Collections : [University of Michigan William L. Clements Library]

Arnold and John Nesbitt of London, England, received these six monthly reports for the Mount Nesbitt sugar plantation in Saint John Parish, Grenada, between October 1777 and March 1778. Each document is headed "Journal of the Proceedings on Mount Nesbitt Estate." The tabular reports include daily numerical data on the numbers of enslaved workers on the plantation and the types of work being performed, including watch and stock keepers, "Black tradesmen," domestics, and as part of great and small gangs. Days where no plantation work was undertaken were noted, such as on Sundays, Christmas, and New Year's Day. The tables also document numbers of enslaved people identified as "Sick & Lame," "Superannuated" or children; the deaths and births of the month identified by name; and the numbers who ran away. The reports also record numbers of livestock, weather, and provisions broached. General remarks include particulars of agricultural tasks, plantation maintenance, and other labor undertaken by the enslaved, work demanded of the sick, names of enslaved people who escaped and were recaptured, and notable events like the meal served on Christmas.

Arnold and John Nesbitt of London, England, received these six monthly reports for the Mount Nesbitt sugar plantation in Saint John Parish, Grenada, between October 1777 and March 1778. Each document is headed "Journal of the Proceedings on Mount Nesbitt Estate." The tabular reports include daily numerical data on the numbers of enslaved workers on the plantation and the types of work being performed, including watch and stock keepers, "Black tradesmen," domestics, and as part of great and small gangs. Days where no plantation work was undertaken were noted, such as on Sundays, Christmas, and New Year's Day. The tables also document numbers of enslaved people identified as "Sick & Lame," "Superannuated" or children; the deaths and births of the month identified by name; and the numbers who ran away. The reports also record numbers of livestock, weather, and provisions broached. General remarks include particulars of agricultural tasks, plantation maintenance, and other labor undertaken by the enslaved, work demanded of the sick, names of enslaved people who escaped and were recaptured, and notable events like the meal served on Christmas.

The Journal ou Campagne… documents the movements of the French naval squadron commanded by the Comte de Grasse during the American Revolution.

The journal, which is titled Journal ou Campagne des Armées de Terre et de Mer, depuis le 22 Mars, 1781, jour du départ de l'armée navale françoise, commandée par Mr. le Comte de Grasse, de la Rade de Brest jusques au 31 May, 1782, jour auquel l'escadre commandée par Mr. le Marquis de Chabert, est partie de la Rade du Cap François pour conduire en Europe un convoy de 126 voiles, avec les details de la traverse la ditte escadre, documents the movements of the French naval squadron commanded by the Comte de Grasse during the American Revolution. Written by an anonymous member of the French navy, the journal begins with the fleet's departure from Brest on March 22, 1781, followed by their arrival at St. Lucia at the end of April. While in the West Indies, the author recorded enemy activities and engagements, including a battle led by the Marquis de Bouillé, who landed on St. Lucia, "sous le fond d'une batterie des ennemis" (under a battery of enemies), and captured one-hundred prisoners (p. 4).

The fleet remained in the West Indies for the next several months. In July, while the ships were stationed at Cap François at Saint Domingue, dispatches arrived from Generals Washington and Rochambeau, asking for naval support to defend against General Cornwallis's forces, who were stationed in Virginia, poised to invade Maryland, and if it would be possible "d'arreter ces progrès et même de le prendre lui et son armée, si nos forces maritimes devenoient superieurer…"to stop their progress and even capture him [Cornwallis] and his army, if our maritime forces proved superior) (p. 6).

The author then discussed the preparation and departure of the fleet, which arrived at the Chesapeake on August 30th, where de Grasse proceeded to blockade the entrances of the York and James rivers. The journal then records the slaughter of Marquis de St. Simon's men by British soldiers at the James River. The author described corpses exposed on the river bank, and the devastation of a deserted region: "tel fut le triste et cruel spectacle, qui s'offrit a ces yeux," (such was the sad and cruel spectacle that showed itself to these eyes) (verso p. 8). After de Grasse's arrival, Cornwallis swiftly fortified his position at Yorktown. The journal contains details on the Battle of the Chesapeake, fought between French and British fleets on September 5th, and includes a diagram of the positions of the French and English ships on the Chesapeake (inlaid at p. 9).

By mid-October, Cornwallis was forced to surrender; the journal includes a copy of the articles of capitulation, signed on October 19th (p. 14). After successfully blockading the Chesapeake, and the surrender of Cornwallis, de Grasse returned to the West Indies. The journal contains accounts of the Marquis de Bouillé's attack on St. Eustatius, the captures of Martinique and St. Christopher, and the articles of capitulation for the surrender of St. Christopher. The journal also contains an account of the April 1782 battle in which Admiral Rodney defeated de Grasse's fleet. The end of the journal contains lists of the vessels under de Grasse and the Comte de Barras, along with a list of British ships (September 5, 1782).

The Key West, Dry Tortugas album (10 x 12 cm) contains 14 collodion printing-out-paper prints consisting of architectural views of Fort Jefferson, Florida, portraits of government employees at Fort Jefferson and Key West, a view of Bird Key and a group of dairy cows on Key West.

The Key West, Dry Tortugas album (10 x 12 cm) contains 14 collodion printing-out-paper prints consisting of two exterior and seven interior views of Fort Jefferson, Florida, two group portraits of the "Commandant" with his brother and wife, a view of "Bird Key, near K[ey] W[est]", a group portrait of 25 men posed outdoors with the caption: "Govt. employees at Key West, Florida. All except 11 died, yellow fever, 1899.", and a picture of cows on a street captioned: "A walking dairy at Key West; the manner in which milk is delivered." Two photographs in mounts are labeled: "Burgert Bros., Key West, Florida.

The album has a half-cloth cover with floral cloth boards and the title "Photogs" imprinted in silver. Housed in a gray box.

The Ladd family carte-de-visite album contains carte-de-visite and tintype portraits of members of the Ladd and White families, as well as other individuals. The volume belonged to a woman named Annis.

The Ladd family carte-de-visite album (14cm x 12cm) contains formal studio portraits of members of the Ladd and White families, as well as other individuals. The photographs are comprised of 30 cartes-de-visite and 6 tintypes. An index to the photographs is partially filled out, though some items may not remain in their original positions or may have been removed. The volume contains pictures of men, women, and children, sometimes photographed in pairs; one child is shown sitting in a baby carriage. Some items have the photographer's name and studio location printed on the back; many were taken in Sterling, Illinois, and various towns in Michigan. The volume's brown cover has a raised geometric design, and the book has one metal clasp.

The Lakefront Michigan cottage photograph album contains approximately 440 images documenting the construction of a family lake cottage likely located in lower Michigan.

The Lakefront Michigan cottage photograph album contains approximately 440 images documenting the construction of a family lake cottage likely located in lower Michigan. The album (18.5 x 29 cm) has black cloth covers. Photographs include views of a work party clearing land for the cottage on May 3 1920; a truck with a load of lumber mired in a rut before being subsequently rescued; three men sealing the bottom of a rowboat which proceeds to sink in shallow water; the framing and roofing of the cottage; the mounting of a sign reading, "Non Nobis Solum" over the cottage; the addition of a dock; and furniture being moved inside. Other activities depicted include a game featuring a blindfolded woman holding a beer stein; the erection of a flagpole and subsequent raising of a flag accompanied by a bugle player and firing of a miniature cannon; swimming in the lake with innertubes; wading in the lake; and rowing in a seaworthy rowboat. A truck from Edgar's Sugar House in Detroit also appears in several photographs related to the construction of the cottage.

This volume is a typed journal of a group's canoe and camping trip on Lake George, New York, in the summer of 1892. The typescript is illustrated with 21 photographs of the campers, their equipment, and the scenery.

This volume is a 27-page typed journal of a group's canoe and camping trip on Lake George, New York, in the summer of 1892. The typescript is illustrated with 21 photographs of the campers, their equipment, and the scenery.

The Lake George camping party consisted of at least seven acquaintances: Charles W. Byrnes, Alice B. Byrnes, William L. Brown, Georgia B. Sumner, Edwin W. Andrews, Maybelle Ramsay, and R. C. Sargent. Maybelle and a man referred to as "the Doctor" left the group partway through the trip. The account, titled "Wotlarks: A Camping Journal," opens with an epigraph by William Henry Harrison Murray, followed by 24 pages of recollections. The campers embarked from Caldwell, New York, on July 31, 1892, spent 2 weeks on the lake, and then boarded a train for Boston from the area around Fort Ticonderoga on August 13, 1892.

The author of this typescript (possibly camper William L. Brown), described the scenery, meals, and notable incidents. He or she also quoted poems by P. Buchanan Read and Isaac Ogden Rankin. The 7 party members signed the final page of the typescript. Twenty-one photographs, pasted onto sturdy boards between pages of the journal, depict scenery around Lake George, the campers in their canoes, men and women posing with guns, a man fishing, the group near their tents, and other scenes.

The volume includes a carefully drawn or traced manuscript map of Lake George, marked with the places that the campers visited.

This volume contains an introduction to land surveying and its underlying mathematical principles. Included are practical problems, illustrated examples, and reference tables.

This volume (174 pages) contains an introduction to land surveying and its underlying mathematical principles. Included are practical problems, illustrated examples, and reference tables.

The book, entitled "Land Surveying," opens with an introduction to geometry and trigonometry then focuses on practical surveying applications (around p. 49). Definitions, theorems, and problems are illustrated with diagrams and example problems. The remainder of the volume (pp. 142-174) pertains to surveying measurements, methodology, and tools. The author explained different measurements, such as Scottish units, English units, and the "chain," and applied mathematical principles to surveyors' practices. Many problems include ink-and-watercolor pictures of irregularly shaped lakes or fields, and several concern locations referred to as "Broom Park," "Mire Park," "Farm Park," and "Hill Side Farm." Additional subjects of study are land division and measuring levelness. The volume also contains tables of measurements. Decorative geometric drawings, done in ink with the occasional addition of watercolors, are interspersed throughout the book.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The Lantern slides and glass plate negatives collection consists of approximately 1,260 magic lantern slides, glass plate negatives, and glass plate transparencies from commercial and non-commercial sources documenting a wide range of subjects.

The collection contains a total of 33 boxes and is loosely organized by topical groupings. The following list references individual boxes and the general nature of their contents.

• 10 x 12.5 cm glass negatives of views of Ann Arbor, Michigan, ca. early 1900s taken by an unidentified photographer. Includes views of several University of Michigan buildings, hospitals, fraternity houses, and private residences.

• Sixteen 8 x 10 cm cardboard-mounted slides showing posters for upcoming films and local product advertisements intended for use in movie theater intermissions. Producers include Excelsior Illustrating Co., Inc. and Photo Repro Co., Inc. Identified films include High Steppers (1926); The Blind Goddess (1926); Without Mercy (1926); Chickie (1925); Stop, Look and Listen (1926); West Point (1927); Pals First (1926); Ella Cinders (1926); Paying the Price (1927); The Avalanche (1919); and Turn to the Right (1922).
• Ten 7.5 x 7.5 cm slides documenting damage caused by the 1906 San Francisco earthquake (two of the slides are broken).

• 10 x 12.5 cm glass negatives including scenic views of fields, woods and towns, Canterbury Cathedral, ships in harbor, New York City streets, Coney Island beaches, street merchants, and children interacting with dogs (often humorously). All or some the images were produced by photographer William S. Pearsall in 1906 or earlier.

• Twenty-two 8 x 10 cm cardboard-mounted slides (some damaged) showing motion picture posters intended for display during movie theater intermissions with play dates handwritten in space at bottom. Dates listed range from 1918 to 1929. Identified films include The Devils Circus (1926); The Love of Sunya (1927); The Bridge of San Luis Rey (1929); Mademoiselle Modiste (1926); Classified (1925); Chang (1927); The Demi-Bride (1927); The Swell-Head (1927); Steele of the Royal Mounted (1925); The Voice of the City (1929); His Supreme Moment (1925); Monte Carlo (1926); An Old Fashioned Boy (1920); Lovers in Quarantine (1925); Riders of the Dawn (1920); Paid Back (1922); The Breaking Point (1921); and Gypsy Blood (also named Carmen - 1918 in Germany, 1921 in U.S.A.)
• Seven 8 x 10 cm hand-colored slides showing scenes from the popular book The Bad Boy and His Pa by George W. Peck produced by the Chicago Projecting Co. in 1904. Tableaux are carefully staged and elaborately tinted.

• Includes 8 x 10 cm slides showing scenes from The Bad Boy and His Pa by the Chicago Projecting Co. Other identified films include Babe Comes Home (1927); Figures Don't Lie (1927); and The Danger Girl (1916).

• Twenty-six 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. One item of particular note includes a notice to female patrons that they do not need to remove their hats if they are seated in the women’s section. Identified films include The Taxi Dancer (1927); Square Crooks (1928); The City Gone Wild (1927); Too Much Money (1926); The First Night (1927); Broadway Nights (1927); Rainbow Riley (1926); The Wizard (1927); Vamping Venus (1928); The People vs. Nancy Preston (1925); Lovely Mary (1926); Rookies (1927); The Swan (1925); The Cohens and Kellys (1926); His People (1925); and My Official Wife (1926).

• Twenty-three 8 x 10 cm cardboard-mounted movie theater slides related to coming attractions or local products. Identified films include The Phantom Police (1926); The Testing Block (1920); The Brute Master (1920); The Cowboy Ace (1921); The Song and Dance Man (1926); His Brother's Keeper (1921); Private Izzy Murphy (1926); The Wanderer (1925); Eve's Leaves (1926); Good and Naughty (1926); It's The Old Army Game (1926); Vanishing Trails (serial, 1920); Don't Shoot (1922); The Whirlwhind of Youth (1927); The Shield of Honor (1927); Across to Singapore (1928); Naughty But Nice (1927); The Barrier (1926); For The Love of Mike (1927); The Dark Angel (1925); Keeping Up With Lizzie (1921); and Top O' The Morning (1922).
• Seven 8 x 10 cm slides (mostly duplicates) related to the Yale “Pageant of America” series showing damage in the aftermath of World War I.
• One 8 x 10 cm slide showing an ancient Egyptian tablet depicting battle.

• Twenty 8 x 10 cm slides documenting various activities in the town of Fitchburg, Massachusetts, around the turn of the 20th-century, including a hot-air balloon excursion and a fire engine race, along with other local scenes.
• Thirty-nine 8 x 10 cm slides showing scenic views (some hand-colored) in New Jersey and New York between 1896 and 1907. Most are attributed to Dr. J. T. Morehouse, but other noted contributors include the Charles Beseler Co., Dr. Ferdinand G. Kneer, William Archibald, and George W. Lamoreux. Items of particular interest include an aerial view of lower Manhattan; a map of New Jersey showing holdings of Esso; and a hand-colored view of a high railroad bridge in Portage, New York.

• Twenty 8 x 10 cm slides by Ann Arbor photographer George R. Swain documenting select manuscripts and maps from the William L. Clements Library.
• One 10 x 12.5 cm glass negative view of the Clements Library exterior.
• Seven 8 x 10 cm slides of outdoor scenes in Alaska and California from around 1900.
• Two 8 x 10 cm copy negatives of elaborate unidentified interiors.

• Six 8 x 10 cm slides of scenes in California and British Columbia. Includes view of a redwood logging train.
• Ten 8 x 10 cm glass negatives of scenes in British Columbia, mountain views, and photos of maps.
• Four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library.
• Nine 8 x 10 cm slides showing people and places (notably Firle Place) in the United Kingdom during the 1920s.

• Six 8 x 10 cm slides by Ann Arbor photographer George R. Swain showing exterior and interior views of the William L. Clements Library in the 1940s.
• Twenty-four 8 x 10 cm slides by Ann Arbor photographer George R. Swain of items from the William L. Clements Library. Includes an image of materials from the Thomas Gage papers stored in one their original document chests.

• Five 8 x 10 cm slides showing unidentified locations (possibly in Alaska) produced by the Seattle, Washington studio of Asahel Curtis.
• Four 8 x 10 cm slide reproductions of paintings.
• Three 8 x 10 cm slides of miscellaneous content.

• 8 x 10 cm glass negatives documenting a 1728 French translation of an earlier memoir by Jerome Lobo regarding attempts to convert Ethiopians to Christianity. An enclosed note says slides were for “a Prestor [sic] John talk.”

• 8 x 10 cm slides from an extensive educational series on lumbering processes and techniques produced ca. 1910. Images detail the production of railroad ties, including loggers’ methods of shaping each piece with their axes, and the proper method of stacking ties. Most of these views appear to be from Michigan’s lower peninsula, but one slide is from Wyoming in 1910.

• 8 x 10 cm slides showing various stages in logging operations and mill processes in states from Maine to California. Includes one hand-colored view of a mill pond in Virginia and a map of the U.S. that renders the size of each state relative to its timber resources.

• 8 x 10 cm slides showing production stages for treenails and stulls. Also includes images of various types of mill saws in marketing photos as well as working mills.

• 8 x 10 cm slides primarily related to pulp production with views showing logging sites, stages of the milling process, and specific machinery used. Includes images showing both ox-drawn and wooden-wheeled logging wagons.

• 8 x 10 cm slides showing portable mills set up near logging sites and log flumes in various stages of construction and operation. Several images of elaborate flume constructions are present.

• 8 x 10 cm slides related to fir logging, possibly in Sitka, Alaska. Also present are a couple views showing treenail production.

• 8 x 10 cm slides showing locust logging, log loaders, and lumber yards.

• 8 x 10 cm slides showing different types of log loaders as well as maps of the U.S. highlighting population and timber resources.

• 8 x 10 cm slides related to the Lidgerwood (written as “Ledgerwood” on slide labels) logging system which made extensive use of winches and pulleys. The Lidgerwood Company was instrumental in building the Panama Canal and later developed machinery for the logging industry. Also present are more images of log loaders and diagrams/photos of mill machinery.

• 8 x 10 cm slides related to the Lidgerwood system as well as views of logging and mill operations in several states.

• 8 x 10 cm slides showing pull boats towing log rafts and various logging and milling operations.

• 8 x 10 cm slides showing finished lumber products being shipped by boat, rail, and wagon as well as images related to shingle production.

• 8 x 10 cm slides showing steps in the production of shingles, stulls, and poles as well as steps in paper production, including micro views of linen and cotton paper fibers.

• Twenty-eight 8 x 10 cm slides showing stages in paper production as well as views of portable mills and flumes, especially flume dumps.
• Ten 10 x 12.5 cm glass negatives by unidentified photographer ca. 1902 related to estate in Berlin, Maryland nicknamed “Anchuha.” Includes snapshots of house and family members.

• Despite the separate accession number, these lumbering slides appear to be from the same educational series contained in other boxes. The topics covered by the 8 x 10 cm slides in this box include agricultural use of logged spaces, large mill operations, redwood logging, steam tractors, splash dams and charcoal kilns.

• 8 x 10 cm slides covering log jams, barrel staves and cooperage, flumes, big tree logging, and maps of national forests. Non-Michigan locations also represented. Includes color slide by Asahel Curtis showing Douglas fir timbers on railroad car.

• 8 x 10 cm slides showing pole roads, agricultural use of logged land, large mills, machinery used in distillation and cooperage, logging of wide range of individual tree species. Non-Michigan locations also represented.

• 8 x 10 cm slides showing tramways, pull boats, portable mills, geared locomotives, and skidways as well as a graph comparing regional production. Nine shattered slides are present.

• 8 x 10 cm slides showing gasoline and steam skidders, lumber yards, motor trucks, and Arizona tree species. One image of particular interest shows an early Kelly truck with a full load of logs and an African American driver.

• Eight 8 x 10 cm glass negative copies of photos showing scenes in Alaska, including the Muir Glacier.
• Four 8 x 10 cm slide views of British Columbia, possibly from a Canadian Pacific Railroad car.
• Three 12.5 x 18 cm glass negative self-portraits by Charles P. Steinmetz, ca. 1904/5.
• One 12.5 x 18 cm glass negative titled “Girl on Bicycle”

The Latin America and Caribbean travel photograph album (17.25 x 21 cm) contains 36 captioned views of Jamaica, Panama, Peru, and Chile taken by an unidentified photographer. The majority of the photographs are of landscapes but local people are also depicted.

The Latin America and Caribbean travel photograph album (17.25 x 21 cm) contains 36 captioned views of Jamaica, Panama, Peru, and Chile taken by an unidentified photographer. The majority of the photographs are of landscapes but local people are also depicted. A photograph of the S.S. Limari is present in the album. Of note are a series of photographs documenting a trip on the Peruvian Central Railway, including a view of Infiernillo Bridge.

The Leonidas, Michigan photograph album (14.5 x 17.75 cm) contains fifteen snapshot views of Leonidas, a settlement in St. Joseph County, Michigan. The photographs focus on streets, buildings, and roads.

The Leonidas, Michigan photograph album (14.5 x 17.75 cm) contains fifteen snapshot views of Leonidas, a settlement in St. Joseph County, Michigan. The photographs show views of streets, a train depot and train, a paint shop, a cemetery, residences, and a group of four individuals in a carriage drawn by two horses.

The collection consists of letters and essays submitted to the editor of the United Service Journal for publication, principally regarding British naval and military matters.

The collection consists of letters and essays submitted to the editor of the United Service Journal for publication, principally regarding British naval and military matters. Topics range from naval architecture, technology, and weaponry, to histories of naval and specific military engagements and defenses of individual persons. The letters also regard such matters as the recovery of the HMS Thetis off the Brazilian coast, charities and education efforts, discipline, piracy, officer promotions, and military mortality in Canada. Several letters reference disagreements over articles published in the United Service Journal.

This volume contains medical essays composed at the Pennsylvania Hospital in Philadelphia in 1849 and 1850, as well as drafts of letters composed in 1878 and 1879. Essay topics include examinations of specific cases, information on various ailments, notes on surgical operations, and descriptions of medicines.

This volume (162 pages) contains medical essays composed at the Pennsylvania Hospital in Philadelphia in 1849 and 1850, as well as drafts of letters composed in 1878 and 1879. The first 99 pages consist of medical notes and essays written during Carson's final year studying medicine at the University of Pennsylvania, including reports on medical cases, information on ailments and medicines, and notes concerning surgical operations. Essays on ailments and medicines (pages 100-159) focus on symptoms and relief, and include several based on particular types of medicines, such as diuretics and expectorants. Other essays examine the effects of the medicines on the body. The volume also contains medicinal recipes (pp. 160-161). Several doctors are mentioned, including H. S. Patterson, Joseph Carson, G[eorge] B. Wood, and Henry H. Smith. The medical content dates from March 15, 1849, to January 1850, and covers most of the volume's odd-numbered pages, with additional content appearing on some even-numbered pages, including several rough sketches of generic human figures that appear on the inside of both covers and throughout the book, and a series of indexes of miscellaneous words. Some additional items are signatures for residents of several towns in New York, a poem entitled "Buccaneer Bride" (p. 42), recipes for breakfast rolls and doughnuts (pp. 46, 48), household accounts for decorative items, and drafts of letters. Of the letters, one is signed by Grace Burton of Millport, New York. Addie A. McCurdy, also of Millport, New York, occasionally signed her name on some of the even-numbered pages.

This collection is made up of typescripts and copies related to Lewis C. Mead's service in the 22nd Michigan Infantry Regiment, Company I, during the Civil War, including his time as a prisoner of war. He wrote letters home while serving in Kentucky, Tennessee, and Georgia, and during his imprisonment in Libby Prison and other Confederate prisoner-of-war camps.

This volume (177 pages) contains typescripts and copies related to Lewis C. Mead's service in the 22nd Michigan Infantry Regiment, Company I, during the Civil War. The collection includes an introduction by Mead's youngest daughter.

Pages 1-148 largely consist of letters that Mead wrote to his parents and sister during his military service. He described camp life, marches, and scenery in Kentucky, Tennessee, and Georgia (particularly in and around Lexington, where the regiment was stationed for much of the winter of 1862-1863). He mentioned Lexington's African American population, his African-American servant in Nashville (shared with his tent mates), promotions and officer elections within his company and regiment, executions of deserters, and a skirmish with Confederate forces. From October 1863 to November 1864, he wrote from Libby Prison and other Confederate prisoner-of-war camps. Mead discussed his health and his possible release or exchange. By the time he resumed his correspondence in March 1865, he had returned to the regiment. He remained with the unit until at least May 1865.

A small number of letters by other writers include an early order by J. W. Trueman authorizing Mead to raise a company for a regiment of lancers (October 3, 1861) and several written to the Mead family during the war. E. S. Woodman, an acquaintance, and other soldiers provided news about Lewis C. Mead's capture and imprisonment in October 1864. Postwar correspondence includes family letters and a letter from H. S. Dean to Lewis C. Mead regarding a visit to the Chickamauga battlefield by Michigan veterans (October 25, 1893).

The letters are followed by Mead's ca. 1886 reminiscences of his Civil War service, including his experiences during the Battle of Chickamauga and his subsequent imprisonment (pp. 149-164); a speech by Mead about the 22nd Michigan Infantry Regiment's Civil War service (pp. 165-172); and additional reminiscences written after a 50th anniversary visit to the Chickamauga battlefield, Chattanooga, Tennessee, and other locations related to Mead's wartime experiences (pp. 173-177).

The volume contains a photocopy of a newspaper obituary for Lewis C. Mead, published in The Daily Press. Photocopied photographs include Lewis C. Mead around the time of his enlistment and as an older adult; "Johnny Clem," a 12-year-old soldier who was embedded with Mead's regiment (pictured in uniform holding a gun); James Arthur Gallery wearing Mead's dress uniform; and Owen Carlisle Frost in a World War I-era army uniform.

A typescript copy of a letter by William Hayden Smith regarding his experiences with the 1st Michigan Infantry Regiment around the time of Robert E. Lee's surrender at Appomattox is pasted into the volume's back cover (April 9, 1865).

The Liberty Bell Tour photograph album contains approximately 580 photographs depicting the journey of the Liberty Bell from Philadelphia, Pennsylvania, to the Panama-Pacific International Exposition in San Francisco, California, and back again in 1915.

The Liberty Bell Tour photograph album contains approximately 580 photographs depicting the journey of the Liberty Bell from Philadelphia, Pennsylvania, to the Panama-Pacific International Exposition in San Francisco, California, and back again in 1915.

The album (40 x 28 cm) has black paper covers and 305 pages, 14 of which do not contain any photographs. The photographs are generally arranged in chronological sequence and depict loading the Liberty Bell onto parade floats and train cars, celebratory parades, gathered crowds, and individuals and groups posing with the Liberty Bell. Numerous pictures include captions referencing the locations in which they were taken. The album also contains two small maps, each showing one of the routes of the cross-county trips that the Liberty Bell took, as well as landscape photographs of scenes in the western United States. Notable persons photographed with the Liberty Bell include Thomas Edison, members of the Daughters of the American Revolution, and groups of Native Americans in Cayuse, Oregon. Landscapes pictured include views of Wyoming, Pulpit Rock, Bear River Canyon, Mount Shasta, Shasta Springs, Horseshoe Curve, Royal Gorge, the Rockies, Salt Lake, and Feather River Canyon.

This collection consists of 8 affidavits recorded in Lincoln County, Kentucky, in 1808. The statements, all provided by slaves, concern events leading up to the stabbing of a slave named Moses in May 1808.

This collection consists of 8 affidavits (16 pages) recorded in Lincoln County, Kentucky, in 1808. The statements, provided by slaves named Ben, Peter, Caleb, Martin, Frank, David, Lew, and Jim, concern events leading up to the stabbing of a slave named Moses in May 1808. According to their testimony, Ben and Lew had a financial dispute after a card game, which later led to an altercation between a slave named Surry, who was a relative of Ben, and Moses, who was acquainted with Lew. The slaves who were involved in and who witnessed the incident belonged to several different masters. The affidavits provide detailed information about the men's activities before and during the fight between Surry and Moses.

Additional research about the collection and the context of Surry's murder trial is available in the Manuscripts Division.

The Lippincott family carte-de-visite albums contain formal carte-de-visite portraits of members of the Lippincott, Thorne, and Taylor families of Philadelphia, Pennsylvania, many in the traditional dress of Quakers. Two photographs show men in military uniform.

The two Lippincott family carte-de-visite albums (both 14cm x 11cm) contain portraits of members of the Lippincott, Thorne, and Taylor families of Philadelphia, Pennsylvania. Volume 1 has 18 cartes-de-visite and 1 tintype, and Volume 2 has 24 cartes-de-visite and 1 lithographic card. Most photographs are formal studio portraits taken by Philadelphia photographers of men, women, children and elderly women. Many are in the traditional dress of Quakers. Civil War soldiers Joshua and Powell Thorne appear in military uniforms. Several photos have revenue tax stamps. A portrait of activist Lucretia Mott by H.C. Phillips is included. Each of the volumes has a brown leather cover decorated with geometric designs. Both albums had two metal clasps; the first is missing one of two clasps and the second has both clasps intact.

This collection is comprised of five volumes of copied passages from magazines, newspapers, speeches, and other literary sources, on subjects such as religion, history, philosophy, economics, science, and fiction. Also included is a handwritten essay on "Physical and Moral Courage," and a Wilmington, Delaware, bond related to the estate of Edwin A. Wilson, April 1, 1859.

This collection is comprised of five volumes of copied passages from magazines, newspapers, speeches, and other literary sources, on subjects such as religion, history, philosophy, economics, science, and fiction. Also included is a handwritten essay on "Physical and Moral Courage," and a Wilmington, Delaware, bond related to the estate of Edwin A. Wilson, April 1, 1859.

The creator of these commonplace books, writing in a dense, consistent hand, recorded passages from a wide range of authors that include Plato, Aristotle, Tertullian, Geoffrey Chaucer, Martin Luther, Nathanial Hawthorne, Charles Dickens, Baden Powell, Oliver Wendell Holmes, and others. Publication notices and excerpts of literary reviews are frequently noted. Passages often include references to the author or the publication source. Latin, Greek, and Hebrew words or lines periodically appear as well.

Included in the collection is a handwritten essay, titled, "Physical and Moral Courage", exploring these ideas within the framework of Ancient Spartan society, as well as their relationship to the legacy of Julius Caesar. A partially-printed bond dated April 1, 1859, from Joseph C. Seed to David Craig and William Tatnall in Wilmington, Delaware, pertains to the estate of Edwin A. Wilson.

• The Atlantic Monthly
• The British Quarterly Review
• The Christian Examiner
• Debow's Review
• The London Lancet: A Journal of British and Foreign Medical and Chemical Science, Criticism, Literature, and News
• The London Quarterly Review
• The National Review
• The New York Tribune
• The Saturday Review of Politics, Literature, and Science
• The Spectator
• The Weekly Caucasian
• The Westminster Review

This collection contains five letters written by a woman named "Lizzie" to "John," a close friend or family member. She discussed her life in New York City, with a particular emphasis on the 1875 Henry Ward Beecher trial, religion, and life in Harlem.

This collection contains five letters written by a woman named "Lizzie" to "John," a close friend or family member. She discussed her life in New York City, with a particular emphasis on the 1875 Henry Ward Beecher trial, religion, and life in Harlem. Lizzie, who first lived near Columbus Circle, was interested in the ongoing litigation between Henry Ward Beecher and Theodore Tilton, and repeatedly expressed her desire to procure tickets should the famous preacher take the witness stand. She wrote that "There are some who would never believe him guilty but consider him the victim of a cruel plot or circumstantial evidence; but there are other some [sic] who express themselves as willing to accept whatever verdict the jury brings in" (January 21, 1875). Lizzie also shared the experiences of her daily life, particularly after her relocation to Harlem, which she described in a February 1875 letter. In addition, Lizzie provided her thoughts on her local church and, briefly, on the merits of a number of New York newspapers (May 12, 1875). In one letter, dated March 12, 1875, she drew a small diagram of her lamp chimney.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in England, France, Germany, and the Netherlands. Both journals have pencil drawings of people encountered and each doubles as a scrapbook with photographs, tickets, programs, and other ephemera.

The Louis G. Monté collection is made up of 2 diaries about Americans traveling in Europe in the summer of 1899. Monté and another traveler wrote entries about sightseeing in several European countries, and both used their journals as scrapbooks.

Louis G. Monté wrote daily diary entries between July 5, 1899, and August 26, 1899 (Volume 1, pages 5-73). He described his journey from Charlestown, Massachusetts, to England on the steamer New England and arrived on July 14. He saw the sights in London, England; Paris, France; Aix-la-Chapelle (Aachen), Cologne (Köln) and Düsseldorf, Germany; and Amsterdam and Haarlem, Netherlands. He often visited museums and commented on local architecture and customs. Monté's brief final entries pertain to his return journey from Antwerp, Belgium, to New York on the steamer Southwark. Monté also used his book as a scrapbook for photographs and ephemera (pages 1-4 and 1a-36a; not all pages are used), and he wrote notes about French, English, and German currency on pages 2-4. The book's endpapers and cover also have items pasted in, such as tickets, programs, advertisements, and other ephemera. Photographs primarily depict scenes and people in the Netherlands, and numerous drawings illustrate people he encountered during his European travels. Pages 21a-22a (Volume 1) contain an essay on English architecture.

The second diary (unattributed) covers the author's travels from August 3, 1899-August 16, 1899 (pages 1-33), with photographs, stamps, tickets, train schedules, and other ephemera interleaved with the journal entries (pages 34-55 and 1a-55a; not all pages are used). The author drew pictures of people and wrote notes. He visited the same locations as Monté and sketched a nearly identical image of a woman in Aix-La-Chappelle, Germany (Vol. 1, p. 19a; Vol. 2, p. 2). Most of the pasted-in ephemera items pertain to travels in the Netherlands.

The Louisiana Purchase Exposition collection contains 16 items, most of which are related to the 1904 Louisiana Purchase Exposition in St. Louis, Missouri, including 14 photographs, 1 letterpress halftone, and an illustrated book cover.

The Louisiana Purchase Exposition collection contains 16 items, most of which are related to the 1904 Louisiana Purchase Exposition in St. Louis, Missouri, including 14 photographs, 1 letterpress halftone, and an illustrated book cover.

• The front cover of an illustrated handbook (22 x 15 cm) about the fair by Dr. Charles M. Kurtz titled Saint Louis World's Fair, Commemorating the Acquisition of the Louisiana Territory
• A platinum print portrait (mount 35 x 28 cm) of Dr. Kurtz by Hollinger & Co. of New York, likely produced around the time of the exposition
• A letterpress halftone portrait (mount 28.5 x 21 cm) of Dr. Kurtz including an autograph from a later period
• A gelatin silver photograph (19 x 15 cm) by Carl Peter Ording of the sculpture titled North Dakota by Bruno Zimm depicting a semi-nude woman in classical garb
• Twelve gelatin silver photographs (23.5 x 18 cm) of exhibit halls showing framed paintings hanging on draped walls; these are likely views of the exhibition of American and international artists curated by Dr. Kurtz

This collection contains around 100 land surveys pertaining to property along the southern Mississippi River in the late 18th and early 19th centuries.

This collection contains around 100 land surveys with maps pertaining to property along the southern Mississippi River in the late 18th and early 19th centuries. Many of the items are signed by William Dunbar, Valentine Layssard, and Carlos Trudeau, surveyors under the Spanish government in West Florida and Louisiana. The collection contains petitions, grants, and other documents, many of which are in French or Spanish. The lands fell under the jurisdiction of several administrative districts, including Natchez, Baton Rouge, Feliciana, Rapides, San Bernardo, and Galveston.

The MacMillan Arctic Expedition photograph album contains approximately 160 photographs related to the Arctic Expedition to Greenland in the summer of 1925 led by Donald Baxter MacMillan aboard the ships Peary and Bowdoin.

The MacMillan Arctic Expedition photograph album contains approximately 160 photographs related to the Arctic Expedition to Greenland in the summer of 1925 led by Donald Baxter MacMillan aboard the ships Peary and Bowdoin. The photographs were removed from the journal of Chief Boatswain Earl E. Reber, an expedition pilot, and stored in plastic sheets in a green three-ring binder (30 x 30 cm). Images of interest include scenes from the departure out of Boston, Massachusetts; a stop at Labrador; many views of native peoples and landscapes of Greenland; and shipboard photographs including individual and group crew portraits, crew members playing pirate, and a view of the captain's table with officers and servants. Landscape views include rocky shorelines, glaciers, drift and pack ice, icebergs, and aerial photographs of Etah harbor, the Greenland ice cap, and Ellesmere Island. Crew members are shown in various images interacting with native Greenlanders onboard ships, showing a group of children how to use a camera, and visting a native Greenlander residence. Additional images include views of an Inuit summer hut and permanent shelter, sled dogs, and natives kayaking and cleaning a walrus carcass; the unloading and assembly of the Loenig amphibious aircraft; and waterfront views of Battle Harbor, Labrador, and of Gotthaab, Godhavn, and Umanak, Greenland.

Expedition members identified by typewritten captions include: Floyd Benney, Richard Byrd, Leo Max Davidoff, Albert Francis, Jacob Gayer, John La Gorce, Donald MacMillan, E. F. McDonald, A. C. Nold, W. D. Publicover, Earl E. Reber, Charles Rocheville, M. A. Schur, Nels Sorensen, and G. F. Steele.

A currently unidentified person wrote this temperance speech in Madison, Connecticut, around 1849. The writer included extracts from previous annual reports of the Madison Temperance Society and provided a brief history of the society before writing about the effect of drinking and temperance on society.

A currently unidentified person wrote this temperance speech in Madison, Connecticut, around 1849. The writer included extracts from previous annual reports of the Madison Temperance Society and provided a brief history of the society before writing about the effect of drinking and temperance on society.

The extracts include the number and sex of adult members, as well as the number of juvenile members. The writer noted that a majority of the members were women and that a significant portion of members who pledged against the use of distilled liquors were self-proclaimed Sons and Daughters of Zion.

The writer frequently referenced the Gospel, proclaiming that "no drunkard shall inherit the Kingdom of Heaven" (page 20). They tell the story of a man in the prime of his life who, although working hard, could never acquire a "permanent home" for himself and his family because of his expenditures on alcohol. The writer insisted that if those men stopped spending their money on alcoholic beverages, they would be able to afford a home and good clothing for their family within a few years.

The speech concludes with a condemnation of members who violated their pledges, and a suggestion that further steps be taken to ascertain the exact number of society members on account of poor record-keeping.

An unidentified tradesperson, possibly a cooper or blacksmith within the area of Washington County, Maine, kept this account book between 1818 and 1824. They document debts and credits with several members of the community. Customers' debts included services (mending rakes, pails, and tubs, making tubs, and making a delivery) as well as goods (flax seed, various grains, leather, churns, and tubs). The accounts also record credits, often in the form of bartered services and goods such as chopping acres, setting shoes, making a chisel, and hay and corn. One sheet of paper is laid into the volume, recording births and marriages in Nathaniel C. Kelly and Abigail Kelly's family.

An unidentified tradesperson, possibly a cooper or blacksmith within the area of Washington County, Maine, kept this account book between 1818 and 1824. They document debts and credits with several members of the community. Debts included services (mending rakes, pails, and tubs, making tubs, and making a delivery) as well as goods (flax seed, various grains, leather, churns, and tubs). The accounts also record credits, often in the form of bartered services and goods such as chopping acres, setting shoes, making a chisel, and hay and corn. One sheet of paper is laid into the volume, recording births and marriages in Nathaniel C. Kelly and Abigail Kelly's family.

An unidentified tradesperson, possibly a cooper or blacksmith within the area of Washington County, Maine, kept this account book between 1818 and 1824. They document debts and credits with several members of the community. Customers' debts included services (mending rakes, pails, and tubs, making tubs, and making a delivery) as well as goods (flax seed, various grains, leather, churns, and tubs). The accounts also record credits, often in the form of bartered services and goods such as chopping acres, setting shoes, making a chisel, and hay and corn. One sheet of paper is laid into the volume, recording births and marriages in Nathaniel C. Kelly and Abigail Kelly's family.

An unidentified tradesperson, possibly a cooper or blacksmith within the area of Washington County, Maine, kept this account book between 1818 and 1824. They document debts and credits with several members of the community. Debts included services (mending rakes, pails, and tubs, making tubs, and making a delivery) as well as goods (flax seed, various grains, leather, churns, and tubs). The accounts also record credits, often in the form of bartered services and goods such as chopping acres, setting shoes, making a chisel, and hay and corn. One sheet of paper is laid into the volume, recording births and marriages in Nathaniel C. Kelly and Abigail Kelly's family.

Manuscript Passages from the Greek Testament, with English Translations by Cotton Mather is a twenty-six page manuscript, containing selected verses from books of the New Testament. Some verses are in Greek, some are in English, and others are in both languages.

Manuscript Passages from the Greek Testament, with English Translations by Cotton Mather is a twenty-six page manuscript by an unknown hand, containing selected verses from books of the New Testament. Some verses are in Greek, some are in English, and others are in both languages.

Pages 1-3 include verses from Matthew, Mark, Luke, and Acts. They are not in order by book, chapter number, or verse number. The remaining 23 pages contain verses and partial verses from all of the books of the New Testament except Philippians, Titus, and Philemon; most are from Matthew, Mark, Luke, John, and Acts. Short phrases in many of the English verses are underlined and alongside them are Greek translations in parentheses. Although the manuscript is not explicitly subdivided, some verses are grouped by verb usage. For example, part of page 20 groups Romans 5:5, Romans 5:11, 1 Corinthians 7:37, 2 Corinthians 1:24, and others together. They each contain some variation of the verb ίστημι.

The manuscript is bound with an undated portrait engraving of Cotton Mather, by H.B. Hall's Sons, New York. A letter from Thomas J. Holmes, librarian at the William Gwinn Mather Library in Cleveland, Ohio, to J.C. Wheat, librarian at the William L. Clements Library (May 13, 1935) is laid inside the front cover of the volume. In the letter, Mr. Holmes offers his opinion regarding whether or not the manuscript is in the hand of Cotton Mather; he is uncertain.

The Manuscript Sheet Music collection is made up of manuscript music scores, correspondence, and composers' autographs.

The Manuscript Sheet Music collection (approximately 140 items) contains manuscript music scores and composers' autographs, as well as correspondence and other items.

The bulk of the collection is comprised of around 80 music scores, which range in length from one line to several pages; some are complete works, and some are fragments. Most of the brief melodies are accompanied by the composers' signatures and may have been intended as autograph gifts. The longer works are mainly piano and/or vocal scores, and some include lines for violin with piano accompaniment. Lyrics, when present, are written in English and German. Some of the scores are dated and signed, and a few were written in German cities. The cover of the score for "Barcarola" includes an engraving of "The Great Western crossing the Atlantic," and Harry Keyser's "Two Etudes for Pianoforte" is accompanied by a letter by the composer. A manuscript music book belonging to "Th. Hämb, Junior" contains several short pieces with lyrics in a Nordic language.

Additional autographed items include 25 autograph cards, 8 autograph musical quotations, 10 sheets of paper (some with inscriptions), and a photograph of violinist A. Rivarde. Many of the autographed cards, which are the size of business cards or visiting cards, are dated at Chicago in the mid- to late 1880s. The collection's 8 letters (in English, German, and Italian) include one man's opinion of a performance of "Wanda" and a letter illustrated with lines of music. Additional items are a program for a Manchester, New Hampshire, performance of the comic opera Jonah, an ink drawing of a decaying stone building, and lines of poetry or musical lyrics.

The Marble, Colorado photograph album contains approximately 55 photographs related to industry built around the marble quarry and stone works of Marble, Colorado.

The Marble, Colorado photograph album contains approximately 55 photographs related to industry built around the marble quarry and stone works of Marble, Colorado. The album (20 x 28 cm) has brown leather covers and is partially disbound. Numerous images have manuscript captions on their versos. Images of interest include views of the marble quarry; the town of Marble; the trolley used to move marble slabs; the school and cottages made for the workers; the saw mill, finishing mill and planer; power generators; a 3-photo bird's-eye view of the marble deposit and quarry; a 2-photo panorama of the mill and village; the lathe making marble columns; a cave for mining called the Wilson Opening; and elements of the Denver-based U.S. Post Office and Federal Building (now the Byron R. White U.S. Courthouse) and Cheesman Park Memorial being constructed. The last photograph of the album bears the stamp of Arthur Luckhaus.

This collection is made up of 27 legal documents and financial records pertaining to residents of Marblehead, Massachusetts, between 1730 and 1812.

This collection is made up of 27 partially printed legal documents and financial records pertaining to residents of Marblehead, Massachusetts, between 1730 and 1812. Sixteen items are statements of monthly and annual taxes that individual Marblehead residents owed between 1780 and 1812; most are addressed to Benjamin Lancey (or Lansey). The remaining items pertain to financial agreements, real property ownership and sales, and shipping. Two indentures concern the division of large residential buildings and provide detailed information about the rooms and passages belonging to each owner. One financial document relates to the town's fishing industry, and two relate to the schooner Sally: a bill of sale and an insurance policy.

Additional legal documents include an appointment of guardianship and a plaintiff's bill for legal costs incurred during a case in the Circuit Court of Common Pleas for the Middle Circuit.

An unidentified person, likely living in the vicinity of Woburn, Massachusetts, maintained this account book between 1862 and 1864. They recorded financial transactions, the bulk with Messrs. Lewis & Culver. The volume also includes yearly cash accounts, documenting everyday purchases and payments, such as travel costs, foodstuffs, clothing and sewing supplies, and books and magazines. The volume also lists amounts earned by month, and a "Clothing Account" and "Furniture Account" for 1862.

An unidentified person, likely living in the vicinity of Woburn, Massachusetts, maintained this account book between 1862 and 1864. They recorded financial transactions, such as rent payments and daywork, with the bulk of the accounts with Messrs. Lewis & Culver. The volume also includes yearly cash accounts, documenting everyday purchases and payments, like travel costs to Boston and Reading, pencils and paper, produce, foodstuffs and spices, candy, tickets to events, clothing and sewing supplies, contributions to the "Plymouth Collection," and books and magazines. Titles purchased include the Lady's Book, Arthur's Magazine, Home Magazine, Sunday School Question Books, Home Missionary, and others. The volume also lists amounts earned by month, and a "Clothing Account" and "Furniture Account" for 1862. Several names appear at the back of the volume, including Joseph B. McDonald, John M. Stockman, Mary Eaton, James Donald, and others.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905.

The Massachusetts and Rhode Island vacation photograph album contains 28 snapshot photographs taken along the coastal regions of Massachusetts and Rhode Island ca. 1905. A majority of these images show Martha's Vineyard and Newport, Rhode Island. Many of these images show scenes of tourist destinations. Notable destinations include Paul Revere's House, the Thoreau-Alcott House, The Breakers, Touro Synagogue Cemetery, and the Marine Hospital of Vineyard Haven. Also shown are views of beaches and people in swimwear.

The album is 18.5 x 14.5 cm with dark brown cloth covers.

This photograph album contains formal portraits of men and women, many of which were taken in Massachusetts around the late 19th century.

The Massachusetts family album (15cm x 12cm) has 39 carte-de-visite and 3 tintype portraits of men and women. The photographs are formal studio portraits attributed to photographers in locations such as Boston, Massachusetts; Salem, Massachusetts; and Romeo, Michigan. Many of the photographs depict young men or women, and one photograph shows a couple. The tintypes have some hand-coloring. The album has a decorative red and black stamped leather cover with a metal clasp.

This collection contains 12 letters that a woman named Emma received from female friends and family members during the Civil War. Emma's correspondents commented on their social lives on the home front and discussed the increasing toll the war began to take on their male acquaintances, particularly with regard to conscription.

This collection contains 12 letters that a woman named Emma received from female friends and family members during the Civil War. Emma's correspondents commented on their social lives on the home front and discussed the increasing toll the war began to take on their male acquaintances, particularly with regard to conscription.

Nettie Hodgkins of Lock's Village, Massachusetts, was Emma's most frequently correspondent, a childhood friend who often addressed Emma as "Amy." Other writers included a cousin and sister. The letters sometimes have lists of mutual acquaintances who were drafted or otherwise involved with the military, including Emma's brothers, and occasionally refer to soldiers' deaths. One writer lamented the draft's "sad work" (July 21, 1863), and a woman named Esther described the death of her friend Sarah from a fever (December 17, 1864).

The Meadville (Pa.) and Scandia (Kan.) photograph album contains cabinet cards, cartes-de-visite, and other photographs of men, women, and children taken in Meadville, Pennsylvania, and Scandia, Kansas, in the late 19th century. Pictures of the National Monument to the Forefathers and a grave marker are included, as is a remembrance card for Nancy Anderson.

The Meadville (Pa.) and Scandia (Kan.) photograph album (27cm x 22cm) contains 38 items, including 26 cabinet cards, 8 cartes-de-visite, 1 tintype, and 3 additional photographic prints. The volume's purple-padded covers are bound in cloth, and it has a large metal clasp. A metallic plate shaped as the word "Album" was once affixed to the front cover and is now laid into the volume.

Most of the photographs are studio portraits of individual men, women, and children taken in Meadville, Pennsylvania, and Scandia, Kansas, in the late 19th century; the children pictured are infants and toddlers. Occasionally, the subjects are shown with a drum, a book, a dog, and one man posed on the sill of an artificial window. Two items laid into the volume are outdoor portraits of adults standing in front of a house, with a windmill visible to the side. A piece of tissue paper affixed to one of the cabinet cards has printed line drawings of a girl's face and flowers. The remaining items are a photograph of the National Monument to the Forefathers in Plymouth, Massachusetts; a photograph of a headstone for members of the Smock family; and a black card dedicated to the remembrance of Nancy Anderson (1818-1889), with a brief poem and other details printed in gold.

This ledger contains documentation of the overall assets and liabilities of a merchant from 1878-1894, possibly in New York State. It includes information on monthly sales and net profits for several years, invoices of goods received and weekly cash sales, trades in stock, lists of store fixtures, and detailed yearly inventories of the store's merchandise, with notes on quantities and values. The types of goods include jewelry, fashion accessories, stationery, albums and scrapbooks, writing utensils, decorative items and tableware, toiletries, toys, and books of varying genres.

This ledger contains documentation of the overall assets and liabilities of a merchant from 1878-1894, possibly in New York State. It includes information on monthly sales and net profits for several years, invoices of goods received and weekly cash sales, trades in stock, lists of store fixtures, and detailed yearly inventories of the store's merchandise, with notes on quantities and values. The types of goods include jewelry, fashion accessories, stationery, albums and scrapbooks, writing utensils, decorative items and tableware, toiletries, toys, and books of varying genres. The books and magazines represented include schoolbooks, children's books, poetry and literature, religious texts, and popular titles (including the Police Gazette), histories, etc.

The Michigan family photograph album contains cabinet cards and cartes-de-visite with portraits of various unidentified men, women, and children taken largely in Howell and Pontiac, Michigan, in the late 19th century.

The Michigan family photograph album (26cm x 20cm) contains 25 cabinet cards and 10 cartes-de-visite with portraits of unidentified men, women, and children taken in Howell and Pontiac, Michigan, in the late 19th century. The album's padded red velvet cover has the title "Album" on an artist's palette. Subjects were photographed individually, in pairs, and, on a few occasions, as families, with as many as four people appearing in one image. Two boys were accompanied by dogs. Some subjects appear in more than one picture, apparently at different ages.

The Michigan School photograph album contains studio portraits of unidentified men, women, and children taken mostly in Central and Southeast Michigan in the late 19th century, as well as two pictures of school buildings, at least one of which is from the campus of Michigan Agricultural College. The album contents are possibly a mixture of students and professors of M.A.C. plus family and friends of the unknown compiler.

The Michigan School photograph album (27cm x 21cm) contains 54 studio portraits of unidentified men, women, and children taken in Michigan cities such as Albion, Ann Arbor, Jackson, and Lansing in the late 19th century. The photographs are comprised of 40 cabinet cards and similarly sized card photographs, 11 cartes-de-visite, and 3 tintypes. Four pages from a different album (containing seven photographs) are laid into the volume, as is a photograph of an infant. Most of the images are individual portraits of adult men and women. Two images by a Lansing Michigan photographer are of school buildings, one identified as Michigan Agricultural College. A floral design is printed directly onto each page, and one cabinet card is designed to look as though the print is peeling off of the mount. A pink ribbon with the letters "Q," "L," and "S" attached to it is laid into the album. The volume's padded covers are wrapped in red cloth with a floral design imprinted on the front. A hard surface with the title "Album" is attached to the front cover.

The Midwest family photograph album contains approximately 275 photographs related to the life and family of an unidentified World War I serviceman likely from Indiana.

The Midwest family photograph album contains approximately 275 photographs related to the life and family of an unidentified World War I serviceman likely from Indiana. The album (26 x 18.5 cm) has black cloth covers with "Photographs" embossed in gold on the front. Images of interest include views related to an unidentified high school including classrooms, the basketball team, young women sewing in a classroom, the sophmore quartet, physics class, and a band at practice; views of soldiers in uniform shown beside army tents and barracks; the Waters Concert Band from Elkhart, Indiana; a woman holding a House of David flag; and many posed group and individual portraits, mostly taken on a farm or in other rural areas. One portrait photograph shows a young woman holding a camera bearing the caption on the verso: Mabel Devor. Several photographs show a man in a naval uniform aboard a ship, including a group portrait of a naval crew. A picture postcard of a young man's studio portrait is addressed to Mabel Devor, Salamonia, Indiana.

The Midwest family travel album contains approximately 150 photographs showing travel and leisure activities in Virginia, New York, Vermont, Iowa, Michigan, Minnesota, and Georgia that were likely compiled by a friend or relative of lumber executive and one-time mayor of Manistee, Michigan, Charles J. Canfield.

The Midwest family travel album contains approximately 150 photographs showing travel and leisure activities in New York, Vermont, Iowa, Michigan, Minnesota, and Georgia that were likely compiled by a friend or relative of lumber executive and one-time mayor of Manistee, Michigan, Charles J. Canfield.

The album (26 x 35 cm) has a black cloth binding. Photographs of interest taken in Vermont and New York include rural views, country roads, a woman bicycling, and a group relaxing beside the Batten Kill River in Eagleville, New York. Images from Sioux City, Iowa, include views of public buildings, a golf tournament between Sioux City and Le Mars, a football game between Sioux City and Council Bluffs, an interior view of a woman working at a desk, a high school group on stage in blackface, a shooting expedition, and group portraits of young people at the Sioux City High School and in costume at a "hobo party." Michigan-related photographs include views of Charles Canfield's cottage in Onekama, Michigan, Canfield's yacht "Uvira," views of forests in Manistee, and a lumber camp scene captioned "Camp 4 near Luther, Mich." Photographs from unidentified locations include views of a sawmill, flum, and lumber camp, several home interiors, mountains, and giant trees likely indicative of the West Coast. Two photographs also show a canoe with a Native American family on a lake in Northern Minnesota.

The Milbourne family portrait album contains photographs of members of the Milbourne family and other individuals, most of whom were related to the compiler. The volume includes cartes-de-visite, tintypes, and small prints mounted on thin cards.

The Milbourne family portrait album (11cm x 8cm) contains photographs of members of the Milbourne family and other individuals, most of whom were related to the compiler. The volume includes 5 cartes-de-visite, 5 carte-de-visite-sized tintypes, and 2 small prints (about 3cm x 3.5cm) mounted on thin cards (7cm x 6cm). Two of the tintypes, each cut into an oval, are loose in the volume, as are the two smaller card photographs. Many of the subjects are identified by manuscript captions as members of the Milbourne family and relatives of the album's owner; captions are also present for items that are no longer extant. With the exception of one picture of an infant, the portraits show men and women of various ages photographed individually and, in one instance, as a couple. One aunt is shown propped up on a pillow, and a Union soldier is identified as "General Sheridan." The album has a worn black leather cover.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910.

The Mildred Drury photograph album contains 175 photographs of young men and women taken while traveling throughout Europe and the United States ca. 1910. The images consist primarily of informal snapshots of family, friends, and travel. There are no captions or notations beyond an inscription on the front inside cover which reads, "Mildred W Drury."

The first pages of the album include photographs taken in New York City. On a few of these pages, Columbia University's Low Memorial Library can be seen. On page 15, a woman sculpting a bust and a sculptor's studio are shown. The next few pages show various views from the grounds of Château de Versailles. In particular, Hameau de la Reine can be seen in the background on page 20. Also taken in France, photographs on pages 68 through 70 show views from the Eiffel Tower. On page 21 are photographs of Ely Cathedral. The next series of photographs were likely taken in the Netherlands. Images show canals, canal boats, towpaths, and traditional dress and architecture of the region. Following, are five pages of the Alps, traveling through the mountains, and hotels. Photographs on pages 48 through 52 were taken in Italy and show Amalfi, Amalfi Drive (Strada Statale 163), Piazza San Marco, gondolas, and women doing laundry. The last portion of the album includes photographs likely taken in the United States. These photographs show family gatherings, snowshoeing, golfing, and canoeing.

The album is 20.25 x 14.75 cm with green cloth covers.

The Mill dam construction photograph album (18 x 26 cm) contains 33 photoprints documenting the construction of a dam for a mill, apparently in the Three Rivers section of Palmer, Massachusetts.

The Mill dam construction photograph album (18 x 26 cm) contains 33 photoprints documenting the construction of a dam for a mill, apparently in the Three Rivers section of Palmer, Massachusetts. One photograph shows a horse-drawn construction vehicle that is marked as belonging to H.P. Cummings Construction Company. The same photograph includes a beam labeled "Palmer Mill, Three Rivers, Mass."

The album has a gray paper cover and is housed in a light blue box.

Levi Jones of Milton, New Hampshire, recorded the Milton Sacred Musical Society's constitution, monthly meeting minutes, and membership fines in this volume between January and December 1817. Also included are financial records pertaining to Jones's estate after his death in 1847.

This volume (34 pages) contains minutes and other records related to the Milton Sacred Musical Society of Milton, New Hampshire, and financial accounts related to the estate of Levi Jones, the society's first secretary. The first section (22 pages) pertains to the Milton Sacred Musical Society. Its founding members adopted a constitution on January 1, 1817, outlining the group's internal organization and some of its formal procedures (pp. 5-10). Officers included a president, vice president, account auditors, secretary, and librarian, and members paid dues and additional fees for missing meetings or disobeying the president. The constitution also described procedures for admitting new members. The document is accompanied by a membership list and 3 pages of brief monthly meeting minutes for the year 1817 (pp. 19-22). The society cancelled their July and September meetings because of funerals. A piece of paper laid into the volume after the minutes contains a note certifying the publication of marriage banns for Stephen B. Stacey and Joanna Door, signed by Levi Jones in his capacity as town clerk (February 3, 1817). The second section of the book, which begins from the opposite cover, contains 11 pages of accounts between the Milton Sacred Musical Society and individual members. These accounts primarily reflect fees assessed after members failed to attend monthly meetings, and most charges are between 20 and 40 cents. None are recorded as having been paid.

The final 12 pages have financial accounts pertaining to the estate of Levi Jones, recorded between September 2, 1847, and April 13, 1848. Two pages of running accounts document expenditures and income, and the following 10 pages are comprised of notes regarding payments to specific individuals. The volume's interior covers were also used for unidentified mathematical calculations.

This collection contains 11 pencil sketches of the Missouri and Ohio Rivers and their surrounding cities. The sketches depict cityscapes, scenic and street views.

This collection contains 11 pencil sketches of the Missouri and Ohio Rivers and their surrounding cities. Each 11.5 x 18.5 cm sketch includes a brief handwritten caption denoting location. The sketches illustrate cityscapes, scenic and street views. Cities shown include Omaha, Nebraska; Saint Joseph, Missouri; St. Louis, Missouri; Louisville, Kentucky; and Cincinnati, Ohio. Specific locations depicted include Lafayette Park and Shaw’s Botanical Garden (Missouri Botanical Garden) in St. Louis, Missouri, and Lane Seminary in Cincinnati, Ohio.

This 32-page manuscript notebook, dated to the second half of the eighteenth century, is an instruction manual for the systematic use of color in mapmaking. Though the writer and exact date of publication are unknown, it is assumed that the writer was a master mapmaker and that this notebook was meant to be distributed to students who were learning how to make maps. An English translation of the notebook is published in "Coloring Manuscript Maps in the Eighteenth Century," Clements Library Occasional Bulletin 4 (January 2017): 5-11.

This 32-page manuscript notebook, dated to the second half of the eighteenth century, is an instruction manual on the systematic use of color in mapmaking. Though the writer and exact date of publication are unknown, it is assumed that the writer was a master mapmaker and that this notebook was meant to be distributed to students who were learning how to make maps. An English translation of the notebook is published in "Coloring Manuscript Maps in the Eighteenth Century," Clements Library Occasional Bulletin 4 (January 2017): 5-11.

The writer begins by explaining the process that one should follow when preparing and using colors for a map. After the writer explains how to mix colors, they offer detailed notes about the use of eight main colors; a palette of those colors is found on page three of the manuscript. Throughout the rest of the manuscript, the writer explains how to mix colors and correctly render features like cultivated lands, meadows, pastures, woods, vineyards, mountains, trees, hedges, rocks, quarries, sand, and rivers. Interspersed throughout the manuscript is the writer's observations about common mapmaking mistakes and diagrams illustrating different techniques.

The Montana photographs are comprised of card photographs, loose pages from a photograph album, snapshots, and various photographic prints. The pictures show groups of men and women, scenes inside and around a mine and mining camps, landscapes, city views, and street scenes.

The Montana photographs (120 items) are comprised of 38 loose photographic prints, 7 card photographs, and 13 loose pages from a photograph album (with 75 photographs). One of the card photographs shows an illustration of the Montana State Capitol, designed by John H. Kent; a posed photo shows George W. Shaw demonstrating a piece from a sewing machine (Philadelphia, 1876), and two mounted images show his booths promoting Shaw's pancake flour at the Montana State Fairs of 1900 and 1901. The unmounted prints, which include cyanotypes and Kodak snapshots, are pictures of mountainous landscapes, tent and log cabin camps, and men at work. Two group portraits are present, as are pictures of a mining camp in Arizona and the interior of a bedroom. The album pages contain informal portraits of members of the Daniels and Powers families, street scenes from Butte taken during a large conflagration, and several of a mining operation. Of note are images of mine workers inside the mine, mine-related buildings, underground railroad tracks, and an electric hoist. A large group photo shows men gathered around a table in a rough-shod office studying documents or maps. Automobiles are visible in some of the images. Many of the album photographs have captions written directly on them in pencil. Interior and exterior views of offices and homes.

This anonymous commonplace book, written in French, contains quotations on moral topics from widely read French authors of the later 18th century.

The unidentified author of this commonplace book extracted quotations on moral topics from some of the most popular, widely read French authors of the later 18th century, including Voltaire, Corneille, Rousseau, LaFontaine, Sédaine, and Béranger. While there is no indication of when the book was assembled, the handwriting appears consistent with a late 18th century origin, though the inclusion of a work by Béranger (1780-1857) and a work by Chemin-Dupontès published in 1798 suggests that it must have been at the very end of the period.

An unusually elegant piece, great care was lavished on the preparation of this commonplace book, suggesting that it was valued as an object, as much as for its literary worth. Bound in leather with gold tooling at the edges, 16mo, the book is written in a meticulous hand, with red borders around the text on each page, presenting a highly attractive, even impressive appearance.

The first section, the longest devoted to a single writer, is taken from Jean-Baptiste Chemin-Dupontès' Morale des sages de tous les pays et de tous les siècles, ou collection épurée des moralistes anciens et modernes (Paris, 1798). This is followed by selections of poetry in various genres, songs, and a section of riddle-like word games.

An anonymous Mormon airman kept this diary while serving with the 15th Air Force in Italy during World War II. Entries pertain to the airman's daily activities, including bombing missions in Italy and Central Europe, and to his postwar plans.

An anonymous Mormon airman kept this diary (138 pages) while serving with the 15th Air Force in Italy between December 9, 1944, and March 24, 1945. The diary begins with biographical information about the author, a 19-year-old draftee from Houston, Texas. He occasionally mentioned his Mormon faith, expressing his desire to meet Mormon friends and his hope that he and his sister would both marry within the faith (March 11, 1945). Most entries pertain to the author's daily activities, which included visits to Taranto, attending movies and USO shows, and attending church services. He frequently discussed his participation in bombing missions over northern Italy and Central Europe, mentioning the presence of antiaircraft fire and, occasionally, damage to his and other planes; one crew was forced to land in Yugoslavia. The diary names multiple bombing targets. On several occasions, the diarist expressed his desire to return home and wondered about the health of his mother, father, and sister.

This log book contains information about several voyages of the ships Moro Castle and Southern Rights between the United States and Europe from 1860-1867. Log entries pertain to weather, sailing, crew members, the discharge of cargo, and other matters. The volume also contains a brief excerpt from William Shakespeare's poem "Venus and Adonis."

This log book (93 pages) contains entries regarding multiple voyages of the ships Moro Castle and Southern Rights between the United States and Europe from 1860-1867.

Under W. L. Knowles, the Moro Castle traveled between New York and Bristol, England, from October 5, 1860-May 26, 1861. The volume also regards voyages between United States and European ports from August 1862-February 1864. Log entries typically report information about the ship's course, the use of sails, and the weather. The author occasionally mentioned crew members, including "green" sailor William Andrewson, who later deserted (October 12, 1860, and October 27-28, 1860); Thomas Brooks, who fell overboard (December 7, 1860); and the ship's cook, who appeared to have a mental breakdown (March 5, 1861). While in port, the Moro Castle discharged cargo, usually wheat. Earlier entries include partially completed hourly charts reporting wind speed, the ship's course, and similar information; later "abstract log" entries consist solely of prose.

The latter part of the volume contains the brief logs of several voyages of the Southern Rights between the United States and Europe. These entries are similar to those of the Moro Castle and appear to be written in the same hand as the later Moro Castle records. The author most frequently documented weather conditions, but also reported the crew's harsh language in an entry dated June 23, 1863, and a crew member's case of "sulks" in an entry dated February 10, 1864. The final pages include a short extract from William Shakespeare's poem "Venus and Adonis" and brief financial records.

• Moro Castle
  • October 5, 1860-May 26, 1861: New York to Bristol, England, and back to New York (including entries made during time in port)
  • August 30, 1862-September 23, 1862: [Mediterranean Sea] to Atlantic Ocean
  • March 24, 1863-April 6, 1863: New Orleans, Louisiana, to New York
  • June 23, 1863-July 23, 1863: New York to Glasgow, Scotland
  • January 5, 1864, and February 4, 1864-February 24, 1864: Leghorn, Italy, to Philadelphia, Pennsylvania
• Southern Rights
  • March 15, 1865-March 28, 1865: Shields, [England], to Atlantic Ocean
  • February 28, 1866-March 11, 1866: Charleston, South Carolina, to Liverpool, England
  • April 6, 1867-April 7, 1867: Charleston, South Carolina, to Liverpool, England

This collection is made up of diary entries, letters, and prayers by a woman who lived in Morris County, New Jersey, in the early 19th century. She discussed her religious convictions and activities, her social activities, and daily life. Internal evidence suggests that the materials may have belonged to Abigail Harrison.

This collection is made up of 90 pages of diary entries, letters, and prayers written by a woman who lived in Morris County, New Jersey, between December 25, 1815, and January 1, 1820. She discussed her religious convictions and activities, her social activities, and daily life.

The collection includes 3 diaries (67 pages). The first has paper covers with engraved illustrations and a multiplication table. The author wrote about her Christian faith, particularly with respect to good and evil and deliverance from sin. Her religious activities included reading the Bible and published sermons, attending church services, and attending prayer meetings. A few entries contain personal reflections on the death of the author's husband (January 1, 1819, pages 31-32) and her conversion to Christianity (June 27, 1819, page 66, and others).

The diary entries occasionally refer to missionary work; one entry mentions an extract from the Boston Recorder about a schoolteacher working with Native Americans in the west (January 4, 1819, page 36). The journal includes two religious poems (pages 12-13 and 21), one of which is attributed to Mrs. Isabella Graham. Additional manuscripts include one letter addressed to a sister and several prayers.