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This collection contains manuscripts related to a proposed wine-growing enterprise in North America in the late eighteenth century.

The Eighteenth-Century Wine-Growing collection contains a set of documents related to a proposed wine-growing enterprise in North America in the late 18th century. A majority of the documents are financial papers presenting calculations based on various aspects of the wine industry. A reference to land from "the 41st to the 35th degrees of northern latitude" suggests that the collection refers to land somewhere between Connecticut and North Carolina. The documents propose a number of possible plans that the business might follow, and provide a picture of the fledgling American wine industry. Calculations reflect the amount and nature of labor and supplies necessary to begin such a venture, and include in one assessment of the "purchase of 10 Stout Negroes," estimated to cost £40 each. In addition to the financial information and proposals, many of the documents contain prose descriptions of expected developments and project actions to be taken several years into the business. Of note is an undated three-page prospectus calling for the United States to begin producing more of its own goods, including wine: "The late happy revolution having placed the United States of North America in a line with the first known powers of the universe, the earliest attention ought to be given to every measure which may promote their utmost improvement in every branch of agriculture and Commerce."

The Electric railway engineer photograph album consists of approximately 235 photographs and 1 booklet documenting the professional and personal life of an unidentified railway engineer specializing in electric rail line infrastructure.

The Electric railway engineer photograph album consists of approximately 235 photographs and 1 booklet documenting the professional and personal life of an unidentified railway engineer specializing in electric rail line infrastructure.

The album (25.5 x 30.5 cm) has dark green cloth covers with “Photographs” stamped on the front cover. All of the album pages are loose and fairly brittle, but the images are in generally good condition.

The first page contains sixteen signatures from participants in the 30th reunion of the Union College class of 1885. Subsequent photographs include several views of Union College campus, aspects of student life (including dorm room interiors and a group of portraits showing crossdressing men captioned “Minstrels"), and formal portraits of members of the Kappa Alpha Society in the mid-1880s, presumably including some of the attendees at the reunion whose signatures are represented.

The unidentified presumed compiler of the album can be seen in several photographs. He appears to have been an engineer specializing in infrastructure projects for electric-powered rail systems and was active in the early stages of when railroads in the United States were moving towards electrification. Many of the smaller circular photographs found throughout in the album were likely produced by a Kodak No. 2 camera, while larger format prints and cyanotypes are also present.

Contents are arranged chronologically starting with the compiler's student days before focusing on various professional assignments and elements of his personal life. During the ten years following his graduation from Union College the compiler apparently participated in several railroad development projects, mainly in what would become Washington State but also in Kansas, Oklahoma, and Idaho. Photographs from this period of his life include views of survey camps along the Columbia River and other regional waterways, interior and exterior views of the compiler’s home in Tacoma, portraits of his growing family, and snapshots of Klickitat people (including a group portrait of three women picking hops). By 1896 the compiler and his family appear to have moved back east, settling in New Rochelle, New York. Photographs from this period include documentation of projects on intercity lines on Staten Island and other nearby boroughs, a project in upstate New York, and numerous images of friends and family. The Albany and Hudson Railway and Power Company’s new electric train line to various towns between Hudson and Albany required establishing power sources along the route. As a small group of photographs in this album show, this necessitated constructing a dam at Stuyvesant Falls on the Kinderhook Creek which would provide electric power to the rail line and various local businesses. The final pages of the album document the construction of Hudson Park Dock in New Rochelle as well as leisure activities such as the 1906 Vanderbilt Cup auto races and a naval review in Oyster Bay.

A total of 18 loose photographs are included towards the back of the album. Images include a group portrait of Union College students from the 1880s, a studio portrait of a young woman and infant taken in the mid-1890s in Tacoma, and a double exposure of a woman standing next to an automobile in Jacksonville, Florida, in 1918. Also present is a printed pamphlet replete with numerous halftone reproduction images titled “Letter from Mayor Clarke to the Voters of New Rochelle with Pictures of Improvements Under His Administration” which highlights several civic infrastructure projects (including the Hudson Park Dock) undertaken during the tenure of mayor Henry Clarke.

This volume (22 pages) is a typewritten biography of Elias Durand, a French immigrant who became a notable pharmacist and botanist in Philadelphia, Pennsylvania, in the mid-19th century. The biography, written by a former apprentice, concentrates on Durand's final years in France and on his pharmaceutical career in the United States.

This volume (22 pages) is a typewritten biography of Elias Durand, a French immigrant who became a notable pharmacist and botanist in Philadelphia, Pennsylvania, in the mid-19th century. The biography, written by a former apprentice, concentrates on Durand's final years in France and on his pharmaceutical career in the United States.

Durand's final apprentice wrote this biography, entitled Some Recollections of an Old Corner, in 1886. Two images are pasted into the book's opening pages: an illustration of Durand's pharmacy and a photograph of Elias Durand. The biography begins with a brief history of Durand's studies in France, as well as a description of his service as an assistant pharmacist in Napoleon's Army. The bulk of the narrative concerns Durand's experiences in the United States, first in Boston and Baltimore and then as a pharmacy owner in Philadelphia.

The author traces Durand's first jobs in America, including descriptions of Durand's encounter with a group of Native Americans outside of Baltimore (pp. 7-8) and his establishment of his own business, which he operated between 1824 and 1852. The biography frequently discusses Durand's role in the professionalization of the American pharmaceutical industry and mentions many of his accomplishments, such as his invention of an apparatus for making "carbonic acid water" (p. 10), his use of French literature and research to further American pharmacy expertise (pp. 11-12), his soda water and fruit juice concoctions (pp. 13-14), and his work bottling mineral water (p. 18). The author credits Durand with the creation of several medicines and notes the pharmacist's association with prominent Philadelphia doctors including Charles Meigs and Samuel Jackson. The biography also briefly mentions Durand's later botanical career and his personal life.

This commonplace book belonged to Emile M. Tauzin of Natchitoches, Louisiana, and at least one other author in the 1850s and 1860s. The volume contains French poetry and horoscopes, parlor games, and a letter draft about a Natchitoches resident's experiences during the Civil War.

This commonplace book (37 pages) belonged to Emile M. Tauzin of Natchitoches, Louisiana, and at least one other author in the 1850s and 1860s. The volume contains French poetry and horoscopes, parlor games, and a letter draft about a Natchitoches resident's experiences during the Civil War.

Four French poems (pages 1-2 and 34-36) include a tribute to the state of Louisiana, a poem dedicated to the author's father (dated September 6, 1854), and a poem about a small fowl. One poem, entitled "Tous les Braves," is attributed to Charles D. Paradis, who dedicated the poem to Tauzin. Horoscopes for men and women, also in French, appear on pages 19-29; the men's horoscopes are incomplete. One owner used the book to record several questions for a parlor game (pp. 3-18), each accompanied by 40 possible answers, both humorous and serious. The questions are supposed to foretell topics such as personality, marriage, future disposition, and the number of slaves the respondent would own.

A later owner used the volume for a draft letter to his or her aunts Mary and Josephine (pages 30-37). The letter begins on page 32, and is written over the French poetry on pages 34, 35, and 36. After expressing pleasure about hearing that the recipients also sympathized with the Confederacy, the author recounted his or her experiences during the Union Army's occupation of Natchitoches during the Civil War. According to the letter, federal troops raided stores for goods to distribute to former slaves, threatened to shell the town, and disinterred a child's body to search for valuables.

This volume contains diary entries about the author's travels in England and Scotland during the summer of 1799. The author commented on towns visited, road conditions, geographical features, architecture, industry, and other subjects.

This 78-page "Journal During a Tour to the Lakes of Cumberland, Westmoreland, and Lancashire and the Highlands of Scotland" concerns the author's travels with a companion around England and Scotland from June 24, 1799-September 14, 1799. They left from and eventually returned to London, visiting cities and towns in northern England and southern Scotland. The author commented on the towns, their residents, and local architecture, occasionally noting buildings of historical interest such as the Scone Palace in Scotland. A lengthy entry written around July 4-8, 1799, describes the area around Buxton and Castleton, England, where the travelers toured caverns and the Odin Mine. The diarist also discussed local industries, prominent geographical features, and road conditions.

The diary entries are followed by 5 pages of supplementary information. A 4-page table lists the names of towns visited, the names of inns utilized by the author, 1-3-word descriptions of the conditions at the inns, and the number of miles traveled between each location. A 1-page list of excursions taken from main stopping points along the route is also present.

The English carte de visite album (14.5 x 20.5cm) is a 50 page leather album containing portrait photographs of individuals and couples as well as two Italian views. Many of the images in the album were taken by well-known photographers such as André-Adolphe-Eugène Disdéri, Napoleon Sarony, and Félix Nadar.

The English carte de visite album (14.5 x 20.5cm) is a 50 page leather album containing portrait photographs of individuals and couples as well as two Italian views. Many of the images in the album were taken by well-known photographers such as André-Adolphe-Eugène Disdéri, Napoleon Sarony, and Félix Nadar. The photographer's logo of each photograph is visible on the opposite side of the page, and some of the photographs contain hand-written biographical notes on the back.

Individual portraits in the album include those of Dr. Thomas Hodgkins (1798-1866) and his wife Sarah Frances Hodgkins (1804-1875), as well as of Charles Ferdinand, Prince of Capua (1811-1862) and his wife Penelope Smyth, Countess of Mascali (1815-1882). Of note is a portrait of a man taken by Sarony that has on its verso the manuscript inscription "Timothy Harrison/ Richmond/ Indiana." There is a Timothy Harrison, orginally from England, who was buried in Earlham Cemetery in Richmond, Indiana in 1881 at the age of 48. This is presumed to be the man depicted in the portrait.

The Episcopal bishops carte de visite album contains 35 carte de visite photographs of American episcopal bishops and reverends. The cartes de visite date from ca. 1860 to 1870. Most images include handwritten inscriptions stating the name of the subject.

The Episcopal bishops carte de visite album contains 35 carte de visite photographs of episcopal bishops and reverends from throughout the United States during the 1800s. The carte de visites date from ca. 1860 to 1870. Most images include handwritten inscriptions stating the name of the subject.

The album is 12.5 x 16 with brown leather covers.

This collection is made up of three items (8 pages) relating to the investigation into the death of 17-year-old Etna Bittenbender, who was raped and murdered in Sciota, Hamilton Township, Pennsylvania on October 31, 1880. The contents include statements by Samuel Harvey, Samuel A. Singer, and four members of the Marsh family who employed Etna as a housekeeper. They attested to their personal backgrounds and lives, their locations at the time of the murder, and what they witnessed.

The European Grand Tour journal recounts the experiences of two wealthy British travelers as they journeyed through France, Switzerland, and Italy throughout the second half of 1818.

The European Grand Tour journal (approximately 75 pages) recounts the experiences of two wealthy British travelers as they journeyed through France, Switzerland, and Italy throughout the second half of 1818. The author, a man named Moore, detailed the pair's itinerary and gave an extensive account of sightseeing, paying particular attention to the churches and cathedrals of France and to Italian art collections; his companion, Richard, often attended social functions and was introduced at court in Paris. Additionally, the writer frequently provided background information on the different locales he visited, and occasionally mentioned events from the recent Napoleonic wars, particularly during a visit to a French battlefield. In Switzerland, the travelers took an interest in local customs, including schooling and clothing -- in the August 22 letters, the diarist drew a sketch of a Swiss dress. After the travelers reached Italy, they focused more frequently on fine art, and the volume includes lists of the prominent art holdings in several palaces; it also notes visits to Da Vinci's The Last Supper in Milan and to the "Mona Elisa" in the "Nicoli Palace." The final entry was made on December 15, 1818, just after the author and his companion arrived in Rome.

The last section contains charts showing the value of German and French money for 1819, as well as several listings of German tariffs. Enclosures include a German hotel receipt addressed to "Grosvenor & Moore," other financial accounts, and several hotel advertisements. Several pages between late September and early October are blank, but enclosed notes cover that time period.

The European Tour, Yosemite, and Minnesota photograph album contains pictures of scenes in various European countries, reproductions of famous paintings, portraits of prominent Europeans, and comic strips. Many of the visual items are engravings and colored illustrations.

The European Tour, Yosemite, and Minnesota photograph album (27cm x 34cm) contains around 780 photographs, engravings, and illustrations of scenes, people, architecture and artwork from various European countries, Great Britain, and the United States. Newspaper clippings and comic strips appear at the end. Most of the photographs appear to be commercially produced prints of the type made for tourists, and many of the illustrations are in series related to a particular place. The images range in size from full page to smaller items pasted in as many as 11 or 12 to a page. Original covers are missing.

Countries represented in the photographs include present-day Turkey, Greece, Italy, Germany, France, and Great Britain around the 1870s. Bird's-eye views, street scenes, landmarks such as religious buildings and ancient structures (particularly in Athens and Rome), famous paintings and sculptures, bas reliefs, and other works of art predominate. Of interest are a group of pictures showing traditional Neapolitan funeral costume, and a photograph of Mount Vesuvius erupting in 1872. Portraits of local ethnic "types" in traditional dress, political and religious leaders, and royalty are also present. The engravings and other illustrations, sometimes colored, often depict similar scenes and landmarks.

The final pages contain photographs taken in present-day Yosemite National Park and Minnesota, a newspaper clipping showing a "dynamiter in [a] Los Angeles police station," electrical equipment related to the New York City Subway, and a group portrait of firefighters in Watertown, New York. A group of newspaper clippings of the comic strip "Sambo and his Funny Noises" are pasted on top of European views. The comic strip, by William F. Marriner, ran from 1905-1914 and chronicled the misadventures of "Sambo," later "Samuel Johnson," a racist stereotype caricature of an African American boy.