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The American Tour photograph album contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago.

The American Tour photograph album (24 x 18 cm) contains 96 Photographs of a tour taken of the United States and Canada, featuring the World's Columbian Exposition of 1893 in Chicago. The photographic narrative follows a trip from Southampton, England, across the Atlantic to New York City; Richmond, Virginia; Chicago, Ill.; the Niagara region; Saratoga, New York; the Hudson River valley; and finally New York City and Coney Island, New York. Images from the trans-Atlantic trip include the dock at Southampton, the Steamship SS Paris at sea; the Sandy Hook pilot boat; views of the Statue of Liberty; and steerage passengers on an ocean liner. Several images of Richmond, Va., and rural homes in Amelia County, Va. appear. One view showing a three adults and one child on a wagon "leaving Sherwood" may be of the travelers. Numerous views of the Columbian Exposition grounds in Chicago are at the center of the album. Photographs of Niagara Falls and the Niagara River include an image of Clifford Calverley crossing the river on a tightrope. Other images include barges on both the Saint Lawrence Seaway and Hudson River; boating and scenery at Lake George; and ice houses and sailboats along the Hudson River. Photographs of New York City depict Wall Street; Brighton Beach and Coney Island; the Statue of Liberty; and Jersey City Ferry Boat "Orange." The album's half-bound brown cloth cover is stamped in gilt "American Tour. 1893."

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. The photographs show city scenes and buildings, natural scenery, and travelers.

The Boston Mob Pennsylvania Tour and Cross-Country Tour photograph albums contain 213 pictures taken during travels in the Mid-Atlantic States, the northern Midwest, Colorado, and California in the early 1890s. Each album is 29cm x 35cm with titles stamped in gold on the front covers. Most photographs are captioned.

The first volume, "Pennsylvania Tour 1891," contains 77 items, comprised of 15.5cm x 20cm prints pasted one to a page and 9cm x 12cm prints pasted three or four to a page. The first 7 pictures and the final picture were taken at Gettysburg, Pennsylvania, including views of battlefield monuments and a military cemetery. The photographer also traveled to Luray, Virginia; Baltimore, Maryland; Washington, D.C.; and Richmond, Virginia. A few shots are group portraits of male and female tourists, who posed once in a railroad car by a banner reading "Boston Mob," and many others are images of city streets and natural scenery, including a series taken in and around a natural bridge and Cedar Creek in Virginia. While visiting Washington, D.C., the compiler photographed landmarks such as the Washington Monument, United States Treasury, White House, and State, War, and Navy Building. Ferries, horse-drawn trolleys (running on tracks), trains, bridges, and railroad depots are visible in many photographs. Of note is an aerial photograph of the White House and surrounding buildings taken from the top of the Washington Monument and a group of 5 items showing African American children playing on a street in Luray, Virginia.

The second volume, "Across the Continent 1892," contains 136 photographs (9cm x 12cm each), usually pasted four to a page. Most items are views of buildings and natural scenery in locations such as Niagara Falls; Sioux City, Iowa; Denver, Colorado; San Francisco, California; Los Angeles, California; Seattle, Washington; and Duluth, Minnesota, as well as other towns in Colorado and California. The pictures show donkeys, town and city buildings, a cattle ranch, and rock formations, particularly in the Garden of the Gods; the photographer visited Seattle during a snowy winter. A number of photographs show a smelter in Denver, Colorado. One group of California photographs features orange trees. Other items of note are a "Spirit Picture" of two overlapped city scenes and a shot of Grover Cleveland's inauguration on March 4, 1893.

The California and Western Tour photograph album contains commercial and amateur photographs of scenes in Yosemite National Park, Yellowstone National Park, California, New Mexico, and other locales. The volume includes a group of photographs taken at the World's Columbian Exposition in Chicago, Illinois, in 1893.

This album (23cm x 30cm) contains 67 commercial and amateur prints of scenes in various locales, particularly in the western United States. The album is bound in red pebbled leather with small gold trim. Many of the photographs are commercial prints as large as 19cm x 24cm, with captions and negative numbers. Manuscript captions accompany some of the items, often with information about the size of natural features shown. Pictures of rock formations, waterfalls, rivers and lakes, and geysers are most common, along with shots of architectural landmarks and groups of tourists. Prominent photograph locations include Yosemite National Park (9 items), Garden of the Gods (4 items), New Mexico (3 items), the Columbia River (3 items), and Yellowstone National Park (20 items). The album has 2 pictures of Niagara Falls, one of which was taken in winter.

Though the album focuses on natural scenery, several photographs show various types of buildings, such as missions in California and New Mexico, hotels in California, the Lick observatory, a group of buildings at the Shasta Springs retreat, a railroad dining car interior, and the exterior of a Chinese restaurant in San Francisco, California. Scenes of horse-drawn carriages fording the Fire Hole River in Yellowstone National Park and passing through a tunnel cut into the trunk of a large tree in Yosemite National Park are present, as are other group photographs. One shows "Miss E. P. Gould" riding a horse, and another shows a group of men fishing on Yellowstone Lake. An 1888 portrait of John C. Frémont, his wife Jessie, and their daughter shows them standing in front of the "Fremont tree" in Redwood Grove. A final group of photographs consists of pictures of various buildings constructed for the 1893 World's Columbian Exposition in Chicago, Illinois.

The Niagara Falls travel diary contains entries written while the diarist (anonymous) was on a trip from Albany, New York, to Niagara Falls, in the summer of 1815. The volume includes descriptions of the terrain around the falls and of the people the traveler met during the journey.

The Niagara Falls travel diary (18 pages) contains entries written while the diarist was on a trip from Albany, New York, to Niagara Falls, in the summer of 1815. The volume includes descriptions of the terrain around the falls and of the people the traveler met during the journey.

In the first entry, dated July 24, 1815, the author described a tour to Niagara Falls, starting at Albany and traveling past Utica along the Mohawk River. The diarist noted that the terrain was "unmistakable for its beauty" and compared it favorably to Harper’s Ferry. The second entry, August 4, describes the trip by ferry from Buffalo, New York, to Fort Erie, and eventually to Niagara. At Fort Erie, which was "a heap of ruin," the traveler encountered a military officer who had witnessed the fort’s siege by the British in 1814. Next, the author described the town of Chippewa, which suffered a damaging battle one year earlier. Passing Fort Niagara, the travelers enjoyed an easy approach to Niagara Falls; the writer described its physical features as well as the inhabitants of the area, including the Forsyth family, who hosted them. The diarist was disappointed that this natural wonder was so easy to reach, and lamented that the falls were "so completely at our command[,] so entirely abased at our feet." Multiple paths stretched along the falls, including trails on both the Canadian and New York sides.

The Pan-American Expo and Travel photograph album (17 x 19 cm) has 60 amateur gelatin silver prints consisting of architectural photographs taken at the 1901 Pan-American Exposition in Buffalo, N.Y, as well as photographs of Niagara Falls, General Grant’s Tomb, and caged animals at the Central Park Zoo in New York City. The album also includes images of the Old Fort in Annapolis, Nova Scotia, and shipbuilding in Yarmouth, Nova Scotia. There are also images of the U.S. Navy Battleships U.S.S. Kearsarge, Indiana, and Texas.

The Pan-American Expo and Travel photograph album (17 x 19 cm) has 60 amateur gelatin silver prints, 18 of which are architectural photographs taken at the 1901 Pan-American Exposition in Buffalo, N.Y. It also includes 4 photographs of what appears to be a demonstration of Coast Guard lifesaving procedures. Other views show a War of 1812 cannon on display, Niagara Falls, General Grant’s Tomb, and caged animals at the Central Park Zoo in New York City. The album also documents a trip to Fort Independence in Boston, as well as to Nova Scotia and New Brunswick, including images of the Old Fort in Annapolis, N.S., and shipbuilding in Yarmouth, N.S. There are also images of the U.S. Navy Battleships U.S.S. Kearsarge, Indiana, Texas. Also of note are a group of 4 photographs of the St. John's River and harbor in New Brunswick accompanied by a newspaper clipping describing the tidal movements in the harbor. All of the photographs in the album are accompanied by handwritten captions.

The album has a brown cover inscribed with the title "Photographs," and is housed in a light blue box.

The Stereograph-half album (34 x 27 cm) contains approximately 204 photographs, the majority of which are commercially produced half-steregraphs from locations in New Hampshire, New York, Washington, D.C., Virginia, Florida, Colorado and California.

The Stereograph-half album (34 x 27 cm) contains approximately 204 photographs, the majority of which are commercially produced half-steregraphs from locations in New Hampshire, New York, Washington, D.C., Virginia, Florida, Colorado and California. Photographs show Crawford Notch and Mt. Washington in New Hampshire; the American Falls of Niagara in winter; the Erie Canal in Lockport, N.Y.; landmarks and monuments in Washington, D.C. and Arlington, Va.; and 6 views of Lake George, N.Y. by Seneca Ray Stoddard, including the steamboat Horicon and the Sagamore Hotel. Florida photographs, some signed by photographer B.F. Upton, include Castillo de San Marcos; street scenes and a former slave market in St. Augustine; Harriet Beecher Stowe's house and family in Jacksonville; and African Americans standing near a log home and in a field of cotton. California scenes show the beach and town of Monterey, Cliff House in San Francisco, and 16 views of the Yosemite Valley. Two large albumen prints show Summit Station of the Central Pacific Railroad near Soda Springs, Calif., and gateway to the Garden of the Gods, Colorado, with ink stamp on verso: C.R. Savage, Art Bazaar, Salt Lake City, Utah. Additional photographs include botanical views, tourist attractions in Scotland, Paris, and other western European locations, and photographs of artworks.

The album is half bound leather with brown boards and is stored in a blue box.

The Western views - Kodak snapshot album contains 104 photographs primarily of Western landscapes including canyons, rivers, waterfalls, and the Monterey, San Francisco, and Santa Cruz coasts.

The Western views - Kodak snapshot album contains 104 photographs primarily of Western landscapes including canyons, rivers, waterfalls, and the Monterey, San Francisco, and Santa Cruz coasts. The album (26.5 x 32 cm) is fully bound in leather with gilt lettering "Kodak" on the front cover. Most of the locations depicted are represented in one or two photographs with the exception of Yellowstone (approximately 20 images) and the Grand Canyon (approximately 12 images). Other photographs show trains and train tracks, with two photographs of train station gardens in Sacramento and Ypsilanti, Michigan. Non-western locations and objects depicted include the Hudson, Niagara, and Mohawk Rivers, Niagara Falls, Minnehaha Falls, and Stone Arch Bridge in Minneapolis. In general people appear to be incidental to the scenery, save for two photographs showing posed groups; one in front of a topiary maze, and another in a grove of giant trees. Most photographs have numbers and captions derived from labeled negatives.