe," referencing the ships under the command of Emmanuel-Auguste de Cahideuc, Comte DuBois de la Motte (1683-1764). The list includes the names of the ships, number of guns, and commanders.

This arithmetic copybook was compiled by an anonymous student in the nineteenth century. It includes rules and examples for addition, subtraction, multiplication, and division, as well as practical examples relating to money and weights and measures.

The Arizona photograph album contains 70 images taken by an unknown photographer showing scenes from Flagstaff, Arizona Territory, and the surrounding area.

The Arizona photograph album contains 70 images taken by an unidentified photographer showing scenes from Flagstaff, Arizona Territory, and the surrounding area. The album (21 x 31 cm) has black pebbled cloth covers and a leather spine. Images of interest include views of men visiting cliff dwellings near Flagstaff; a group visiting the Grand Canyon by carriage and horseback; past the John Hance house and trail; scenic shots of the Grand Canyon taken from the Grand View Hotel; trailside cooking; and a wagon breakdown on the return trip. Additional photographs show Timothy Riordan, president of the Arizona Lumber & Timber Company, and his family at the rustic Thomas' Hotel in Oak Creek Canyon; an excursion to the lava beds including amateur photographer Father Daniel McGillicuddy of Worcester, Massachusetts, who is shown setting up his camera among the rocks; 11 views of the 1902 Fourth of July celebrations in Flagstaff, with masked participants, horse-drawn floats, soldiers in formation, and the former homes of Michael and Timothy Riordan decked out in bunting. Also present are photographs of the home of Frederick Sisson, a manager with the Arizona Lumber & Timber Company, including views of a porch or interior decorated with Native American rugs, pottery, textiles, baskets, and animal skins.

This volume, which may have belonged to a Scottish teacher, contains pencil drawings of everyday objects and notes related to instruction in art and geography.

This volume, which may have belonged to a Scottish teacher, has pebbled covers, with the title "Sketch Book" stamped in gold on the front. The first section, "Specimen course for Second Year Higher Grade," contains 6 pages of pencil drawings. The subjects include books, plants, household items, a shoe, a water tank, an umbrella, a broom, a basket, and a hand. The final page of drawings includes the note: "Complete course with interiors & outdoor work."

The second part of the volume is a 2-page chart titled "Geography. Scheme of Work," with tables of geographical subjects for students at various levels. Each month's course included the study of a country or geographical region, a "practical" subject, and a "physical" subject. The areas represented are primarily European nations; British colonies such as South Africa, Australia, New Zealand, Canada, and India; North and South America; Asia, and Pacific islands. The teacher offered practical instruction in navigational concepts, the use and creation of maps, and surveying, and offered instruction on various geological topics such as the Earth's atmosphere, climate, and physical features such as volcanoes and glaciers.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914. The album (18.5 x 27 cm) is bound in hand-painted varnished leather on paper boards with wood overlay. Images of particular interest include views of horseback riding on the beach, strolling on the boardwalk, and riding in rolling chairs and a pony-drawn cart. Atlantic City is seen largely as a backdrop to family activities. Additional photographs show the young girl sledding and with toys and friends at home. Also includes a photograph of Eleanor R. and Frederick D. Countiss and their daughter, Henrietta, in a studio portrait.

The At Peace Street photograph album contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The At Peace Street photograph album (16 x 23 cm) contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The album has brown burlap covers with inscribed title "At Peace Street," bound with string, and is housed in a gray wrapper with dark brown cloth spine.

This journal contains entries about an unidentified woman's daily and weekly activities while living at the Cony Academy boarding house.

This 22-page journal contains entries about an unidentified woman's daily and weekly activities while living at the Cony Academy boarding house and attending the Cony Female Academy in Augusta, Maine, 1852-1853.

The journal contains information about the author's daily and weekly activities, such as learning music, sewing, reading, writing, reading, visiting friends, and attending lectures at the lyceum (including one on race). She also commented on other students, economic concerns, child care, Christmas, the weather, sermons, a eulogy for Daniel Webster, friends departing for California, the illness and death of [Sylvester] Judd, and her concerns that the school might close. She offered some insights into her own personality, lamenting her self-described lack of a strong intellect and her desire to be a better writer. Her diary includes references to Milton and Miss Ingraham, who were associated with the school.

The paper cover of the journal is adorned with an image of a rooster and a chicken (from "Alonzo Gaubert, Bookseller, Stationer, Periodical Agent, and Ink Manufacturer").

This volume contains extracted log entries from the Barque Autumn's whaling voyage from Stonington, Connecticut, to the Indian Ocean and South Pacific between 1845 and 1849. Captain Edwin Augustus Perry commanded the vessel. This abstract log provides a condensed version of the official log, only documenting days the crew saw or captured whales. The volume contains 48 pencil drawings of whales and whaling scenes.

This volume contains extracted log entries from the Barque Autumn's whaling voyage from Stonington, Connecticut, to the Indian Ocean and South Pacific between 1845 and 1849. Captain Edwin Augustus Perry commanded the vessel. This abstract log provides a condensed version of the official log, only documenting days the crew saw or captured whales. The coverless volume contains 24 handwritten pages with 48 pencil drawings depicting whales and whaling scenes. The author of the log is unidentified, but a laid-in slip of paper contains a written statement of recommendation for promotion of second officer Zelotes Leonard Almy from Master Edwin A. Perry. The bottom half of the last page contains financial records and notes from Mr. Almy dated 1866.

Leaving from Stonington, Connecticut on November 12, 1845, the Barque Autumn sailed south around the eastern coast of South America. After making port in Rio de Janerio in March 1846, they sailed east toward the Indian Ocean reaching the Cape of Good Hope toward the end of April 1846. By November 1846 the Autumn had sailed off the southern coast of Australia and toward New Zealand. In 1847 and 1848, the Autumn sailed across the Pacific Ocean along the equator. The log concludes off the coast of Chile.

The top of each right hand page begins with the header "Remarks on board the Barque Autumn"; later in the log this header is supplemented by " E. A. Perry Master." A typical entry appears in the following format:

[Day of the Week]

[Month, Day, Year]

[These twenty-four hours commences with…]

[…So ends the day. Latitude and Longitude coordinates]

[Sketch if applicable]

The abstract's entries follow the standard content for whaling logs, documenting wind direction, weather conditions, ship location, and crew activities. The entries include type of whales spotted, number of whales, number of whaleboats lowered, and whether or not the crew succeeded in capturing whales. The whales tended to evade capture on account of adverse weather conditions or lack of daylight. Entries made note of where and when they made port or dropped anchor. The Autumn encountered other whaling vessels and recorded their point of origin, destination, and the amount of whale products onboard. Toward the end of the expedition, the vessel stopped to trade and replenish supplies.

Besides the inherent challenges of whaling, Captain Perry faced setbacks, such as steering into a coral reef in Matavai Bay and dealing with a fire in the cargo hold set by two crewmembers during repairs (entry dated February 27, 1847). Desertions were a recurring issue, two crewmembers deserted on August 31, 1846, and by January 7, 1848, the entire crew had deserted.

The volume contains 62 entries from November 1845 to May 1849, and are broken down as follows:

• November 12

• January 3 and 28
• March 1
• April 14
• May 30
• June 5, 6, and 15
• July 1 and 15
• August 1, 6, and 31
• October 25
• November 18
• December 1, 11, 24, and 29

• February 27
• April 22
• May 2, 7, 12-14, 23, 25, 28, 29, and 31
• July 11, 17, and 26
• August 8
• September 1, 19, and 21
• October 4, 6, 7, 10, and 26
• November 15
• December one undated entry

• January 7 and 27
• March 29
• April 15
• May 6
• June 27
• July 29
• August 8
• September 10
• December 4 and 8

• January 6 and 16
• February 14
• March 24
• May 2

The 48 pencil drawings illustrate the success or failure to capture whales. The illustrations depicting a whale belly up with the head and tail above water meant that a whale was spotted or pursued, but evaded capture. Entries accompanied by a drawing showing the whale's entire body meant that a whale was captured and killed. The sketches demonstrate artistic skill in the shading of the whales and ocean waves and in panoramic whaling scenes. One illustration of interest, on page 20, depicts a whale's tail slamming down upon a whaleboat, capsizing the vessel and sending six crewmen into the ocean. The crewmembers shirts are spot colored in brown ink.

Vessels mentioned by name include:

• Spoke with Ship Ansel Gibbs (December 1, 1846).
• Spoke with Ship from New Bedford (May 7, 1847).
• Spoke with the Ship Marialah of Fairhaven (March 1, 1846).

Other entries of interest include:

• "saw plenty of wright whales but we did not lower for we did not want them" (November 18, 1846)
• "not liking the harbour we took our anchor put to sea we ware bound to pitcairns island to get potatoes when on the night of the 28th the land about 60 miles off our lee quarter six tahitian natives stole a boat and runaway it being dark they where soon out of sight we stood on diferant tacks until morning the boat not being in sight and thinking it a wild goose chase to follow them we hauled our wind to the northward" (October 26, 1847).

This oversized scrapbook consists of sections of Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson.

This oversized scrapbook consists of sections of printed Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson. The back cover bears the print "Toilers of the Sea - Trawling on t[he Dogger Bank]," showing fishermen at sea.

The Beauties of The Sea photograph album contains five small commercial photographs of scenes on Nantucket along with four alternating sheets of decoratively arranged pressed algae.

The Beauties of The Sea photograph album (12 x 14 cm ) contains five small commercial photographs of scenes on Nantucket (The Old Windmill; Brant Point Light; Harbor and Sailboats; the Town Crier; and Bank and Methodist Church) glued into small album along with four alternating sheets of decoratively arranged pressed algae. The photographs are possibly by Henry S. Wyer. The album's faded green paper covers are tied with gold tasseled string with a wash drawing and inscribed title "Beauties of The Sea" in ink. Album is housed in light green folder.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

The text largely corresponds with Corner's adaptation, albeit with abbreviated or simplified stage directions. The text appears to have been written by one hand, with a pencil annotation at the end of the volume in a second hand, crediting the performance of this play to "some of the girls that go to Miss Lacy's School."

Although the location of Miss Lacy's School is unclear, the spelling within may indicate contemporary American rather than British expectations. The roles are for a merchant, the Beast, the merchant's daughters, Beauty, and a beneficent fairy with four attendants.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

The text largely corresponds with Corner's adaptation, albeit with abbreviated or simplified stage directions. The text appears to have been written by one hand, with a pencil annotation at the end of the volume in a second hand, crediting the performance of this play to "some of the girls that go to Miss Lacy's School."

Although the location of Miss Lacy's School is unclear, the spelling within may indicate contemporary American rather than British expectations. The roles are for a merchant, the Beast, the merchant's daughters, Beauty, and a beneficent fairy with four attendants.

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey.

The Blairstown (N.J.) photograph album (18.5 x 25.5 cm) contains 1 clipping and approximately 91 snapshots of young adults. The clipping is from the marriage of Janith Tate Edgerton. The majority of the images within the album capture candid moments in and around the Delaware Water Gap in New Jersey, including a mix of people, buildings, farm animals, and scenic shots. Descriptive captions are written on some of the photographs.

The second page of the album features members of the Blairstown High School Class of 1915 while the third page features views of what is likely Rutgers University. Page 11 includes an aerial view of a parade for the 150th anniversary of Rutgers. Pages in the back of the album include a photograph of women cross-dressing while "looking for a dear," images of a new car, medieval reenactors, and a group of people dressed as "Bandits." Nine loose photographs of Washington, D.C., soldiers boarding a train during World War I, and snapshots of people are contained in an envelope within the ablum.

The Blanding-Carpenter papers contain the incoming and outgoing correspondence of the families of Noah Blanding of Attleboro, Massachusetts, and James Blanding of Rehoboth, Massachusetts. Correspondents include friends and family members from Massachusetts, Rhode Island, and New York.

The Blanding-Carpenter papers contain 70 incoming and outgoing letters of the families of Noah Blanding of Attleboro, Massachusetts, and James Blanding of Rehoboth, Massachusetts. Correspondents include friends and family members from Massachusetts, Rhode Island, and New York.

Family and local news were frequent topics of conversation, as were illnesses and their treatments. Several friends reported news of acquaintances' teaching careers around New England. Others mentioned their travels, particularly within Massachusetts and Rhode Island, and some mentioned people who were considering a move to California during the Gold Rush. Though based in Bristol County, Massachusetts, each family received letters from a variety of locations, and several recipients spent time in Seekonk, Massachusetts; Providence, Rhode Island; and Brooklyn, New York. On one occasion, Nancy A. Blanding wrote her sister Elizabeth about a party she attended in Brooklyn (January 28, 1847). Childcare was also discussed; for example, Susannah Carpenter Blanding, then married to Nathaniel Arey (or Avrey), wrote about the growth of her children, and included a pattern for a child's stocking (September 12, 1852).

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. The photographs show city scenes and buildings, natural scenery, and travelers.

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain 213 pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. Each album is 29cm x 35cm with titles stamped in gold on the front covers. Most photographs are captioned.

The first volume, "Pennsylvania Tour 1891," contains 77 items, comprised of 15.5cm x 20cm prints pasted one to a page and 9cm x 12cm prints pasted three or four to a page. The first 7 pictures and the final picture were taken at Gettysburg, Pennsylvania, including views of battlefield monuments and a military cemetery. The photographer also traveled to Luray, Virginia; Baltimore, Maryland; Washington, D.C.; and Richmond, Virginia. A few shots are group portraits of male and female tourists, who posed once in a railroad car by a banner reading "Boston Mob," and many others are images of city streets and natural scenery, including a series taken in and around a natural bridge and Cedar Creek in Virginia. While visiting Washington, D.C., the compiler photographed landmarks such as the Washington Monument, United States Treasury, White House, and State, War, and Navy Building. Ferries, horse-drawn trolleys (running on tracks), trains, bridges, and railroad depots are visible in many photographs. Of note is an aerial photograph of the White House and surrounding buildings taken from the top of the Washington Monument and a group of 5 items showing African American children playing on a street in Luray, Virginia.

The second volume, "Across the Continent 1892," contains 136 photographs (9cm x 12cm each), usually pasted four to a page. Most items are views of buildings and natural scenery in locations such as Niagara Falls; Sioux City, Iowa; Denver, Colorado; San Francisco, California; Los Angeles, California; Seattle, Washington; and Duluth, Minnesota, as well as other towns in Colorado and California. The pictures show donkeys, town and city buildings, a cattle ranch, and rock formations, particularly in the Garden of the Gods; the photographer visited Seattle during a snowy winter. A number of photographs show a smelter in Denver, Colorado. One group of California photographs features orange trees. Other items of note are a "Spirit Picture" of two overlapped city scenes and a shot of Grover Cleveland's inauguration on March 4, 1893.

The Boston, Revere Beach & Lynn Railroad photograph album consists of 43 photographs taken in various locations in Massachusetts most likely along the Boston, Revere Beach & Lynn Railroad line.

The Boston, Revere Beach & Lynn Railroad photograph album consists of 43 photographs taken in various locations in Massachusetts most likely along the Boston, Revere Beach & Lynn Railroad line. The album (39 x 29 cm) is hardbound with a green cover. Images include views of urban street scenes in several Massachusetts towns, including Lynn; railroad passenger stations; a trolley car; street car tracks; the Bay State House in Worcester, Massachusetts; various storefronts; a locomotive with a plow attachment; numerous horse-drawn carriages; a sign stating "Railroad crossing. Look out for the engine while the bell rings."; a woman identified by a handwritten caption as "Louise" posing outside of a carriage stable; and what appears to be either two horse cars or two electric automobiles parked on a street.

The Boston to St. Louis travel diary recounts an arduous month-long journey between the two cities made by rail, steamboat, and stagecoach in the fall of 1837.

The Boston to St. Louis travel diary recounts an arduous month-long journey between the two cities made by rail, steamboat, and stagecoach in the fall of 1837. The anonymous author, a staunchly religious man, refused to travel on Sundays and attended Sunday religious services at Presbyterian churches throughout his travels, which took him through northern New York, down the Erie Canal, across lower Michigan and northern Illinois, and finally down the Mississippi River to St. Louis. The diarist wrote daily entries about frequent delays, bad weather, his route, the scenery, and various traveling companions, many of whom he knew. Though the initial leg from Boston to Rochester, New York, proceeded without difficulty, he became stranded in Cleveland and was frequently held back by poor, muddy roads as he proceeded by stagecoach from Detroit to Chicago. He finally reached St. Louis on November 28 and concluded the journal on November 30, a lonely and homesick Thanksgiving. Though the author's daily entries fully chronicle the hardships of travel in the early 19th century, they also provide interesting anecdotes and commentary, including encounters with wild animals along the road, and news of the murder of abolitionist minister Elijah Parish Lovejoy, which the diarist first heard about in Chicago, but also later in Alton, Illinois, where the murder made "abolitionism…more than ever the topic of conversation" (November 25). The final two pages of the volume consist of a table of distances, fares, and expenses incurred throughout the trip.

This volume contains meeting minutes pertaining to the administration of a school in Bradford, New Hampshire, in the early 19th century. Residents of District No. 4 discussed funding for building repairs, firewood, beginning dates of school sessions, and other administrative matters.

This volume (58 pages) contains meeting minutes pertaining to the administration of a school in Bradford, New Hampshire, from December 22, 1806-April 6, 1829. Residents of District No. 4 met semi-annually and annually to discuss issues such as building maintenance, the construction of a chimney, the supply of firewood, and the opening dates of school terms; some entries include associated costs. The attendees began each meeting by electing officers, who often remained consistent from year to year. At their meeting of April 3, 1809, attendees decreed that parents would be held responsible for any damage that their children did to the school. Later minutes refer to schoolmistresses' board. The volume also contains the copied text of a formal meeting notice dated February 18, 1828.

This diary records the sermon notes and spiritual reflections of an unnamed member of Boston's Brattle Street church between March 1772 and April 1775.

This diary records the sermon notes and spiritual reflections of an unnamed member of Boston's Brattle Street church between March 1772 and April 1775.

The diarist wrote each "Sabbath evening" as well as on occasions when s/he attended special Fast-day services or religious lectures. Entries also appear in the middle of a week when someone the diarist knew died suddenly. Other entries of note include those in which the writer was unable to attend worship because of "bruises I received by a fall from a Sley" [16 Jan. 1774] and because of a smallpox outbreak [26 March 1775].

A typical Sabbath entry opens with thanks to God for the favor to attend "his House," gives an account of who preached and from what text for both the morning and afternoon services, and offers a short reflection on or explanation of the sermon. The writer also examined his/her spiritual state and beseeched God for mercy and for his/her heart to be bent to God's will. Additionally, many entries feature anywhere from a few lines to the complete set of stanzas for hymns from English writers like Isaac Watts and the Wesley brothers.

The diarist mentioned hearing sermons from approximately twenty ministers over this three-year span, including Dr. Samuel Cooper, Dr. Charles Chauncy, Dr. Andrew Eliot, Mr. Joseph Howe, Mr. John Hunt, and Dr. Mather Byles, all of whom were ministers at some of the city's largest churches.