Collections : [University of Michigan William L. Clements Library]

These photograph albums contain pictures of scenery, people, and buildings in the Adirondack Region of northern New York and in Washington, D.C.

These photograph albums (19cm x 30cm) contain 49 pictures of scenery, people, and buildings in the Adirondack Region of northern New York. Labeled photographs show buildings, animals, and scenery in and around Ilion, New York; Clifton, New York; Oxbow, New York; Chippewa Bay, New York; the Grass River; the Oswegatchie River; and Washington, D.C. Houses and other buildings shown include a home on "Preston Isle" in Chippewa Bay, the "Old Morris House" (a colonial stone house), an abandoned iron furnace, the White House, and the United States Capitol. Photographs of construction equipment are also present. Of the individuals and groups pictured, only Jack Moffett, a young boy, is identified. Photographs of note include pictures of an encampment, the exterior of a log cabin decorated with pine boughs, game and fish, and replicas of the ships Niña, Pinta, and Santa Maria. Two photographs indicate the photographer's interest in capturing motion: one shows the Empire State Express at full speed and another shows a woman throwing water, captured at a shutter speed of 1/50 second. The albums have black or blue binding with "Photographs" embossed in gold on the covers.

This photograph album contains photographs of scenery in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. Several photographs feature tourists or members of the photographer's traveling party, and others were taken onboard the steamer Queen.

This photograph album (25cm x 19cm) contains 87 photographic prints depicting scenes in Alaska, Yellowstone National Park, and the Yosemite Valley in the late 19th century. The photographs, all of which have captions, were taken during visits to four geographic areas: Muir Glacier (21 photographs); Tacoma, Washington, and Helena, Montana (8 items); Yosemite National Park (48 items); and the Yosemite Valley and Arizona (10 items). Most photographs show natural scenery such as mountains, rock formations, waterfalls, and geysers, and some are pictures of hotels. Many show tourists climbing or viewing natural formations and scenery, and some show members of the photographer's party posing for portraits.

The album has two identical prints of a group of amateur photographers holding box cameras onboard the Queen, which is shown in several other photographs. Views of buildings in Sitka, Alaska; Tacoma, Washington; Helena, Montana; and Yosemite National Park are also included. One photograph shows a woman modeling a Chilkat blanket and totem pole cane, and another shows a "Tamed Bear" standing on a raised platform. Also of note is a picture of a train, taken as the photographer's party disbanded near Chicago. The volume is a quarter-bound album with a title stamped on the cover in gold: "Photographs."

This album contains pressed algae specimens and a photograph of Fort Jefferson, Florida. Possibly compiled and owned by someone named Stuart.

This album (24cm x 24cm) contains 305 algae specimens collected around the mid-1860s, comprised of 294 items pressed onto 10cm x 6cm cards and 11 items pressed onto larger cards. Only one specimen is identified. The smaller cards are mounted six to a page and the larger cards are laid into the volume between pages of specimens. Numerous types of algae are represented, in a multitude of colors. The bottom cards on the first two facing pages spell the name "Stuart," which is also stamped in gilt on the front cover. The album is bound in brown leather and cloth with the title "Algae from Fort Jefferson, 'Tortugas,' Florida" is stamped on the back cover and "Album" stamped on the spine. A photograph of Florida's Fort Jefferson is pasted onto the first page as a frontispiece.

The American Tour photograph album contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago.

The American Tour photograph album (24 x 18 cm) contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago. The photographic narrative follows a trip from Southampton, England, across the Atlantic to New York City; Richmond, Virginia; Chicago, Ill.; the Niagara region; Saratoga, New York; the Hudson River valley; and finally New York City and Coney Island, New York. Images from the trans-Atlantic trip include the dock at Southampton, the Steamship SS Paris at sea; the Sandy Hook pilot boat; views of the Statue of Liberty; and steerage passengers on an ocean liner. Several images of Richmond, Va., and rural homes in Amelia County, Va. appear. One view showing a three adults and one child on a wagon "leaving Sherwood" may be of the travelers. Numerous views of the Columbian Exposition grounds in Chicago are at the center of the album. Photographs of Niagara Falls and the Niagara River include an image of Clifford Calverley crossing the river on a tightrope. Other images include barges on both the Saint Lawrence Seaway and Hudson River; boating and scenery at Lake George; and ice houses and sailboats along the Hudson River. Photographs of New York City depict Wall Street; Brighton Beach and Coney Island; the Statue of Liberty; and Jersey City Ferry Boat "Orange." The album's half-bound brown cloth cover is stamped in gilt "American Tour. 1893."

The Amherst, Massachusetts photograph album contains 13 photoprints taken in and around North Amherst, Mass., including images of churches, the post office, and parks. Also includes an image of the Amherst College campus and a photograph of a railroad bridge.

The Amherst, Massachusetts photograph album (18 x 26 cm) contains 13 photoprints taken in and around North Amherst, Mass., including images of churches, the post office, and parks. Also includes an image of the Amherst College campus and a photograph of a railroad bridge.

The album cover has black textured paper over boards, with gold printed title "Photographs," bound with string. Housed in a pale blue cardboard box.

This bound manuscript contains the text of a sermon delivered in Lancaster, Pennsylvania, in December 1783, about a desirable political future of the United States from a Christian point of view.

This bound manuscript contains the text of a sermon delivered in Lancaster, Pennsylvania, in December 1783, about a desirable political future of the United States from a Christian point of view. The 31-page volume, entitled "An Exhortation to Peace under the American Revolution, addressed to the Inhabitants of Lancaster in the State of Pennsylvania, December 11, 1783," is divided into several sections, each copied by a distinct, clear hand and signed, though the text runs unbroken throughout the book. The first page of the address indicates that it is based on Jeremiah 24:7, and it begins by examining the situation of the Jews in ancient Babylon, and comparing that to the situation that led to the American colonies' fight for independence. From there, the sermon continues to expound upon religious and political themes, encouraging a "cordial union among the members of each particular state, as well as among the United States in general" and arguing that a Christian ethos would serve as a strong foundation for the new nation. The treatise weaves together themes of Christian faith and contemporary politics to create a vision of a positive future for the United States.

This volume contains the double-entry bookkeeping records of a merchant based in Ann Arbor, Michigan, in 1849. The unidentified merchant sold a variety of goods to customers in and around Ann Arbor, Pittsfield, Whitmore Lake, Webster, and Hamburg, Michigan.

This volume (8" x 12", 145 pages) contains the double-entry bookkeeping records of a merchant based in Ann Arbor, Michigan, in 1849. The unidentified merchant sold a variety of goods to customers in and around Ann Arbor, Pittsfield, Whitmore Lake, Webster, and Hamburg, Michigan. Most pages contain running accounts for specific individuals, with debits and credits noted in two columns. Notes along the margins of many pages indicate the customer's specific location in eastern Washtenaw County or southern Livingston County.

Though the merchant most often recorded sales of "sundries," the accounts occasionally specify items such as hats, shoes, coffee, ribbon, a broom, and sugar. Occasionally, he paid for errors made in previous bills. Customers paid in cash or in kind, most frequently with foodstuffs or items of clothing and sometimes with more unusual items, including a horse and buggy (p. 14). One note concerns a boarder named Carpenter who moved into a home in late August 1849 (p. 97). Though the merchant most frequently dealt with men, the ledger documents accounts with a few women and several firms. A fragment from a letter to Charles W. Butler concerning unsold land, dated January 19, 1833, in Ann Arbor, Michigan, is laid into the volume between pages 144 and 145.

This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

Major points of the route serve as headings within the volume, being visually differentiated from the main text by calligraphic headings. Observations on town layouts and architecture—including rough estimations of population count—provide a developmental snapshot of the region as perceived by the writer. Also mentioned is the construction on the Mt. Pleasant Prison at Sing Sing [Sing Sing Prison, Ossining, New York] and the quarry of white marble used by the builders.

The writer's travel by road was apparently not as easy as their travel by canal. After turning off the Ridge Road at Hartland, New York, descriptions of the woodland seem to indicate a host of obstructions in the form of mudholes, ruts, and stumps (p. 22). Apart from the entries on towns and landscapes, the writer noted a hotel landlord in Victor, New York, who kept two wolves, two small deer, and a fox in his yard (p. 16).

Yellowed imprints of larger leaves placed into the volume can be found on later pages, but only the smallest have lasted to the present day.

The Architecture Militaire is a single manuscript volume that provides instructions for the construction of a fortified building in the shape of a star. The volume consists primarily of prose description, but also includes a series of 16 illustrative plates showcasing detailed architectural drawings.

The Architecture Militaire is a single manuscript volume that provides instructions for the construction of a fortified building in the shape of a star. The volume consists primarily of prose description, but also includes a series of 16 illustrative plates showcasing detailed architectural drawings. The drawings are signed "A Toulouse chez Baour." The book has 12 chapters about construction methods, including lists of potential problems with suggested remedies. The volume includes discussions and critiques of existing construction methods, including those of the ancient French, the Dutch, the Comte de Pagan, Vauban, and others (chapter 11). The final chapter, entitled "Idee generalle de l'attaque d'une place et de la maniere de fortifier un camp," contains equations relevant to fort construction. The final section of the book consists of detailed ink drawings similar, but not identical to, those found in Samuel Marolois's Fortification ou Architecture Militaire Tant Offensive que Deffensive. These show different aspects of construction relevant to the text and include one page illustrating various military paraphernalia.

This volume is an English translation of a French account of military affairs during the Seven Years' War, primarily from 1756-1757 on the border between New York and Canada.

The full title of this manuscript reads, "A Relation of the different Military Operations since the Year 1755 & amongst others taking of Fort St. George in No. America--From a French Manuscript taken upon the Surrender of Louisberg in 1758." Containing 28 pages of writing, this volume is an English translation of a French account of military affairs during the Seven Years' War, primarily from 1756-1757 on the border between New York and Canada.

The account begins with a short reflection on the English Fort St. George [Fort William Henry], the strategic advantages gained by the French upon gaining control of it, and English losses during the war. The narrative continues with detailed descriptions of French military actions from January 21, 1757, with the Battle on Snowshoes near Fort Carillon and Fort St. Frédéric, through an attempt on Fort William Henry in March 1757. The account highlights French command, Native American military participation, and the strategic focus on forts, watercraft, and communication lines.

The section entitled "Advantages gain'd over the English in July 1756" details reconnaissance efforts concerning the English Fort St. George [Fort William Henry] and Fort Lydius [Fort Edward], naval engagements, and military encounters with British forces.

The manuscript continues with "An Account of the Taking Fort St. George--(or Fort William Henry," from the engagement's commencement in late July 1757 to the English surrender on August 9. Copies of the articles of capitulation, correspondence between Louis-Joseph de Montcalm and the British commander of the Fort, George Monro (ca. 1700-1757), and intercepted British correspondence are included. In his letters Montcalm uses his inability to "restrain the Savages" as a plea for the fort's surrender. The author mentions French attempts to counter Native American "Fury," a reference to cannibalism, and Native American military support of both English and French troops.

A copy of an unattributed letter from Quebec, from August 17, 1757, describes "particulars relating to the Government of this Country, which is the Theater, and Primum, Mobile of the War." This letter details naval operations around Quebec and Louisbourg, as well as the state of local provisions, troops, and morale.

The "Account of the Damage our fleet sustain'd from the Gale of Wind and the yet Greater, sustain'd by the English Squadron" describes operations against Isle Royale [Cape Breton Island], English timidity in regards to the French fleet, and the damage both navies suffered during a heavy storm. This account likely references the 1757 Louisbourg expedition and the fleet under Francis Holburne's (1704-1771) command that was damaged in a storm on September 24. This account also reflects on Native American warfare, noting incidents of scalping.

The volume closes with a "List of the French Ships of War under Mr. du Bois de la Mothe," referencing the ships under the command of Emmanuel-Auguste de Cahideuc, Comte DuBois de la Motte (1683-1764). The list includes the names of the ships, number of guns, and commanders.

This arithmetic copybook was compiled by an anonymous student in the nineteenth century. It includes rules and examples for addition, subtraction, multiplication, and division, as well as practical examples relating to money and weights and measures.

This volume, which may have belonged to a Scottish teacher, contains pencil drawings of everyday objects and notes related to instruction in art and geography.

This volume, which may have belonged to a Scottish teacher, has pebbled covers, with the title "Sketch Book" stamped in gold on the front. The first section, "Specimen course for Second Year Higher Grade," contains 6 pages of pencil drawings. The subjects include books, plants, household items, a shoe, a water tank, an umbrella, a broom, a basket, and a hand. The final page of drawings includes the note: "Complete course with interiors & outdoor work."

The second part of the volume is a 2-page chart titled "Geography. Scheme of Work," with tables of geographical subjects for students at various levels. Each month's course included the study of a country or geographical region, a "practical" subject, and a "physical" subject. The areas represented are primarily European nations; British colonies such as South Africa, Australia, New Zealand, Canada, and India; North and South America; Asia, and Pacific islands. The teacher offered practical instruction in navigational concepts, the use and creation of maps, and surveying, and offered instruction on various geological topics such as the Earth's atmosphere, climate, and physical features such as volcanoes and glaciers.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914.

The Atlantic City photograph album contains approximately 90 photographs related to an unidentified couple and their daughter, Jane, during a trip to Atlantic City in April and May of 1914. The album (18.5 x 27 cm) is bound in hand-painted varnished leather on paper boards with wood overlay. Images of particular interest include views of horseback riding on the beach, strolling on the boardwalk, and riding in rolling chairs and a pony-drawn cart. Atlantic City is seen largely as a backdrop to family activities. Additional photographs show the young girl sledding and with toys and friends at home. Also includes a photograph of Eleanor R. and Frederick D. Countiss and their daughter, Henrietta, in a studio portrait.

The At Peace Street photograph album contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The At Peace Street photograph album (16 x 23 cm) contains 14 photographs of upper middle class home and family in Providence, R.I. Possibly the home of Linwood O. Towne, who inscribed the volume to the Prescotts in 1900. Several images of family members reading and photographs featuring the family cat.

The album has brown burlap covers with inscribed title "At Peace Street," bound with string, and is housed in a gray wrapper with dark brown cloth spine.

This oversized scrapbook consists of sections of Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson.

This oversized scrapbook consists of sections of printed Barnum, Bailey & Hutchinson circus advertising posters. The imagery includes circus tents, musical wagons (including the "Silver-Tubed Caliope" and "Sacred Chimes"), camels and horses, animal trainers, artillerymen seemingly of Middle Eastern descent (possibly part of the "Bedouin Arab" performers), acrobats, minstrel performers, African American musicians, and portraits of P. T. Barnum, J. A. Bailey, and J. L. Hutchinson. The back cover bears the print "Toilers of the Sea - Trawling on t[he Dogger Bank]," showing fishermen at sea.

The Beauties of The Sea photograph album contains five small commercial photographs of scenes on Nantucket along with four alternating sheets of decoratively arranged pressed algae.

The Beauties of The Sea photograph album (12 x 14 cm ) contains five small commercial photographs of scenes on Nantucket (The Old Windmill; Brant Point Light; Harbor and Sailboats; the Town Crier; and Bank and Methodist Church) glued into small album along with four alternating sheets of decoratively arranged pressed algae. The photographs are possibly by Henry S. Wyer. The album's faded green paper covers are tied with gold tasseled string with a wash drawing and inscribed title "Beauties of The Sea" in ink. Album is housed in light green folder.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

The text largely corresponds with Corner's adaptation, albeit with abbreviated or simplified stage directions. The text appears to have been written by one hand, with a pencil annotation at the end of the volume in a second hand, crediting the performance of this play to "some of the girls that go to Miss Lacy's School."

Although the location of Miss Lacy's School is unclear, the spelling within may indicate contemporary American rather than British expectations. The roles are for a merchant, the Beast, the merchant's daughters, Beauty, and a beneficent fairy with four attendants.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

This volume contains a manuscript play prompt for the fairytale "Beauty and the Beast," drawn directly from Julia Corner's 1854 adaptation of the same tale.

The text largely corresponds with Corner's adaptation, albeit with abbreviated or simplified stage directions. The text appears to have been written by one hand, with a pencil annotation at the end of the volume in a second hand, crediting the performance of this play to "some of the girls that go to Miss Lacy's School."

Although the location of Miss Lacy's School is unclear, the spelling within may indicate contemporary American rather than British expectations. The roles are for a merchant, the Beast, the merchant's daughters, Beauty, and a beneficent fairy with four attendants.

This collection is made up of three items (8 pages) relating to the investigation into the death of 17-year-old Etna Bittenbender, who was raped and murdered in Sciota, Hamilton Township, Pennsylvania on October 31, 1880. The contents include statements by Samuel Harvey, Samuel A. Singer, and four members of the Marsh family who employed Etna as a housekeeper. They attested to their personal backgrounds and lives, their locations at the time of the murder, and what they witnessed.

The Boston to St. Louis travel diary recounts an arduous month-long journey between the two cities made by rail, steamboat, and stagecoach in the fall of 1837.

The Boston to St. Louis travel diary recounts an arduous month-long journey between the two cities made by rail, steamboat, and stagecoach in the fall of 1837. The anonymous author, a staunchly religious man, refused to travel on Sundays and attended Sunday religious services at Presbyterian churches throughout his travels, which took him through northern New York, down the Erie Canal, across lower Michigan and northern Illinois, and finally down the Mississippi River to St. Louis. The diarist wrote daily entries about frequent delays, bad weather, his route, the scenery, and various traveling companions, many of whom he knew. Though the initial leg from Boston to Rochester, New York, proceeded without difficulty, he became stranded in Cleveland and was frequently held back by poor, muddy roads as he proceeded by stagecoach from Detroit to Chicago. He finally reached St. Louis on November 28 and concluded the journal on November 30, a lonely and homesick Thanksgiving. Though the author's daily entries fully chronicle the hardships of travel in the early 19th century, they also provide interesting anecdotes and commentary, including encounters with wild animals along the road, and news of the murder of abolitionist minister Elijah Parish Lovejoy, which the diarist first heard about in Chicago, but also later in Alton, Illinois, where the murder made "abolitionism…more than ever the topic of conversation" (November 25). The final two pages of the volume consist of a table of distances, fares, and expenses incurred throughout the trip.

This 82 x 43 x 36 cm wooden document trunk, dating from around 1765, includes a hand-wrought iron lock, reinforcement bands, corner tips, and fancy handles. Its interior is grooved for the placement of three removable wooden panels, one of which is present. Contemporary manuscript lettering on the interior left side of the lid reads "Commissariat / on His Majs: Acct / from Mr Oswald" and on the right "Papers / for the Germn: Army / May 1766 / accounts – [A?] & B."

This 82 x 43 x 36 cm wooden document trunk, dating from around 1765, includes a hand-wrought iron lock, reinforcement bands, corner tips, and fancy handles. Its interior is grooved for the placement of three removable wooden panels, one of which is present. Contemporary manuscript lettering on the interior left side of the lid reads "Commissariat / on His Majs: Acct / from Mr Oswald" and on the right "Papers / for the Germn: Army / May 1766 / accounts – [A?] & B."

A January 9, 1861, note by Philadelphia lawyer Henry J. Williams indicates that the trunk was seized by the French as a prize during the American Revolution, and that his father Jonathan Williams brought it to the United States when returning from his service as acting U.S. Consul at Nantes. Mid-twentieth-century paper tags indicate that the trunk was one of three from the estate of Henry J. Williams' son-in-law Alexander Biddle, discovered after the death of Biddle's son Lynford Biddle in 1941, and sold by Parke-Bernet Galleries in 1943.

This photograph album contains 10 albumen prints related to the Bunker Hill Monument in Charlestown, Massachusetts.

This souvenir photograph album (12cm x 18cm), which contains 10 albumen prints, is bound in blue pebbled book-cloth and has the title "Album Photographs[,] Bunker Hill Monument" stamped in gold on its cover. The first 2 pictures show the Bunker Hill Monument (a stone obelisk) and the statue of Colonel William Prescott, respectively. The remaining 8 photographs are aerial views of Charlestown and the surrounding area taken from the monument, showing residences, industrial buildings, the Charlestown Navy Yard, and the Charles and Mystic Rivers. Sailing ships are visible in many of the aerial views. The album belonged to Lucia K. Hathaway, who inscribed her name on its first page on November 15, 1884.

The California and Western Tour photograph album contains commercial and amateur photographs of scenes in Yosemite National Park, Yellowstone National Park, California, New Mexico, and other locales. The volume includes a group of photographs taken at the World's Columbian Exposition in Chicago, Illinois, in 1893.

This album (23cm x 30cm) contains 67 commercial and amateur prints of scenes in various locales, particularly in the western United States. The album is bound in red pebbled leather with small gold trim. Many of the photographs are commercial prints as large as 19cm x 24cm, with captions and negative numbers. Manuscript captions accompany some of the items, often with information about the size of natural features shown. Pictures of rock formations, waterfalls, rivers and lakes, and geysers are most common, along with shots of architectural landmarks and groups of tourists. Prominent photograph locations include Yosemite National Park (9 items), Garden of the Gods (4 items), New Mexico (3 items), the Columbia River (3 items), and Yellowstone National Park (20 items). The album has 2 pictures of Niagara Falls, one of which was taken in winter.

Though the album focuses on natural scenery, several photographs show various types of buildings, such as missions in California and New Mexico, hotels in California, the Lick observatory, a group of buildings at the Shasta Springs retreat, a railroad dining car interior, and the exterior of a Chinese restaurant in San Francisco, California. Scenes of horse-drawn carriages fording the Fire Hole River in Yellowstone National Park and passing through a tunnel cut into the trunk of a large tree in Yosemite National Park are present, as are other group photographs. One shows "Miss E. P. Gould" riding a horse, and another shows a group of men fishing on Yellowstone Lake. An 1888 portrait of John C. Frémont, his wife Jessie, and their daughter shows them standing in front of the "Fremont tree" in Redwood Grove. A final group of photographs consists of pictures of various buildings constructed for the 1893 World's Columbian Exposition in Chicago, Illinois.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print views of various travel destinations in California in 1898.

The California travel photograph album (17.5 x 14 cm) contains twelve gelatin silver print photographs of various travel destinations in California in 1898. Captions are written below each photograph.

An anonymous United States Army sergeant wrote these 3 letters (18 pages) to his mother while serving at Camp Hancock, Georgia, between August and December 1917. "Herb," a member of Company D, 103rd Engineer Regiment, reported on his regiment's work laying pipes and about several aspects of military life.

An anonymous United States Army sergeant wrote these 3 letters (18 pages) to his mother while serving at Camp Hancock, Georgia, between August and December 1917. "Herb," a member of Company D, 103rd Engineer Regiment, reported on his regiment's work laying pipes and on several aspects of military life.

In each of his letters, "Herb" encouraged his mother not to worry about him, and he took pride in his work with the military and in his continuing advancement through the ranks; he was expecting a commission as lieutenant. He also mentioned some of his regiment's duties, which included laying pipes for newly constructed buildings at Camp Hancock and building temporary bridges for other units on bivouac assignments. Herb described other aspects of camp life, such as the comings and goings of other soldiers and his leisure activities, which included trips to nearby Augusta and football games. In two of his letters, he discussed the reorganization of the army's cavalry and artillery units, and in one letter, he mentioned English and French guest officers' instruction in trench warfare (November 11, 1917).

The Camp Lin-E-Kin photograph album (16 x 24 cm) contains 36 photographs of people and activities at a girls' camp in Maine.

The Camp Lin-E-Kin photograph album (16 x 24 cm) contains 36 photographs of people and activities at a girls' camp in Maine. Images depict varied activities: hiking, boating, dancing, and calisthenics. Of interest are numerous photographs of girls wearing costumes and a group wearing swimming outfits, an image of a cabin interior with girls writing letters and knitting, and two photographs of girls holding cameras. An envelope with 10 additional photographs is laid in the album.

The album has a black cloth cover tied with string; housed in a grey board wrap with blue cloth spine.

The Caribbean photograph album contains photographs of towns, scenery, and people in Jamaica, Saint Vincent, Barbados, and Trinidad.

This photograph album (19cm x 26cm) contains 77 photographs of towns, scenery, and people throughout the Caribbean. Most pictures are 14cm x 22cm, though a few are 10cm x 15cm, and many have lengthy captions with additional information about locales pictured; many are numbered. Captions include information about hotel rates, population figures, vegetation, geographic features, and local customs. The photographs show Jamaica (43 items), Barbados (13 items), Trinidad (12 items), local residents (4 items), Saint Vincent (3 items), and other scenes (2 items). The album has many views of city streets and towns taken from street level and from higher vantage points, as well as views of rivers in Saint Vincent and Jamaica and of Carlisle Bay, Barbados. Structures such as sugar plantation windmills, railroad stations, hotels, markets, a prison, and churches are visible in many pictures, as are residents and, less often, tourists. A group of 4 photographs at the end of the album show East Indian women who worked in Trinidad, and 3 photographs show members of the West Indian Regiment and its band, including 1 picture of the band playing in a gazebo. Harbor views show Royal Navy ships and other vessels. The album's covers have a hard cloth covering, and the pages are bound together with rope. One loose page has been removed from the volume.

This incomplete 312-page manuscript catechism contains a series of questions and answers about religious faith, including the doctrine of predestination, the creation of the world, Jesus Christ, and the form and contents of prayer. A marginal note by a different 18th or 19th century hand suggests that this is "perhaps the writing of N Chauncey Hatfield or Samuel Wh[illegible]."

This incomplete 312-page manuscript catechism contains a series of questions and answers about religious faith, including the doctrine of predestination, the creation of the world, Jesus Christ, and the form and contents of prayer. A marginal note by a different 18th- or 19th-century hand suggests that this is "perhaps the writing of N Chauncey Hatfield or Samuel Wh[illegible]."

The manuscript begins with a discussion of heaven and hell, and proceeds through additional topics, often accompanied by scriptural references. Each subject is part of a continuing question-and-answer process, often based on a previous answer, and many themes recur frequently. Several brief proverbs appear on the final page.

The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The Celebrity portraits scrapbook contains numerous clipped engraved portraits of actors, actresses, singers, musicians, entertainers, politicians, writers, and other famous individuals that were compiled by an aunt of Florence C. Everett (wife of Norwood, Massachusetts-based journalist William Winthrop Everett) during the 1880s.

The volume (32 x 19 cm) has brown leather covers (front cover detached) and contains 176 pages, all of which bear pasted-in engravings that were clipped from various newspapers, magazines, journals, advertisements, etc. Two inscriptions are present on the inside of the front cover; one states “This book is the property of W. W. Everett - 76 Winter St. Norwood, Mass.” while the other reads “The book was made by Mrs. W. W. Everett’s aunt Helen, probably in the 1880s. WWE.” The volume appears to have originally served as some type of accounting ledger before being repurposed.

Notable individuals represented within the volume include Joseph Jefferson, Sarah Bernhardt, P. T. Barnum, Lillie Langtry, Genevieve Ward, J. H. Haverly, E. A. Sothern, Sol Smith Russell, Ada Gilman, James H. Wallick, Adelaide Neilson, Buffalo Bill, Mittens Willett, Henry Clay, Susan B. Anthony, Wendell Phillips, Henry Wadsworth Longfellow, Elizabeth Cady Stanton, and Louis Pasteur.

This volume contains 20 ink portraits of members of the New Jersey State Senate of 1876 and 4 illustrations of scenes from the senate's centennial session.

This volume (5.5" x 6.75") contains 20 ink portraits of members of the New Jersey State Senate of 1876 and 4 illustrations of scenes from the senate's centennial session. E. S. Ellis presented this book to William J. Sewell, president of the New Jersey Senate. The individual portraits of senate members are organized alphabetically by the county each senator represented; Sewell, who represented Camden County, is the only member not individually drawn. The 4 additional illustrations depict an eagle holding the shield of the United States, Sewell calling the senate to order, a member reading the minutes, and a composite portrait of five individuals representing major newspapers.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857, while serving aboard the mercantile clippers Charger from Boston to San Francisco and the Stag Hound from San Francisco to Hawaii and China. The Stag Hound carried 380 Chinese passengers from San Francisco to China, where it loaded a cargo of tea, silk, fancy matting, and other goods, to be returned to New York. Charley wrote about social matters, including descriptions of San Francisco, Hong Kong, Fuzhou, and the coasts of the Yangtze River, as well as shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857. He first served aboard the mercantile clipper Charger under the command of Captain Luther Hurd, travelling from Boston, Massachusetts, past Cape Horn, to San Francisco, California. He switched berths in San Francisco to the Stag Hound who carried Chinese passengers under Captain Peterson to Hawaii, Hong Kong, and Foochow (Fuzhou), via the Chang (Yangtze) River. They passed various places in the Philippines and South China Sea without stopping, and returned to New York with a cargo of tea, silk, fancy matting, and other goods. Charley wrote about social matters, including descriptions of ports like San Francisco, Hong Kong, and Fuzhou, and shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

Details about the labor of sailing are found throughout the diary, with regular notes about wind, weather, and sea conditions, land sightings, and occasional notations of latitude and longitude. Charley described the Charger as "a new one" (January 1), and several times noted that the ship was outpacing others. He commented on various shipboard tasks like cleaning the deck, handling and repairing sails, managing dwindling food and provisions, and catching sharks, fish, and porpoises to eat. Comments about the difficulty of the work and various demands appear regularly, as well as notes of various mishaps on board, damaging storms, and other dangers, like falls, sails gone awry, the hazards of Cape Horn (March 7), freshwater getting tainted (March 20), waterspouts (August 27), and suspected pirates (September 16). At least one crewmember died, seemingly of illness contracted prior to the voyage, and Charley wrote of his distress at how his body and burial were handled (July 17).

When he switched berths to the Stag Hound, travelling from San Francisco to Hawaii and Hong Kong, Charley wrote of the demands of manning an "outward bound ship":

"Everbody is in bad humor. The officers irritable. the crew more so. words pass between them. everything to do and nobody to do it. Bed clothes. sea boats. jackets. chests. and numerous other things of a sailors outfit tumbled together in confusion. chickens crowing. geese quacking turkeys gobbling. pigs squealing. these are the scenes and noises that must be endured by the outward bound" (May 15). Noting that "people on shore think that a sailors leads an idle life," he detailed the daily labor they typically performed (August 30).

Charley's depictions of shipboard life also reference issues of discipline and management of the crew. While on the Charger, he noted the captain distributing "a lot of tracts" to the crew (January 18 and February 8) and complained of officers making sailors work on the Sabbath (January 25). He wrote a detailed description of the Charger's officers on March 11, including physical and behavioral attributes, and noted that the rest of the crew consisted of 28 men from America, England, Ireland, Scotland, Holland, and Italy. He noted several physical fights and that crew members were imprisoned for matters like theft and violence (February 14 and May 8) or threatened to have their noses wrung by the captain for fighting (April 30). Charley recorded that the third mate confined "one of our boys who goes by the name of Jimmey Ducks" in the hencoop for "not feeding the fowls in the morning" (February 15). On another occasion, "the mate frightened one of the greenhorns nearly to death by hoisting him up to the royal mast head" when he cried when being asked to slush the mast (February 23). As provisions began to run out, Charley bemoaned that the sailors had to drink rainwater that was tainted by the ship's tar and paint, while "the officers can drink and use as much of the Boston water as they choose" and the steward "used two buckets of the good water to wash the cabin floor" (April 19). Upon landing in San Francisco, Charley noted that Captain Hurd was trying to convince the sailors to continue on with him on the next leg of the voyage by withholding wages from the crew, was struck by a passenger who accused him of "ill treatment to his sister," and that "Whenever our crew see him in the streets they are hooting him and throwing stones at him" (May 10-11).

Charley continued to note disciplinary issues when he transferred to the Stag Hound, including reminiscences about being imprisoned in Honolulu for refusing to work while on a whaling voyage aboard the Hobomok in 1852. Others' refusals to work and their punishment were documented (June 14), as well as efforts to manage unruly passengers (May 22). He noted that infighting and complaining "is the custom with sailors... When they cannot find fault with the officers or with the grub they must growl amoung themselves for pastime" (May 26). On the return voyage, Charley noted the "youngsters" were yelled at for being slow in their work (August 24).

The volume contains much detail about issues of race and ethnicity. He wrote about a man "that goes by the name of Jim Crow. he would make a horse smile to hear him singing comic songs and spouting Shakespere &c.," possibly an African American sailor (January 26). Charley made another reference to "James Crow" on February 28, participating in a demonstration by the sailors when their "advance was up" and they "assert[ed] our rights as sailors" and made an effigy that was hung and buried at sea. Charley called him a "courious genious. he makes sport for all hands in the ship. I don't know how we would get along without him" (February 28). Charley was pleased "to see my friend Crow" among those who switched berths to the Stag Hound (May 14). Charley commented on his singing and musical abilities (June 24, August 11), and he wrote about him in a poem (June 12), travelled ashore with him in Hong Kong (July 7), and remarked on his cure for toothaches (September 8).

Charley's entries also reflect on the individuals he encountered during his voyages, including a description of indigenous South Americans sailing catamarans to fish, some 20 miles from shore (February 5), and the multi-ethnic crew of the Stag Hound. On May 24, Charley described in detail the Stag Hound's Dutch captain and his wife, the Dutch first and second mates, the English third mate, American bosun and carpenter, and two Chinese stewards and two Chinese cooks. "Before the mast we have a sprinkling of all nations. It would puzzle a Philadelphia Lawyer to understand one half of them. I dont believe that there was one half of the confusion at the building of the tower of Bable as there is in our forecastle at meal times."

The bulk of his racial commentary revolves around the approximately 380 Chinese passengers who travelled aboard the Stag Hound to Hawaii and Hong Kong, of which he initially wrote disparaging comments (May 12). Some of Charley's entries reflect on Chinese shipboard experiences, such as gambling (May 20) and fighting (June 6), while others seem to indicate prejudiced behavior on the part of the Stag Hound's captain. He rationed Chinese passengers' allowance of water (May 22) and threatened violence against one English-speaking Chinese passenger for complaining (January 19). While approaching China, Charley noted the crew worked on cleaning guns due to "lots of pirates now in these seas, but we do not fear them so much as we do the passengers, for it is a common thing for them to try and take the vessel that they are in when they find that they are near to China" (June 25). He remarked on the Chinese Emperor, "said to be the brother of the Sun, and likewise the King of ten thousand islands" (June 29), the passengers praying for fair wind (July 1), and reacting with joy upon seeing the area near Hong Kong (July 5). He described Hong Kong, commenting on religion (July 6-7) and fears of Chinese boarding the ship at night to murder the crew (July 10). He noted passing the wreck of the Wild Duck and seeing Chinese junks painted "with large eyes on their bows so that they can see" (July 20), and he described places they passed while travelling up the Chang River under the guidance of a Chinese pilot and their arrival at Foochow (Fuzhou). He noted the work Chinese laborers undertook on the Stag Hound while at Fuzhou (July 24, 26, 27) and detailed his visit to a "pagoda" in the city (August 2).

Several references to women also appear in the diary. Charley remarked on the presence of the captain's wife aboard the Charger, noting her disdain for sailors (January 4, March 16). As the initial voyage to California wore on, Charley recorded a fight between the captain and his wife where she was threatened with violence if she spoke to the first mate (April 24). The captain's wife also accompanied the Stag Hound, and Charley described her and her scorn for the sailors as well (May 24). The captain's daughter was also aboard the Stag Hound, and Charley noted the purchase of a cat for her and her distress during a typhoon (July 27, September 7). He later noted the cat's disappearance and his suspicion that sailors disposed of it, "for a sailor would as soon see his Satanic Majesty on board of his ship as a cat for to him a cat is linked with superticion [sic]" (August 17).

Mentions of other ships throughout the volume reflect the international dynamics of sea travel and mercantilism. Charley noted ships from various American ports, Prussia, Brazil, England, and France. Upon arriving in Hong Kong, he observed French, English, and Portuguese men-of-war (July 6 and July 8), and named American ships by name while in Chinese ports. He recorded the goods taken on the Stag Hound in China, including opium, silver, fire crackers, tea, silk, and fancy matting.

In addition to his diary entries, Charley also documented his experiences with drawings. He included several pictures of Chinese junks and coastal views of the following locations:

• Cape Horn
• Tierra del Fuego
• South Farallon Islands
• Morotai Island
• "Wahoo" [O'ahu]
• Diamond Head
• "Cocowaner" island
• "Peico" island
• Balintang Islands
• Bashee Islands
• Batan Island
• Sabtang
• Goat Island
• "An Island in Hong Kong Harbor"
• "Great Lema Island"
• Pratas Islands
• "The last light of Hong Kong"
• "[Oaksu?] Islands"
• several views from along the River Chang
• Balabac Strait

Charley included clips of poetry and quotations, mostly relating to sailors and sea life. He copied a poem attributed to a crew member, "To the Albatross" (February 25), and others appear to be originals that he may have composed, such as one celebrating the passage past Cape Horn (March 7), another musing on the wide variances in a sailor's life (April 22), and one entitled "To the Stag Hound" (May 31). Other poems memorialize food poisoning (June 12), the death of a crewmate (July 17), and heading home for America (August 16). The final page of the volume includes a poem entitled "To Charley, by J.H.S." about their friendship and an amusing incident regarding cheese, seemingly written at their parting, and the lyrics to a song about a charcoal vendor.

A post-1886 newspaper clipping, "Boston Clippers," is pasted on the inside front cover and references the few remaining "splendid clippers which the discovery of gold in California and Australia produced," including the Charger .

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857, while serving aboard the mercantile clippers Charger from Boston to San Francisco and the Stag Hound from San Francisco to Hawaii and China. The Stag Hound carried 380 Chinese passengers from San Francisco to China, where it loaded a cargo of tea, silk, fancy matting, and other goods, to be returned to New York. Charley wrote about social matters, including descriptions of San Francisco, Hong Kong, Fuzhou, and the coasts of the Yangtze River, as well as shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

A sailor only identified as "Charley" maintained this diary from January 1, 1857, to September 22, 1857. He first served aboard the mercantile clipper Charger under the command of Captain Luther Hurd, travelling from Boston, Massachusetts, past Cape Horn, to San Francisco, California. He switched berths in San Francisco to the Stag Hound who carried Chinese passengers under Captain Peterson to Hawaii, Hong Kong, and Foochow (Fuzhou), via the Chang (Yangtze) River. They passed various places in the Philippines and South China Sea without stopping, and returned to New York with a cargo of tea, silk, fancy matting, and other goods. Charley wrote about social matters, including descriptions of ports like San Francisco, Hong Kong, and Fuzhou, and shipboard life among sailors, officers, and passengers. He commented several times about one of his crewmates, possibly an African American man who went by the name of "Jim Crow," and noted the presence of captains' wives and children. He included several drawings of Chinese ships (junks) as well as coastal views of places in South America, Hawaii, the Philippines, Southeast Asia, and China. Charley also included a number of poems, mostly relating to sailors and seafaring, several of which appear to be originals.

Details about the labor of sailing are found throughout the diary, with regular notes about wind, weather, and sea conditions, land sightings, and occasional notations of latitude and longitude. Charley described the Charger as "a new one" (January 1), and several times noted that the ship was outpacing others. He commented on various shipboard tasks like cleaning the deck, handling and repairing sails, managing dwindling food and provisions, and catching sharks, fish, and porpoises to eat. Comments about the difficulty of the work and various demands appear regularly, as well as notes of various mishaps on board, damaging storms, and other dangers, like falls, sails gone awry, the hazards of Cape Horn (March 7), freshwater getting tainted (March 20), waterspouts (August 27), and suspected pirates (September 16). At least one crewmember died, seemingly of illness contracted prior to the voyage, and Charley wrote of his distress at how his body and burial were handled (July 17).

When he switched berths to the Stag Hound, travelling from San Francisco to Hawaii and Hong Kong, Charley wrote of the demands of manning an "outward bound ship":

"Everbody is in bad humor. The officers irritable. the crew more so. words pass between them. everything to do and nobody to do it. Bed clothes. sea boats. jackets. chests. and numerous other things of a sailors outfit tumbled together in confusion. chickens crowing. geese quacking turkeys gobbling. pigs squealing. these are the scenes and noises that must be endured by the outward bound" (May 15). Noting that "people on shore think that a sailors leads an idle life," he detailed the daily labor they typically performed (August 30).

Charley's depictions of shipboard life also reference issues of discipline and management of the crew. While on the Charger, he noted the captain distributing "a lot of tracts" to the crew (January 18 and February 8) and complained of officers making sailors work on the Sabbath (January 25). He wrote a detailed description of the Charger's officers on March 11, including physical and behavioral attributes, and noted that the rest of the crew consisted of 28 men from America, England, Ireland, Scotland, Holland, and Italy. He noted several physical fights and that crew members were imprisoned for matters like theft and violence (February 14 and May 8) or threatened to have their noses wrung by the captain for fighting (April 30). Charley recorded that the third mate confined "one of our boys who goes by the name of Jimmey Ducks" in the hencoop for "not feeding the fowls in the morning" (February 15). On another occasion, "the mate frightened one of the greenhorns nearly to death by hoisting him up to the royal mast head" when he cried when being asked to slush the mast (February 23). As provisions began to run out, Charley bemoaned that the sailors had to drink rainwater that was tainted by the ship's tar and paint, while "the officers can drink and use as much of the Boston water as they choose" and the steward "used two buckets of the good water to wash the cabin floor" (April 19). Upon landing in San Francisco, Charley noted that Captain Hurd was trying to convince the sailors to continue on with him on the next leg of the voyage by withholding wages from the crew, was struck by a passenger who accused him of "ill treatment to his sister," and that "Whenever our crew see him in the streets they are hooting him and throwing stones at him" (May 10-11).

Charley continued to note disciplinary issues when he transferred to the Stag Hound, including reminiscences about being imprisoned in Honolulu for refusing to work while on a whaling voyage aboard the Hobomok in 1852. Others' refusals to work and their punishment were documented (June 14), as well as efforts to manage unruly passengers (May 22). He noted that infighting and complaining "is the custom with sailors... When they cannot find fault with the officers or with the grub they must growl amoung themselves for pastime" (May 26). On the return voyage, Charley noted the "youngsters" were yelled at for being slow in their work (August 24).

The volume contains much detail about issues of race and ethnicity. He wrote about a man "that goes by the name of Jim Crow. he would make a horse smile to hear him singing comic songs and spouting Shakespere &c.," possibly an African American sailor (January 26). Charley made another reference to "James Crow" on February 28, participating in a demonstration by the sailors when their "advance was up" and they "assert[ed] our rights as sailors" and made an effigy that was hung and buried at sea. Charley called him a "courious genious. he makes sport for all hands in the ship. I don't know how we would get along without him" (February 28). Charley was pleased "to see my friend Crow" among those who switched berths to the Stag Hound (May 14). Charley commented on his singing and musical abilities (June 24, August 11), and he wrote about him in a poem (June 12), travelled ashore with him in Hong Kong (July 7), and remarked on his cure for toothaches (September 8).

Charley's entries also reflect on the individuals he encountered during his voyages, including a description of indigenous South Americans sailing catamarans to fish, some 20 miles from shore (February 5), and the multi-ethnic crew of the Stag Hound. On May 24, Charley described in detail the Stag Hound's Dutch captain and his wife, the Dutch first and second mates, the English third mate, American bosun and carpenter, and two Chinese stewards and two Chinese cooks. "Before the mast we have a sprinkling of all nations. It would puzzle a Philadelphia Lawyer to understand one half of them. I dont believe that there was one half of the confusion at the building of the tower of Bable as there is in our forecastle at meal times."

The bulk of his racial commentary revolves around the approximately 380 Chinese passengers who travelled aboard the Stag Hound to Hawaii and Hong Kong, of which he initially wrote disparaging comments (May 12). Some of Charley's entries reflect on Chinese shipboard experiences, such as gambling (May 20) and fighting (June 6), while others seem to indicate prejudiced behavior on the part of the Stag Hound's captain. He rationed Chinese passengers' allowance of water (May 22) and threatened violence against one English-speaking Chinese passenger for complaining (January 19). While approaching China, Charley noted the crew worked on cleaning guns due to "lots of pirates now in these seas, but we do not fear them so much as we do the passengers, for it is a common thing for them to try and take the vessel that they are in when they find that they are near to China" (June 25). He remarked on the Chinese Emperor, "said to be the brother of the Sun, and likewise the King of ten thousand islands" (June 29), the passengers praying for fair wind (July 1), and reacting with joy upon seeing the area near Hong Kong (July 5). He described Hong Kong, commenting on religion (July 6-7) and fears of Chinese boarding the ship at night to murder the crew (July 10). He noted passing the wreck of the Wild Duck and seeing Chinese junks painted "with large eyes on their bows so that they can see" (July 20), and he described places they passed while travelling up the Chang River under the guidance of a Chinese pilot and their arrival at Foochow (Fuzhou). He noted the work Chinese laborers undertook on the Stag Hound while at Fuzhou (July 24, 26, 27) and detailed his visit to a "pagoda" in the city (August 2).

Several references to women also appear in the diary. Charley remarked on the presence of the captain's wife aboard the Charger, noting her disdain for sailors (January 4, March 16). As the initial voyage to California wore on, Charley recorded a fight between the captain and his wife where she was threatened with violence if she spoke to the first mate (April 24). The captain's wife also accompanied the Stag Hound, and Charley described her and her scorn for the sailors as well (May 24). The captain's daughter was also aboard the Stag Hound, and Charley noted the purchase of a cat for her and her distress during a typhoon (July 27, September 7). He later noted the cat's disappearance and his suspicion that sailors disposed of it, "for a sailor would as soon see his Satanic Majesty on board of his ship as a cat for to him a cat is linked with superticion [sic]" (August 17).

Mentions of other ships throughout the volume reflect the international dynamics of sea travel and mercantilism. Charley noted ships from various American ports, Prussia, Brazil, England, and France. Upon arriving in Hong Kong, he observed French, English, and Portuguese men-of-war (July 6 and July 8), and named American ships by name while in Chinese ports. He recorded the goods taken on the Stag Hound in China, including opium, silver, fire crackers, tea, silk, and fancy matting.

In addition to his diary entries, Charley also documented his experiences with drawings. He included several pictures of Chinese junks and coastal views of the following locations:

• Cape Horn
• Tierra del Fuego
• South Farallon Islands
• Morotai Island
• "Wahoo" [O'ahu]
• Diamond Head
• "Cocowaner" island
• "Peico" island
• Balintang Islands
• Bashee Islands
• Batan Island
• Sabtang
• Goat Island
• "An Island in Hong Kong Harbor"
• "Great Lema Island"
• Pratas Islands
• "The last light of Hong Kong"
• "[Oaksu?] Islands"
• several views from along the River Chang
• Balabac Strait

Charley included clips of poetry and quotations, mostly relating to sailors and sea life. He copied a poem attributed to a crew member, "To the Albatross" (February 25), and others appear to be originals that he may have composed, such as one celebrating the passage past Cape Horn (March 7), another musing on the wide variances in a sailor's life (April 22), and one entitled "To the Stag Hound" (May 31). Other poems memorialize food poisoning (June 12), the death of a crewmate (July 17), and heading home for America (August 16). The final page of the volume includes a poem entitled "To Charley, by J.H.S." about their friendship and an amusing incident regarding cheese, seemingly written at their parting, and the lyrics to a song about a charcoal vendor.

A post-1886 newspaper clipping, "Boston Clippers," is pasted on the inside front cover and references the few remaining "splendid clippers which the discovery of gold in California and Australia produced," including the Charger .

The Chicago photograph album contains pictures of buildings, park landscapes, and people in Chicago, Illinois; Grand Rapids, Michigan; and Detroit, Michigan. Items include interior and exterior views of a Chicago home, portraits of small groups of individuals, views of gardens in John Ball Park (Grand Rapids, Michigan), and a photograph of a steamboat in the Detroit River.

The Chicago photograph album (14cm x 18cm) contains 24 photographic prints, each placed in a 9cm x 11.5cm window. The first item is an exterior view of a home located at 5828 Indiana Avenue in Chicago, Illinois, and the following eight items are interior views of parlors and a dining room; one shows a woman sewing. The album includes six photographs of John Ball Park in Grand Rapids, Michigan, with various garden scenes and a shot of two women in a small horse-drawn carriage, and one photograph of the steamer "The North Land" passing Belle Isle near Detroit, Michigan. One item features the Michigan Soldiers' Home in Grand Rapids, Michigan, and another shows a woman feeding a group of birds there. The remaining six items are informal group and individual portraits taken in Washington Park (Chicago, Illinois) (2 items), Palmer Park (Detroit, Michigan) (1 item), "Our Back Yard" (Chicago, Illinois) (1 item), and unidentified outdoor locales (2 items); two men posed by a bicycle in Washington Park. The album's cover is decorated with a colored floral pattern, with a gray geometric pattern near and covering the spine.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin. The album (26 x 32 cm) has black paper covers and a manuscript note inside the front cover that reads: "Tour of 1903." Chicago-related photographs include a commercial street view, the Chicago River, and Lincoln Park. The following 191 photographs were taken in various locations around Colorado, including 20 images of commercial streets, residential streets, and parks in Denver and Colorado Springs; an early motorized sightseeing bus on a Colorado Springs street; and scenic views documenting visits to the Garden of the Gods, Pikes Peak, and the Gunnison River.

Several photographs show the main building and a small cabin at Sprague's Ranch in Moraine Park, Colorado. The travelers, a party of two men and a woman, are shown fishing, posing beside their platform tents, and sightseeing with larger groups. Also shown is the dramatic scenery of Ouray, Colorado, with views of the mountains, the box canyon, Silver Plume mines, and street scenes which include a stagecoach and loaded burros. Following several photographs of hotels in Glenwood Springs, Colorado, and a view of the Grand Canyon of the Arkansas, there are three images that show streets in Milwaukee, including the Schlitz Brewery, as well as two additional images of Chicago street scenes.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The album (21 x 27 cm) is half bound in black leather and has a detached front cover.

City scenes include views of townhouses on a city block in winter; a woman entering a carriage beyond a decorative wrought iron fence; a well-dressed couple in a two-wheeled carriage; an infant in a wicker baby buggy; a housekeeper or servant standing at a side door; and women and a young girl standing on a city street in elegant winter capes, muffs and hats. One woman stands on a snowy sidewalk holding a Kodak Brownie camera in her gloved hands. Five photographs show well-furnished formal interiors.

Rural scenes include views of a log house on a wooded lake whose well-furnished interior includes bookshelves, Native American baskets and textiles, snowshoes, a wolfskin rug, a desk, a chaise, and a piano. Men and women are shown with guns and gamebirds, fishing from a dock and in a rowboat, and partaking in an elaborate outdoor tea party. One photograph shows a Native American man sitting on the cabin steps. Nature views include images of logs in a flooded river, streams, a small wooded island, and a spotted fawn.

The City of Boston Public Celebration July 4th, 1918, photograph album contains 81 photographs documenting Fourth of July celebrations that took place in Boston, Massachusetts, in 1918.

The City of Boston Public Celebration July 4th, 1918, photograph album contains 81 photographs documenting Fourth of July celebrations that took place in Boston, Massachusetts, in 1918.

The album (39 x 28.5 cm) is sting-bound and has gray cloth covers with "Photographs" stamped in gold on the front and black paper pages. The first page contains a handwritten label that reads "City of Boston July 4th, 1918." Most but not all images include handwritten captions. The album's contents are grouped into three sections marked by handwritten labels: “Patriotic Exercises,” “Sports and Pastimes,” and “The Parade in the Evening."

"Patriotic Exercises" begins on pg. 3 and contains 19 photographs. Images include several views showing Boston mayor Andrew James Peters overseeing flag raising exercises performed by uniformed U.S. Army soldiers on Boston Common; views of a floating stage at Frog Pond; three photographs of speakers at the Old State House including Rabbi Abraham Nowak, Mayor Peters, and Walter A. Whelan; and two photographs related to a speech by Judge Joseph J. Murley at Wood Park Island.

“Sports and Pastimes” begins on pg. 43 and contains 35 photographs. Images include numerous views of swimming and boat races held at the Charles River Basin; views showing a baseball game, brass band performance, and parading Naval Battalion at Wood Island Park; views of the “Italian populace,” “Italian societies,” and others at North End Park; views showing the distribution of ice cream at the Charles River Gym and Prince Street Playground; views of athletic competitions taking place at Boston Common including foot races and tug of war; and a view of bathers at City Point.

"The Parade in the Evening" begins on pg. 115 and contains 27 photographs. All of these images showcase participants in a parade procession and include views of U.S. Army troops and the 10th Massachusetts State Guard, various ethnic groups (including Latvians, Italians, Portuguese, Albanians, Chinese, Greeks, and Armenians), a coordinated group of children in formation as a "living flag," and the Mission Church Band.

The Civil War Battlefields photograph album contains pictures of broken wooded landscapes and military cemeteries.

The Civil War Battlefields photograph album (17cm x 29cm) contains 34 pictures of broken wooded landscapes, Arlington National Cemetery in Virginia, and views of a river, likely the Potomac. Each numbered print is mounted in a 11.5cm x 16.5 cm window, framed by a thin gold border with decorations at the corners. Most images are views of wooded landscapes, many showing evidence of possible military activity and earthworks, taken in unidentified flat and hilly regions. Streams, small wooden buildings, and fences are sometimes visible. The album begins with a camping scene, presumably a self-portrait of the album's unidentified compiler in the field. Another view shows a group of three posed on a house's porch. Two photographs show a three-story domed public building, adjacent to what appears to be a war monument. Four pictures show Arlington National Cemetery, one including a plaque with lines from Theodore O'Hara's poem "Bivouac of the Dead." Of particular note is a group portrait of seven African American schoolchildren with their young teacher, taken inside a crude schoolhouse; the following picture shows the exterior of two wooden buildings, possibly in the same unknown location.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia.

The Colombia photograph album contains approximately 110 photographs showing scenes from Cartagena, Turbaco, and Barranquilla in Colombia. The album (18 x 28 cm) is half bound in black leather. Images of particular interest include photographs related to diplomatic functions, such as views of the British and Spanish consulates, interiors of the American consulates in Barranquilla and Cartagena, two portraits of the British Consul and family, and a series of portraits of the large family of the Spanish Consul, "Familia Zubiria Stevenson." Other images of note include photographs of a bullfight, the tomb and former home of Rafael Núñez, street and architectural views, churches, thatched huts, local inhabitants including mule drivers and cemetery workers, guns at the Baluarte de San Javier, soldiers in formation, and harbor views including views of passanger sternwheel ferry Alicia and a clipper ship. Some photographs have handwritten captions in Spanish.

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included.

This volume (12 pages) contains detailed descriptions of the 1893 World's Columbian Exposition in Chicago, Illinois. The author commented on exhibits, provided personal reactions to them, and reflected generally on the fair. Brief discussions of crowds, childcare, and women's involvement are also included. Some of the attractions mentioned include:

• Manufactures and Liberal Arts Building, in particular exhibits on Japan, Italy, France, Russia, Germany, and Austria
• United States Government Building
• Fisheries Building
• Children's Building
• Art Galleries
• Horticultural Building
• Agricultural Building
• Dairy Building
• Machinery Hall, with a brief aside about "industrial education" for African Americans
• Krupp Gun Pavilion
• Electricity Building
• Forestry Building
• Shoe and Leather Building
• Anthropology Building
• Administration Building
• Transportation Building
• Choral Hall
• Music Hall
• Woman's Building
• Convent of La Rábida
• Columbus' Caravel
• Foreign Government Buildings

This manuscript is a student's condensed transcription of Charles Morton's Compendium Physicae. It lacks the mnemonic verses and diagrams found in Morton's work.

This volume is a 68 page student transcription of Charles Morton's Compendium Physicae. Previous catalogers tentatively identified the student as Nathaniel Chauncey (1681-1756).

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889.

The Conesus Lake Camping commonplace book contains poetry, drawings, and autographs compiled by a group of friends who camped near the New York lake in August 1889. The loosely bound, 32-page volume opens with an inscription from William Cullen Bryant's poem "The Painted Cup," (p. 1) and also includes a copy of "Of a'the Airts the wind can blaw…," a poem by Robert Burns (p. 3). Of particular interest is a cheerful and humorous narrative poem composed by a woman staying with several female friends under the watchful eye of a chaperone, Aunt Margaret, and a male "protector," Rob. The poem, entitled "Camping Out," describes each of the six members of the camping party and includes a few of their adventures as well as a hint of nostalgia (pp. 19-25; p. 10). The book also contains a series of short cheers associated with prestigious colleges, including Princeton and Yale (p. 12), and, two ink drawings of three male friends: Newton Shepard, William S. Church, and F. B. Foster. One drawing, a tree labeled "Log Cabin" and adorned by an owl (p. 5), appears to be a detail of a larger image of a log cabin labeled "Eagle Point" (p. 32). The book also contains a number of autographs collected from camp visitors from around the country.

The Cook family photograph album contains carte-de-visite and tintype studio portraits of members of the Cook, Augusbury, and Zoller families of Cedar Rapids, Iowa; Boone, Iowa; and Watertown, New York.

The Cook family photograph album (15cm x 12cm) contains 16 cartes-de-visite, 6 tintype prints, and 2 card photographs. The pictures are studio portraits of members of the Cook, Augsbury, and Zoller families taken in Cedar Rapids, Iowa; Boone, Iowa; and Watertown, New York, in the late 19th century. Most photographs feature women, infants, and young children, and a list of captains identifies each person pictured. One card photograph shows a daguerreotype studio portrait of a young girl. The album's brown leather cover is stamped with decorative designs, some in gold. One of the volume's two original metal clasps is still affixed to the back cover.

The Corning-Southwick photograph album contains cartes-de-visite and tintypes of infants and young children. Several people pictured were members of the Corning and Southwick families.

The Corning-Southwick photograph album (13cm x 9cm) contains 15 cartes-de-visite and 3 tintype photographs, primarily of babies and young children. Many of the children pictured were members of the Martin, Corning, Gardner, and Southwick families. Two lithographs of a young girl putting on a boot and a young boy posing by a basket full of apples are also present. Included is a carte-de-visite showing the wedding of Charles Sherwood and Lavina Warren Stratton (Mr. and Mrs. Tom Thumb). The album has a decorative hard cover and a metal clasp.

This item is a bound collection of espionage correspondence from Paris, 1780, that describes the locations and numbers of French and Spanish ships in Gibraltar, New York, Canada, and the West Indies.

This volume is a bound collection of espionage correspondence from Paris, 1780. The 37 reports (65 pages) describe the locations and numbers of French and Spanish ships in Gibraltar, New York, Canada, and the West Indies. Many entries discuss the number of troops stationed at various ports, the conditions of the crew ("They are badly manned and sickly, especially the Spanish who also find it difficult to recruit their navy" p.40), and the outcomes of engagements ("The French had suffered greatly, most of the ship's masts being damaged...100 men have been killed and at least 1,200 wounded" (p.47). The author often provides logistical information such as lists of ships and crew sizes, as well as the names of the ships' captains.

The Crum-Ely family photograph album contains studio portrait photographs of individuals and groups living in Ohio. There are 28 cabinet photographs and 14 cartes de visite, and many pages include hand-written identifications of the subjects in the photographs.

The Crum-Ely family album (27.25 x 21.5cm) is a 34 page maroon plush velvet album containing 42 studio portrait photographs of individuals and groups living in Ohio and other Midwestern states. The people featured include members of the Crum, Ely, Folck, Matthias, Greer, Gilbert, and Riddle families. There are 28 cabinet photographs and 14 cartes de visite, and many pages include hand-written identifications of the subjects in the photographs.

The photographs were taken in West Unity, Bryan, Wauseon and Fayette, Ohio. There are also portraits from Osage Mission, Kansas and Bowman, Missouri.

Of note is the portrait of two women and a dark skinned man serving them.

There is a humorous occupational portrait of "Ed and Griffin" as tailors.

The Cuba photograph album contains 40 photographs of buildings, monuments, and other sights in Havana, Cuba, taken by an unidentified American tourist around 1901.

The Cuba photograph album contains 40 photographs of buildings, monuments, and other sights in Havana, Cuba, taken by an unidentified American tourist around 1901.

The album (14 x 18 cm) has grey cloth covers and is in fragile condition, with some early pages possibly missing. All 40 photographs are in good condition and include detailed inscribed captions. Most images are of major buildings and monuments such as the Cathedral Havana, Tacon Market, and Morro Castle.

• The wall where Spanish soldiers executed eight medical students falsely accused of desecrating a cemetery in 1871.
• Hotel Inglaterra (still in operation) with the empty pedestal in front where a statue of Queen Isabella II of Spain stood until 1899.
• The remains of the USS Maine, sunk in Havana Harbor in 1898 during the Spanish-American War.
• Tourists looking through the fence at General Fitzhugh Lee’s Marianao headquarters where he served as a commander of occupation forces from January 1899 until November 1900. Gen. Lee was a popular consul general in Havana from 1895 until the Spanish-American War broke out in April 1898, and he was the last American to leave Cuba. During the war, he trained a group of volunteer soldiers in Jacksonville, Florida, but never saw combat. He was appointed commander of occupation forces in the Havana District and returned to Cuba on January 1st, 1899, the day the Spanish evacuated the island

This manuscript, titled "Toasts," includes 13 toasts along with actual or suggested musical accompaniment for each pronouncement. The speeches express strong support for the Democratic Party and regard such individuals as George Washington, Thomas Jefferson, Andrew Jackson, Martin Van Buren, Richard M. Johnson, James Madison, and Thomas Hart Benton. One toast decries the Bank of the United States.

This manuscript, titled "Toasts," includes 13 toasts along with actual or suggested musical accompaniment for each pronouncement. The speeches express strong support for the Democratic Party and regard such individuals as George Washington, Thomas Jefferson, Andrew Jackson, Martin Van Buren, Richard M. Johnson, James Madison, and Thomas Hart Benton. One toast decries the Bank of the United States. Musical accompaniment includes "The Rights of Man," "Hail Columbia," "Jackson's March," "Auld Lang Syne," "Roslin Castle," "Rogues March," "Yankee Doodle," "Hail to the Chief," the "Star Spangled Banner," and others.

The manuscript bears strikethroughs and revisions, suggesting that it is a working copy. Its reference to President Andrew Jackson and to Martin Van Buren ("worthy to succeed the illustrious Jackson") suggest a likely date of July 4, 1836.

This diary of a railroad and steamer trip chronicles the author's travels from Philadelphia, Pennsylvania, to the Midwest. The diary includes descriptions of scenery and cities in Illinois, Missouri, Kansas, and Iowa.

This diary of a railroad and steamer trip (88 pages) chronicles the author's travels from Philadelphia, Pennsylvania, to the Midwest. The diary includes descriptions of scenery and cities in Illinois, Missouri, Kansas, and Iowa.

The volume opens on April 21, 1857, the author's 30th birthday, and begins with a cross-county railroad trip on the Central Railroad from Philadelphia to Pittsburgh. Fom there, he traveled on the Pittsburgh, Fort Wayne, and Chicago Railroad to St. Louis, Missouri, where he arrived on April 25. In St. Louis, he noted the 55-minute time difference, went sightseeing, and met acquaintances from Delaware. His travels in the area included a trip to the Jefferson Barracks, which he recorded in detail (April 27, 1857), and several visits to nearby St. Charles, where he attended a Mormon church service (May 3, 1857). From May 6-12, he embarked on a boat trip to Leavenworth, Kansas, on the steamer Oceana, making frequent mentions of scenery in his diary. During his time in Kansas, he visited several local land offices, where he commented on inflated prices, and he discussed the recent history of the region, tainted by the violence of "Border Ruffians." From Kansas, he returned to St. Louis via Missouri River steamers and traveled up the Mississippi River to Quincy, Illinois, and Keokuk, Iowa. Throughout his journey, he recorded his incoming and outgoing correspondence, primarily to relatives in Delaware, and attended religious services of numerous Christian denominations. Additionally, he continued to meet friends and describe scenery and points of interest. He also occasionally made note of emigrants encountered along his travels, including a group of French socialist settlers in Nauvoo, Illinois (June 10, 1857) and other emigrants headed further west from Missouri and Kansas. The diary ends in Quincy, Illinois, on June 22, 1857, with the author setting out for Palmyra, Missouri, where he spent much of the last week of his travels.

This collection contains 5 official copies of letters exchanged by United States Army officers regarding African American regiments in the Carrollton District of New Orleans, Louisiana, in 1864. The writers discussed topics including courts martial, troop transfers, commemorations of the Emancipation Proclamation, and soldiers' wives and families.

This collection contains 5 official copies of letters exchanged by United States Army officers regarding African American regiments in the Carrollton District of New Orleans, Louisiana, in 1864. The writers discussed topics including courts martial, troop transfers, commemorations of the Emancipation Proclamation, and soldiers' wives and families.

The box and folder list for this finding aid includes information about the contents of the letters in the collection.

The Drew family photograph album contains 27 photographs related to a New York family including images of children, family pets, family tombstones, a man posing with a horse and gig, group rowboats, and the Canadian steamboats Hamilton and Spartan.

The Drew family photograph album contains 27 photographs related to a New York family including images of children, family pets, family tombstones, a man posing with a horse and gig, group rowboats, and the Canadian steamboats Hamilton and Spartan.

The album (16 x 20 cm) is half-bound with black leather binding and black cloth boards. Lacking spine.