Collections : [University of Michigan William L. Clements Library]

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin.

The Chicago to Colorado photograph album contains approximately 210 photographs taken by an unidentified photographer related to a tour from Chicago, Illinois, to Colorado and back again through Milwaukee, Wisconsin. The album (26 x 32 cm) has black paper covers and a manuscript note inside the front cover that reads: "Tour of 1903." Chicago-related photographs include a commercial street view, the Chicago River, and Lincoln Park. The following 191 photographs were taken in various locations around Colorado, including 20 images of commercial streets, residential streets, and parks in Denver and Colorado Springs; an early motorized sightseeing bus on a Colorado Springs street; and scenic views documenting visits to the Garden of the Gods, Pikes Peak, and the Gunnison River.

Several photographs show the main building and a small cabin at Sprague's Ranch in Moraine Park, Colorado. The travelers, a party of two men and a woman, are shown fishing, posing beside their platform tents, and sightseeing with larger groups. Also shown is the dramatic scenery of Ouray, Colorado, with views of the mountains, the box canyon, Silver Plume mines, and street scenes which include a stagecoach and loaded burros. Following several photographs of hotels in Glenwood Springs, Colorado, and a view of the Grand Canyon of the Arkansas, there are three images that show streets in Milwaukee, including the Schlitz Brewery, as well as two additional images of Chicago street scenes.

The Children at play photograph album contains 55 photographs of young children playing outside from 1916 to 1928.

The Children at play photograph album contains 55 photographs of young children playing outside from 1916 to 1928. Images show children with parents and dogs, at the beach, and playing with toys including wagons, tricycles, and a pedal car.

The album is 15.5 x 9.75 cm with brown cloth covers.

This diary is an account of the daily life of a female student living in Chillicothe, Ohio.

This 45-page diary is an account of the daily life of an unidentified female student living in Chillicothe, Ohio, between 1865 and 1867. She wrote about attending school, studying, and writing compositions. She was a frequent churchgoer, often quoting or making notes on sermons and scripture. Her social activities included visiting friends, inviting friends to her house, and going for walks. Her most frequently mentioned friend was Allie Sanford. The diary includes brief references to the Civil War, prayer meetings, a "circus day," evening lectures, Sunday school, picking berries, riding, sleighing, and an unidentified man named "B--".

The beginning and end of the diary contain a list of students in different classes (1865), a schedule, poems, school grades, and "a cure for cholera" recipe.

This diary chronicles the author's sea voyage from New York to China in the spring of 1859, as well as his life in Shanghai between July 1859 and July 1860. At sea, he detailed the daily weather, scenery, and life onboard the ship, and in Shanghai he described his everyday life as a doctor and shared numerous observations on the effects of foreign trade on the country, local missionary efforts, and military conflict between the British and Chinese.

This diary (289 pages) chronicles the author's sea voyage from New York to China in the spring of 1859, as well as his life in Shanghai between July 1859 and July 1860. The first entry, dated February 28, 1859, opens with the author embarking for China on the N. B. Palmer, an American clipper under a Captain Frisbie. Over the next several months, he recorded daily observations of the weather and of life onboard the ship, including the captain's occasional harsh treatment of the crew. In addition to recording daily measurements of latitude and longitude, he occasionally described the scenery as the ship rounded the Cape of Good Hope and made its way to China by way of Indonesia. After a brief stop on Java in mid-May, the ship proceeded to Hong Kong, where it arrived on June 11 to discharge its cargo. During his brief time in Hong Kong, the author noted several aspects of local life, including the influence of foreign missionaries. On June 27, the N. B. Palmer departed Hong Kong bound for Shanghai, which it reached on July 4 amid Independence Day celebrations. Once in Shanghai, the diarist recorded his impressions of the city and incidents from his medical career, which included administering vaccinations as well as caring for the sick. The diary contains many references to political affairs and to the local efforts of foreign missionaries; much of the political focus is on the influence of Great Britain, particularly after the escalation of the Second Opium War. In addition to political commentary and descriptions of his daily life as a doctor, the diarist occasionally expressed his hope that Christianity would eventually win over the locals. The author remained in Shanghai until at least July 21, 1860, the date of his final entry. Two items laid into the volume include an undated note of thanks for the doctor's services (pp. 58-59) and a sheet of paper containing two Chinese characters (pp. 90-91).

This collection contains 7 items related to clothing drives and fundraising efforts organized by the New York City-based Chinese Women's Association to help Chinese war refugees during the early stages of the Second Sino-Japanese War. These include letters and postcards requesting monetary and in-kind donations, as well as reprints of related newspaper articles.

This collection contains 7 items related to clothing drives and fundraising efforts organized by the New York City-based Chinese Women's Association to help Chinese war refugees during the early stages of the Second Sino-Japanese War (1937-1945). In two printed form letters, the association stressed the urgency of the situation in China, requested assistance from "China's sympathizers in America," and specifically referenced the necessity of food and clothing (November 1, 1937 and undated). Three undated postcards, two of which are addressed to Mrs. C. C. Morrison of Granville, Ohio, have preprinted messages asking for pledge to boycott Japanese products (1 item) and for donations of clothing and medical supplies (2 items). Two additional items contain reprints of three newspaper articles about the association's fundraising efforts; these include "Racial Group Breaks Precedent" (The New York Times, April 11, 1937), "Hope for China Seen in Women" (North Shore Daily Journal, January 12, 1938), and "Church Service League Will Aid China Refugees" (North Shore Daily Journal, January 12, 1938).

This approximately 160-page volume contains working records of one or more traveling chair, desk, bench, and pew salesmen in Pennsylvania, New York, New Jersey, Connecticut, and elsewhere in the Northeast between 1889 and 1892. A previous owner identified the business as the Richmond Furniture Company of Indiana, but this has not been verified. Each page includes the name or names of a client, prospect, or contact; names of existing or planned buildings; seating needs; costs; a record of communications; and other notes.

This approximately 160-page volume contains working records of one or more traveling chair, desk, bench, and pew salesmen in Pennsylvania, New York, New Jersey, Connecticut, and elsewhere in the Northeast between 1889 and 1892. A previous owner identified the business as the Richmond Furniture Company of Indiana, but this has not been verified. Each page includes the name or names of a client, prospect, or contact; names of existing or planned buildings; seating needs; costs; a record of communications; and other notes.

The volume begins with a 3,000-seat music hall at 57th Street and 7th Avenue, New York City—the Carnegie Hall. The most frequent clientele were churches, synagogues, and proprietors or developers of musical or theater venues. Record of a new City Hall in Syracuse, New York, the Hall for Jewish Society in Philadelphia, and an opera house in Poughkeepsie are other examples. Some entries document the sending of circulars and sale catalogs.

Pencil accounting for grocery and other purchases in 1911 are scattered throughout the volume.

This approximately 160-page volume contains working records of one or more traveling chair, desk, bench, and pew salesmen in Pennsylvania, New York, New Jersey, Connecticut, and elsewhere in the Northeast between 1889 and 1892. A previous owner identified the business as the Richmond Furniture Company of Indiana, but this has not been verified. Each page includes the name or names of a client, prospect, or contact; names of existing or planned buildings; seating needs; costs; a record of communications; and other notes.

This approximately 160-page volume contains working records of one or more traveling chair, desk, bench, and pew salesmen in Pennsylvania, New York, New Jersey, Connecticut, and elsewhere in the Northeast between 1889 and 1892. A previous owner identified the business as the Richmond Furniture Company of Indiana, but this has not been verified. Each page includes the name or names of a client, prospect, or contact; names of existing or planned buildings; seating needs; costs; a record of communications; and other notes.

The volume begins with a 3,000-seat music hall at 57th Street and 7th Avenue, New York City—the Carnegie Hall. The most frequent clientele were churches, synagogues, and proprietors or developers of musical or theater venues. Record of a new City Hall in Syracuse, New York, the Hall for Jewish Society in Philadelphia, and an opera house in Poughkeepsie are other examples. Some entries document the sending of circulars and sale catalogs.

Pencil accounting for grocery and other purchases in 1911 are scattered throughout the volume.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The City and country life photograph album contains approximately 70 photographs primarily showing the city and country residences of an unidentified wealthy family.

The album (21 x 27 cm) is half bound in black leather and has a detached front cover.

City scenes include views of townhouses on a city block in winter; a woman entering a carriage beyond a decorative wrought iron fence; a well-dressed couple in a two-wheeled carriage; an infant in a wicker baby buggy; a housekeeper or servant standing at a side door; and women and a young girl standing on a city street in elegant winter capes, muffs and hats. One woman stands on a snowy sidewalk holding a Kodak Brownie camera in her gloved hands. Five photographs show well-furnished formal interiors.

Rural scenes include views of a log house on a wooded lake whose well-furnished interior includes bookshelves, Native American baskets and textiles, snowshoes, a wolfskin rug, a desk, a chaise, and a piano. Men and women are shown with guns and gamebirds, fishing from a dock and in a rowboat, and partaking in an elaborate outdoor tea party. One photograph shows a Native American man sitting on the cabin steps. Nature views include images of logs in a flooded river, streams, a small wooded island, and a spotted fawn.

The City of Boston Public Celebration July 4th, 1918, photograph album contains 81 photographs documenting Fourth of July celebrations that took place in Boston, Massachusetts, in 1918.

The City of Boston Public Celebration July 4th, 1918, photograph album contains 81 photographs documenting Fourth of July celebrations that took place in Boston, Massachusetts, in 1918.

The album (39 x 28.5 cm) is sting-bound and has gray cloth covers with "Photographs" stamped in gold on the front and black paper pages. The first page contains a handwritten label that reads "City of Boston July 4th, 1918." Most but not all images include handwritten captions. The album's contents are grouped into three sections marked by handwritten labels: “Patriotic Exercises,” “Sports and Pastimes,” and “The Parade in the Evening."

"Patriotic Exercises" begins on pg. 3 and contains 19 photographs. Images include several views showing Boston mayor Andrew James Peters overseeing flag raising exercises performed by uniformed U.S. Army soldiers on Boston Common; views of a floating stage at Frog Pond; three photographs of speakers at the Old State House including Rabbi Abraham Nowak, Mayor Peters, and Walter A. Whelan; and two photographs related to a speech by Judge Joseph J. Murley at Wood Park Island.

“Sports and Pastimes” begins on pg. 43 and contains 35 photographs. Images include numerous views of swimming and boat races held at the Charles River Basin; views showing a baseball game, brass band performance, and parading Naval Battalion at Wood Island Park; views of the “Italian populace,” “Italian societies,” and others at North End Park; views showing the distribution of ice cream at the Charles River Gym and Prince Street Playground; views of athletic competitions taking place at Boston Common including foot races and tug of war; and a view of bathers at City Point.

"The Parade in the Evening" begins on pg. 115 and contains 27 photographs. All of these images showcase participants in a parade procession and include views of U.S. Army troops and the 10th Massachusetts State Guard, various ethnic groups (including Latvians, Italians, Portuguese, Albanians, Chinese, Greeks, and Armenians), a coordinated group of children in formation as a "living flag," and the Mission Church Band.

This collection consists of 7 documents and printed items relating to the steamship City of Glasgow and its voyages between Liverpool and Philadelphia between 1850 and 1852, including advertising materials, receipts, and a passenger manifest.

This collection consists of seven documents and printed items relating to the steamship City of Glasgow and its voyages between Liverpool and Philadelphia between 1850 and 1852, including advertising materials, receipts, and a passenger manifest.

The documents in the collection include three partially printed receipts signed by the Philadelphia agent Thomas Richardson for freight payments. There is also a manifest of the passengers who sailed on the ship in August 1852, listing their names, age, sex, occupation, country of origin and "Country of which it is their intention to become inhabitants," number of packages or baggage, and number of passengers who died during the voyage. The passengers are separated into those sailing via cabin or steerage, and they range in age from infants to 70 years old. Countries of origin include Ireland, England, the United States, France, Germany, Scotland, Switzerland, and Belgium. Final destinations for immigrants include the United States, Canada, and Peru. A variety of occupations are represented, such as farmers, merchants and shipping agents, engineers, weavers, millwrights, and skilled tradesmen like a glass cutter, blacksmith, jeweler, galvanizer, and more. A British vocalist, Thomas Bishop, and Boston artist John Pope (1821-1880) are listed as cabin passengers.

Advertising materials include a November [1850] printed circular sent to William D. Lewis for an upcoming event to "celebrate the arrival of the Steamer 'City of Glasgow,' the first of the new line of Steamships established to ply between this port and Liverpool." There is also an illustrated printed broadside produced by the Richardson Brothers & Co. in 1851 to advertise the Liverpool and Philadelphia Steam Ship Company and the Pennsylvania Steam Ship Company's "Steam Communication Monthly from Liverpool to New York, Baltimore, Pittsburg, Cincinnati, Charleston, Havana, &c., By Way of Philadelphia." The City of Glasgow is listed as one of their four ships, with notes about ship tonnage, departure dates, rates of passage, rates of freight, and additional information about securing railroad tickets to American cities. Printed on yellow paper, the broadside features a decorative border and an engraving of a steamship.

A colored engraving of the City of Glasgow sailing down the Delaware River, clipped from Gleason's Pictorial Drawing Room Companion, is also present.